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Authors: V.S. Naipaul

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There are many of us around living modestly and without recognition in small semi-detached suburban houses. We go out on a Saturday morning to do the shopping at Sainsbury’s and jostle with the crowd. We have known grandeur beyond the football-pool dreams of our neighbours; but in the lower-middle-class surroundings to which we are condemned we pass for immigrants. The pacific society has its cruelties. Once a man is stripped of his dignities he is required, not to die or to run away, but to find his level. Occasionally I read a letter in
The Times,
a communication on a great topic from a mean address; I recognize a name and see with enormous sympathy the stirring of some chained and desperate spirit. Just the other day I was in the West End, in the basement of one of those department stores where the assistants carry their names on little plastic badges. I was among the unpainted kitchen furniture. I required a folding wooden clothes-airer, which I thought I might introduce at nights into the bathroom of the hotel where I now live. An assistant had her back to me. I went up to her. She turned. Her face was familiar, and a quick glance at the name pinned to her blouse left no room for doubt. We had last met at a conference of non-aligned nations; her husband had been one of the firebrands. We had seen one another in a glittering blur of parties and dinners. Then she had worn her “national costume”. It had given her a seductive appearance,
and the colours of her silks had set off her own rich Asiatic complexion. Now the regulation skirt and blouse of the department store converted her breasts and hips into untidy bundles. I remembered how, when we were saying our goodbyes at the airport, the third secretary of her embassy, breaking the precise arrangements of protocol, had run up at the last moment with a bunch of flowers, which he offered to her, the personal gift of a man desperate to keep his job in the diplomatic service, fearful of being recalled to the drabness of his own background. Now she stood among the unpainted kitchen furniture. I couldn’t face her. I left the purchase unmade, hoping that she would not recognize me, and turned away.

Later, sitting in the train, going past the backs of tall sooty houses, tumbledown sheds, Victorian working-class tenements whose gardens, long abandoned, had for stretches been turned into Caribbean backyards, I wondered about the firebrand. Was he pining away tamely in some office job? Or was he, too broken to take up employment, idling on a meagre income in a suburban terrace? Many of us, it must be said, are poor. The tale is there in the occasional small paragraph on the financial page which tells of the collapse of some little-known Swiss bank. Too much shouldn’t be made of this, however. Most of us were too timid to make a fortune, or too ignorant; we measured both our opportunities and our needs by the dreams of our previous nonentity.

They talk of the pessimism of the young as they talk of atheism and revolt: it is something to be grown out of. Yet less than twenty years after Mr Shylock’s death, with this journey to London which I feel is final, sealing off such experience and activity as were due to me, my present mood leaps the years and all the intervening visits to this city-leaps
the Humbers, the hotels, the helpful officials, the portrait of George III in Marlborough House; leaps my marriage and my business activities – leaps all this to link with that first mood which came to me in Mr Shylock’s attic; so that all that came in between seems to have occurred in parenthesis. Which is the reality? The mood, or the action in between, resulting from that mood and leading up to it again?

I last saw Mr Shylock’s boarding-house some years ago. I wasn’t looking for it; the minister with whom I was dining lived nearby. The heavy panelled front door with its studs and its two panes of patterned glass had been replaced by a flush door, painted lilac, on which the number was spelt out in cursive letters; it suggested the entrance to a ladies’ underwear shop. I felt little emotion: that part of my life was over and had been put in its place. I wonder whether I would be as cool today. Kensington, though, is not the part of the city I live in or care to visit. It has become a little too crowded and is, I believe, rather expensive. It has also become a centre of racialist agitation, and I do not now wish to become involved in battles which are irrelevant to myself. I no longer wish to share distress; I do not have the equipment. No more words for me, except these I write, and in them the politician, chapman in causes, will be suppressed as far as possible. It will not be difficult. I have had my fill of political writing. My present urge is, in the inaction imposed on me, to secure the final emptiness.

I have seen much snow. It never fails to enchant me, but I no longer think of it as my element. I no longer dream of ideal landscapes or seek to attach myself to them. All landscapes eventually turn to land, the gold of the imagination to the lead of the reality. I could not, like so many of my fellow exiles, live in a suburban semi-detached house; I could not pretend even to myself to be part of a community or to be putting down roots. I prefer the freedom of my
far-out suburban hotel, the absence of responsibility; I like the feeling of impermanence. I am surrounded by houses like those in the photograph I studied in Mr Shylock’s attic, and that impulse of sentimentality embarrasses me. I scarcely see those houses now and never think of the people who live in them. I no longer seek to find beauty in the lives of the mean and the oppressed. Hate oppression; fear the oppressed.

