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Authors: John Steinbeck
The Log From the Sea of Cortez (Penguin Classics) (9 page)
BOOK: The Log From the Sea of Cortez (Penguin Classics)
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Consider, then, the effect of a decrease in pressure on gonads turgid with eggs or sperm, already almost bursting and awaiting the slight extra pull to discharge. (Note also the dehiscence of ova through the body walls of the polychaete worms. These ancient worms have their ancestry rooted in the Cambrian and they are little changed.) Now if we admit for the moment the potency of this tidal effect, we have only to add the concept of inherited psychic pattern we call “instinct” to get an inkling of the force of the lunar rhythm so deeply rooted in marine animals and even in higher animals and in man.
When the fishermen find the Old Man rising in the pathways of their boats, they may be experiencing a reality of past and present. This may not be a hallucination; in fact, it is little likely that it is. The interrelations are too delicate and too complicated. Tidal effects are mysterious and dark in the soul, and it may well be noted that even today the effect of the tides is more valid and strong and widespread than is generally supposed. For instance, it has been reported that radio reception is related to the rise and fall of Labrador tides,
2
and that there may be a relation between tidal rhythms and the recently observed fluctuations in the speed of light.
3
One could safely predict that all physiological processes correspondingly might be shown to be influenced by the tides, could we but read the indices with sufficient delicacy.
2
and that there may be a relation between tidal rhythms and the recently observed fluctuations in the speed of light.
3
One could safely predict that all physiological processes correspondingly might be shown to be influenced by the tides, could we but read the indices with sufficient delicacy.
It appears that the physical evidence for this theory of George Darwin is more or less hypothetical, not in fact, but by interpretation, and that critical reasoning could conceivably throw out the whole process and with it the biologic connotations, because of unknown links and factors. Perhaps it should read the other way around. The animals themselves would seem to offer a striking confirmation to the tidal theory of cosmogony. One is almost forced to postulate some such theory if he would account causally for this primitive impress. It would seem far-fetched to attribute the strong lunar effects actually observable in breeding animals to the present fairly weak tidal forces only, or to coincidence. There is tied up to the most primitive and powerful racial or collective instinct a rhythm sense or “memory” which affects everything and which in the past was probably more potent than it is now. It would at least be more plausible to attribute these profound effects to devastating and instinct-searing tidal influences active during the formative times of the early race history of organisms; and whether or not any mechanism has been discovered or is discoverable to carry on this imprint through the germ plasms, the fact remains that the imprint is there. The imprint is in us and in Sparky and in the ship’s master, in the palolo worm, in mussel worms, in chitons, and in the menstrual cycle of women. The imprint lies heavily on our dreams and on the delicate threads of our nerves, and if this seems to come a long way from sea-serpents and the Old Man of the Sea, actually it has not come far at all. The harvest of symbols in our minds seems to have been planted in the soft rich soil of our pre-humanity. Symbol, the serpent, the sea, and the moon might well be only the signal light that the psycho-physiologic warp exists.
5
The evening came down on us and as it did the wind dropped but the tall waves remained, not topped with whitecaps any more. A few porpoises swam near and looked at us and swam away. The watches changed and we ate our first meal aboard, the cold wreckage of farewell snacks, and when our watch was done we were reluctant to go down to the bunks. We put on heavier coats and hung about the long bench where the helmsman sat. The little light on the compass card and the port and starboard lights were our outmost boundaries. Then we passed Point Sur and the waves flattened out into a ground-swell and increased in speed. Tony the master said, “Of course, it’s always that way. The point draws the waves.” Another might say, “The waves come greatly to the point,” and in both statements there would be a good primitive exposition of the relation between giver and receiver. This relation would be through waves; wave to wave to wave, each of which is connected by torsion to its inshore fellow and touches it enough, although it has gone before, to be affected by its torsion. And so on and on to the shore, and to the point where the last wave, if you think from the sea, and the first if you think from the shore, touches and breaks. And it is important where you are thinking from.
