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Authors: Thomas Ligotti

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BOOK: The Nightmare Factory
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“But now you’re in danger of losing all that, which is why I showed up tonight. You’ve got to get out of this tinsellated sideshow. This is for hicks, this is small time. You can do better than this. I can take you places where the stories of tortuous romance and the storms never end. I’ll take you there. Please, don’t back away from me. There’s nowhere to go and your eyes tell me you want the same things I do. If you’re worried about the hardships of traveling to strange faraway places, don’t! You’re almost there now. Just fall into my arms, into my heart, into—There, that was easy, wasn’t it?”

Afterward I retraced my steps down stairways and through corridors of scarlet darkness. “Goodnight, everybody!” I said to the girls in the reception room. Back out on the street, I paused and looked at that peculiar door again. I could now see the logic of doing away with gratuitous barriers between one place and another, between those on the outside and those within. Bring down the walls! But watch out for escapees.

Actually she made only a single attempt. It wasn’t serious, though. A drunk I passed on the sidewalk saw an arm shoot out at him from underneath my shirt, projecting chest-high at a perfect right angle to the rest of me. He staggered over, shook the hand with a jolly vigor, and then proceeded on his way. And I proceeded on mine, once I’d got her safely back inside her fabulous prison, a happy captive of my heart. We fled down the sidewalk. We breathed the cold of that winter night. We were one forever.

At the corner the amber traffic light had finally burst into a glorious red as my old flame and I approached the ultimate intersection of our flesh…as well as our dreams.

THE CHRISTMAS EVES OF AUNT ELISE:
A TALE OF POSSESSION IN OLD GROSSE POINTE

W
e pronounced her name with a distinct “Z” sound—
Remember, Jack, remember
—the way some people slur Missus into Mizzuz or for Christmas say Chrizmuzz. It was at her remarkable home in Grosse Pointe that she insisted our family, both its wealthy and its unwealthy side, celebrate each Christmas Eve in a style that exuded the traditional, the old-fashioned, the antique. Actually, Aunt Elise constituted the wealthy side of the family all on her own. Her husband had died many years before, leaving his wife with a prosperous real estate business but no children. Not surprisingly, Aunt Elise undertook the ownership and management of the firm with phenomenal success, perpetuating our heirless uncle’s family name on for-sale signs planted in front lawns all over the state. But what was Uncle’s
first
name, a young nephew or niece sometimes wondered. Or, as it was more than once put by one of us children: “Where’s
Uncle
Elise?” To which the rest of us answered in unison: “He’s at his ease,” a response we learned from none other than our widowed aunt herself.

Aunt Elise was without husband or offspring of her own, true enough. But she loved all the ferment of big families, and every holiday season she possessed as much in relations both young and no longer young as she did in her real estate returns, her tangible and intangible assets and investments, and her abundant hard cash. Her house was something of an Elizabethan country manor in style while remaining modest, even relatively miniature, in scale. It fit very nicely—when it existed—into a claustrophobic cluster of trees on some corner acreage a few steps uphill from Lake Shore Drive, profiling rather than facing the lake itself. A rather dull exterior of soot-gray stones somewhat camouflaged the old place in its woodland hideaway; until one caught sight of its diamond-paned windows—kept brilliant by the personal attention of Aunt Elise herself, no less—and one realized that a house in fact existed where before there seemed to be only shadowed emptiness.

Around Christmastime these many-faceted windows took on a candied glaze in the pink, blue, green, and other-colored lights strung about their perimeters. More often in the old days—
Remember them, Jack
—a thick December fog rolled off the not-yet-frozen lake and those kaleidoscopic windows would throw their spectrums into the softening mist. This, to my child’s senses, was the image and atmosphere defining the winter holiday: a serene congregation of colors whose confused murmurings divulged to this world rumors of strange and solemn services that were concurrently taking place in another. This was the celebration, this the festival. Why did we leave it all behind us, leave it outside? And as I was guided up the winding front walk toward the house, a parent’s hand in either of mine, I always stopped short, pulling Mom and Dad back like a couple of runaway horses, and for a brief, futile moment refused to go inside.

