Read The Rise and Fall of the House of Medici Online
Authors: Christopher Hibbert
Before the Palazzo Medici was finished, Michelozzo began work on another house for Cosimo, a new villa in the Mugello. Cosimo never tired of country life. Whenever possible he left Florence to spend as long as he could at I1 Trebbio or at his beloved villa of Careggi where he was able to read in peace, go out and perform those country tasks from which he derived such solace, pruning his vines and tending his olives, planting mulberry and almond trees, and talking to the country people from whom he acquired those peasant proverbs and fables with which, on his return to the city, he enlivened his own conversation. Here at Careggi he could talk to his friends without the irritation of constant interruption; he could summon his young protégé, the little, clever, ugly Marsilio Ficino, to come over from the villa of Montevecchio to keep him company, to have a meal with him, or perhaps to play chess, the only game Cosimo ever did play. He wrote to Ficino in one characteristic letter in 1462,
Yesterday I arrived at Careggi not so much for the purpose of improving my fields as myself. Let me see you, Marsilio, as soon as possible. Bring with you the book of our favourite Plato, which I presume you have now translated into Latin according to your promise; for there is no employment to which I so ardently devote myself as to discover the true road to happiness. Do come then, and do not forget to bring with you the Orphean lyre.
Cosimo had no intention of leaving Careggi; but he wanted another villa, more remote, one which would serve as a place of retreat in times of trouble or plague and which would help to bind the country people of the Mugello more closely to his family. He chose a site at Cafaggiolo where the Medici had owned land for generations; and here, to Michelozzo’s designs, a new villa began to take shape in 1451.
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A few years later Michelozzo began work on yet another Medici villa. This was at Fiesole where Cosimo’s son, Giovanni, chose to reconstruct the castle-like villa known as Belcanto.
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The land around it was steep and stony, useless for farming, as Cosimo disapprovingly observed, cross with his son for spending so much money merely to
enjoy a view. But, as Giovanni protested, that was the whole point of Fiesole. His villa there would be built for pleasure alone: on summer evenings he and his family and friends would be able to sit upon the shaded terrace looking down upon the roofs of Florence.
But this was not Cosimo’s idea of a pleasant outlook. As he told Giovanni, he far preferred looking out from the windows at Cafaggiolo where all the surrounding land belonged to him. Besides, he was growing old, too old to think about new houses. When work on the Villa Medici at Fiesole was finished in 1463 he was seventy-four. For thirty difficult years he had been controlling the foreign policy of the Republic and the strain had weighed heavily upon him.
‘
Rencine? Rencine? Where is Rencine?
’
C
OSIMO’S SUPREME
importance as arbiter of Florence’s foreign policy had never been in doubt. Official correspondence was conducted through the
Signoria
; but no important decision was ever reached without reference to the Medici Palace. Foreign ambassadors were frequently to be seen passing through the gateway; Florentine ambassadors invariably called upon Cosimo before taking up their appointments.
For years his main preoccupation had been Milan. Patiently, doggedly, he had done all he could to persuade the Florentines that their standard policy of hostility to the Duchy was misguided and inexpedient, that they would be far better off with the Milanese as their friends even at the cost of antagonizing their traditional allies, the Venetians. At the beginning of the century Venice had enormously increased her possessions by conquering Verona, Vicenza, Padua, Belluno and Feltre, and, after defeating the Turkish fleet, had extended the frontiers of the Most Serene Republic far down the Dalmatian coast. In those years Florence had been thankful to have so powerful and rich an ally in her festering quarrel with Milan whose Duke, Filippo Maria Visconti, had been encouraged to make war on Florence by friends of the exiled Albizzi.
This Visconti was widely believed to be mad and was certainly unbalanced. He had been known on summer days to strip the rich clothes from his grotesquely fat and dirty body and to roll about naked in his garden. So ugly that he refused to have his portrait painted, so weak on his deformed legs that he could not rise from his
chair without leaning on a page; so nervous that he had been known to scream at the sight of a naked sword; so frightened of thunder that he had a sound-proof room built in his palace; so fond of practical jokes that he would suddenly produce a snake from his sleeve when talking to an unsuspecting courtier, he was also wilful, secretive and inordinately suspicious. Nevertheless, he was undeniably an astute politician who, during the thirty-five years of his rule, succeeded in recovering much of the territory in Lombardy which his father had conquered but which had been lost while he was still a boy. His attempts to extend the Duchy southwards into Tuscany were not, however, so successful, despite assurances from the Albizzi and other Florentine exiles that he had merely to appear in force in the territories of the Republic for the people to take up arms against their oppressors, the Medici. His invading forces were defeated in 1437 at the battle of Barga; they were thwarted again in 1438. And in June 1440 one of his most talented
condottieri
, Niccolò Piccinino, was routed by an army of Florentine mercenaries in a savage battle near Anghiari on the Arno. After this defeat, Piccinino and the remnants of his army marched quickly out of Tuscany, followed by the Albizzi whose hopes of returning to power were finally dashed. Rinaldo degli Albizzi rode dispiritedly off on a pilgrimage to the Holy Land, while the Florentines took possession of large tracts of lands in the mountainous district of the Cesentino, formerly the domain of an anachronistic feudal lord who had misguidedly joined forces with the Milanese.
