THE NEXT TO DIE (2 page)

Linda Zane made only one public appearance in the wake of her husband’s death. A bodyguard accompanied Linda to Tony’s memorial service. Two hours later, she boarded a private jet to Greece, destined for the secluded villa of a millionaire friend.

Over two dozen “protesters” also showed up at the funeral. Picketing outside the church, they carried signs that declared
TONY KATZ BURNS IN HELL
, and
GOD HATES FAGS
. Some protesters bought their children along.

Jim Gelder’s widow told reporters that her husband wasn’t a homosexual. But everyone already had him labeled as the boyfriend of Tony Katz, so her claims fell on deaf ears. Tony’s agent, Benny Gershon, insisted that the two men couldn’t have been romantically involved, because they’d met for the first time just hours before the murders. No one believed him. After all, Benny also swore up and down that his famous client wasn’t gay.

Several quickie paperback biographies of Tony Katz were thrown together in the wake of his death, and two networks announced different forthcoming TV movies about Tony and his “secret life.”

Despite having earned two Academy Award nominations during his brief yet distinguished career, and despite his devotion to several charities, Tony would always be most remembered for the bizarre, shocking death that exposed him as a homosexual.

At 7:13
P.M.
, Saturday, September 27, the following Internet dialogue appeared on the Dog Lover’s chat line:

Dialogue from a private mailbox, between “Rick” and “Pat,” at 7:15
P.M.
, Saturday, September 27:

“Stay tuned for
Common Sense
with Elsie and Drew Marshall!”

The tiny portable television was propped up on the desktop of a young film executive. Dennis Walsh was thirty years old, chubby but handsome with dark blond hair, dimples, and a killer smile. Despite his girth, he wore clothes well and had an Ivy League look uncommon in southern California: oxford shirts, pleated pants, and penny loafers.

At the moment, Dennis paid little attention to the TV. Instead, he was updating his Franklin Planner and getting ready to see his boss. Helena, his assistant, wandered in and tossed a fax on his desk. “God, Dennis,” she said, frowning at the TV. “How can you watch that garbage?”

“It’s time for a little
Common Sense!
” the TV announcer boomed, over a swelling of patriotic music. “Ladies and Gentlemen, Mrs. Richard Marshall!”

He sighed. “Well, I don’t have any passion in my life. So I have to settle for hating Elsie Marshall.”

“We need to find you a girlfriend soon.” Helena slipped out of his office.

“Hello, everybody!” chirped the woman on TV. Sixty-five years old, slim, blond, and rather pretty, she looked and dressed like a Republican First Lady. “God bless you!” she said, waving to her studio audience. Then she looked into the camera. “I’m Mrs. Richard Marshall, but you can call me Elsie.”

“Hi, Elsie!” her studio subjects chanted.

She wandered back to the set: a desk in front of a bookcase, crammed with copies of
A Little More Common Sense
, the second best-seller by Mrs. Richard Marshall. All the covers were turned forward, of course. On her desk sat a framed photo of her late husband, also turned forward. There were two easy chairs, one reserved for her guest—usually a politician, washed-up film star, or retired sports figure. The other easy chair belonged to Elsie’s son and cohost, Drew, the real force behind the show. Handsome and articulate, thirty-year-old Drew brought in younger viewers and seemed groomed for future presidency, a beacon for fundamentalism in the twenty-first century. Drew gave his mother the first ten minutes of every show, then strolled onto the set to claim his chair and the remainder of the program.

Presently, Elsie Marshall basked alone in the spotlight. “I almost didn’t make it out of the house this morning,” she said, sitting at her desk. “All my recycling bins are by my back door. I knocked over the cans, and, oh, what a mess! Cans everywhere! Am I the only housewife in America who’s fed up with recycling? Those bleeding-heart ecologists make you feel like Attila the Hun if you so much as toss an old newspaper in the trash. Do our forests really need saving that badly?” She frowned. “Oh, and speaking of forests, isn’t it a pity what happened to Tony Katz and that other young man?”

The studio audience murmured an affirmative.

Dennis glanced at the TV and sighed. “Oh, shit.”

“But I’ll tell you what’s even more of a pity,” Elsie went on. “And I’m sure if my Ricky were alive today, he’d tell you the same thing. The real pity is that Mr. Katz and his—you know,
friend
—decided to carry on the way they did in the middle of a forest preserve. Can you imagine?

“Certain segments of the population gripe that they’re victimized. But what do you expect when they’re fornicating—if you’ll pardon me—in parks, public rest rooms, and movie theaters? I think it’s sad what happened to Tony Katz and his friend, but sometimes people bring these things on themselves….”

“Christ on a crutch,” Dennis grumbled, pulling away from his desk.

Clipboard in hand, he hurried out of his office, down the hallway, and out of the climate-controlled building. A gust of warm air hit him. Dennis put on his sunglasses. His boss was filming in a soundstage around the corner.

