The Lonely City (35 page)

209
‘
David has a problem
 . . .’: David Wojnarowicz, unpublished journal entry, Fales, Series 1, Box 2, Folder 30, ‘1991 or thereabouts’.

209
‘
I am glass, clear empty glass
 . . .’: David Wojnarowicz,
Memories That Smell Like Gasoline
, pp. 60–61.

211
‘
It was very much alive
 . . .’: David Wojnarowicz, unpublished audio journal, Fales, Series 8A, ‘1988 Journal, Nov/Dec’.

213
‘
To place an object or writing
 . . .’: ibid., p. 156.

214
‘
To make the private into
 . . .’: David Wojnarowicz,
Close to the Knives
, p. 121.

215
‘
once this body drops
. . .’: David Wojnarowicz,
Brush Fires in the Social Landscape
(Aperture, 2015), p. 160.

CHAPTER 7: RENDER GHOSTS

226
‘
almost sleepy
 . . .’: Jennifer Egan,
A Visit from the Goon Squad
(Corsair, 2011), p. 317.

228
‘
Likewise, at a screen
 . . .’: Sherry Turkle,
Alone Together:Why We Expect More from Technology and Less from Each Other
(Basic Books, 2011), p. 188.

231
‘
If I’m in a certain mood
 . . .’:
We Live in Public
, dir. Ondi Timoner (2009).

232
‘
I think that I love
 . . .’: ibid.

234
‘
Andy Warhol was wrong
 . . .’: Richard Siklos,‘Pseudo’s Josh Harris: The Warhol of Webcasting’,
Businessweek
, 26 January 2000.

235
‘
People gathered night after
 . . .’: Jonathan Ames, ‘Jonathan Ames, RIP’,
New York Press
, 18 January 2000.

236
‘
We are very much alone
 . . .’: Bruce Benderson,
Sex and Isolation
, p. 7.

237
‘
There’s all these people
 . . .’:
We Live in Public
, dir. Ondi Timoner (2009).

241
‘
it didn’t matter
 . . .’: Ondi Timoner, MoMA screening of
We Live in Public
, 5 April 2009.

242
‘
My only friend was the tube
 . . .’:
First Person: Harvesting Me
, dir. Errol Morris (2001).

243
‘
I feel like I’m in uh
 . . .’: Mario Montez,
Screen Test #2
, dir. Andy Warhol (1965).

244
‘
The mass medium of television
 . . .’: Benjamin Secher,‘Andy Warhol TV: maddening but intoxicating’,
Telegraph
, 30 September 2008.

244
‘
If you were the star
 . . .’: Andy Warhol,
The Philosophy of Andy Warhol
, pp. 146–7.

246
‘
Not really. I make friends
 . . .’:
Blade Runner
, dir. Ridley Scott (1982).

248
‘
But now that heightened
 . . .’: Susan Sontag,
Illness as Metaphor and AIDS and Its Metaphors
, p. 178.

249
‘
All the animals come out
 . . .’:
Taxi Driver
, dir. Martin Scorsese (1976).

251
‘
What really twisted my brain
 . . .’: David Wojnarowicz,
7 Miles A Second
, p. 15.

251
‘
The closing of the center city
 . . .’: Bruce Benderson,
Sex and Isolation
, p. 7.

252
‘
The tortoise lays on its back
 . . .’:
Blade Runner
, dir. Ridley Scott (1982).

CHAPTER 8: STRANGE FRUIT

255
‘
the daily affirmation
 . . .’: Sarah Schulman,
Gentrification of the Mind
, p. 27.

256
Larry Krone,
Then and Now (Cape Collaboration).

258
‘
It was sort of a way
 . . .’: Zoe Leonard,
Secession
(Wiener Secession, 1997), p. 17.

259
‘
And it wasn’t the pneumonia
 . . .’: Billie Holiday, with William Dufty,
Lady Sings the Blues
(Harlem Moon, 2006 [1956]), p. 77.

260
‘
to spell out all the things
 . . .’: ibid., p. 94.

