The Mammoth Book of Best New Science Fiction: 23rd Annual Collection (125 page)

BOOK: The Mammoth Book of Best New Science Fiction: 23rd Annual Collection
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I could not sleep. It was too hot to sleep anyway.

My luggage was brought back, my tube of dotsnuff still inside. I took this and slipped it inside my trouser pocket.

I informed my guards of my need to use the restroom – genuinely, for my bladder was fuller, and bothered me more, than my conscience. I was taken to a restroom with a dozen urinals at one wall and half a dozen sinks at another. A crossword-pattern of gaps marked where humidity had removed some of the tiny blue tiles covering the walls. The shiny floor was not as clean as I might have liked. I emptied my bladder into the white porcelain cowl of a urinal, and washed my hands at the sink. Then, like a character in a cheap film, I peered at myself in the mirror. My eyes saw my eyes. I examined my chin, the jowls shimmery with stubble, the velveteen eyebrows, the rather too large ears. This was the face that Kate saw when she leant in, saying either “a kiss before bedtime,” or “a bed before kisstime,” and touched my lips with her lips. I was horribly conscious of the flippant rapidity of my heart, of blood hurrying with adrenaline.

A guard I had not previously encountered, a tall, thin man with a gold-handled pistol tucked into the front of his trousers, came into the lavatory. “The Redeemer will see you now,” he said.

VIII

Had he come straight out with “why are you here?” or “what do you want?” or anything like that, I might have blurted the truth. I had prepared answers for those questions, of course, but I was, upon seeing him again, miserably nervous. But of course he wasn’t puzzled that I wanted to see him again. He took that as his due. Of course I wanted to see him – who wouldn’t? His face cracked wide with a grin, and he embraced me.

We were in a wide, low-ceilinged room; and we were surrounded by gun-carrying young men and women: some pale as I, some sherry- and acorn-coloured, some black as liquorish. A screen was switched on but the sound was down. Through a barred-window I could see the sepia plain and, waverly with heat in the distance, the edge-line of the orchards.

“Redeemer, is it?” I said, my dry throat making the words creak.

“Can you believe it?” He rolled his eyes upwards, so that he was looking at the ceiling – the direction, had he only known it, of the company troopers, sweeping in low-orbit with a counter-spin to hover, twenty-miles up on the vertical. “I try to fucking discourage it.”

“Sure you do,” I said. Then, clutching the tube in my pocket to stop my fingers trembling, I added in a rapid voice: “I’ve taken up snuff, you know.”

Nic looked very somberly at me. “I’m afraid you’ll have to go outside if you want to snort that.”

For a moment I thought he was being genuine, and my rapid heartbeat accelerated to popping point. My hands shivered. I was sweating. When he laughed, and beckoned me towards a lowslung settee, I felt the relief as sharply as terror. I sat and tried, by focussing my resolve, to stop the tremble in my calf muscles.

“You know what I hate?” he said, as if resuming a conversation we had been having just moments before. “I hate that phrase body fascism. You take a fat man, or fat woman, and criticise them for being fat. That makes you a body fascist. You know what’s wrong there? It’s the fascism angle. In a fucking world where one third of the population hoards all the fucking food and two third starve – in a world where your beloved Company makes billions selling anti-obesity technology to people too stupid to understand they can have anti-obesity for free by fucking eating less – in that world, where the fat ones steal the food from the thin ones so that the thin ones starve to death. That’s a world where the fascists are the ones who criticize the fatties? Do you see how upside down that is?”

I fumbled the tube and sniffed up some powder. The little nanograins, keyed to my metabolism, thrummed into my system. Like, I suppose, fire being used to extinguish an oilwell blaze, the extra stimulation had a calming effect.

The talcum-fine cloud in that room. I coughed, theatrically, and waved my hand to dissipate the material.

“So you’re free to go?”