After my first Christmas—chronologically my fifth—I knew what happened inside the house, and year after year there was little change either in the substance or surface details of the program. For those from large families, this scene is a little too familiar to bother describing. Perhaps even lifelong orphans are jaded to it. Still, there are others to whom depictions of the unusual uncles, the loveable grandparents, and the common run of cousins will always be fresh and dear; those who delight in multiple generations of characters crowding the page, who are warmed by the feel of their paper flesh. I tell you they share these desires with my Aunt Elise, and her spirit is in them.

She always occupied and dominated, for the duration of these Christmas Eves, the main room of her house. This room I never saw except as a fantasy of ornamentation, an hallucinatorium in holiday dress. Right now I can only hope to portray a few of its highlights. First of all holly, both fresh and artificial, hung down the walls from wherever it was possible to hang—from the frames of paintings, from the stained-wood shelves of a thousand gewgaws, even from the velvety embossed pattern of the wallpaper itself, intertwining with its vegetable swirls and flourishes, if my memory sees this accurately. And from fixtures above, including a chandelier delicately sugared with tiny Italian lights, down came gardens of mistletoe in mid-air. The huge fireplace blazed with a festive inferno, and before its cinder-spitting hearth was a protective screen, at either end of which stood a pair of thick brass posts; and over the crown of each post—whose shape and design I never glimpsed—were two puppet Santas, slipped on like socks and drooping a little to one side, their mittens outstretched in readiness to give someone a tiny, angular hug. In a corner, the one beside the front window, a sturdy evergreen was somewhere hidden beneath every imaginable type of dangling, roping, or blinking decoration, as well as being dolled up with ridiculous satin bows in pastel shades, lovingly tied by human hands. The same hands did their work on the presents beneath the tree, and year after year these seemed, like everything else in the room, to be in exactly the same place, as if the gifts of last Christmas had never been opened, quickening in me the nightmarish sense of a ritual forever reenacted without hope of escape. (Somehow I am still possessed by this same feeling of entrapment, and after all these years.) My own present was always at the back of that horde of packages, almost against the wall behind the tree. It was tied up with a pale purple ribbon and covered with pale blue wrapping paper upon which little bears in infants’ sleeping gowns dreamed of more pale blue presents which, instead of more bears, had little boys dreaming upon them. I spent much of a given Christmas Eve sitting near this gift of mine, mostly to find refuge from the others rather than to wonder at the thing inside. It was always something in the way of underwear, nightwear, or socks, never the nameless marvel which I fervently hoped to receive from my obscenely well-heeled aunt. Nobody seemed to mind that I sat on the other side of the room from where most of them congregated to talk or sing carols to the music of an ancient organ, which Aunt Elise played with her back to her audience, and to me.

Slee—eep in heav—enly peace.

“That was very good,” she said without turning around. As usual the sound of her voice led you to expect that any moment she would clear her throat of some sticky stuff which was clinging to its insides. Instead she switched off the electric organ, after which gesture some of the gathering, dismissed, left for other parts of the house.

“We didn’t hear Old Jack singing with us,” she said, turning to look across the room where I was seated in a large chair beside a fogged window. On that occasion I was about twenty or twenty-one, home from school for Christmas. I had drunk quite a bit of Aunt Elise’s holiday punch, and felt like answering: “Who cares if you didn’t hear Old Jack singing, you old bat?” But instead I simply stared her way, drunkenly taking in her features, with prejudice, for the family scrapbook of my memory: tight-haired head (like combed wires), calm eyes of someone in an old portrait (someone long gone), high cheekbones highly colored (less rosily than like a rash), and the prominent choppers of a horse charging out of nowhere in a dream. I had no worry about my future ability to recall these features, even though I had secretly vowed this would be the last Christmas Eve I would view them. So I could afford to be tranquil in the face of Aunt Elise’s taunts that evening. Anyway, further confrontation between the two of us was aborted when some of the children began clamoring for one of their aunt’s stories. “And this time a
true
story, Auntie. One that really happened.”

“All right,” she answered, adding that “maybe Old Jack would like to come over and sit with us.”