At the time of his setback at Anghiari, Duke Filippo Maria Visconti was forty-eight. He had been married twice, first to the rich widow of one of his father’s
condottieri
whom he charged with adultery and had executed, then to a younger woman whom he had locked up after a dog had howled on their wedding night. By neither wife did he have a child; but a mistress bore him a daughter whom he called Bianca. This Bianca had many suitors but none more persistent than Francesco Sforza.
Francesco Sforza, too, was illegitimate. His father, an illiterate peasant from the Romagna whose name was Giacomo Attendolo, had been kidnapped by a gang of adventurers. After the death of
their leader he himself had taken command of them, had adopted the name of Sforza and, before being drowned in the Pescara River while trying to save the life of a young page, had led his men into battle in the service of both Naples and the Pope. At the age of twenty-two, in 1424, Francesco had succeeded his father in command of what was by then one of the best trained bands of mercenaries in Italy, and had subsequently shown exceptional military skill in fighting for the Visconti, the Venetians, the Pope and anyone else prepared to pay the high price he demanded for his services. He was an extremely strong, amiable, down-to-earth man, blunt of speech, with a big, honest face and the simple tastes of a man accustomed to the rough life of a camp. Pope Pius II later wrote of him:
He was very tall and bore himself with great dignity. His expression was serious, his way of speaking quiet, his manner gracious, his character in general such as became a prince. He appeared the only man of our time whom Fortune loved. He had great physical and intellectual gifts. He married a lady of great beauty, rank and virtue by whom he had a family of very handsome children [eight in all, as well as eleven illegitimate children]. He was rarely ill. There was nothing he greatly desired which he did not obtain.
To the annoyance of his occasional employer, the Duke of Milan, he had already carved out a small empire for himself in the Marches; but his ambitions were far from satisfied by that. By marrying Bianca he might, upon her father’s death, succeed to the great Duchy of Milan.
Visconti did not much care for the idea of having this peasant’s bastard as a son-in-law; but Sforza was not only the best soldier in Italy but a political force of consequence. So in November 1441 the Duke at last agreed to the marriage, giving his daughter Pontremoli and Cremona to present to her bridegroom as a dowry and making some rather indeterminate promises about the succession to the Duchy of Milan.
Visconti promises being notoriously unreliable, it came as no surprise when, upon Duke Filippo Maria’s death six years later, it was learned that he had nominated Alfonso, the Aragonese King of Naples, as his heir. Italy was now plunged into uproar. The Duke of
Orleans also put forward a claim to the Duchy of Milan as a son of Valentina Visconti. At the same time the German Emperor asserted his ancient rights to Milan; while Venice announced that she would brook no interference in her own claims in Lombardy. As Francesco Sforza prepared to march to take possession of what he considered to be his rightful inheritance, the Milanese – attempting to settle the problem to their own satisfaction – declared themselves masters of their city and re-established their old republic.
In Florence, Cosimo watched the crisis develop with an alert and anxious eye. He had met Francesco Sforza several years before, and had been deeply impressed by his manner and the force of his personality. The friendship then begun had since become more intimate and had been much strengthened by the generous loans which Sforza, in constant financial difficulties, had little difficulty in raising from the Medici bank. As well as lending him money and ensuring that he received additional subsidies from Florentine taxpayers, Cosimo exercised all the political and diplomatic influence he could bring to bear on his behalf. And it was, in fact, largely through Cosimo’s endeavours that Sforza, after three years of warfare and diplomatic negotiations, triumphantly entered Milan as Duke in March 1450.
Cosimo’s unremitting support of Sforza had aroused much angry criticism in Florence, particularly from two of the city’s most prominent citizens, Neri Capponi, who had played an important part in the defeat of Piccinino at Anghiari, and Giannozzo Manetti, the distinguished diplomat. Protests became even more outspoken when, to the extreme annoyance of Naples and Venice, Cosimo recognized Sforza as Lord of Milan before any other state had done so. It was outrageous, so opponents of the Medicean regime maintained, that Florentines should be taxed for the sake of an erstwhile
condottiere
, now a self-proclaimed duke, the declared enemy of a sister republic which was a traditional ally. Was not Cosimo’s anxiety to back Sforza dictated by fear of losing the huge sums of money he had lent him, and by his expectations of having a more profitable and stable relationship with a despot than he could hope to have with a republic?
Cosimo argued that Venice could no longer be considered a
reliable ally: her interests in the Levant clashed with those of Florence; her territorial possessions in the eastern Mediterranean made her an enemy of Turkey with whose empire Florence enjoyed a mutually profitable trade; her shipping was a tiresome rival of Florence’s growing fleet. On the other hand, Milan in the firm grasp of the grateful Sforza would prove an enormously valuable ally both against the encroachments of Venice and in Florence’s still unfulfilled ambition to gain possession of Lucca. Above all, an alliance of Florence with Sforza was the one sure way of bringing peace to Italy, and without peace the commerce of the city could never hope to thrive. Cosimo’s arguments were strongly and ably supported by Nicodemo Tranchedini da Pontremoli, Sforza’s clever and persuasive ambassador in Florence who was to remain there for seventeen years.