The Patrick Melrose Novels (2 page)

David dropped the hose on the gravel path, thinking how useless to him Eleanor had become. She had been rigid with terror for too long. It was like trying to palpate a patient's swollen liver when one had already proved that it hurt. She could only be persuaded to relax so often.

He remembered an evening twelve years before, when he had asked her to dinner at his flat. How trusting she was in those days! They had already slept together, but Eleanor still treated him shyly. She wore a rather shapeless white dress with large black polka dots. She was twenty-eight but seemed younger because of the simple cut of her lank blonde hair. He found her pretty in a bewildered, washed-out way, but it was her restlessness that aroused him, the quiet exasperation of a woman who longs to throw herself into something significant, but cannot find what it is.

He had cooked a Moroccan dish of pigeon stuffed with almonds. He served it to her on a bed of saffron rice and then drew back the plate. ‘Will you do something for me?' he asked.

‘Of course,' she said. ‘What?'

He put the plate on the floor behind her chair and said, ‘Would you eat your food without using a knife and fork, or your hands, just eat it off the plate?'

‘Like a dog, you mean?' she asked.

‘Like a girl pretending to be a dog.'

‘But why?'

‘Because I want you to.'

He enjoyed the risk he was taking. She might have said no and left. If she stayed and did what he wanted, he would capture her. The odd thing was that neither of them thought of laughing.

A submission, even an absurd one, was a real temptation to Eleanor. She would be sacrificing things she did not want to believe in – table manners, dignity, pride – for something she did want to believe in: the spirit of sacrifice. The emptiness of the gesture, the fact that it did not help anybody, made it seem more pure at the time. She knelt down on all fours on the threadbare Persian rug, her hands flattened either side of the plate. Her elbows jutted out as she lowered herself and picked up a piece of pigeon between her teeth. She felt the strain at the base of her spine.

She sat back, her hands resting on her knees, and chewed quietly. The pigeon tasted strange. She looked up a little and saw David's shoes, one pointing towards her along the floor, the other dangling close to her in the air. She looked no higher than the knees of his crossed legs, but bowed down again, eating more eagerly this time, rooting about in the mound of rice to catch an almond with her lips and shaking her head gently to loosen some pigeon from the bone. When she looked up at him at last, one of her cheeks was glazed with gravy and some grains of the yellow rice were stuck to her mouth and nose. All the bewilderment was gone from her face.

For a few moments David had adored her for doing what he had asked. He extended his foot and ran the edge of his shoe gently along her cheek. He was completely captivated by the trust she showed him, but he did not know what to do with it, since it had already achieved its purpose, which was to demonstrate that he could elicit her submission.

The next day he told Nicholas Pratt what had happened. It was one of those days when he made his secretary say that he was busy, and sat drinking in his club, beyond the reach of fevered children and women who pretended their hangovers were migraines. He liked to drink under the blue and gold ceiling of the morning room, where there was always a ripple left by the passage of important men. Dull, dissolute, and obscure members felt buoyed up by this atmosphere of power, as little dinghies bob up and down on their moorings when a big yacht sails out of the harbour they have shared.

‘Why did you make her do it?' asked Nicholas, hovering between mischief and aversion.

‘Her conversation is so limited, don't you find?' said David.

Nicholas did not respond. He felt that he was being forced to conspire, just as Eleanor had been forced to eat.

‘Did she make better conversation from the floor?' he asked.

‘I'm not a magician,' said David, ‘I couldn't make her amusing, but I did at least keep her quiet. I was dreading having another talk about the agonies of being rich. I know so little about them, and she knows so little about anything else.'

Nicholas chuckled and David showed his teeth. Whatever one felt about David wasting his talents, thought Nicholas, he had never been any good at smiling.