“Too old for that, thank you. Besides, I can hear you just fine from—” “Well,” she began before I’d finished, “let me think a moment. There are so many, so
many
. Anyhow, here’s one of them. This happened before any of you were born, a few winters after I moved into this neighborhood with your uncle. I don’t know if you ever noticed, but a little ways down the street there’s an empty lot where there should be, used to be, a house. You can see it from the front window over there,” she said, pointing to the window beside my chair. I let my eyes follow her finger out that window and, through the fog, I witnessed the empty lot of her story.

“There was once a house on that lot, a beautiful old house with more floors and more windows than this one, more of everything. The house was lived in by a very old man who never went out and who never invited anyone to visit him, at least no one that I ever noticed. And after the old man died, what do you think happened to the house?”

“It disappeared,” answered some of the children, jumping the gun.

“In a way, I suppose it did disappear. Actually what happened was that some men came and tore the house down brick by brick, shingle by shingle. I think the old man who lived there must have been very mean to want that to happen to his house after he died.”

“How do you know he wanted it?” I interjected, trying to spoil her assumption.

“What other sensible explanation is there?” Aunt Elise answered. “Anyhow,” she went on, “I think that the old man just couldn’t stand the thought of anyone else living in the house and being happy there, because surely he wasn’t. But maybe there was also another reason,” said Aunt Elise, drawing out these last words and torturing them at length with her muddled vocal system. The children sitting on the carpet before her listened with a new intentness, while the blazing logs seemed to start up a little more noisily in the fireplace.

“Maybe by destroying his house, making it disappear, the old man thought he was taking it with him into the other world. People who have lived alone for a very long time often think and do very strange things,” she emphasized, though I’m sure no one except me thought to apply this final statement to the storyteller herself.
Tell everything, Jack.
She went on:

“Now what would lead a person to such conclusions about the old man, you may wonder? Did something strange happen with him and his house, after both of them were gone? I’ll tell you, because one night, yes, something did happen.

“One night—a foggy winter’s night like this one, oh my little children—someone came walking down this exact street and paused at the property line of the house of the old man who was now dead. This someone was a young man whom many people had seen wandering around here off and on for some years. I myself, I tell you, once confronted him and asked him what business he had with us and with our homes, because that’s what he seemed most interested in. Anywho, this young man called himself an an-tee-quarian, and he said he was very interested in old things, particularly old houses. And he had a very particular interest in that strange old house of the old man. A number of times he had asked if he could look around inside, but the old man always refused. Most of the time the house was dark and seemed as if no one was home, even though someone always was.

“Imagine the young man’s surprise, then, when he now saw not a dark empty place, no, but a place of bright Christmas lights shining all fuzzy through the fog. Could this be the old man’s house? Lit up with these lights? Yes, it could, because there was the old man himself standing at the window with a rather friendly look on his face. At least for him it was. So, one last time, the young man thought he would try his luck with the old house. He rang the bell and the front door slowly opened wide. The old man didn’t say anything, but merely stepped back and allowed the other to enter. Finally the young antiquarian would be able to study the inside of the house to his heart’s content. Along the way, in narrow halls and long-abandoned rooms, the old man stood silently beside his guest, smiling all the time.”

“I can’t imagine how you know this part of your
true
story, Aunt Elise,” I interrupted.

“Aunt Elise knows,” asserted one of my little cousins just to shut me up, saving my aunt the trouble. She went on:

“After the young man had looked all around the house, both men sat down in the deep comfortable chairs of the front parlor and talked a while about the house. But it wasn’t too long before that smile on the old man’s face, that quiet little smile, began to bother his visitor in a peculiar way. At last the young man claimed he had to go, glancing down at the watch he had drawn from his pocket. And when he looked up again…the old man was gone. This startled the young man for a moment. He checked the nearby rooms and hallways for his host, calling “sir, sir” because he never found out the old man’s name. And though he could have been in a dozen different places, the owner of the house didn’t seem to be anywhere in particular that the young man could see. So the antiquarian decided just to leave without saying goodbye or thank you or anything like that.

BOOK: The Nightmare Factory
3.35Mb size Format: txt, pdf, ePub
ads

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