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Authors: V.S. Naipaul

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In my fear I turned away and walked back to the beach house. So private a fear it was, so private a sensation of the weakness of the flesh – these poor arms, these poor feet, this vulnerable head – it was shame for the weakness of the flesh that kept me from telling the story to the women. They took my silence for distress at the incident of the early morning and were kind. I accepted their kindness; as though I had taken on for all mankind the weight of the tragedy of flesh and the body I had just witnessed; and this comforting, this service at the hands of women, was fitting.

So it was Cecil who brought the news, and I pretended to hear it for the first time. Then we all ran out, the girls in their bathing suits tripping along the beach, now at low tide very wide, Cecil running far from us through the edge of the foaming water, taking high, splashing steps, an odd celebratory figure. The sand was like the sand of a tainted arena. The fishermen had disappeared. Their boats were out. The cork floats of the seine were in a wide arc on the sea beyond the breakers. Two boats were coming through the breakers in a confusion of white water; suddenly they were clear and driven down and up almost to the limit of the sea; they were being beached. The crowd split and ran to the two boats to take hold of the rope to pull in the seine. The story
of the drownings came to us again. It was just before two, the period of stillness between morning and afternoon. The fishermen pulled in their measured way; the visitors and townspeople, already recognizable by their clothes, pulled frantically, as in a tug-of-war contest. And that record still played in the café. Still those words rode over wind and coconut branches.
Bésame mucho, como si fuera la última vez.
The absurd words of popular songs I Then I recognized Deschampsneufs and perhaps members of his family among the frantic pullers. I did not want to be observed. I stood aside. Until then the whole extended incident had been a private moment; now I became an observer.

The arc of the cork floats steadily contracted. It came in closer and closer. It cleared the breakers. Net appeared. Then came shouts. The dragging of the sea! Such an endeavour, so futile, like something in
The Heroes.
Yet it had produced results. The first body appeared, the second, the third. They had all died together, the rolling, drifting bodies, mingled now, as the seine came in to the shore, with fish, alive and silver. There were the fish we called the dogfish, attracted by death, people said. And there were thousands of little fish. And soon everything lay strained and dry on the dirty beach. The fish lay flapping on the sand, curving in brief spasms. The dogfish, threats until a minute ago, lay expiring, and people went among them as though animated by personal revenge and mangled their heads.

The bodies were laid out side by side on the sand in the sun, the bathing costumes still like living parts of them, wet as my own costume would have been if I had been swimming. Away from the group around the stretched-out bodies little arguments had started between the fishermen and some of the people who had helped to pull the seine. The people wanted the fish; the fishermen wanted money for the fish; the people said the fishermen had already been paid, and just for casting the seine. One toothless fisherman
continually spoke obscenities. Eventually it was settled. I believe the fisherman got their money. The bodies were taken away; and on the low-tide beach, shining everywhere else, there remained matt marks where the bodies had lain, scrapings and scratchings and scuffed sand to show, just for a few more hours, what had happened. The beach was strewn with small fish, so recently whole and now so dull, so like garbage, silver turning to dark grey. The pariah dogs prowled nervously. The vultures watched from the coconut trees. The stingray, on its brown back, its underside bluish-white, showed a bloody stump where its tail had been hacked off.

The beach in this section of our island stretched for more than twenty miles, broken at intervals by the neat channels of streams, fresh but brackish, that flowed into the ocean from the
cocoteraie.
Coconut trees and beach and the white of breakers seemed to meet at a point in the distance. It was not possible to see where coconut turned to mangrove and swampland. Here and there, interrupting the straight line of beach, were the trunks of trees washed up by the sea. I set myself to walk to one tree, then to the other. I was soon far away from the village and from people, and was alone on the beach, smooth and shining silver in the dying light. No coconut now, but mangrove, tall on the black cages of their roots. From the mangrove swamps channels ran to the ocean between sand banks that were daily made and broken off, as neatly as if cut by machines, shallow channels of clear water touched with the amber of dead leaves, cool to the feet, different from the warm sea. On the beach itself the banks of these channels, the tide now rising, were continually undermined, fell off in vertical sections; and then the process of rounding and undermining began again: a geography lesson in miniature, with time speeded up. Here lay the tree, fast in the sand which was deep and level around it; impossible now to shift, what once had floated lightly on the waters,
coming to the end of its journey at a particular moment; the home now of scores of alien creatures, which scattered at my approach. Here the island was like a place still awaiting Columbus and discovery.