The sharp, painful stars were out and bright enough to make the few whitecaps gleam against the dark surrounding water. From the wheel the little flag-jack on the peak stood against the course and swung back and forth over the horizon stars, blotting out each one as it passed. We tried to cover a star with the flag-jack and keep it covered, but this was impossible; no one could do that, not even Tony. But Tony, who knew his boat so well, could feel the yaw before it happened, could correct an error before it occurred. This is no longer reason or thought. One achieves the same feeling on a horse he knows well; one almost feels the horse’s impulse in one’s knees, and knows, but does not know, not only when the horse will shy, but the direction of his jump. The landsman, or the man who has been long ashore, is clumsy with the wheel, and his steering in a heavy sea is difficult. One grows tense on the wheel, particularly if someone like Tony is watching sardonically. Then keeping the compass card steady becomes impossible and the swing, a variable arc from two to ten degrees. And as weariness creeps up it is not uncommon to forget which way to turn the wheel to make the compass card swing back where you want it. The wheel turns only two ways, left or right. The fact of the lag, and the boat swinging rapidly so that a slow correcting allows it to pass the course and err on the other side, becomes a maddening thing when Tony the magnificent sits beside you. He does not correct you, he doesn’t even speak. But Tony loves the truth, and the course is the truth. If the helmsman is off course he is telling a lie to Tony. And as the course projects, hypothetically, straight off the bow and around the world, so the wake drags out behind, a tattler on the conduct of the steersman. If one should steer mathematically perfectly, which is of course impossible, the wake will be a straight line; but even if, when drawn, it may have been straight, it bends to currents and to waves, and your true effort is wiped out. There is probably a unified-field hypothesis available in navigation as in all things. The internal factors would be the boat, the controls, the engine, and the crew, but chiefly the will and intent of the master, sub-headed with his conditioning experience, his sadness and ambitions and pleasures. The external factors would be the ocean with its bordering land, the waves and currents and the winds with their constant and varying effect in modifying the influence of the rudder against the changing tensions exerted on it.
If you steer
toward an object,
you cannot perfectly and indefinitely steer directly at it. You must steer to one side, or run it down; but you can steer exactly at a compass point, indefinitely. That does not change. Objects achieved are merely its fulfillment. In going toward a headland, for example, you can steer directly for it while you are at a distance, only changing course as you approach. Or you may set your compass course for the point and correct it by vision when you approach. The working out of the ideal into the real is here—the relationship between inward and outward, microcosm to macrocosm. The compass simply represents the ideal, present but unachievable, and sight-steering a compromise with perfection which allows your boat to exist at all.
toward an object,
you cannot perfectly and indefinitely steer directly at it. You must steer to one side, or run it down; but you can steer exactly at a compass point, indefinitely. That does not change. Objects achieved are merely its fulfillment. In going toward a headland, for example, you can steer directly for it while you are at a distance, only changing course as you approach. Or you may set your compass course for the point and correct it by vision when you approach. The working out of the ideal into the real is here—the relationship between inward and outward, microcosm to macrocosm. The compass simply represents the ideal, present but unachievable, and sight-steering a compromise with perfection which allows your boat to exist at all.
In the development of navigation as thought and emotion—and it must have been a slow, stumbling process frightening to its innovators and horrible to the fearful—how often must the questing mind have wished for a constant and unvarying point on the horizon to steer by. How simple if a star floated unchangeably to measure by. On clear nights such a star is there, but it is not trustworthy and the course of it is an arc. And the happy discovery of Stella Polaris—which, although it too shifts very minutely in an arc, is constant relatively—was encouraging. Stella Polaris will get you there. And so to the crawling minds Stella Polaris must have been like a very goddess of constancy, a star to love and trust.
What we have wanted always is an
unchangeable,
and we have found that only a compass point, a thought, an individual ideal, does not change—Schiller’s and Goethe’s Ideal to be worked out in terms of reality. And from such a thing as this, Beethoven writes a Ninth Symphony to Schiller’s
Ode to Joy.
unchangeable,
and we have found that only a compass point, a thought, an individual ideal, does not change—Schiller’s and Goethe’s Ideal to be worked out in terms of reality. And from such a thing as this, Beethoven writes a Ninth Symphony to Schiller’s
Ode to Joy.
A tide pool has been called a world under a rock, and so it might be said of navigation, “It is the world within the horizon.”
