The Kitchen Boy (6 page)

For a while, then, I was no longer Leonka, the kitchen boy, but the Tsar’s spy. And what did the note say? And the map, what did it show? Those have been preserved as well. They too have been kept all these years in the
arkhivy
in Moscow. All the notes to the Romanovs were in French, as were all the replies from the royal captives. Nikolai himself always passed the letters to me, but they were not his handwriting. It is the florid hand of a girl, that of Olga, the oldest grand duchess, for she was the most capable in French.

And the first reply reads:

From the corner up to the balcony there are 5 windows on the street side, 2 on the square. All of the windows are glued shut and painted white. The Little One is still sick and in bed and cannot walk at all – every jolt causes him pain. A week ago, because of the anarchists we were supposed to leave for Moscow at night. No risk whatsoever must be taken without being certain of the result. We are almost always under close observation.

As for the map, it was a penciled floor plan of the dwelling, done by none other than Aleksandra Fyodorovna who, like all women of the nobility, had received not a formal education, but the proper instruction in drawing, watercolors, piano, literature, foreign tongues, and, of course, needlework.

Within the hour Komendant Avdeyev himself led me out the front door and through the two palisades surrounding the house. I crossed the muddy square, just as Nikolai Aleksandrovich asked, and I went directly to the Church of the Ascenscion, a big white brick structure. Only one small door was open, and I entered and was struck with the scent of the heavens, frankincense and beeswax candles. Searching the hazy church, I spied a nun on her knees in front of a golden icon of Saint Nicholas. Crossing herself over and over again, she dipped repeatedly, bowing her forehead against the cold, stone floor.

As I approached, the prostrated woman paused in her prayers and stared up at me with sunken eyes. “What is it, my son?”

“I come from The House of Special Purpose to see Papa Storozhev.”

The nun quickly crossed herself in the Orthodox manner – using three fingers to represent the Trinity, she dotted her forehead, stomach, right shoulder, left – pushed herself to her feet and hurried away. Disappearing into a forest of icon-covered pillars, she slipped into the dark corners of the church. Within seconds Father Storozhev himself came out, his head and hair covered with a tall, black hat, his flowing, black gown dragging behind him. His eyes as dark as ink pots, he stared down upon me as if I were a Red infidel.

I boldly said, “Aleksandra Fyodorovna herself asked me to deliver this note, with the request that you pass it on to the sisters at the monastery.”

I handed him the note requesting thread and tobacco, and Father Storozhev screwed up his eyes, studied the paper. I started to speak yet again, but then hesitated and checked to make sure we were not being observed. Only when I was certain we were alone did I unfasten my garments and withdraw the envelope containing the map and the response to the officer’s letter.

“Papa, this is from
Batyushka
. Please deliver it to the proper people.”

And then, of course, began our long wait in The House of Special Purpose.

There are so many things, Katya, that I have never told you nor even my very own son – your father – but I had been with the Romanovs since shortly before they were exiled to Siberia. My own father – your great-grandfather – was off to war, and the food situation at home in the Tula province was difficult, so when my Uncle Vanya wrote to my mother and suggested I come to work at the Aleksander Palace in July of 1917, I was sent right away. We were a poor family, and my mother was only too glad to have one less mouth to feed, particularly during such horrible times.

I arrived by the end of the month, a fortnight before the Romanovs were sent from their home in Tsarskoye Selo, a suburb of Sankt-Peterburg. The Tsar and his consort had many years earlier decided to make this their principal home, for there the air was clean and fresh, the gardens lush, and of course they were far away from the capital and decadent society. In essence, overwhelmed with the poor health of the Heir Tsarevich, they withdrew, which in the end actually precipitated their fall.

Of course, another reason they withdrew from Peterburg was fear for their safety. Since the uprisings of 1905, political assassinations had been all too common. Indeed, during those times the whole of the House of Romanov feared for its life, realizing that the anarchists were intent on exterminating the dynasty. In retrospect, I often wonder how Nikolai could not have foreseen so dark a storm as 1918 – almost everyone else did – but again I’m sure he was blinded by religion.

For as rich and all-powerful as they were, the Emperor and Empress decided not to make their home in the Great Palace of Tsarskoye, an enormous palace built by Catherine the Great herself. That one had hundreds upon hundreds of grandiose rooms all decorated with gold and marble and crystal chandeliers. Instead, Nikolai and Aleksandra wanted a family home, so they chose the nearby and substantially more modest Aleksander Palace, which Catherine had built for her favorite grandson, the future Aleksander I, the one who trounced Napoleon. Nikolai II himself was born there, and the last Tsar and Tsaritsa chose not the entire palace, but only one wing for their apartments. Sure, they still had many rooms, and spectacular they were, for they gutted the left wing and redecorated a number of rooms in the
stijl moderne
, otherwise known in the West as Art Nouveau. It was there too, in a vitrine in her mauve boudoir that Aleksandra kept her Fabergé eggs, which along with all her pearl necklaces and diamond tiaras and her bejeweled this and that totaled so many millions upon millions of dollars. In today’s dollars a billion, I think. Perhaps a bit more, perhaps a bit less. I should add that when they were exiled to Siberia, the Provisional Government, which ruled for eight months before being toppled by the Reds, allowed Nikolai and Aleksandra to take everything but the Fabergé
objets
with them. They took two suitcases full of gems, to be exact. And it all disappeared, all of the jewels except the nineteen pounds of diamonds and things found hidden on their bodies when they were killed. While the Romanovs were under arrest in Tobolsk – months before they were brought to Yekaterinburg – many nuns visited them, and these sisters of God smuggled everything else away. Stalin initiated a big search in the 1930s, and after torturing a few nuns and such the Reds found one of these suitcases buried beneath a hut. It contained one hundred and fifty gems, including a 100-carat diamond brooch and a 70-carat diamond crescent. Alas, the second suitcase has never been located. It’s supposed to contain one pood – about thirty-six pounds – of diamonds and rubies and emeralds. As far as anyone knows, it’s still buried somewhere in the taiga of Siberia.

