Read The Judgment of Paris Online

Authors: Ross King

Tags: #History, #General, #Art

The Judgment of Paris (85 page)

BOOK: The Judgment of Paris
5.14Mb size Format: txt, pdf, ePub
ads
Luxenberg, Alisa. "Bueno dias, Serior Courbet: The Artist's Trip to Spain,"
Burlington Magazine
(November 2001), pp. 690-4.
————. "Creating
Désastres:
Andrieu's Photographs of Urban Ruins in the Paris of 1871,"
Art Bulletin
80 (March 1998), pp. 113-37.
Mack, Gerstle.
Gustave Courbet
(New York: Knopf, 1951).
Mainardi, Patricia.
Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867
(New Haven, Conn.: Yale University Press, 1987).
————.
The End of the Salon: Art and the State in the Early Third Republic
(Cambridge: Cambridge University Press, 1993).
————. "The Political Origins of Modernism,"
Art Journal
45 (Spring 1985), pp. n-17.
Malmesbury, James Howard Harris, first earl of Malmesbury.
Memoirs of an Ex-Minister,
2 vols. (London, 1884).
Marx, Karl.
The Civil War in France,
in Karl Marx and Frederick Engels,
Collected Works,
37 vols., ed. Eric Hobsbawm et al. (London: Lawrence & Wishart, 1975—1998), vol. 22, pp. 309-55.
Maurois, Andre.
Victor Hugo,
trans. Gerard Hopkins (London: Chatto & Windus, 1956).
Mayeur, Jean-Marie.
Les Débuts de la Troisième République, 1871—1898
(Paris: Editions du Seuil, 1973).
McCauley, Elizabeth Anne. "Sex and the Salon: Defining Art and Immorality in 1863," in Paul Hayes Tucker, ed.,
Manet's
Le Déjeuner sur l'Herbe (Cambridge: Cambridge University Press, 1998), pp. 38-74.
————.
Industrial Madness: Commercial Photography in Paris, 1848—1871
(New Haven, Conn.: Yale University Press, 1994).
McMillan, James F.
Napoléon III
(London: Longman, 1991).
McMullen, Roy.
Degas: His Life, Times and Work
(London: Seeker & Warburg, 1985).
McPhee, Peter.
A Social History of France
(London: Routledge, 1992).
McPherson, Heather. "Manet: Reclining Women of Virtue and Vice,"
Gazette des Beaux-Arts,
series 6 (January 1990), pp. 34—44.
Meissonier, Charles. "Extraits de l'agenda de Charles Meissonier," in
Ernest Meissonier: Retrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), p. 73.
Meixner, Laura L.
French Realist Painting and the Critique of American Society, 1865—1900
(Cambridge: Cambridge University Press, 1995).
Meller, Peter. "Manet in Italy: Some Newly Identified Sources for Manet's Sketchbooks,"
Burlington Magazine
(February 2002), pp. 68-84.
Mendès, Catulle.
Les 73 Jours de la Commune
(Paris, 1871).
Milner, John.
Art, War and Revolution in France, 1870—1871: Myth, Reportage and Reality (New
Haven, Conn.: Yale University Press, 2000).
————.
The Studios of Paris: The Capital of Art in the Late Nineteenth Century
(New Haven, Conn.: Yale University Press, 1988).
Mitchell, Claudine. "What is to be done with the Salonniers?"
Oxford Art Journal
10 (1987), pp. 106-114.
Mollett, John W.
Meissonier
(London, 1882).
Monet, Claude.
Monet by Himself: Paintings, drawings, pastels, letters,
ed. Richard Kendall, trans. Bridget Strevens Romer (London: MacDonald Orbis, 1989).
Moore, George.
Memoirs of My Dead Life
(New York: Boni & Liveright, 1920).
————.
Modern Painting
(New York: Brentano, 1910).
Morisot, Berthe.
The Correspondence of Berthe Morisot,
ed. Denis Rouart, trans. Betty W. Hub-bard (London: Lund Humphries, 1957).
Moskowitz, Ira, ed.
Berthe Morisot
(New York: Tudor Publishing, 1961).
Moss, Armand.
Baudelaire et Madame Sabatier
(Paris: A.G. Nizet, 1975).
Nadar [Gaspard-Félix Tournachon],
Quandj'ètais photographe,
ed. Jean-François Bory (Paris: Editions du Seuil, 1994).
Nochlin, Linda.
The Politics of Vision: Essays on Nineteenth-Century Art and Society