The christening was at three. At about five to I went down to Lieni’s room. It was in a greater mess than usual: assorted haberdashery on the mantelpiece together with bills and calendars and empty cigarette packets; clothes on the bed and the lino and the baby’s crib; old newspapers; a sewing-machine dusty with shredded cloth. Beyond the grilled basement window the small back garden, usually black, was white: snow lay on the weeds, the bare plane tree, the high brick wall. It added to the dampness inside and seemed to add to the chaos. But the baby was ready, and Lieni herself, filing her nails before the fancy mantelpiece mirror, stood clean and polished and almost ready. It was a transformation that always interested me. She was in the habit of talking of the ‘smart London girl’, a phrase I had first heard her use in a discussion with the fascist and others, mostly disapproving, about the marriage of an English girl to the chief of an African tribe. Lieni saw herself as a smart London girl; and whenever we went out together, sometimes with the young Indian engineer with whom she had a relationship, she spent much time on the creation of this smart London girl, whether we were going to the cheap Italian restaurant round the corner, or to the cinema, which was not much farther. It was like a duty owed more to the city than herself.

The christening party had assembled in the front basement room. Now, as three o’clock came and went, they began drifting into the bedroom to make inquiries and to
remind Lieni of the time. She calmed them; they stayed in the bedroom to talk. One couple had come up from the country. I had met them before. She was Italian; she had bitter memories of the war and especially of the greed of priests. He was English, the tiniest of his race I had seen. This wartime romance, and the fact of children, had given him a good deal of confidence; but his eyes remained dark and creased with suffering. From his new security he saw himself ‘standing by’ Lieni; he was in fact to be the godfather. Another guest was a thin middle-aged Italian lady I had never seen before. She had a square jaw, very tired eyes, and was slow in all her movements. Lieni said she was a countess and ‘in society’ in Naples; in Malta she had once been to a ball which Princess Elizabeth had attended. ‘The Countess is thinking of buying this crummy house,’ Lieni said; the American slang word fitted her Italian accent. I smiled at the Countess and she smiled wearily at me.

At last we were ready. The tiny Englishman ran out to get a taxi. After a little time Lieni, now impatient, took us all out to the portico to wait. The street was already brown and squishy. But the snow still lay white on the columns of the portico, obscuring the name of the hotel. Presently the taxi came, the tiny Englishman sitting forward on the tip-up seat, overcoated and absurdly diminished but spry and restless. The church was not far. We got there at about twenty past three. We were in good time. No one was ready for us. The church had been bombed out and the christening was to take place in an annexe. We sat in an ante-room of sorts with other mothers and children and waited. Lieni was smiling all the time below her hat, the smart London girl. A baby squealed. A box of candles had a card:
Candles twopence.
Two young girls went to the box, dropped coppers, lit candles and fixed them in a stand. The mother of the girls looked round at us and smiled, inviting witness and approval.

At half past three an unshaven man with a dirty collar entered in a rush and said, ‘Christening?’ ‘Yes, yes,’ the mothers said. He went out again and reappeared a second later. ‘How many, how many?’ He counted the babies himself and said, ‘Three.’ He disappeared once more, returned as quickly as before, opened the door and asked us to follow him. We followed him up the stairs, candlestands all the way, candles twopence, and came into a large room with ochre walls. He took a white gown off a hook and forced himself into it. A priest came in silently, smiling. He went to a rack, picked up a purple scarf with gold crosses and arranged the scarf carefully over his shoulders. The unshaven man scuttled about, seeking the three godfathers to hand them little cards in transparent glossy sheaths. The christenings began. At last it was the turn of Lieni’s baby.

‘John Cedric, what doest thou ask of the Church? Say Faith.’

Our godfather didn’t like being told. He hunted out the response on the card he had been given. Then he said, ‘Faith.’

‘What does Faith give you? Say everlasting life.’

‘I know, father. Everlasting life.’