David walked up the right side of the double staircase that led from the garden to the terrace. Although he was now sixty, his hair was still thick and a little wild. His face was astonishingly handsome. Its faultlessness was its only flaw; it was the blueprint of a face and had an uninhabited feeling to it, as if no trace of how its owner had lived could modify the perfection of the lines. People who knew David well watched for signs of decay, but his mask grew more noble each year. Behind his dark glasses, however rigidly he held his neck, his eyes flickered unobserved, assessing the weaknesses in people. Diagnosis had been his most intoxicating skill as a doctor and after exhibiting it he had often lost interest in his patients, unless something about their suffering intrigued him. Without his dark glasses, he wore an inattentive expression, until he spotted another person's vulnerability. Then the look in his eyes hardened like a flexed muscle.

He paused at the top of the stairs. His cigar had gone out and he flung it over the wall into the vines below. Opposite him, the ivy that covered the south side of the house was already streaked with red. He admired the colour. It was a gesture of defiance towards decay, like a man spitting in the face of his torturer. He had seen Eleanor hurrying away early in her ridiculous car. He had even seen Yvette trying to steal into the house without drawing attention to herself. Who could blame them?

He knew that his unkindness to Eleanor was effective only if he alternated it with displays of concern and elaborate apologies for his destructive nature, but he had abandoned these variations because his disappointment in her was boundless. He knew that she could not help him unravel the knot of inarticulacy that he carried inside him. Instead, he could feel it tightening, like a promise of suffocation that shadowed every breath he took.

It was absurd; but all summer long he had been obsessed by the memory of a mute cripple he had seen in Athens airport. This man, trying to sell tiny bags of pistachio nuts by tossing printed advertisements into the laps of waiting passengers, had heaved himself forward, stamping the ground with uncontrollable feet, his head lolling and his eyes rolling upwards. Each time David had looked at the man's mouth twisting silently, like a gasping fish on a river bank, he had felt a kind of vertigo.

David listened to the swishing sound his yellow slippers made as he walked up the last flight of steps to the door that led from the terrace into the drawing room. Yvette had not yet opened the curtains, which saved him the trouble of closing them again. He liked the drawing room to look dim and valuable. A dark red and heavily gilded chair that Eleanor's American grandmother had prised from an old Venetian family on one of her acquisitive sweeps through Europe gleamed against the opposite wall of the room. He enjoyed the scandal connected with its acquisition and, knowing that it ought to be carefully preserved in a museum, he made a point of sitting on it as often as possible. Sometimes, when he was alone, he sat in the Doge's chair, as it was always called, leaning forward on the edge of the seat, his right hand clasping one of the intricately carved arms, striking a pose he remembered from the
Illustrated History of England
he had been given at prep school. The picture portrayed Henry V's superb anger when he was sent a present of tennis balls by the insolent King of France.

David was surrounded by the spoils of Eleanor's matriarchal American family. Drawings by Guardi and Tiepolo, Piazetta and Novelli hung thickly over the walls. An eighteenth-century French screen, crowded with greyish-brown monkeys and pink roses, divided the long room in half. Partially hidden behind it, from where David stood, was a black Chinese cabinet, its top crowded with neat rows of bottles, and its inner shelves filled with their reinforcements. As he poured himself a drink, David thought about his dead father-in-law, Dudley Craig, a charming, drunken Scotsman who had been dismissed by Eleanor's mother, Mary, when he became too expensive to keep.

After Dudley Craig, Mary had married Jean de Valençay, feeling that if she was going to keep a man, he might as well be a duke. Eleanor had been brought up in a string of houses where every object seemed to have been owned by a king or an emperor. The houses were wonderful, but guests left them with relief, conscious that they were not quite good enough, in the duchess's eyes, for the chairs on which they had sat.

David walked towards the tall window at the end of the room. The only one with its curtain open, it gave a view onto the mountain opposite. He often stared at the bare outcrops of lacerated limestone. They looked to him like models of human brains dumped on the dark green mountainside, or at other times, like a single brain, bursting from dozens of incisions. He sat on the sofa beside the window and looked out, trying to work up a primitive sense of awe.