It was during my short time at the Aleksander Palace that I came to understand several fundamental things about Tsaritsa Aleksandra Fyodorovna.

My work was in the kitchens, and I was never allowed close to the Imperial Family until the night before we departed the Aleksander Palace, when so much was being packed up for the long train ride – to where, no one at that time knew. Because their English cousins proved to be nothing but ninnies by withdrawing their offer of asylum – which would have saved the Romanovs – we knew we weren’t being sent abroad. In truth, actually, that was a relief to the family, all of whom hoped and prayed that we were being exiled to their favorite palace, Livadia, in the Crimea. But that was not to happen, of course, because between Peterburg and the Black Sea stood the raging mobs of Moscow. As it was, we didn’t realize we were being sent to Siberia until the train was hours underway.

In any case, I was enlisted to help carry the luggage and trunks and crates, a parade of things that went on through the night. It was only then that I entered the Emperor and Empress’s private bedchamber. It was a large room with soaring ceilings, white wallpaper covered with pink garlands of the Empress’s favorite flower, hydrangea, the design of which was carried onto the curtains and the chintz fabric covering all the painted furniture. Very bright. Very
elegantno
. I didn’t know it then, for I was so young and unworldly – a mere lad from the provinces – but this was pure English style, the Empress’s favorite, a taste acquired, of course, at the court of her granny. Yet all of this beauty was not what impressed me so. What first astounded me was the number of photographs, pictures of aunts and uncles and cousins and children that covered the walls and virtually every tabletop. Such was the importance of family to her. But then I saw her obsession, her sickness – all the icons. The walls of their sleeping alcove were covered from floor to ceiling with hundreds of religious pictures. Pictures of the Virgin Mary. Saint George the Dragon Slayer. Saint Nicholas. Saint Michael. Big, silver-covered icons. Little jewel-encrusted portraits of every saint imaginable. On and on. There was not a square inch that was not covered with an icon through which God was supposed to work, a window for him to reach from the high heavens to the lowly earth. Aleksandra was continually arranging and rearranging them too, as if she only had to get the order correct for God to hear her fervent prayers.
Nyet, nyet
, not
normalno
. Not at all. Even I recognized this, young as I was. She was more than a fool for God. She was a fanatic. Why, after giving birth to four daughters she was desperate to bear a boy, an heir, and to achieve this she had the monk Serafim of Sarov canonized. And after that grand ceremony Nikolai and Aleksandra crept down to the spring where the monk was known to have worked miracles hundreds of years earlier. And there, in the dead of night, they bathed naked, just the two of them. The next day there were a number of known miracles – children healed of terrible maladies, a blind woman who regained her sight, an invalid who walked for the first time in ten years – and soon thereafter Aleksandra became pregnant with Aleksei. Some say it was an act of God Himself, but why would he do such a dark thing, give Russia such a troubled heir? Rather, I think it was this inescapable Russian fate.

But, sure, while our Empress was cold on the outside, she was at the same time wildly passionate on the inside, and in this way so very, very Russian. In the carnal sense, she and the Emperor were the most loving of couples; in their early letters to one another there is even mention of their pet names for their genitalia. And this, from a granddaughter of that tight Victoria!
Radi boga
– Dear Lord – Aleksandra must be rolling in death, knowing that those pet names for their privates have been published around the globe!

Late that very same night my uncle and I were carrying a trunk marked N.A. NO. 12 – ALBUMS, meaning it was Nikolai Aleksandrovich’s twelfth trunk, the one filled with photo albums. We proceeded from the maple living room, a very attractive, two-story room covered with bear rugs and filled with mementos – it was here the family often lunched together in private – and passed into what was known as the corner living room. It had not been redone in the
stijl moderne
, but rather left in the older classical style. And as Uncle Vanya and I carried the trunk around a small gilt table and two chairs, I looked over and saw Aleksandra Fyodorovna herself staring up at a large tapestry of a woman, her three young children gathered around her. It was after midnight, and despite the chaos swirling around the Imperial Family, the Empress just stood there, not so much as flinching.

“Why does the Empress stare at that rug on the wall?” I asked my uncle as we passed through the main doors from their apartments, the very doors once guarded by their faithful Negroes, the huge men dressed in turbans and colorful dress. “Who is the woman pictured?”