261
Zoe Leonard, ACT UP Oral History Project, Interview No. 106, 13 January 2010.

261
‘
From a distance
 . . .’: Jenni Sorkin, ‘Finding the Right Darkness’,
Frieze
, Issue 113, March 2008.

263
‘
String can be looked upon
 . . .’: D. W. Winnicott,
Playing and Reality
(Routledge, 1971), p. 19.

263
‘
1) going to pieces
 . . .’: D. W. Winnicott,
Babies and Their Mothers
(Free Association Books, 1988), p. 99.

264
‘
into a
denial . . .’: D. W. Winnicott,
Playing and Reality
, p. 19.

264
‘
Tantrums over tangles
 . . .’: Henry Darger,
Journal 27 Feb 1965 – 1 Jan 1972
, Folder 33:3, Box 33, HDP.

268
‘
One of those kids
 . . .’: Andy Warhol,
The Andy Warhol Diaries
, p. 462.

268
‘
But actually if he’s
 . . .’: ibid., p. 584.

268
‘
I mean, how long can you suck dick
 . . .’: ibid., p. 641.

270
‘
Mr. Warhol’s death
 . . .’: Michael Wines, ‘Jean Michel Basquiat: Hazards of Sudden Success and Fame’,
New York Times
, 27 August 1988.

273
‘
Dear Buba and Uncle Andy
 . . .’:Andy Warhol,TC–27,Andy Warhol Museum.

273
‘
HI SWEETHEART
 . . .’: Andy Warhol, TC522, Andy Warhol Museum.

274
‘
I think he didn’t
 . . .’: Donald Warhola, interview with author, 12 November 2013.

276
‘
She does a beautiful job
 . . .’: Andy Warhol,
The Andy Warhol Diaries
, p. 421.

277
‘
Okay, let’s get it over
 . . .’: ibid., p. 689.

278
‘
He looks a bit like a woman
 . . .’: Phoebe Hoban, ‘Portraits: Alice Neel’s Legacy of Realism’,
New York Times
, 22 April 2010.

279
‘
was a way to think about David
 . . .’: Zoe Leonard,
Secession
, p. 18.

BIBLIOGRAPHY

Als, Hilton,
White Girls
(McSweeney’s, 2013)

— with Jonathan Lethem and Jeanette Winterson,
Andy Warhol at Christie’s
(Christie’s, 2012)

Angell, Callie,
Andy Warhol Screen Tests: the Films of Andy Warhol Catalogue Raisonn
é
, Volume 1
(Abrams, in association with Whitney Museum of American Art, 2006)

Arbus, Diane,
Diane Arbus
(Aperture, 2011)

Arcade, Penny,
Bad Reputation: Performances, Essays, Interviews
(Semiotex(e)/MIT Press, 2009)

Aviv, Rachel, ‘Netherland’,
The New Yorker,
10 December 2012

Barthes, Roland,
Roland Barthes
(University of California Press, 1977)

—
Mourning Diary
(Hill & Wang, 2010)

Bender,Thomas,
The Unfinished City: New York and the Metropolitan Idea
(The New Press, 2002)

Benderson, Bruce,
Sex and Isolation
(University of Wisconsin Press, 2007)

Benjamin,Walter,
One-way Street and Other Writings
(Penguin, 2009)

Berman, Marshall,
On the Town: One Hundred Years of Spectacle in Times Square
(Verso, 2006)

Bisenbach, Klaus, ed.,
Henry Darger
(Prestel, 2009)

—
Henry Darger: Disasters of War
(KW Institute for Contemporary Art, 2003)

Bockris,Victor,
Warhol:The Biography
(Da Capo Press, 2003 [1989])

Bonesteel, Michael,
Henry Darger:Art and Selected Writings
(Rizzoli, 2000)

Bowlby, John,
Separation
(Basic Books, 1973)

Boym, Svetlana,
The Future of Nostalgia
(Basic Books, 2001)

Brown, Bill, ‘Things’,
Critical Inquiry
, Vol. 28, No. 1

Beaumont, Matthew and Gregory Dart, eds.,
Restless Cities
(Verso, 2010)

Cacioppo, John T. and Patrick William,
Loneliness: Human Nature and the Need for Social Connection
(W. W. Norton, 2008)