The Magus, A Revised Version (88 page)

I went and found the contraceptive, and Julie moved beside the bed. There was a little more light now, the clouds must have thinned slightly, I could just see her silhouette. She took the sheath, made me sit on the end of the bed, knelt on the island rug, leant forward and rolled the sheath on; bent and gave it a little kiss. Then sat back on her heels, hands folded across her loins, demure. I could just see her smile.

‘
Liar. I don
’
t think you
’
re shy at all.
’

‘
I did spend five years in a convent dormitory. Where nothing was left to the imagination.
’

The rain was easing, but the freshness of it, the smell of cistern, water on stone, pervaded the room. I saw it secretly streaming down the walls of hundreds of cisterns; the excited eels at the bottom.

‘
All that talk of running away.
’

Her smile deepened, but she said nothing. I reached for her, and she rose, let herself be drawn down on top of me. Silence then, a retreat from everything but the conversation of bodies. She pretended to possess me, mocked and consoled me with her mouth; then a silence even of movement, as if in time she would melt down into me; but that began to seem a waiting in her. I broke the spell, and she shifted, lay back on the rough bedspread, her head on the pillow. I knelt and kissed down her body to the ankles, surveyed her a moment from the bottom of the bed. She lay a little twisted to one side, an arm flung out, her head sideways. But as I moved forward, she turned fully on her back. A few moments later I was deep inside her. It was not like any other such moment of first entry I had ever gained; something well beyond the sexual, there was such a fraught, frustrated past, such a future inherent in it; such a possession. I knew I had won far more than her body. I lay suspended on my arms over her. She was staring up in the darkness.

I said,
‘
I adore you.
’

‘
I want you to.
’

‘
Always?
’

‘
Always.
’

I began to thrust slowly
–
but then something strange happened. Without warning, the lamp beside the bed came on again. They must have mended the generator, down in the village. I stopped my movement, for a second or two we were comically like two shocked strangers, our eyes locked in embarrassment; so much so that we had to smile. I looked down her slim body to where we were joined, then back to her face. I sensed something troubled and shy in her look, but then she closed her eyes and let her head fall sideways in profile. If I wanted it so …

I began to drive. Her arms bent back behind her head, as if she was defenceless, doubly naked, comp
letely at my mercy; that lovely
slavelike limpness in everything but the loins. There was a tiny rhythmic creaking somewhere in the bedframe. She seemed so small, fragile, asking for the brutality she had said she had felt in the chapel at Moutsa. Her hands clenched, as if I was really hurting her. I came, it was too soon, but irresistible. I thought it was much too soon for her, but just as I was dying, about to give up, she suddenly raised her arms and urged me on: a brief but convulsive little thrusting against me. Then I was pulled violently down to meet her mouth.

We lay still joined for a little time, in the profound silence of the house; then we were separate, and I moved beside her. She reached out for the lamp-switch and we were in darkness again. She turned on her stomach, her face turned away. I stroked down her back, patted the small bottom, kept caressing its curves. Already, despite the traditional nature of the moment, I felt a marvellous surge of euphoria. I hadn
’
t expected it to be so shared, so full of promise, like the skin beneath my hand; that she could be so warm, capable of giving. I told myself I ought to have guessed, there was that feeling about June of a girl who enjoyed it, and the same need must have lain buried in the less extravert sister beside me. At last our bodies had expressed themselves; and I knew it would be much better still … subtler, longer, infinite variations. That appled bottom, the tangled hair against my mouth. A distant, receding roll of thunder. Already, outside, there was more light, the moon must have broken partially from behind the clouds. All storms were past, and we lay in the silence of Eden regained.

It was some five minutes later. We had lain in total silence, no words were needed. But then she pushed herself up, leant over me for a moment, stooped and quickly kissed me. She leant back, her face above mine in a hanging cloud of hair, a faint smile, her eyes on mine.

‘
Nicholas, will you always remember something about tonight?
’

I grinned.
‘
What?
’

‘
That it
’
s also how, not why.
’

Still I smiled.
‘
How was beautiful.
’

‘
As I wanted it to be.
’

For the briefest moment she hesitated, almost as if it were some formula she expected me to repeat
. Then suddenly she knelt back,
turned and was
off
the bed, and reaching for her kimono. I should have reacted more quickly, at least to the briskness with which she reached for the garment, if not to something in her voice and face when she was looking down at me
–
a seriousness that had nothing to do with the naivety I first took it for. I leant up on an elbow.

‘
Where are you going?
’

She didn
’
t answer for a moment, then turned, tying the kimono sash, and looked down at me. I think there was still a trace of a smile on her face.

‘
To the trial.
’

‘
The what?
’

It all happened so impossibly fast. She was already moving away before I had fully registered the change in her voice, its now patent lack of imiocence.

‘
Julie?
’

She turned at the door; left the tiny pause of the actress before her exit line.

‘
My name isn
’
t Julie, Nicholas. And I
’
m sorry we can
’
t provide the customary flames.
’

This time I sat fully up
–
flames, what flames
–
but before I could speak she had pulled the door open and stepped aside. Light flooded in.

There was a violent cascade of figures.

