The Mammoth Book of Best New Science Fiction: 23rd Annual Collection (97 page)

But trying to build those self-contained starships taught us how to do this instead.

Earthside, you walk out of your door, you see birds fly. Just after the sun sets and the bushes bloom with bugs, you will see bats flitter silhouetted as they neep. In hot afternoons the bees waver heavy with pollen, and I swear even fishes fly. But nothing flies between the stars except energy. You wanna be converted into energy, like Arizona?

So we go down.

Instead of up.

“The first thing you will see is the main hall. That should cheer up you claustrophobics,” says my Embezzler. “It is the biggest open space we have in the Singapore facility. And as you will see, that’s damn big!” The travelers chuckle in appreciation. I wonder if they don’t pipe in some of that cheerful sound.

And poor Gerda, she will wake up for second time in another new world. I fear it will be too much for her.

The lift walls turn like stiles, reflecting yet more light in shards, and we step out.

*  *  *

Ten storeys of brand names go down in circles – polished marble floors, air-conditioning, little murmuring carts, robot pets that don’t poop, kids in the latest balloon shoes.

“What do you think of that!” the Malay network demands of me. All its heads turn, including the women wearing modest headscarves.

“I think it looks like Kuala Lumpur on a rainy afternoon.”

The corridors of the emporia go off into infinity as well, as if you could shop all the way to Alpha Centauri. An illusion of course, like standing in a hall of mirrors.

It’s darn good this technology, it fools the eye for all of 30 seconds. To be fooled longer than that, you have to want to be fooled. At the end of the corridor, reaching out for somewhere beyond, distant and pure there only is only light.

We have remade the world.

Agnete looks worn. “I need a drink, where’s a bar?”

I need to be away too, away from these people who know that I have a wife for whom my only value has now been spent.

Our little trolley finds us, calls our name enthusiastically and advises us. In Ramlee Mall, level ten, Central Tower we have the choice of Bar Infinity, the Malacca Club (share the Maugham experience), British India, the Kuala Lumpur Tower View . . .

Agnete chooses the Seaside Pier; I cannot tell if out of kindness or irony.

I step inside the bar with its high ceiling and for just a moment my heart leaps with hope. There is the sea, the islands, the bridges, the sails, the gulls, and the sunlight dancing. Wafts of sugar vapour inside the bar imitate sea mist, and the breathable sugar makes you high. At the other end of the bar is what looks like a giant orange orb (half of one, the other half is just reflected). People lounge on the brand name sand (guaranteed to brush away and evaporate.) Fifty meters overhead, there is a virtual mirror that doubles distance so you can look up and see yourself from what appears to be 100 meters up, as if you are flying. A Network on its collective back is busy spelling the word HOME with their bodies.

We sip martinis. Gerda still sleeps and I now fear she always will.

“So,” says Agnete, her voice suddenly catching up with her butt, and plonking down to earth and relative calm. “Sorry about that back there. It was a tense moment for both of us. I have doubts too. About coming here, I mean.”

She puts her hand on mine.

“I will always be so grateful to you,” she says and really means it. I play with one of her fingers. I seem to have purchased loyalty.

“Thank you,” I say, and I realize that she has lost mine.

She tries to bring love back, by squeezing my hand. “I know you didn’t want to come. I know you came because of us.”

Even the boys know there is something radically wrong. Sampul and Tharum stare in silence, wide brown eyes. Did something similar happen with Dad number one?

Rith the eldest chortles with scorn. He needs to hate us so that he can fly the nest.

My heart is so sore I cannot speak.

“What will you do?” she asks. That sounds forlorn, so she then tries to sound perky. “Any ideas?”

“Open a casino,” I say, feeling deadly.

“Oh! Channa! What a wonderful idea, it’s just perfect!”

“Isn’t it? All those people with nothing to do.” Someplace they can bring their powder. I look out at the sea.

Rith rolls his eyes. Where is there for Rith to go from here? I wonder. I see that he too will have to destroy his inheritance. What will he do, drill the rock? Dive down into the lava? Or maybe out of pure rebellion ascend to Earth again?

The drug wears off, and Gerda awakes, but her eyes are calm and she takes an interest in the table and the food. She walks outside onto the mall floor, and suddenly squeals with laughter and runs to the railing to look out. She points at the glowing yellow sign with black ears and says “Disney.” She says all the brand names aloud, as if they are all old friends.

I was wrong. Gerda is at home here.

I can see myself wandering the whispering marble halls like a ghost, listening for something that is dead.

We go to our suite. It’s just like the damn casino, but there are no boats outside to push slivers into your hands, no sand too hot for your feet. Cambodia has ceased to exist, for us.

Agnete is beside herself with delight. “What window do you want?”

I ask for downtown Phnom Penh. A forest of grey, streaked skyscrapers to the horizon. “In the rain,” I ask.

“Can’t we have something a bit more cheerful?”

“Sure. How about Tuol Sleng prison?”