The priest hallowed the baby with his saliva, his thumb and his fingers. With his nose he made the sign of the cross over the baby. I believe – my memories of the ceremony are now a little vague – that at a certain stage he put a pinch of salt into the baby’s mouth. John Cedric made a sour face and worked his tongue. Through his godfather he renounced the devil and his works and accepted God instead; and presently the ceremony was over. Lieni grew grave towards the end. She was almost in tears when she went to the priest and offered money – I believe – which was rejected. No longer the smart London girl; and for the first time that afternoon I remembered that she was an unmarried mother. It was left to the tiny godfather to revive our spirits in the taxi, and
even Elsa, his wife, passionately anti-clerical, agreed that it had been a beautiful ceremony of forgiveness.

There was to be a party afterwards. Lieni had invited all her friends. At about six they began arriving, some coming straight from their jobs. Lieni was in the kitchen, her afternoon grooming partly abolished by a very dirty apron. The tiny godfather acted as host in the front basement room. Several damp, macintoshed Maltese came in together and talked glumly in English and their own language. I got the impression they were talking of jobs and money and the current London prejudice that turned every Maltese into a white slaver. The Countess smiled at everyone and said little. Johnny the fascist came in with his wife. He wore his black shirt, a sign that he had been ‘working’ some district. His wife was drunk as usual. All the Maltese greeted him warmly. ‘Hi, Johnny-boy! Where you been operating tonight, Johnny?’ ‘Notting Hill Gate,’ Johnny-boy said. ‘Not much of a crowd.’ ‘The weather,’ one of the Maltese said. ‘Her ladyship was getting sozzled in the Coach and Horses,’ Johnny-boy said, as though this was the better explanation. He wore his usual air of patient exasperation. Her ladyship, hearing herself referred to, blinked and tried to steady herself on her chair. Other boarders came down. The girl from Kenya; her man friend, a blond, vacant alcoholic incapable of extended speech and making up for this with a fixed smile and gestures of great civility; the smiling, mute Burmese student; the Jewish youth, tall and prophetic in black; the bespectacled young Cockney who had as much trouble with his two Italian mistresses, according to Lieni, as with the police; the Frenchman from Morocco who worked all day in his room, kept to Moroccan temperature with a paraffin stove, translating full-length American thrillers at speed – he did one or two a month. It was always good to see them, familiar in all the unknown of the city. But this was how they always appeared: two-dimensional, offering simple
versions of themselves. Conversation, apart from that conducted by the Maltese group, was not easy. We sat and waited for Lieni, whom we could hear in the kitchen.

Lieni’s brother came. He had got time off from the West End restaurant where he worked as a waiter. He was pale, handsome, fatigued. He spoke little English. Lieni came in with a scuttle of coals. The room had been cold at the start of the evening; now it was getting a little too warm. Putting the fresh coals on, killing the heat a little, Lieni said to her brother, ‘Rudolfo, why don’t you tell them about the time I asked you to go and buy a sheet of paper.’ Rudolfo sucked his teeth and made a gesture of impatience, as he always did when he was asked to tell this story. The gesture itself aroused laughter. Then the story came. Rudolfo, just arrived in London, knowing virtually no English, had been sent out by his sister to buy a sheet of writing paper: some momentous letter had to be despatched. He had gone to the W. H. Smith bookshop and asked for ‘a sheet paper’; he had been directed by an imperturbable assistant to Boots the chemists and had returned, flaming with anger, with a roll of toilet paper.

Her ladyship rocked on her chair and fell forward on to the floor without a cry. Johnny-boy, like one used to these happenings, set himself first to arrange her clothes and then to raise her and lead her out of the room.

‘Hi, Johnny-boy!’

This was from Paul, entering the room as Johnny-boy and her ladyship left it. We had heard his shoes crushing the ice and cinders on the basement steps. Paul was short, thickset, almost bald, and wore glasses. He was gentle; his English accent was rich; he was a homosexual. In Lieni’s basement rooms this was his ‘character’. He liked wearing an apron and doing household things. He liked sweeping up dirt, storing it and, before throwing it away, gloating over its quantity. He liked smoothing out tablecloths and bed
sheets; he was frequently to be seen ironing. The first thing he did whenever he came to Lieni’s was to express horror at the disorder and to set to sweeping. This was what he did now. He went out to get his broom and apron. Lieni came back with him, carrying another scuttle of coals for a fire that was now scarcely bearable.

BOOK: The Mimic Men
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