“Marie Antoinette,” he replied in his deep voice, leaving it at that, as if I should know.

Of course I didn’t have the faintest idea. We continued down the long hall to the rotunda, where all was gathered, but later, as I carried baggage from Aleksandra’s infamous mauve boudoir I saw a painting of the same woman hanging on the wall. As it turns out, this was the second thing I learned that night about the Tsaritsa, her obsession with violent death, which took the form of her fascination with Marie Antoinette. It seems that the Empress, so mystical, so fatalistic, had suspected for years what awaited her own family, though never in all of history has an imperial brood, the symbol of a nation, been so crudely butchered, children and servants and pets, all liquidated, all except a young kitchen boy. To hell with the
kommunisty
!

How strange is history. The Aleksander Palace was preserved as such, just the way the Emperor and Empress left it when they walked out the door. It was kept that way until World War Two, when the Nazis used it for their headquarters and the nearby Great Palace for a stable and garage. This was during the nine-hundred-day siege of Leningrad, as Peter – Sankt-Peterburg – had been renamed by the
Bolsheviki
, and those were the days of utter hell on earth. It was during this time that the Gestapo assumed the basement beneath the Tsar’s wing as a place of torture, and to this day the gardens of that stately palace are filled with an untold number of bodies. At the end of the war the palace and its rooms were damaged, but not horribly so – the German booby traps were found and defused just five hours before they were to blow – and Nikolai and Aleksandra’s apartments could have been easily restored. Instead, some Soviet general decided to wipe away any memory of Nikolai the Bloody and Aleksandra the
nemka
, the German. And so today, only two of Nikolai’s rooms remain, his gorgeous,
stijl moderne
office and his cozy, warm reception room, which the hypocritical Red general kept for his own personal use.

One other odd thing, and this concerns Rasputin. Late in the fall of 1916, before my time with the Romanovs, that mysterious monk with the long, greasy hair and sharp nose finally began to understand the hatred against him, that many powerful princes and grand dukes believed he was leading the dynasty and country to ruin. In fact, he correctly supposed that he would soon be dead, or more precisely murdered. With this in mind, Rasputin wrote a note to his Tsar and Tsaritsa, which was only delivered to them after he was killed by young Prince Felix Yusopov, who was married to the Tsar’s own niece, a pretty young thing who died just a short while ago, actually, in ’67.

In his prophetic letter, Rasputin wrote:

Tsar of the land of Russia… If it was your relations who have wrought my death, then no one of your family, that is to say, none of your children or relations will remain alive for more than two years. They will be killed by the Russian people.

Strange, is it not? Rasputin was murdered in December of 1916 – poisoned, stabbed, shot, and finally drowned. It took all of that to kill that powerful peasant, and he was right. Nikolai and Aleksandra, their children, and many other Romanovs – in total almost twenty – would be dead within the predicted time. How in the name of God did Rasputin, the holy mad monk, know this? It’s almost enough to make one a Believer.

So Aleksandra knew well what had happened to Marie Antoinette, just as Rasputin’s words reverberated in her chest with each beat of her weak heart. But let me make one thing very clear, the Romanovs never gave up hope. To the very end itself – even as they descended those twenty-three steps in the depth of that night – they never stopped praying, hoping, believing that they would be rescued by a storm of three hundred officers. Yes, there were many depressing hours in each one of those days, but Nikolai and Aleksandra kept praying to their God, kept hoping for dear friends to save them… friends, who in the end never appeared, which is perhaps not that surprising. After all, while 90 percent of the Russian people did not want them dead, the same 90 percent did not want them back on the throne either. Such was the horrible paradox – saving them would have meant restoring the autocracy, which was at that point untenable to almost all of Russia.

And so the long wait for the second note…

I found the first note to the Tsar and his family on the morning of the twentieth, and then carried a reply to Father Storozhev on the afternoon of the twenty-first. I think all of us were expecting, or at least hoping, that Sister Antonina would bring a reply on the twenty-second. Instead, she failed to appear, leaving us awash in anxiety.

How did the time pass?

Well, for starters, that morning of the twenty-second the weather on the street was glorious, sunny and pleasant, about sixteen degrees of warmth, but soon it was more than twenty Celsius inside.

“Dear Lord in Heaven,” moaned Nikolai Aleksandrovich, sweat beading on his brow, “it’s been two weeks now – two solid weeks – and they still haven’t decided whether or not we can open a window. It’s absolutely inhumane!”

“Of course it is, my sweetheart,” said Aleksandra Fyodorovna, standing behind him, a pair of scissors in her hands. “Now be still before I do you serious damage.”

“Better you than them.”

“I’ll hear no such thing.”

She’d cut his hair for the first time ever a month earlier; this was the second attempt. Just fifteen minutes earlier, Nyuta, the Tsaritsa’s maid, had laid a sheet in a corner of the dining room, then placed a chair atop that. And now Nikolai Aleksandrovich sat there trying to be still, which wasn’t his nature. Already he had paced for an hour around the dining table. He needed more time outside; a half hour once in the morning and once in the afternoon just wasn’t enough.