The Mystery of the Hasty Arrow (30 page)

If he stopped to watch these fragments burn, it was from abstraction rather than from interest; for his step grew lighter as he left the fireplace. Whatever this young girl's face had meant to him in days gone by was now as completely dissipated as the little puff of smoke which had marked the end of her picture.

If he read the papers afterward it was mechanically. Night, and the one great planet sinking in the West, appeared to appeal to him much more strongly than his books or the more than usually stirring news of the day.

He must have stood an hour in his unlighted window, gazing out at the tumbling waves lapping the shore.

But of his thoughts, God wot, he gave no sign.

Later, he slept.

Slept! with his hand under his pillow! Slept, though there were others in the house awake!—or why this creeping shadow of a man outlined upon the wall wherever the moon shone in, and disappearing from sight whenever the way led through darkness.

It came from above; no noise accompanied it. Where the great window opened upon the sea, lighting up the main staircase, it halted,—halted for several minutes; then passed stealthily down, a shadowy silhouette, descending now quickly, now slowly, as tread after tread is left behind and the great hall is reached.

Here there is no darkness. Open doors admit the light from many windows. A semi-obscurity is all, and through this the figure passes, but hesitatingly still, and with pause after pause, till a certain door is reached—a closed door—the only door which is closed in this part of the house.

Here it stands—stands with profile to the panels, one ear against the wood. One minute—two minutes—five minutes pass. Then a hand goes out and touches the knob. It yields; yields without a sound—and a small gap is seen between the door and its casing. This gap grows. Still no sound to disturb the tragic silence. Stop! What was that? A moan? Yes, from within. Another? Yes. Then all is quiet again. The dream has passed. Sleep has resumed its sway. The gap can safely be made wider. This is done, and the figure halting without, passes in.

Late in the afternoon of the following day, the expected car entered Mr. Roberts' spacious grounds. It contained, besides the chauffeur, just two persons, the District Attorney and the Chief Inspector. But it was followed by another in which could be seen Mr. Gryce and a stenographer from the District Attorney's office.

The house was finished by this time, and to one approaching through the driveway presented a very attractive appearance. As the last turn was made, the sea burst upon the view—a somewhat tumultuous sea, for the wind was keen that day and whipped the waves into foam and froth from the horizon to the immediate shore-line. To add to the scene, a low black cloud with coppery edges hovered at the meeting of sea and sky, between which and themselves one taut sail could be seen trailing its boom in the water.

To one of them—to Mr. Gryce, in fact, upon whose age Fancy had begun to work, this battling craft presented an ominous appearance. It was doomed. The gale was too much for it. Did he see in this obvious fact a prophecy of what lay before the man upon whose privacy they were on the point of intruding?

The house was so arranged that to reach the main entrance it was necessary to pass a certain window. As they did so, the figure of Mr. Roberts could be seen in the room beyond moving about in an interested survey of its new furnishings and present comfortable arrangement. To these men bent on an errand as far as possible removed from interests of this kind, this evidence of Mr. Roberts' pleasure in the promise of future domesticity gave a painful shock, and raised in the minds of more than one of them a doubt—perhaps the first in days—whether a man so heavily weighted with a burden of unacknowledged guilt could show this pleasurable absorption in his new surroundings.

However, when they came to see him nearer, and marked the stiffening of his body and the slight toss-up of his head, as he noted the number and the exact character of his guests, their spirits fell again, for he was certainly a broken man, however much he might seek to disguise it. Yet there was something in this extraordinary man's personality—a force or a charm wholly dissociated it may be from worth or the sterling qualities which insure respect—which appealed to them in spite of their new-found prejudice, and prevented any dallying with his suspense or the use of any of the common methods usually employed in an encounter of this kind.

The Chief Inspector to whom the first say had been given faced the director squarely, as he saw how the hand which had just welcomed the District Attorney fell at his approach.

"You are surprised, Mr. Roberts, and rightly, to see me here not only in connection with the Prosecuting Attorney of the City of New York, but with a member of my own force. This, you will say, is no political delegation such as you have been led to expect. Nor is it, Mr. Roberts. But let us hope you will pardon this subterfuge when you learn that it was resorted to for the sole purpose of sparing you all unnecessary unpleasantness in an interview which can no longer be avoided or delayed."

"Let us sit."

It was his only answer.

When they had all complied, the District Attorney took the lead by saying:

"I am disposed to omit all preliminaries, Mr. Roberts. We have but one object in this visit and that is to clear up to your satisfaction, as well as to our own, certain difficulties of an unexpected nature which have met us in our investigation into the crime in which you, as a director of the museum in which it occurred, and ourselves as protectors of the public peace, are all vitally concerned."

"Granted," came in the most courteous manner from their involuntary host. "Yet I fail to understand why so many are needed for a purpose so laudable."

"Perhaps this will no longer surprise you, if you will allow me to draw your attention to this chart," was the answer made to this by the District Attorney.

Here he took from a portfolio which he carried a square of paper which he proceeded to lay out on a table standing conveniently near.

Mr. Roberts threw a glance at it and straightened again.

"Explain yourself," said he. "I am quite at your service."

The District Attorney made, perhaps, one of the greatest efforts of his life.

"I see that you recognize this chart, Mr. Roberts. You know when it was made and why. But what you may not know is this: that in serving its original purpose, it has proved to be our guide in another of equal, if not greater, importance. For instance, it shows us quite plainly who of all the persons present at the time of first alarm were near enough to the Curator's office to be in the line of escape from the particularly secluded spot from which the arrow was delivered. Of these persons, only one fulfills all other necessary conditions with an exactness which excuses any special interest we may feel in him. It is he who is tabulated here as number 3."

