The Portrait of A Lady (60 page)

‘‘You needn't mind that.''

‘‘Oh yes, I must indeed. I can't disobey papa.''

‘‘Not for one who loves you as I do, and whom you pretend to love?''

Pansy raised the lid of the tea-pot, gazing into this vessel for a moment; then she dropped six words into its aromatic depths. ‘‘I love you just as much.''

‘‘What good will that do me?''

‘‘Ah,'' said Pansy, raising her sweet, vague eyes, ‘‘I don't know that.''

‘‘You disappoint me,'' groaned poor Rosier.

Pansy was silent a moment; she handed a tea-cup to a servant.

‘‘Please don't talk any more.''

‘‘Is this to be all my satisfaction?''

‘‘Papa said I was not to talk with you.''

‘‘Do you sacrifice me like that? Ah, it's too much!''

‘‘I wish you would wait a little,'' said the young girl, in a voice just distinct enough to betray a quaver.

‘‘Of course I will wait if you will give me hope. But you take my life away.''

‘‘I will not give you up—oh, no!'' Pansy went on.

‘‘He will try and make you marry some one else.''

‘‘I will never do that.''

‘‘What then are we to wait for?''

She hesitated a moment.

‘‘I will speak to Mrs. Osmond, and she will help us.'' It was in this manner that she for the most part designated her stepmother.

‘‘She won't help us much. She is afraid.''

‘‘Afraid of what?''

‘‘Of your father, I suppose.''

Pansy shook her little head.

‘‘She is not afraid of any one! We must have patience.''

‘‘Ah, that's an awful word,'' Rosier groaned; he was deeply disconcerted. Oblivious of the customs of good society, he dropped his head into his hands, and, supporting it with a melancholy grace, sat staring at the carpet. Presently he became aware of a good deal of movement about him, and when he looked up saw Pansy making a curtsy— it was still her little curtsy of the convent—to the English lord whom Mrs. Osmond had presented.