“I’m not in charge of it,” he said brightly. “Fuck, it’s good to see you again! I’m not in charge – I’m being carried along by it as much as anybody. It’s a tempest, and it’s blowing the whole of humanity like leaves in autumn.”

“Some of it was Company,” I said. “The ADP to ATP protocols weren’t, legally speaking, yours to give away, you know.”

“The hair stuff was mine,” he said.

“I’m only saying.”

“Sure – but the hair stuff.”

I thought of the troops, falling through the sky directly above us, their boot-soles coming closer and closer to the tops of our heads.

“The photovoltaic stuff, and the nanotube lysine fabrication of the conductive channels along the individual strands of hair – that was you. But that’s of no use without the interface to do the ATP.”

He shrugged. “You think like a lawyer. I mean, you think science like a lawyer. It’s not that at all. You don’t think there’s a moral imperative, when the famine in the southern African republics is killing, how many thousands a week is it?” Then he brightened. “Fuck it’s good to see you though! If I’d let the Company have this they’d have squeezed every last euro of profit out of it, and millions would have died.” But his heart wasn’t really in this old exchange. “Wait til I’ve shown you round,” he said, as excited as a child, and swept his right hand in an arc, lord-of-the-manor-wise.

Somewhere outside the room a siren was sounding. Muffled by distance, a warbling miaow. Nic ignored it, although several of his guards perked their heads up. One went out to see what the pother was.

I felt the agitation building in my viscera. Betrayal is not something I have any natural tolerance for, I think. It is an uncomfortable thing. I fidgeted. The sweat kept running into my eyes.

“All the old rhythms of life change,” Nic said. “Everything is different now.”

I felt the urge to scream. I clenched my teeth. The urge passed.

“Of course Power is scared,” Nic was saying. “Of course Power wants to stop what we’re doing. Wants to stop us liberating people from hunger. Keeping people in fear of starvation has always been the main strategy by which Power has kept people subordinate.”

“I’ll say,” I said, squeakily, “how much I love your sophomore lectures on politics.”

“Hey!” he said, either in mock outrage, or in real outrage. I was too far gone to be able to tell the difference.

“The thing is,” I started to say, and then lots of things happened. The clattering cough of rifle fire started up outside. There was the realization that the highpitched noise my brain had been half-hearing for the last minute was a real sound, not just tinitus – and then almost at once the sudden crescendo or distillation of precisely that noise; a great thumping crash from above, and the appearance, in a welter of plaster and smoke, of an enormous metal beak through the middle of the ceiling. The roof sagged, and the whole room bowed out on its walls. Then the beak snapped open and two, three, four troopers dropped to the floor, spinning round and firing their weapons. All I remember of the next twenty seconds is the explosive stutter-cough and the disco flicker of multiple weapon discharges, and then the stench of gunfire’s aftermath.

A cosmic finger was running smoothly round and round the lip of a cosmic wineglass.

I blinked, and blinked, and looked about me. The dust in the air looked like steam. That open metal beak, rammed through the ceiling, had the disconcerting appearance of a weird avant-art metal chandelier. There were half a dozen troopers; standing in various orientations and positions but with all their guns held like dalek-eyes. There were a number of sprawling bodies on the floor. I didn’t want to count them, or look too closely at them. And, beside me, on the settee, was an astonished-looking Neocles.

I moved my mouth to say something to him, and then either I said something that my ears did not register, or else I didn’t say anything.

He didn’t look at me. He jerked forward, and then jerked up. Standing. From a pouch in his pocketstrides he pulled out a small square-shaped object which, fumbling a little, he fitted into his right hand. The troopers may have been shouting at him, or they may have been standing there perfectly silently, I couldn’t tell you. Granular white clouds of plaster were sifting down. Nic leveled his pistol, holding his arm straight out. There was a conjuror’s trick with multiple bright red streamers and ribbons being pulled instantly and magically out of his chest, and then he hurtled backwards, over the top of the settee, to land on his spine on the floor. It took a moment for me to understand what had happened.