And what was an unmarked boy doing here, shipwrecked chieftain on an unknown shore, awaiting rescue, awaiting the arrival of ships of curious shape to take him back to his mountains? Poor boy, poor leader. But I was not unmarked. The camera was in the sky. It followed the boy, tiny from such a height, who walked at the edge of the sea beside the mangrove of a distant island, an island as lost and deserted as those which, in films like
The Black Swan,
to soft rippling music, to the bellying of sails of ancient ships, appeared in the clear morning light to the anxious man on deck. Not unmarked. Therefore there was to be no fear. Back through the late afternoon, already turning to night, along the empty beach with its immemorial noise, I walked without fear.

Pinpoints of light, winking, never still, appeared in the distance, like things imagined in the darkness. It was the day of the full moon, when female crabs came out of their holes and went to the waters to wash the eggs they carried on the underside of their bellies, and were surprised by electric torches and captured. I walked towards the dancing lights. I crossed the crab-catchers. They wore hats and were buttoned up against the night breeze. I had exhausted my mood when I came within sight of the beach house, its dim lights diffused more dimly through the tangled coconut gloom.

There was a small figure on the beach stamping on the sand. It was Cecil. He was stamping out his name in huge letters, really enormous letters. It was just the sort of idleness to which he devoted himself with energy. I stood and watched him as the moon came up. We didn’t speak. I knew he was expecting me either to help him stamp out his name
or to begin my own. I made no move to do either. I left him there and walked towards the house. It didn’t surprise me that he abandoned his name and followed me. I heard
When I Grow Too Old to Dream
on the gramophone. Through an open window I saw that the girls were dancing. I went to the window and leaned on the ledge. It was gritty and sticky with sand and salt.

I said: ‘Sally, do you know what I think you are?’

She fell into the trap. She said, ‘No, what?’

‘I think you are a fool.’

I had the pleasure of seeing her stamp.

At school I never mentioned my seaside holiday. I let Deschampsneufs tell of the drownings and his effort with the seine and listened as one to whom it was all new.

So at last, in this matter of relationships at any rate, I began to eliminate and simplify. I concentrated on school and relationships within that private hemisphere. I did not take to my books or become a crammer: I still retained my pride. Cecil was prepared to admire a brilliant student; and his father often quietly gave money and other help to poor and promising boys of various races. But the feeling still existed among us that education was mainly for the lower classes. I did not go so far myself. My ideal was to be brilliant without appearing to try. But though I thought this was just what Hok brought off, I gave up competing with him in this business of being ‘nervous’.

I took up sport. I put my name down for cricket. I thought I would be a bowler and needless to say I wished to bowl very fast. I took a long run and not infrequently at the end lost control of both the run and the ball. I did not last on any side. But the effort was not wasted. I lost some of my selfconsciousness. It takes some doing, after all, to put on the absurd garb of the cricketer and to walk with a
straight face to the middle! Hok and his supporters scoffed at my new character. I did not mind. I had my compensation in the astonishing number of boys who, in spite of my obvious failures, accepted me as a sportsman. While I was ‘nervous’ I was in fact unsure of myself. Seeing myself as weak and variable and clinging, I had looked for similar weaknesses in others. This was the cynicism I now arrested. The discovery that many were willing to take me for what I said I was was pure joy. It was like a revelation of wholeness.

I do not wish to claim too much for the playing fields of Isabella Imperial, or rather – to diminish the grandeur and destroy the comparison the plural unavoidably evokes – its somewhat ragged cricket pitch. But it was there that I acquired a certain composure and a certain attitude. I could not at the time formulate that attitude. But it was an attitude, I now see, towards the fact of an audience. And it was this. An audience is never important. An audience is made up of individuals most of whom are likely to be your inferiors. A disagreeable confession; but I have never believed the actor who says he ‘loves’ his audience. He loves his audience in the way he might love his dogs. The successful public performer in whatever field operates, not perhaps from contempt, but from a profound lack of regard for his audience. The actor is separate from those who applaud him; the leader, and particularly the popular leader, is separate from the led. My later career as a public speaker and handler of men surprised many and was seen by some as a violent breaking out of character. It did not appear so to me. The public speaker was only another version of the absurd schoolboy cricketer, selfconsciousness suppressed, the audience ignored, at the nets of Isabella Imperial.