He’d be back in time to catch the end of Elsie’s show. Watching the program was a true masochistic experience. For three years, Elsie and Ricky Marshall had had a syndicated half-hour talk show, expounding their ultraconservative values. They peppered their dialogue with cutesy, domestic chatter and good-natured bickering. Their popularity grew and grew. Then Ricky dropped dead of a heart attack. Elsie carried the banner, but the show’s ratings sagged until Drew came aboard as cohost. The mother-son raillery became a crowd pleaser. America’s Most Eligible Bachelor, Best-Dressed Man, Sexiest Hunk was smart enough to know his mother still held a big influence over their audience. The sweet old widow with “common sense” could get away with those cutting remarks about a murdered homosexual actor, but Drew might not fare as well. So at times, she was his mouthpiece. Elsie attacked anything and anyone who didn’t fit in with The Marshalls’ idea of American family values. She even made a list of celebrities whose films or TV programs “ought to be missed by decent people.”

Dennis Walsh’s boss was on that list.

The soundstage door’s red light wasn’t on, which meant they’d taken a break in filming. Dennis stepped into the vast hall, threading around all the sound equipment, cameras, cables, and lights. “Is Dayle in her trailer?” he asked one of the camera operators.

“Yep, working on her wardrobe,” he said, between gulps from a Mountain Dew can.

Dennis thanked him and headed for the trailer in the corner of the soundstage. On the door was a plaque:—
DAYLE SUTTON—ENTER AT YOUR OWN RISK
. Dennis knocked and entered.

Inside the dressing room trailer, Dayle Sutton stood with her arms outstretched as if crucified. Two middle-aged women were sewing a white satin evening gown on her. She felt them pinch and tug the material around her ribs. “Can’t be tight enough,” Dayle cracked. “I’m still breathing.”

She was filming a drama based on a best-seller,
Waiting for the Fall
. Today’s scene involved a flashback sequence, in which the thirty-nine-year-old actress had to look twenty without the benefit of extra filters on the camera lens. Dayle was up for the task. Besides, she had good lighting men.

She also had a good man in Dennis Walsh. He was a production assistant with the studio, and had worked with Dayle on her last picture. He’d become indispensable. He talked to Dayle’s agent more than she did, acted as liaison with every department in the studio, and even reviewed story ideas and screenplays for her. That was why Dennis had come to her studio trailer now. He sat on the couch by Dayle’s dressing table, and unwrapped a Tootsie Roll. “Ready for the pitch?” he asked, glancing at the clipboard in his lap.

“Fire away,” Dayle said, arms still spread out like a regal scarecrow. Along with the 1950s gown, she also wore a long blond wig.

“You’re the First Lady, and you begin to suspect the president is really an imposter, because he starts acting different with you. And the things he does are more radical and dangerous until the world is on the brink of nuclear war.”

“Sounds like
Dave
meets
Suspicion
meets
Fail Safe
,” Dayle said.

“Exactly. It’s a thriller.”

“I hate it.”

“So do I,” Dennis said. “But I figured you wouldn’t mind playing a First Lady who defies her husband and saves the world from nuclear destruction.”

“Next?”

“Okay, this one’s a true story,” Dennis said. “It’s about a guy who gets attacked outside a gay bar. Four college frat boys try to beat him up—”

“Don’t tell me,” Dayle said, watching the seamstresses work on her sleeves. “‘Ripped from today’s headlines,’ shades of Tony Katz.”

She’d met Tony only twice: first at a fund-raiser, and again when they’d been paired up as Oscar presenters last year. Dayle had found him charming and sexy. He was also extremely active in campaigns against discrimination and censorship. Everyone in Hollywood knew Tony was gay. His marriage to Linda Zane was a smoke screen. But he was so well liked, no one wanted to see his cover blown. His horrible death changed all that. Nobody talked about Tony Katz, the actor; they only talked about Tony Katz, the closet homosexual who was killed with his pants down.

Dennis snacked on his Tootsie Roll. “According to ‘Just call me Elsie,’” he said, between chews, “Tony and his friend brought it all on themselves. How about that? God, I would love to punch that old gasbag’s lights out.”

“Yeah, well, take a number,” Dayle said, lowering her arms a bit for circulation. “Anyway, about the movie, is there a part for me?”

“Yes, indeedee,” he said. “See, the guy kills one of his attackers—cuts a frat boy’s throat with a broken beer bottle. So believe it or not, they put him on trial for murder. He hires this lesbian attorney to defend him, and after a lot of opposition in this small, affluent college town, she gets this guy acquitted. It’s an old script that’s been floating around, but Soren Eberhart wants to direct, and Avery Cooper’s interested in playing the gay guy.”

“
Philadelphia
meets
The Accused
,” Dayle said. “And you want me to play a lesbian lawyer? Next, please.”

“Why are you passing?”

“Two words,” Dayle replied. “
Survival Instincts
.”