39

IT PROBABLY will not be surprising to the reflective reader that Ralph Touchett should have seen less of his cousin since her marriage than he had done before that event—an event of which he took such a view as could hardly prove a confirmation of intimacy. He had uttered his thought, as we know, and after this he had held his peace, Isabel not having invited him to resume a discussion which marked an era in their relations. That discussion had made a difference—the difference that he feared, rather than the one he hoped. It had not chilled the girl's zeal in carrying out her engagement; but it had come dangerously near to spoiling a friendship. No reference was ever again made between them to Ralph's opinion of Gilbert Osmond; and by surrounding this topic with a sacred silence, they managed to preserve a semblance of reciprocal frankness. But there was a difference, as Ralph often said to himself—there was a difference. She had not forgiven him; she never would forgive him; she believed she didn't care; and as she was both very generous and very proud, these convictions represented a certain reality. But whether or no the event should justify him, he would virtually have done her a wrong, and the wrong was of the sort that women remember best. As Osmond's wife, she could never again be his friend. If in this character she should enjoy the felicity she expected, she would have nothing but contempt for the man who had attempted, in advance, to undermine a blessing so dear; and if on the other hand his warning should be justified, the vow she had taken that he should never know it would lay upon her spirit a burden that would make her hate him. Such had been, during the year that followed his cousin's marriage, Ralph's rather dismal prevision of the future; and if his meditations appear morbid we must remember that he was not in the bloom of health. He consoled himself as he might by behaving (as he deemed) beautifully, and was present at the ceremony by which Isabel was united to Mr. Osmond, and which was performed in Florence in the month of June. He learned from his mother that Isabel at first had thoughts of celebrating her nuptials in her native land, but that as simplicity was what she chiefly desired to secure, she had finally decided, in spite of Osmond's professed willingness to make a journey of any length, that this characteristic would best be preserved by their being married by the nearest clergyman in the shortest time. The thing was done, therefore, at the little American chapel, on a very hot day, in the presence only of Mrs. Touchett and her son, of Pansy Osmond and the Countess Gemini. That severity in the proceedings of which I just spoke was in part the result of the absence of two persons who might have been looked for on the occasion, and who would have lent it a certain richness. Madame Merle had been invited, but Madame Merle, who was unable to leave Rome, sent a gracious letter of excuses. Henrietta Stackpole had not been invited, as her departure from America, announced to Isabel by Mr. Goodwood, was in fact frustrated by the duties of her profession; but she had sent a letter, less gracious than Madame Merle's, intimating that had she been able to cross the Atlantic, she would have been present not only as a witness but as a critic. Her return to Europe took place somewhat later, and she effected a meeting with Isabel in the autumn, in Paris, when she indulged—perhaps a trifle too freely—her critical genius. Poor Osmond, who was chiefly the subject of it, protested so sharply that Henrietta was obliged to declare to Isabel that she had taken a step which erected a barrier between them. ‘‘It isn't in the least that you have married—it is that you have married
him,
'' she deemed it her duty to remark; agreeing, it will be seen, much more with Ralph Touchett than she suspected, though she had few of his hesitations and compunctions. Henrietta's second visit to Europe, however, was not made in vain; for just at the moment when Osmond had declared to Isabel that he really must object to that newspaper-woman, and Isabel had answered that it seemed to her he took Henrietta too hard, the good Mr. Bantling appeared upon the scene and proposed that they should take a run down to Spain. Henrietta's letters from Spain proved to be the most picturesque she had yet published, and there was one in especial, dated from the Alhambra, and entitled ‘‘Moors and Moonlight,'' which generally passed for her masterpiece. Isabel was secretly disappointed at her husband's not having been able to judge the poor girl more humorously. She even wondered whether his sense of humour were by chance defective. Of course she herself looked at the matter as a person whose present happiness had nothing to grudge to Henrietta's violated conscience. Osmond thought their alliance a kind of monstrosity; he couldn't imagine what they had in common. For him, Mr. Bantling's fellow-tourist was simply the most vulgar of women, and he also pronounced her the most abandoned. Against this latter clause of the verdict Isabel protested with an ardour which made him wonder afresh at the oddity of some of his wife's tastes. Isabel could explain it only by saying that she liked to know people who were as different as possible from herself. ‘‘Why then don't you make the acquaintance of your washerwoman?'' Osmond had inquired; to which Isabel answered that she was afraid her washerwoman wouldn't care for her. Now Henrietta cared so much.

Ralph saw nothing of her for the greater part of the two years that followed her marriage; the winter that formed the beginning of her residence in Rome he spent again at San Remo, where he was joined in the spring by his mother, who afterwards went with him to England, to see what they were doing at the bank—an operation she could not induce him to perform. Ralph had taken a lease of his house at San Remo, a small villa, which he occupied still another winter; but late in the month of April of this second year he came down to Rome. It was the first time since her marriage that he had stood face to face with Isabel; his desire to see her again was of the keenest. She had written to him from time to time, but her letters told him nothing that he wanted to know. He had asked his mother what she was making of her life, and his mother had simply answered that she supposed she was making the best of it. Mrs. Touchett had not the imagination that communes with the unseen, and she now pretended to no intimacy with her niece, whom she rarely encountered. This young woman appeared to be living in a sufficiently honourable way, but Mrs. Touchett still remained of the opinion that her marriage was a shabby affair. It gave her no pleasure to think of Isabel's establishment, which she was sure was a very lame business. From time to time, in Florence, she rubbed against the Countess Gemini, doing her best, always, to minimize the contact; and the Countess reminded her of Osmond, who made her think of Isabel. The Countess was less talked about in these days; but Mrs. Touchett augured no good of that; it only proved how she had been talked about before. There was a more direct suggestion of Isabel in the person of Madame Merle; but Madame Merle's relations with Mrs. Touchett had undergone a perceptible change. Isabel's aunt had told her, without circumlocution, that she had played too ingenious a part; and Madame Merle, who never quarrelled with any one, who appeared to think no one worth it, and who had performed the miracle of living, more or less, for several years with Mrs. Touchett, without a symptom of irritation—Madame Merle now took a very high tone, and declared that this was an accusation from which she could not stoop to defend herself. She added, however (without stooping), that her behaviour had been only too simple, that she had believed only what she saw, that she saw that Isabel was not eager to marry, and that Osmond was not eager to please (his repeated visits were nothing; he was boring himself to death on his hill-top, and he came merely for amusement). Isabel had kept her sentiments to herself, and her journey to Greece and Egypt had effectually thrown dust in her companion's eyes. Madame Merle accepted the event— she was unprepared to think of it as a scandal; but that she had played any part in it, double or single, was an imputation against which she proudly protested. It was doubtless in consequence of Mrs. Touchett's attitude, and of the injury it offered to habits consecrated by many charming seasons, that Madame Merle, after this, chose to pass many months in England, where her credit was quite unimpaired. Mrs. Touchett had done her a wrong; there are some things that can't be forgiven. But Madame Merle suffered in silence; there was always something exquisite in her dignity.