(London: Thames & Hudson, 1991).
————.
Realism
(London: Penguin, 1971).
Nord, Philip.
Impressionists and Politics: Art and Democracy in the Nineteenth Century
(London and New York: Routledge, 2000).
Oulmont, Charles. "An Unpublished Watercolour Study for Manet's
Olympia," Burlington Magazine,
vol. 22 (October 1912), pp. 44—7.
Paladilhe, Jean, and José Pierre.
Gustave Moreau,
trans. Bettina Wadia (London: Thames &Hudson, 1972).
Palmade, Guy P.
French Capitalism in the Nineteenth Century,
trans. Graeme M. Holmes (Newton Abbot, Devon: David & Charles, 1972).
Paris Universal Exhibition, 1867: Complete Official Catalogue,
2nd edition (London and Paris, 1867).
Pasquier, Jacqueline de. "La Vie a la 'Grande Maison,'" in
Ernest Meissonier: Rétrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 71—2.
Pasquier-Guignard, Agnes du. "L'Installation à Poissy," in
Ernest Meissonier: Rétrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 64-70.
Patin, Sylvie, et al.
La Collection Havemeyer: Quand l'Amenque découvrait l'impressionisme
(Paris: Editions de la Réunion des musees nationaux, 1997).
Perruchot, Henri.
Manet,
trans. Humphrey Hare (London: Perpetua, 1962).
Pflanze, Otto.
Bismarck and the Development of Modern Germany,
3 vols. (Princeton, NJ.: Princeton University Press, 1990).
Piette, Ludovic.
Mon cher Pissarro: Lettres de Ludovic Piette a Camille Pissarro,
ed. Janine Bailly-Herzberg (Paris: Valhermeil, 1985).
Pinkney, David H.
Napoléon HI and the Rebuilding of Paris
(Princeton, N.J.: Princeton University Press, 1958).
Pitou, Spire.
The Paris Opéra: An Encyclopedia of Operas, Ballets, Composers and Performers
(Westport, Conn.: Greenwood Press, 1983).
Plessis, Alain.
The Rise and Fall of the Second Empire, 1852-1871,
trans. Jonathan Mandelbaum (Cambridge: Cambridge University Press, 1985).
Polybius.
The Histories of Polybius,
trans. Evelyn S. Shuckburgh (London, 1889).
Poulain, Gaston.
Bazille et ses amis
(Paris: La Renaissance du livre, 1932).
Prelinger, Elizabeth, ed.
American Impressionism: Treasures from the Smithsonian American Art Museum
(New York: Watson-Guptil, 2000).
Proudhon, Pierre-Joseph.
La Pornacratie, ou les femmes dans les temps modernes
(Paris, 1875).
Proust, Antonin.
Édouard Manet: souvenirs
(Paris: H. Laurens, 1913).
Queen Victoria.
Leaves from a Journal {New
York: Farrar Strauss and Cudahy, 1961).
Reff, Théodore.
Manet: "Olympia"
'(London: Allen Lane, 1976).
————.
Manet and Modern Paris: One Hundred Paintings, Drawings, Prints and Photographs by Manet and His Contemporaries
(Washington, D.C.: National Gallery of Art, 1982).
————. "The Meaning of
Olympia," Gazette des Beaux-Arts
63 (1964), pp. in—22.
Ernest Renan.
The Life of Jesus,
trans A. D. Howell Smith (London: Watts & Co., 1935).
Rewald, John.
The History of Impressionism
(New York: Metropolitan Museum of Art, 1961).
————.
The Ordeal of Paul Cézanne
(London: Phoenix House, 1950).
Richardson, Joanna.
The Courtesans: The Demi-Monde in 19th-century France
(London: Wei-denfeld & Nicolson, 1967).
————.
Théophile Gautier: His Life and Times
(London: Max Reinhardt, 1958).
Ridley, Jasper.
Napoléon HI and Eugénie
(London: Constable, 1979).
Rishel, Joseph, et al.
The Second Empire: Art in France under Napoléon III
(Philadelphia: Philadelphia Museum of Art, 1978).
Robinson, Christopher. "The Artist as 'Renovateur': Paul Baudry and the Paris Opéra,"
Art Journal
46 (Winter 1987), pp. 285-9.
Rosenblum, Robert, and H. W. Janson.
Art of the Nineteenth Century: Painting and Sculpture
(London: Thames & Hudson, 1984).
Rosenthal, Léon.
Manet: Aquafortiste et lithographe