That was the title of her ill-fated action-thriller. Dayle had played the leader of an environmentalist group, stalked in the wilderness by a team of crazed hunters. As the lean, mean, no-nonsense heroine, Dayle had given her sexually ambiguous character some lesbian undertones. She’d been a bit too convincing. It set people wondering about the lack of chemistry between Dayle Sutton and her last few leading men. Despite good reviews, the film came and went, but the wild rumors about Dayle’s private life prevailed.

“
Survival Instincts
was a couple of years ago,” Dennis said. “Middle America just wasn’t ready for you as a butch-female action hero—”

“Huh,
Rambimbo
,” Dayle muttered, rolling her eyes.

“Attitudes have changed. It’s not so taboo to play a lesbian anymore. And this is a primo part for you—”

“Next, Dennis,” she said, an edginess in her voice.

Dennis sighed, then tossed what was left of his Tootsie Roll in the wastebasket. “Okay. Not your cup of Liptons.” He checked his clipboard. “Last but certainly least is a zany comedy. You and another star—Bette Midler, if somebody puts a gun to her head—are mothers, each with teenage daughters giving you loads of trouble. Turns out the gals were switched at birth.”

“Imagine that,” Dayle said.

“There’s madcap high jinks galore as you adjust to your real daughter and some heart-tugging moments as you miss that little hellion you’ve come to love now that she isn’t yours anymore.”

“Stop before I throw up. It’ll probably rake in a fortune. You may shoot me if I ever show interest in a project like that. Anything else?”

Dennis consulted his clipboard again. “Messages worth mentioning—you had a call from Leigh Simone this morning.”

Dayle turned to glance at him. “Really?”

A call from Leigh Simone was pretty heady stuff. The vibrant, black rock artist was the kind of superstar even other stars admired. Already a legend, she’d been dubbed The High Priestess of Rock.

“We’re almost done here, Ms. Sutton,” one of the wardrobe women said. “You can lower your arms now.”

“Thanks, Pam,” Dayle let her tired arms drop to her sides. She gave Dennis a nonchalant look. “So—did the call come from Leigh herself?”

“No. From her personal assistant, Estelle. She wants to know if you’re available next Thursday night. I checked, and you are. Leigh has a concert in Portland. She’s donating the profits—speak of the devil—to one of Tony Katz’s favorite charities. Leigh wants you to read a tribute to him.”

Dayle frowned. “Why me? I met Tony only a couple of times. That hardly qualifies me to give his eulogy at some benefit.”

“In Hollywood it does. Besides, this is a worthwhile cause, and publicitywise, it wouldn’t hurt to share a stage with rock’s high priestess.”

“I’ll have to think about it,” Dayle said. “Listen, I could use some time alone here. Are we almost finished, Pam?”

“All done, Miss Sutton.”

“Hallelujah.” She smiled at the seamstresses, then turned to Dennis. Her smile slipped away. “Knock when they need me on the set, okay?”

“Will do.” He and the two wardrobe women headed out the trailer door.

“Damn,” Dayle muttered, now alone. She felt as if she were suffocating. She wanted to strip off the tight gown and yank the blond wig from her head. Maybe then she’d breathe easier.

She hated feeling so afraid. It clashed with the image she’d built up for herself: Dayle Sutton, the strong, sexy, intelligent actress. Sixteen years ago, when she’d first started making movies, Dayle had fought against playing glamour girl roles. She had to prove that she was more than a pretty girl with a head of long, wavy auburn hair and the body of a centerfold. An Academy Award helped earn her respect—and superstardom.
Playboy
labeled her “The Thinking Man’s Sex Symbol.” Back in the late eighties, she’d refused an offer to appear on their cover in a skimpy bunny suit.

But a year ago,
Vanity Fair
seemed to fulfill Dayle’s longtime wish by calling her “Down to Earth Actress, Dayle Sutton.” The epithet was emblazoned at the bottom of an Annie Leibovitz cover photo of Dayle up to her shoulders in a mud bath. It was a provocative pose, sexy and smart.

That had been before the tepid box office of
Survival Instincts
—and all those rumors that she was gay. Not only had Dayle’s career suffered, but she’d also incurred the wrath of several anti-gay groups. Plus the film’s depiction of hunters had outraged the gun advocates. Dayle had received stacks of venomous hate mail—and dozens of death threats. She’d made a great show of nonchalance, but it had been a scary time.

In a way, the short life of
Survival Instincts
in the theaters and video stores was a blessing. The gun lovers and the gay haters quickly found other targets for their animosity, and Dayle was able to breathe easier.

She wasn’t ready to set herself up as a target again by playing this lesbian lawyer character. Social conscience be damned. What happened to Tony Katz was a startling reminder of how far some people could go with their intolerance. The same fate might have befallen her when
Survival Instincts
had opened. In an ironic way, old Elsie Marshall was right. Perhaps Tony had bought his death upon himself. Though married, he refused to change his lifestyle or avoid controversy. He wasn’t afraid of pissing people off.