Alas for theory! Alas for abiding fears! Attend to the sequel. A chance for athletic distinction, as I thought, presently offered itself. The occasion was the annual Isabella
Imperial sports. It was clear to me that I stood every chance of winning the hundred yards, the two-twenty and the four-forty in my group. The reasons were special and are now not quite clear in my own mind. It had to do with the entry date or my birthday or a combination of both – one day or so either way would have made all the difference; and to this was added the fact that the kindergarten of Isabella Imperial, abolished some years before, then briefly revived, had just been finally abolished and the toddlers incorporated into the main school. For them there were two groups, one under eleven or under ten the other under thirteen or twelve. It was in this last group that a unique chance had placed me. And in this group I was like a giant. Because of the stop-and-start intake of the kindergarten I was competing with children who were fifteen or eighteen months younger. The childish, blotted signatures of entrants on the notice-board confirmed this happy fact.

I took up athletics. I made my mother get me running shorts and I practised assiduously in the college grounds in the afternoons. I imitated the older athletes. After a practice run I did not simply stop. I ran myself down slowly, reining myself in, so that at the end I was like a dancer, elbows high, lightly clenched arms extended and working in rhythm with the high-lifted legs. It amused me to see my juvenile rivals, a scramble of brittle little limbs at one end of the playing field, also practising in this way. They too rubbed themselves down with Canadian Healing Oil or Sloan’s Liniment, like me, like the older athletes with developed, hairy legs.

My new character did not pass unnoticed at home. It was put down to the influence of Cecil and aroused distaste in my father, quiet pleasure in my mother, and pride and relief in my sisters who, having given up my father, had no close male to lean on or talk about. The women liked the running shorts, the exposed and massaged limbs, the promise of a manhood which, with my ‘nervousness’, must have seemed
to them somewhat delayed. My father’s distaste I interpreted as jealousy; it gave me an unpleasant feeling. Unpleasant too was the interest of the women. Isabella Imperial had been divided some time before, quite arbitrarily, by a headmaster fresh from England, into houses, the idea no doubt being that the division would encourage team spirit and competitiveness. The idea had fallen flat. But the houses and their emblems, devised by this same headmaster, had remained. They came to life once a year, on sports day. My mother began to embroider the red emblem of my house on my running vest. She worked on it with love, elaborating in her own fanciful way on an already fanciful design. She worked on it evening after evening, as a woman works on baby clothes. The baby-clothes preparations at home were matched by the week-long preparation of the ground at school: the marking out of lanes, the sticking up of little flags, the erection of tents and marquees. I began to feel that my endeavour was not only unimportant but was being taken out of my hands. I finally lost my temper when I discovered that my sisters had begun to assume that they were going to the sports. I objected. They insisted; they had been making their own preparations. I became abusive. They abused me back. To punish me, they decided they would leave me alone and have nothing more to do with me. I was relieved: it had been a close thing.

The day came. Breakfast astonished me. We usually breakfasted simply, just cocoa or tea with buttered bread and sometimes avocadoes or plantains. Now I was given orange juice, corn flakes, eggs, toast and jam. To me such a breakfast was associated with high days and for this reason was slightly repugnant. All ritual embarrassed me, and I was doubly embarrassed that this day should have been deemed a high day. I was jumpy and it was only when I was alternately crunching and squelching through the corn flakes that I recalled, with shame, the dream I had had. It was a double
dream, the dream within the dream, when the dreamer, fearful for the reality of his joy, questions himself whether he is dreaming and decides he is not. I had dreamt that I was a baby again and at my mother’s breast. What joy! The breast on my cheek and mouth: a consoling weight, the closeness of soft, smooth flesh. It had been at dusk, in a vague setting, no lights, in a back veranda, all around a blur of dark bush. My mother rocked and I had the freedom of her breast. A dream? But no, I was not dreaming. What pain then, what shame, to awaken!

BOOK: The Mimic Men
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