It was said. Mr. Roberts was well acquainted with his own number. He did not have to follow with his eye the point of the District Attorney's finger to know upon whose name it had settled; and for a moment, surprise, shock,—the greatest which can befall a man,—struggled with countless other emotions in his usually impassive countenance. Then he regained his poise, and with a curiously sarcastic smile such as his lips had seldom shown, he coldly asked:

"And by what stretch of probability do you pick me out for this attack? There were other men and women in this court, some very near me if I remember rightly. In what are their characters superior, or their claims to respect greater, that you should thus single me out as the fool or knave who could not only commit so wild and despicable an act, but go so far in folly—let alone knavery—as to conceal it afterward?"

"No evidence has been found against the others you have named which could in any way connect them with this folly—or shall we say knavery, since you yourself have made use of the word. But hard as it is for me to say this, in a presence so highly esteemed, this is not true of you, Mr. Roberts, however high are our hopes that you will have such explanations ready as will relieve our minds from further doubts, and send us home rejoicing. Shall I be frank in stating the precise reasons which seem to justify our present presumption?"

The director bowed, the same curious smile giving an unnatural expression to his mouth.

"Let me begin then," the other continued, "by reading to you a list of questions made out at Headquarters, as a test by which suspicion might be conscientiously held or summarily dismissed. They are few in number," he added, as he unfolded a slip of paper taken from his vest pocket. "But they are very vital, Mr. Roberts. Here is the first:

"'Whose hand carried the bow from cellar to gallery?'"

The director remained silent; but the oppression of that silence was difficult for them all to endure.

"This the second:

"'Was it the same that carried the arrow from one gallery to another?'"

Still no word; but Mr. Gryce, who was watching Mr. Roberts' every move without apparently looking up from the knob of his own cane, turned resolutely aside; the strain was too great. How long could such superhuman composure endure? And which word of all that were to come would break it?

Meanwhile, the District Attorney was reading the third question.

"'Is it possible for an arrow, shot through the loophole made by the curving in of the vase, to reach the mark set for it by Mr. Travis' testimony?'

"That question was answered when Mr. La Flèche made his experiments from behind the two pedestals. It could not have been done from the one behind which Mr. Travis crouched, but was entirely possible from the rear of the other."

With a wave of his hand, Mr. Roberts dismissed this, and the District Attorney proceeded.

"'Which of the men and women known to be in the museum when this arrow was delivered has enough knowledge of archery to string a bow? A mark can be reached by chance, but only an accustomed hand can string a bow as unyielding as this one.'

"I will pause there, Mr. Roberts. You may judge by our presence here to whose hand and to whose skill we have felt forced to ascribe this wanton shooting of a young and lovely girl. We wish to be undeceived, and stand ready to listen to anything you may have to say in contradiction of these conclusions. That is, if you wish to speak. You know that you will be well within your rights to remain silent. Likewise that if you decide to speak, it will be our painful duty to make record of your words for any use our duty may hereafter suggest."

"I will speak." The words came with difficulty,—but they came. "Ask what you will. Satisfy my curiosity, as well as your own."

"First then, the bow. It was brought up from the cellar a fortnight or more before it was used, and placed on end in the Curator's office, where it was seen more than once by the woman who wipes up the floors. The person who did this cast a shadow on the cellar wall,—that shadow was seen. Need I say more? A man's shadow is himself—sometimes."

"I brought up the bow; but I do not see how that implicates me in the use which was afterward made of it. My reasons for bringing it up were innocent enough——"

He stopped—not even knowing that he stopped. His eyes had been drawn to a small article which the District Attorney had dropped from his hand onto the table. It looked like an end of black tape; but whether it was this or something quite different, it held the gaze of the man who was speaking, so completely that he forgot to go on.

The hush which followed paled the cheeks of more than one man there. To release the tension, the District Attorney resumed his argument, observing quietly, and as if no interruption had occurred:

"As to the arrow and its means of secret transfer from one side of the building to the other in the face of a large crowd, let me direct your attention to this little strip of folded silk. You have seen it before. Surely, I am quite justified in asking whether indeed you have not handled it both before and after the lamentable occurrence we are discussing?"

"I see it for the first time," came from lips so stiff that the words were with difficulty articulated. "What is its purpose?" he asked after a short pause.

"I hardly think it necessary to tell you," came in chilling response from the now thoroughly disenchanted official. "It looks like a loop, and notwithstanding your assertion that you see it now for the first time, we have ample evidence that it was once attached to the coat you wore on that fatal day and later carefully severed from it and dropped on the museum floor."

The District Attorney waited, they all waited with eyes on the subject of this attack, for some token of shame or indignation at this scarcely veiled insinuation. But beyond a certain stillness of expression, still further masking a countenance naturally cold and irresponsive, no hint was given that any effect had been produced upon him by these words. The coal before it falls apart into ash holds itself intact though its heart of flame has departed; so he—or such was Mr. Gryce's thought as he waited for the District Attorney's next move.

It was of a sort which recalls that soul-harrowing legend of the man hung up in an iron cage above a yawning precipice, from under whose madly shifting feet one plank after another is withdrawn from the cage's bottom, till no spot is left for him to stand on; and he falls.

"I hear that you are an expert with the bow and arrow, Mr. Roberts, or rather were at an earlier stage of your career. You have even taken a prize for the same from an Alpine Club."