I know she doesn’t want me. I know how to hurt her. I go for a walk.

Overhead in the dome is the Horsehead Nebula. Radiant, wonderful, deadly, thirty years to cross at the speed of light.

I go to the pharmacy. The pharmacist looks like a phony doctor in an ad. I ask, “Is . . . is there some way out?”

“You can go Earthside with no ID. People do. They end up living in huts on Sentosa. But that’s not what you mean, is it?”

I just shake my head. It’s like we’ve been edited to ensure that nothing disturbing actually gets said. He gives me a tiny white bag with blue lettering on it.

Instant, painless, like all my flopping guests at the casino.

“Not here,” he warns me. “You take it and go somewhere else like the public toilets.”

Terrifyingly, the pack isn’t sealed properly. I’ve picked it up, I could have the dust of it on hands; I don’t want to wipe them anywhere. What if one of the children licks it?

I know then I don’t want to die. I just want to go home, and always will. I am a son of Kambu, Kampuchea.

“Ah,” he says and looks pleased. “You know, the Buddha says that we must accept.”

“So why didn’t we accept the Earth?” I ask him.

The pharmacist in his white lab coat shrugs. “We always want something different.”

We always must move on and if we can’t leave home, it drives us mad. Blocked and driven mad, we do something new.

There was one final phase to becoming a man. I remember my uncle. The moment his children and his brother’s children were all somewhat grown, he left us to become a monk. That was how a man was completed, in the old days.

I stand with a merit bowl in front of the wat. I wear orange robes with a few others. Curiously enough, Rith has joined me. He thinks he has rebelled. People from Sri Lanka, Laos, Burma, and my own land give us food for their dead. We bless it and chant in Pali.

We got what we wanted. We always do, don’t we, as a species? One way or another.

T
HE WALL DISPLAY
didn’t last two sleep cycles. When Meghan woke the first time, one hundred years into the 4,000 years long journey to Zeta Reticula, she waved her hand at the sensor, and the steel wall morphed into a long view of the Crystal River. On the left side, aspen leaves trembled in a breeze she couldn’t feel. The river itself cut across the image, appearing between trees, tumbling over rocks, chuckling and hissing through the speakers before draining onto the floor at the bottom of the image. On the river’s right bank, the generator house, a remnant of 19th Century mining, clung to a gray granite outcrop. A tall water chute dropped from the building’s bottom, down the short cliff to a pool below. She’d taken the picture on her last hike before reporting for flight training. Every crewmember’s room had a display. Only hers showed the same scene continuously. She joined the crew for their fourteen-day work period, and then returned to the long-sleep bed.

But when she awoke the second time, two hundred years after they left Earth orbit, the metal wall remained grimly blank. She sat on her bunk’s edge, empty, knowing the lead in her limbs was the result of a hundred years of sleep but believing that sadness caused it. No mountain. No river. No rustic generator house standing against the aspen. She called for crew chief Teague.

While she waited, she opened the box under her bed where she kept a souvenir from Earth, a miner’s iron candle stick holder, a long spike at one end, a brass handle on the other, and a metal loop in the middle to hold the candle. She’d found it in a pit beside the generator house after she’d taken the picture. It had a nice heft to it, balanced in her hand. She had cleaned the rust off so the metal shined, but pits marred what must have at one time been a smooth surface. She liked the roughness under her fingers.

After checking the circuits, crew chief Teague said, “Everything about this expedition is an experiment.” He punched at the manual overrides for the display behind a cover plate in Meghan’s room. “There’s no way to test the effects of time on technology except to watch it over time, and that’s what we’re doing.” He clicked the plate shut. “All that matters is keeping life support, guidance, and propulsion running for the whole trip. You make sure hydroponics continue to function. I work in mechanical repair. Teams service the power plant. One of the four crews is awake every twenty-five years, but we don’t have time to repair a luxury like your display wall. We’re janitors.” He ran his hand down the blank surface. “It’s already an old ship, and we have a long, long way to go.”

“We have to keep running too. The people.”

“Yes, there is that.” He rubbed his chin while looking at the candle stick holder in her lap. “Interesting piece. Does the handle unscrew?”

She twisted it. “Seems stuck.”

“We could open in the machine shop.”

She shook her head.

After Teague left, Meghan tried to remember how the river looked and sounded. With the wall display working, she could imagine an aspen breeze on her face, the rushing water’s pebbly smell. She could remember uneven ground, slickness of spray-splashed rocks, stirred leaves’ sweetness. With eyes closed, she tried to evoke the memory. Hadn’t the ground been a little slippery with gravel? Hadn’t there been a crow circling overhead? When she was a little girl, her mother died. A month later Meghan could not remember Mom’s face. Only after digging into a scrapbook did the sense of her mother come back to her. Now, it was just as bad, but what she couldn’t remember was Earth. The metal walls, the synthetic cushioning on the floor, the ventilation’s constant hiss seemed like they had been a part of her forever, and the Earth slipped away, piece by piece.