(Paris: Le Goupy, 1925).
Rossetti, Dante Gabriel.
Dante Gabriel Rossetti and Jane Morris: Their Correspondence,
ed. John Bryson and Janet Camp Troxell (Oxford: Clarendon Press, 1976).
————.
Letters of Dante Gabriel Rossetti,
ed. Oswald Doughty and John Robert Wahl, 5 vols. (Oxford: Clarendon Press, 1965—7).
Roos, Jane Mayo.
Early Impressionism and the French State (1866—1874)
(Cambridge: Cambridge University Press, 1996).
Roy, Ashok, et al. "Monet's
Bathers at La Grenouillère" National Gallery Technical Bulletin
(1981), pp. 14-25.
Rubin, James H.
Courbet
(London: Phaidon Press, 1997).
Saalman, Howard.
Haussmann: Paris Transformed (New
York: George Braziller, 1971).
Sala, George Augustus.
Gaslight and Daylight
(London, 1859).
————. ———.
Notes and Sketches of the Paris Exhibition
(London, 1868).
Sand, George.
Letters of George Sand, 2
vols., trans. R. Ledos de Beaufort (London, 1886).
Sandhu, M. C. "Le Romantisme: Problème de Generation," vol. 8 (Spring—Summer 1980), pp. 206-17.
Scharf, Aaron.
Art and Photography
(London: Allen Lane, 1968).
Séginger, Gisèle.
Flaubert: Une Poétique de Thistoire
(Strasbourg: Presses Universitaires de Strasbourg, 2000).
Serraute, Gabriel. "Contribution a l'étude du
Déjeuner sur I'herbe
de Monet,"
Bulletin du laboratoire du Musie du Louvre,
no. 3 (June 1958), pp. 46-51.
Shackleford, George T. M., and Fronia E. Wissman.
Impressions of Light: The French Landscape from Corot to Monet
(Boston: Museum of Fine Arts, Boston, 2002).
Shaw, Jennifer L. "The Figure of Venus: Rhetoric of the Ideal and the Salon of 1863,"
Art History
14 (December 1991), pp. 540-70.
Silvestre, Théophile.
Histoire des artistes vivants, français et étrangers: Études d'après nature
(Paris, 1856).
Sloane, Joseph C.
French Painting Between the Past and the Present
(Princeton, N.J.: Princeton University Press, 1951).
————. "Paul Chenavard's Cartoons for the Mural Decoration of the Panthéon,"
The Art Bulletin
(December 1951), pp. 240—58.
————.
Paul-Marc Chenavard: Artist of 1848
(Chapel Hill, N.C.: University of North Carolina Press, 1962).
Solkin, David H. "Philibert Rouviére: Édouard Manet's
L 'Acteur Tragique," Burlington Magazine
97 (November 1975), pp. 702—9.
Solnit, Rebecca.
River of Shadows: Eadweard Muybridge and the Technological Wild West
(New York: Penguin, 2003).
Song, Misook.
The Art Theories of Charles Blanc
(Ann Arbor, Mich.: University of Michigan Press, 1984).
Swinburne, Algernon Charles.
The Swinburne Letters,
6 vols., ed. Cecil Y. Lang (New Haven, Conn.: Yale University Press, 1959-62).
Spang, Rebecca L. " 'And they ate the zoo': Relating Gastronomic Exoticism in the Siege of Paris,"
MLN{\<)C)2),
pp. 752-73.
Tabarant, Adolphe.
Manet et ses oeuvres
(Paris: Gallimard, 1947).
————.
Vie artistique au temps de Baudelaire
(Paris: Mercure de France, 1942).
Thiers, Adolphe.
History of the Consulate and the Empire of France under Napoléon,
20 vols. (London, 1845—62).
Thomson, David.
Europe Since Napoléon
(London: Pelican, 1966).
Thuiller, Jacques. "Preface: Éloge d'Ernest Meissonier," in
Ernest Meissonier: Rétrospective
(Lyon: Musée des Beaux-Arts de Lyon, 1993), pp. 17—23.
Tinterow, Gary, and Henri Loyrette.
Origins of Impressionism
(New York: Metropolitan Museum of Art, 1994).
BOOK: The Judgment of Paris
5.14Mb size Format: txt, pdf, ePub
ads

Other books

Secret Seduction by Jill Sanders
Fire in the Steppe by Henryk Sienkiewicz, Jeremiah Curtin
Undeath and Taxes by Drew Hayes
The Games by Ted Kosmatka
Those We Love Most by Lee Woodruff
The Seduction by Julia Ross
Hunger by Felicity Heaton
Fake Boyfriend by Evan Kelsey
Momentary Marriage by Carol Rose