Three men, all in dark trousers and black polo-neck jumpers
–
they came so quickly that, paralyzed in everything but instinct, I had no time to do anything but grab the bedspread over my loins. The one in the lead was Joe, the Negro. He flung himself at me just as I was about to shout. His hand clapped brutally over my mouth and I felt the strength and weight of him throw me back. One of the others must have turned on the bedside lamp again. I saw another face I knew: the last time I had seen it had been on the ridge, when the owner had been in German uniform, playing Anton. The third face belonged to the blond-headed sailor I had seen twice at Bourani that
previous Sunday. I tried as I struggled under Joe to see Julie
–
I still couldn
’
t accept that this was not some nightmare, like some freak misbinding in a book, a Lawrence novel become, at the turn of a page, one by Kafka. But all I glimpsed was her back as she left the room. Someone met her there, an arm went round her shoulders as if she had just escaped from an air disaster and drew her out of sight.

I began to fight violently, but they had obviously anticipated that, had loops of rope ready. In less than half a minute I was tied up and lying on my face. I don
’
t know if I was still shouting obscenities at them; I was certainly thinking them. Then I was gagged. Somebody threw the bedspread over me. I managed to twist my head to see the door.

Another figure appeared in it: Conchis. He was dressed like the others, in black. Flames, devils, hell. He came and stood over me, looked down at my outraged eyes absolutely without expression. I hurled all the hate I had in me at him, tried to make sounds that he could understand. My mind flashed back to that incident in the war: a room at the end of a corridor, a man lying on his back, castrated. My eyes began to fill with tears of frustrated rage and humiliation. I realized at last what Julie
’
s final look at me had been like. It was that of a surgeon who has just performed a difficult operation successfully; peeling
off
the rubber gloves, surveying the suture. Trial, flames… they were all mad, they must be, and she the most vicious, shameless, degenerate …

‘
Anton
’
held out a small open case to Conchis. He took out a hypodermic syringe, checked it was correctly filled, then leant over me a little and showed it.

‘
We shall not frighten you any more, young man. But we want you to go to sleep. It will be less painful for you. Please do not struggle.
’

The absurd memory of the pile of examination papers I had still to mark went through my mind. Joe and the other man turned me on my back again and gripped my left arm like a vice. I resisted for a few moments, then gave in. A dab of wet. The needle pricked into my forearm. I felt the morphine, or whatever it was, enter. The needle was withdrawn, another dab of something wet. Conchis stood back, watched me a moment, then turned and replaced the syringe in the black medical case it had come from.

I tried to realize what I had got into: a world of people who knew no laws, no limits.

A satyr with an arrow in his heart.

Mirabelle.
La Ma
î
tresse-Machine,
a foul engine made fouler flesh.

Perhaps three minutes passed. Then June appeared in the doorway. She did not look at me. She was dressed like the men, in black shirt and trousers
–
and I seethed again, remembering she had worn those very clothes outside the school, even then knowing this was to happen
–
and all this, after I had at last told them about Alison! She moved across the room, her hair tied back now with a black chiffon scarf and coolly began to empty clothes from the corner wardrobe into a suitcase. My head began to swim. Faces and objects, the ceiling, receded from present reality; down and down a deep black mine of shock, incomprehension and flailing depths of impossible revenge.

I was to have no sense of time for the next five days. When I first woke up I did not know how many hours had passed. I was very thirsty, and that must have been what woke me. I remember one or two things indistinctly. A sense of surprise that I was in my own pyjamas but not in my room at school; then realizing I was in a bunk, at sea, but not in a ca
ï
que. It was the narrowing forecabin of a yacht. I was reluctant to leave my sleep, to think, to do anything but sink back into it. I was handed a glass of water by the young sailor with
crew-cut
blond hair, who had evidently been waiting for me to wake. I was so thirsty that I had to drink the water, even though I could see it was suspiciously cloudy. Then I must have blurred into sleep again.

The same man made me go to the heads in the bows of the yacht at some later point, and I remember he had to hold me upright, as if I was drunk; and I sat on the pan and just went to sleep again. There were port-holes, but the metal shields were screwed down. I asked one or two questions, but he didn
’
t answer; and it didn
’
t seem to matter.

The same procedure happened again, once, twice, I don
’
t know, in different circumstances. This time I was in a room in a proper bed. It was always night, always, if there was light, an electric light; shadowy figures and voices; then darkness.

But one morning
–
it seemed like morning, though it might have been midnight for all I knew, because my watch had stopped
–
I was woken up by the sailor-cum-nurse, made to sit on my bed, to dress, to walk up and down the room twenty or thirty times. Another man I hadn
’
t seen before stood by the door.

I became conscious of something I had hazily thought to have dreamt: an extraordinary mural that dominated the whitewashed wall opposite the bed. It was a huge black figure, larger than lifesize, a kind of living skeleton, a Buchenwald horror, lying on its side on what might have been grass, or flames. A gaunt hand pointed down to a little mirror hanging on the wall; exhorting me, I supposed, to look at myself, to consider that I must die. The skull-face had a startled and startling intensity that made it uncomfortable to look at; and it was no comfort to think of the mind that had put it there for me. I could see it was newly painted.