The Rainbow (27 page)

After a moment, she turned her bright face to her husband.

"They were really fighting, they were really fierce with each other!" she said, her voice keen with excitement and wonder, as if she belonged to the birds' world, were identified with the race of birds.

"Ay, they'll fight, will blue-caps," he said, glad when she turned to him with her glow from elsewhere. He came and stood beside her and looked out at the marks on the snow where the birds had scuffled, and at the yew trees' burdened, white and black branches. What was the appeal it made to him, what was the question of her bright face, what was the challenge he was called to answer? He did not know. But as he stood there he felt some responsibility which made him glad, but uneasy, as if he must put out his own light. And he could not move as yet.

Anna loved the child very much, oh, very much. Yet still she was not quite fulfilled. She had a slight expectant feeling, as of a door half opened. Here she was, safe and still in Cossethay. But she felt as if she were not in Cossethay at all. She was straining her eyes to something beyond. And from her Pisgah mount, which she had attained, what could she see? A faint, gleaming horizon, a long way off, and a rainbow like an archway, a shadow-door with faintly coloured coping above it. Must she be moving thither?

Something she had not, something she did not grasp, could not arrive at. There was something beyond her. But why must she start on the journey? She stood so safely on the Pisgah mountain.

In the winter, when she rose with the sunrise, and out of the back windows saw the east flaming yellow and orange above the green, glowing grass, while the great pear tree in between stood dark and magnificent as an idol, and under the dark pear tree, the little sheet of water spread smooth in burnished, yellow light, she said, "It is here". And when, at evening, the sunset came in a red glare through the big opening in the clouds, she said again, "It is beyond".

Dawn and sunset were the feet of the rainbow that spanned the day, and she saw the hope, the promise. Why should she travel any further?

Yet she always asked the question. As the sun went down in his fiery winter haste, she faced the blazing close of the affair, in which she had not played her fullest part, and she made her demand still: "What are you doing, making this big shining commotion? What is it that you keep so busy about, that you will not let us alone?"

She did not turn to her husband, for him to lead her. He was apart from her, with her, according to her different conceptions of him. The child she might hold up, she might toss the child forward into the furnace, the child might walk there, amid the burning coals and the incandescent roar of heat, as the three witnesses walked with the angel in the fire.

Soon, she felt sure of her husband. She knew his dark face and the extent of its passion. She knew his slim, vigorous body, she said it was hers. Then there was no denying her. She was a rich woman enjoying her riches.

And soon again she was with child. Which made her satisfied and took away her discontent. She forgot that she had watched the sun climb up and pass his way, a magnificent traveller surging forward. She forgot that the moon had looked through a window of the high, dark night, and nodded like a magic recognition, signalled to her to follow. Sun and moon travelled on, and left her, passed her by, a rich woman enjoying her riches. She should go also. But she could not go, when they called, because she must stay at home now. With satisfaction she relinquished the adventure to the unknown. She was bearing her children.

There was another child coming, and Anna lapsed into vague content. If she were not the wayfarer to the unknown, if she were arrived now, settled in her builded house, a rich woman, still her doors opened under the arch of the rainbow, her threshold reflected the passing of the sun and moon, the great travellers, her house was full of the echo of journeying.

She was a door and a threshold, she herself. Through her another soul was coming, to stand upon her as upon the threshold, looking out, shading its eyes for the direction to take.

Chapter 7

The Cathedral

During the first year of her marriage, before Ursula was born, Anna Brangwen and her husband went to visit her mother's friend, the Baron Skrebensky. The latter had kept a slight connection with Anna's mother, and had always preserved some officious interest in the young girl, because she was a pure Pole.

When Baron Skrebensky was about forty years old, his wife died, and left him raving, disconsolate. Lydia had visited him then, taking Anna with her. It was when the girl was fourteen years old. Since then she had not seen him. She remembered him as a small sharp clergyman who cried and talked and terrified her, whilst her mother was most strangely consoling, in a foreign language.

The little Baron never quite approved of Anna, because she spoke no Polish. Still, he considered himself in some way her guardian, on Lensky's behalf, and he presented her with some old, heavy Russian jewellery, the least valuable of his wife's relics. Then he lapsed out of the Brangwen's life again, though he lived only about thirty miles away.