Of steering, the external influences to be overcome are in the nature of oscillations; they are of short or long periods or both. The mean levels of the extreme ups and downs of the oscillations symbolize opposites in a Hegelian sense. No wonder, then, that in physics the symbol of oscillation, √-1, is fundamental and primitive and ubiquitous, turning up in every equation.
6
MARCH 12
In the morning we had come to the Santa Barbara Channel and the water was slick and gray, flowing in long smooth swells, and over it, close down, there hung a little mist so that the sea-birds flew in and out of sight. Then, breaking the water as though they swam in an obscure mirror, the porpoises surrounded us. They really came to us. We have seen them change course to join us, these curious animals. The Japanese will eat them, but rarely will Occidentals touch them. Of our crew, Tiny and Sparky, who loved to catch every manner of fish, to harpoon any swimming thing, would have nothing to do with porpoises. “They cry so,” Sparky said, “when they are hurt, they cry to break your heart.” This is rather a difficult thing to understand; a dying cow cries too, and a stuck pig raises his protesting voice piercingly and few hearts are broken by those cries. But a porpoise cries like a child in sorrow and pain. And we wonder whether the general seaman’s real affection for porpoises might not be more complicated than the simple fear of hearing them cry. The nature of the animal might parallel certain traits in ourselves—the outrageous boastfulness of porpoises, their love of play, their joy in speed. We have watched them for many hours, making designs in the water, diving and rising and then seeming to turn over to see if they are watched. In bursts of speed they hump their backs and the beating tails take power from the whole body. Then they slow down and only the muscles near the tails are strained. They break the surface, and the blow-holes, like eyes, open and gasp in air and then close like eyes before they submerge. Suddenly they seem to grow tired of playing; the bodies hump up, the incredible tails beat, and instantly they are gone.
The mist lifted from the water but the oily slickness remained, and it was like new snow for keeping the impressions of what had happened there. Near to us was the greasy mess where a school of sardines had been milling, and on it the feathers of gulls which had come to join the sardines and, having fed hugely, had sat on the water and combed themselves in comfort. A Japanese liner passed us, slipping quickly through the smooth water, and for a long time we rocked in her wake. It was a long lazy day, and when the night came we passed the lights of Los Angeles with its many little dangling towns. The searchlights of the fleet at San Pedro combed the sea constantly, and one powerful glaring beam crept several miles and lay on us so brightly that it threw our shadows on the exhaust stack.
In the early morning before daylight we came into the harbor at San Diego, in through the narrow passage, and we followed the lights on a changing course to the pier. All about us war bustled, although we had no war; steel and thunder, powder and men—the men preparing thoughtlessly, like dead men, to destroy things. The planes roared over in formation and the submarines were quiet and ominous. There is no playfulness in a submarine. The military mind must limit its thinking to be able to perform its function at all. Thus, in talking with a naval officer who had won a target competition with big naval guns, we asked, “Have you thought what happens in a little street when one of your shells explodes, of the families torn to pieces, a thousand generations influenced when you signaled Fire?” “Of course not,” he said. “Those shells travel so far that you couldn’t possibly see where they land.” And he was quite correct. If he could really see where they land and what they do, if he could really feel the power in his dropped hand and the waves radiating out from his gun, he would not be able to perform his function. He himself would be the weak point of his gun. But by not seeing, by insisting that it be a problem of ballistics and trajectory, he is a good gunnery officer. And he is too humble to take the responsibility for thinking. The whole structure of his world would be endangered if he permitted himself to think. The pieces must stick within their pattern or the whole thing collapses and the design is gone. We wonder whether in the present pattern the pieces are not straining to fall out of line; whether the paradoxes of our times are not finally mounting to a conclusion of ridiculousness that will make the whole structure collapse. For the paradoxes are becoming so great that leaders of people must be less and less intelligent to stand their own leadership.
The port of San Diego in that year was loaded with explosives and the means of transporting and depositing them on some enemy as yet undetermined. The men who directed this mechanism were true realists. They krew an enemy would emerge, and when one did, they had explosives to deposit on him.
BOOK: The Log From the Sea of Cortez (Penguin Classics)
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