Ralph, as I say, had wished to see for himself; but while he was engaged in this pursuit he felt afresh what a fool he had been to put the girl on her guard. He had played the wrong card, and now he had lost the game. He should see nothing; he should learn nothing; for him she would always wear a mask. His true line would have been to profess delight in her marriage, so that later, when, as Ralph phrased it, the bottom should fall out of it, she might have the pleasure of saying to him that he had been a goose. He would gladly have consented to pass for a goose in order to know Isabel's real situation. But now she neither taunted him with his fallacies nor pretended that her own confidence was justified; if she wore a mask, it completely covered her face. There was something fixed and mechanical in the serenity painted upon it; this was not an expression, Ralph said—it was a representation. She had lost her child; that was a sorrow, but it was a sorrow she scarcely spoke of; there was more to say about it than she could say to Ralph. It belonged to the past, moreover; it had occurred six months before, and she had already laid aside the tokens of mourning. She seemed to be leading a life of the world; Ralph heard her spoken of as having a ‘‘charming position.'' He observed that she produced the impression of being peculiarly enviable, that it was supposed, among many people, to be a privilege even to know her. Her house was not open to every one, and she had an evening in the week, to which people were not invited as a matter of course. She lived with a certain magnificence, but you needed to be a member of her circle to perceive it, for there was nothing to gape at, nothing to criticize, nothing even to admire, in the daily proceedings of Mr. and Mrs. Osmond. Ralph, in all this, recognized the hand of the master; for he knew that Isabel had no faculty for producing calculated impressions. She struck him as having a great love of movement, of gaiety, of late hours, of long drives, of fatigue; an eagerness to be entertained, to be interested, even to be bored, to make acquaintances, to see people that were talked about, to explore the neighbourhood of Rome, to enter into relation with certain of the mustiest relics of its old society. In all this there was much less discrimination than in that desire for comprehensiveness of development on which he used to exercise his wit. There was a kind of violence in some of her impulses, of crudity in some of her experiments, which took him by surprise; it seemed to him that she even spoke faster, moved faster, than before her marriage. Certainly she had fallen into exaggerations—she who used to care so much for the pure truth; and whereas of old she had a great delight in good-humoured argument, in intellectual play (she never looked so charming as when in the genial heat of discussion she received a crushing blow full in the face and brushed it away as a feather), she appeared now to think there was nothing worth people's either differing about or agreeing upon. Of old she had been curious, and now she was indifferent, and yet in spite of her indifference her activity was greater than ever. Slender still, but lovelier than before, she had gained no great maturity of aspect; but there was a kind of amplitude and brilliancy in her personal arrangements which gave a touch of insolence to her beauty. Poor human-hearted Isabel, what perversity had bitten her? Her light step drew a mass of drapery behind it; her intelligent head sustained a majesty of ornament. The free, keen girl had become quite another person; what he saw was the fine lady who was supposed to represent something. ‘‘What did Isabel represent?'' Ralph asked himself; and he could answer only by saying that she represented Gilbert Osmond. ‘‘Good heavens, what a function!'' he exclaimed. He was lost in wonder at the mystery of things. He recognized Osmond, as I say; he recognized him at every turn. He saw how he kept all things within limits; how he adjusted, regulated, animated their manner of life. Osmond was in his element; at last he had material to work with. He always had an eye to effect; and his effects were elaborately studied. They were produced by no vulgar means, but the motive was as vulgar as the art was great. To surround his interior with a sort of invidious sanctity, to tantalize society with a sense of exclusion, to make people believe his house was different from every other, to impart to the face that he presented to the world a cold originality—this was the ingenious effort of the personage to whom Isabel had attributed a superior morality. ‘‘He works with superior material,'' Ralph said to himself; ‘‘but it's rich abundance compared with his former resources.'' Ralph was a clever man; but Ralph had never—to his own sense—been so clever as when he observed,