Three years later came the startling news that he had married a young English girl of good family. Everybody marvelled. Then came a copy of "The History of the Parish of Briswell, by Rudolph, Baron Skrebensky, Vicar of Briswell." It was a curious book, incoherent, full of interesting exhumations. It was dedicated: "To my wife, Millicent Maud Pearse, in whom I embrace the generous spirit of England."

"If he embraces no more than the spirit of England," said Tom Brangwen, "it's a bad look-out for him."

But paying a formal visit with his wife, he found the new Baroness a little, creamy-skinned, insidious thing with red-brown hair and a mouth that one must always watch, because it curved back continually in an incomprehensible, strange laugh that exposed her rather prominent teeth. She was not beautiful, yet Tom Brangwen was immediately under her spell. She seemed to snuggle like a kitten within his warmth, whilst she was at the same time elusive and ironical, suggesting the fine steel of her claws.

The Baron was almost dotingly courteous and attentive to her. She, almost mockingly, yet quite happy, let him dote. Curious little thing she was, she had the soft, creamy, elusive beauty of a ferret. Tom Brangwen was quite at a loss, at her mercy, and she laughed, a little breathlessly, as if tempted to cruelty. She did put fine torments on the elderly Baron.

When some months later she bore a son, the Baron Skrebensky was loud with delight.

Gradually she gathered a circle of acquaintances in the county. For she was of good family, half Venetian, educated in Dresden. The little foreign vicar attained to a social status which almost satisfied his maddened pride.

Therefore the Brangwens were surprised when the invitation came for Anna and her young husband to pay a visit to Briswell vicarage. For the Skrebenskys were now moderately well off, Millicent Skrebensky having some fortune of her own.

Anna took her best clothes, recovered her best high-school manner, and arrived with her husband. Will Brangwen, ruddy, bright, with long limbs and a small head, like some uncouth bird, was not changed in the least. The little Baroness was smiling, showing her teeth. She had a real charm, a kind of joyous coldness, laughing, delighted, like some weasel. Anna at once respected her, and was on her guard before her, instinctively attracted by the strange, childlike surety of the Baroness, yet mistrusting it, fascinated. The little baron was now quite white-haired, very brittle. He was wizened and wrinkled, yet fiery, unsubdued. Anna looked at his lean body, at his small, fine lean legs and lean hands as he sat talking, and she flushed. She recognised the quality of the male in him, his lean, concentrated age, his informed fire, his faculty for sharp, deliberate response. He was so detached, so purely objective. A woman was thoroughly outside him. There was no confusion. So he could give that fine, deliberate response.

He was something separate and interesting; his hard, intrinsic being, whittled down by age to an essentiality and a directness almost death-like, cruel, was yet so unswervingly sure in its action, so distinct in its surety, that she was attracted to him. She watched his cool, hard, separate fire, fascinated by it. Would she rather have it than her husband's diffuse heat, than his blind, hot youth?

She seemed to be breathing high, sharp air, as if she had just come out of a hot room. These strange Skrebenskys made her aware of another, freer element, in which each person was detached and isolated. Was not this her natural element? Was not the close Brangwen life stifling her?

Meanwhile the little baroness, with always a subtle light stirring of her full, lustrous, hazel eyes, was playing with Will Brangwen. He was not quick enough to see all her movements. Yet he watched her steadily, with unchanging, lit-up eyes. She was a strange creature to him. But she had no power over him. She flushed, and was irritated. Yet she glanced again and again at his dark, living face, curiously, as if she despised him. She despised his uncritical, unironical nature, it had nothing for her. Yet it angered her as if she were jealous. He watched her with deferential interest as he would watch a stoat playing. But he himself was not implicated. He was different in kind. She was all lambent, biting flames, he was a red fire glowing steadily. She could get nothing out of him. So she made him flush darkly by assuming a biting, subtle class-superiority. He flushed, but still he did not object. He was too different.

Her little boy came in with the nurse. He was a quick, slight child, with fine preceptiveness, and a cool transitoriness in his interest. At once he treated Will Brangwen as an outsider. He stayed by Anna for a moment, acknowledged her, then was gone again, quick, observant, restless, with a glance of interest at everything.