 

2

PATRICK WALKED TOWARDS THE
well. In his hand he carried a grey plastic sword with a gold handle, and swished it at the pink flowers of the valerian plants that grew out of the terrace wall. When there was a snail on one of the fennel stems, he sliced his sword down the stalk and made it fall off. If he killed a snail he had to stamp on it quickly and then run away, because it went all squishy like blowing your nose. Then he would go back and have a look at the broken brown shell stuck in the soft grey flesh, and would wish he hadn't done it. It wasn't fair to squash the snails after it rained because they came out to play, bathing in the pools under the dripping leaves and stretching out their horns. When he touched their horns they darted back and his hand darted back as well. For snails he was like a grown-up.

One day, when he was not intending to go there, he had been surprised to find himself next to the well and so he decided that the route he had discovered was a secret short cut. Now he always went that way when he was alone. He walked through a terrace of olive trees where yesterday the wind had made the leaves flick from green to grey and grey to green, like running his fingers back and forth over velvet, making it turn pale and dark again.

He had shown Andrew Bunnill the secret short cut and Andrew said it was longer than the other way, and so he told Andrew he was going to throw him down the well. Andrew was feeble and had started to cry. When Andrew flew back to London, Patrick said he would throw him out of the plane. Blub, blub, blub. Patrick wasn't even on the plane, but he told Andrew he would be hiding under the floor and would saw a circle around his chair. Andrew's nanny said that Patrick was a nasty little boy, and Patrick said it was just because Andrew was so wet.

Patrick's own nanny was dead. A friend of his mother's said she had gone to heaven, but Patrick had been there and knew perfectly well that they had put her in a wooden box and dropped her in a hole. Heaven was the other direction and so the woman was lying, unless it was like sending a parcel. His mother cried a lot when nanny was put in the box, she said it was because of her own nanny. That was stupid, because her own nanny was still alive and in fact they had to go and visit her on the train, and it was the most boring thing ever. She had horrible cake with only a tiny bit of jam in the middle and millions of miles of fluff on either side. She always said, ‘I know you like this,' which was a lie, because he had told her he didn't the last time. It was called sponge cake and so he had asked was it for having a bath with and his mother's nanny had laughed and laughed and hugged him for ages. It was disgusting because she pressed her cheek next to his and her skin hung down loosely, like that chicken's neck he had seen hanging over the edge of the table in the kitchen.

Why did his mother have to have a nanny anyway? He didn't have one anymore and he was only five. His father said he was a little man now. He remembered going to England when he was three. It was winter and he saw snow for the first time. He could remember standing on the road by a stone bridge and the road was covered in frost and the fields were covered in snow and the sky was shining and the road and the hedges were blazing and he had blue woollen gloves on and his nanny held his hand and they stood still for ages looking at the bridge. He used to think of that often, and the time they were in the back of the car and he had his head in her lap and he looked up at her and she smiled and the sky behind her head was very wide and blue, and he had fallen asleep.

Patrick walked up a steep bank on a path that ran beside a bay tree and emerged next to the well. He was forbidden to play by the well. It was his favourite place to play. Sometimes he climbed onto the rotten cover and jumped up and down, pretending it was a trampoline. Nobody could stop him, nor did they often try. The wood was black where the blistered pink paint had peeled off. It creaked dangerously and made his heart beat faster. He was not strong enough to lift the cover himself, but when it was left open he collected stones and clumps of earth to throw down the shaft. They hit the water with a deep reverberating splash and broke into the blackness.

Patrick raised his sword in triumph as he reached the top of the path. He could see that the cover of the well was pushed back. He started to search about for a good stone, the biggest one he could lift and the roundest he could find. He hunted in the surrounding field and unearthed a reddish stone which he needed both hands to carry. He placed it on the flat surface next to the opening of the well shaft and hoisted himself up until his legs no longer touched the ground and, leaning over as far as he could, looked down at the darkness where he knew the water was hiding. Holding on with his left hand, he pushed the stone over the edge and heard the plunging sound it made and watched the surface break and the disturbed water catch the light of the sky and gleam back at it unreliably. So heavy and black it was more like oil. He shouted down the shaft where the dry bricks turned green and then black. If he leaned over far enough he could hear a damp echo of his own voice.