in petto,
that under the guise of caring only for intrinsic values, Osmond lived exclusively for the world. Far from being its master, as he pretended to be, he was its very humble servant, and the degree of its attention was his only measure of success. He lived with his eye on it, from morning till night, and the world was so stupid it never suspected the trick. Everything he did was
pose
—
pose
so deeply calculated that if one were not on the look-out one mistook it for impulse. Ralph had never met a man who lived so much in the land of calculation. His tastes, his studies, his accomplishments, his collections, were all for a purpose. His life on his hill-top at Florence had been a
pose
of years. His solitude, his
ennui,
his love for his daughter, his good manners, his bad manners, were so many features of a mental image constantly present to him as a model of impertinence and mystification. His ambition was not to please the world, but to please himself by exciting the world's curiosity and then declining to satisfy it. It made him feel great to play the world a trick. The thing he had done in his life most directly to please himself was his marrying Isabel Archer; though in this case indeed the gullible world was in a manner embodied in poor Isabel, who had been mystified to the top of her bent. Ralph of course found a fitness in being consistent; he had embraced a creed, and as he had suffered for it he could not in honour forsake it. I give this little sketch of its articles for what they are worth. It was certain that he was very skilful in fitting the facts to his theory—even the fact that during the month he spent in Rome at this period Gilbert Osmond appeared to regard him not in the least as an enemy. For Mr. Osmond Ralph had not now that importance. It was not that he had the importance of a friend; it was rather that he had none at all. He was Isabel's cousin, and he was rather unpleasantly ill—it was on this basis that Osmond treated with him. He made the proper inquiries, asked about his health, about Mrs. Touchett, about his opinion of winter climates, whether he was comfortable at his hotel. He addressed him, on the few occasions of their meeting, not a word that was not necessary; but his manner had always the urbanity proper to conscious success in the presence of conscious failure. For all this, Ralph had, towards the end, an inward conviction that Osmond had made it uncomfortable for his wife that she should continue to receive her cousin. He was not jealous—he had not that excuse; no one could be jealous of Ralph. But he made Isabel pay for her old-time kindness, of which so much was still left; and as Ralph had no idea of her paying too much, when his suspicion had become sharp, he took himself off. In doing so he deprived Isabel of a very interesting occupation: she had been constantly wondering what fine principle kept him alive. She decided that it was his love of conversation; his conversation was better than ever. He had given up walking; he was no longer a humorous stroller. He sat all day in a chair—almost any chair would do, and was so dependent on what you would do for him that, had not his talk been highly contemplative, you might have thought he was blind. The reader already knows more about him than Isabel was ever to know, and the reader may therefore be given the key to the mystery. What kept Ralph alive was simply the fact that he had not yet seen enough of his cousin; he was not yet satisfied. There was more to come; he couldn't make up his mind to lose that. He wished to see what she would make of her husband—or what he would make of her. This was only the first act of the drama, and he was determined to sit out the performance. His determination held good; it kept him going some eighteen months more, till the time of his return to Rome with Lord Warburton. It gave him indeed such an air of intending to live indefinitely that Mrs. Touchett, though more accessible to confusions of thought in the matter of this strange, unremunerative— and unremunerated—son of hers than she had ever been before, had, as we have learned, not scrupled to embark for a distant land. If Ralph had been kept alive by suspense, it was with a good deal of the same emotion— the excitement of wondering in what state she should find him—that Isabel ascended to his apartment the day after Lord Warburton had notified her of his arrival in Rome.