The father adored him, and spoke to him in Polish. It was queer, the stiff, aristocratic manner of the father with the child, the distance in the relationship, the classic fatherhood on the one hand, the filial subordination on the other. They played together, in their different degrees very separate, two different beings, differing as it were in rank rather than in relationship. And the baroness smiled, smiled, smiled, always smiled, showing her rather protruding teeth, having always a mysterious attraction and charm.

Anna realised how different her own life might have been, how different her own living. Her soul stirred, she became as another person. Her intimacy with her husband passed away, the curious enveloping Brangwen intimacy, so warm, so close, so stifling, when one seemed always to be in contact with the other person, like a blood-relation, was annulled. She denied it, this close relationship with her young husband. He and she were not one. His heat was not always to suffuse her, suffuse her, through her mind and her individuality, till she was of one heat with him, till she had not her own self apart. She wanted her own life. He seemed to lap her and suffuse her with his being, his hot life, till she did not know whether she were herself, or whether she were another creature, united with him in a world of close blood-intimacy that closed over her and excluded her from all the cool outside.

She wanted her own, old, sharp self, detached, detached, active but not absorbed, active for her own part, taking and giving, but never absorbed. Whereas he wanted this strange absorption with her, which still she resisted. But she was partly helpless against it. She had lived so long in Tom Brangwen's love, beforehand.

From the Skrebensky's, they went to Will Brangwen's beloved Lincoln Cathedral, because it was not far off. He had promised her, that one by one, they should visit all the cathedrals of England. They began with Lincoln, which he knew well.

He began to get excited as the time drew near to set off. What was it that changed him so much? She was almost angry, coming as she did from the Skrebensky's. But now he ran on alone. His very breast seemed to open its doors to watch for the great church brooding over the town. His soul ran ahead.

When he saw the cathedral in the distance, dark blue lifted watchful in the sky, his heart leapt. It was the sign in heaven, it was the Spirit hovering like a dove, like an eagle over the earth. He turned his glowing, ecstatic face to her, his mouth opened with a strange, ecstatic grin.

"There she is," he said.

The "she" irritated her. Why "she"? It was "it". What was the cathedral, a big building, a thing of the past, obsolete, to excite him to such a pitch? She began to stir herself to readiness.

They passed up the steep hill, he eager as a pilgrim arriving at the shrine. As they came near the precincts, with castle on one side and cathedral on the other, his veins seemed to break into fiery blossom, he was transported.

They had passed through the gate, and the great west front was before them, with all its breadth and ornament.

"It is a false front," he said, looking at the golden stone and the twin towers, and loving them just the same. In a little ecstasy he found himself in the porch, on the brink of the unrevealed. He looked up to the lovely unfolding of the stone. He was to pass within to the perfect womb.

Then he pushed open the door, and the great, pillared gloom was before him, in which his soul shuddered and rose from her nest. His soul leapt, soared up into the great church. His body stood still, absorbed by the height. His soul leapt up into the gloom, into possession, it reeled, it swooned with a great escape, it quivered in the womb, in the hush and the gloom of fecundity, like seed of procreation in ecstasy.

She too was overcome with wonder and awe. She followed him in his progress. Here, the twilight was the very essence of life, the coloured darkness was the embryo of all light, and the day. Here, the very first dawn was breaking, the very last sunset sinking, and the immemorial darkness, whereof life's day would blossom and fall away again, re-echoed peace and profound immemorial silence.

Away from time, always outside of time! Between east and west, between dawn and sunset, the church lay like a seed in silence, dark before germination, silenced after death. Containing birth and death, potential with all the noise and transition of life, the cathedral remained hushed, a great, involved seed, whereof the flower would be radiant life inconceivable, but whose beginning and whose end were the circle of silence. Spanned round with the rainbow, the jewelled gloom folded music upon silence, light upon darkness, fecundity upon death, as a seed folds leaf upon leaf and silence upon the root and the flower, hushing up the secret of all between its parts, the death out of which it fell, the life into which it has dropped, the immortality it involves, and the death it will embrace again.