He may have been thinking, either in the moment or else as something long pre-planned, about martyrdom. Perhaps the Redeemer is not able to communicate his message in any other way. It’s also possible that, having gone through life protected by the tightfitting prophylactic of his unassailable ego that he may have genuinely believed that he could single-handedly shoot down half a dozen troopers, and emerge the hero of the day. I honestly do not know.

IX

I was forced to leave my home, and live in a series of hideouts. Of course a Judas is as valuable and holy figure as any other in the sacred drama. But religious people (Kate kneeling beside the bed at nighttime, praying to meekling Jesus gent and mild) can be faulted, I think, for failing imaginatively to enter into the mindset of their Judases. Nobody loved Nic as deeply as I. Or knew him so well. But he was rich, and not one motion of his liberal conscience or his egotistical desire to do good in the world changed that fact, or changed his inability to enter, actually, into the life of the poor. The poor don’t want the rich to save them. Even the rioters in the Indian Federation, even the starving Australians, even they – if only they knew it – don’t want to be carried by a god-like rich man into a new realm. What they want is much simpler. They want not to be poor. It’s simultaneously very straightforward and very complicated. Nic’s hair was, in fact, only a way of making manifest the essence of class relations. In his utopia the poor would actually become – would literally become – the vegetation of the earth. The rich would reinforce their position as the zoology to the poor’s botany. Nothing could be more damaging, because it would bed-in the belief that it is natural and inevitable that the rich graze upon the poor, and that the poor are there to be grazed upon. Without even realizing it Nic was laboring to make the disenfranchised a global irrelevance; to make them grass for the rich to graze upon. I loved him, but he was doing evil. I had no choice.

X

Last night, as we lay in bed together in my new, Company-sourced secure flat in I-can’t-say-where (though I’m the one paying the rent) Kate said to me: “I am cut in half like the moon; but like the moon I grow whole again.” I was astonished by this. This really isn’t the sort of thing she says. “What was that, sweet?” I asked her. “What did you say, my love?” But she was asleep, her red lips were pursed, and her breath slipping out and slipping in.

 
BEFORE MY
LAST BREATH
Robert Reed

Robert Reed sold his first story in 1986 and quickly established himself as a frequent contributor to
The Magazine of Fantasy and Science Fiction, Asimov’s Science Fiction
, and many other markets. Reed may be one of the most prolific of today’s young writers, particularly at short fiction lengths, seriously rivaled for that position only by authors such as Stephen Baxter and Brian Stableford. And – also like Baxter and Stableford – he manages to keep up a very high standard of quality while being prolific, something that is not at all easy to do. Reed stories such as “Sister Alice,” “Brother Perfect,” “Decency,” “Savior,” “The Remoras,” “Chrysalis,” “Whiptail,” “The Utility Man,” “Marrow,” “Birth Day,” “Blind,” “The Toad of Heaven,” “Stride,” “The Shape of Everything,” “Guest of Honor,” “Waging Good,” and “Killing the Morrow,” among at least a half-dozen others equally as strong, count among some of the best short works produced by anyone in the 1980s and 90s; many of his best stories have been assembled in the collections
The Dragons of Springplace
and
The Cuckoo’s Boys.
Nor is he non-prolific as a novelist, having turned out eleven novels since the end of the 1980s, including
The Lee Shore, The Hormone Jungle, Black Milk, The Remarkables, Down the Bright Way, Beyond the Veil of Stars, An Exaltation of Larks, Beneath the Gated Sky, Marrow, Sister Alice
, and
The Well of Stars
, as well as two chapbook novellas,
Mere
and
Flavors of My Genius.
His most recent book is a new novel,
Eater-of Bone.
Reed lives with his family in Lincoln, Nebraska.

Here he unravels a fascinating archaeological mystery with roots that stretch back for millions of years. . . .

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