The Joy Luck Club (66 page)

The house, she said, was foreign-built; Wu Tsing liked foreign things because foreigners had made him rich. And I concluded that was why my mother had to wear foreign-style clothes, in the manner of newly rich Chinese people who liked to display their wealth on the outside.

And even though I knew all this before I arrived, I was still amazed at what I saw.

The front of the house had a Chinese stone gate, rounded at the top, with big black lacquer doors and a threshold you had to step over. Within the gates I saw the courtyard and I was surprised. There were no willows or sweet-smelling cassia trees, no garden pavilions, no benches sitting by a pond, no tubs of fish. Instead, there were long rows of bushes on both sides of a wide brick walkway and to each side of those bushes was a big lawn area with fountains. And as we walked down the walkway and got closer to the house, I saw this house had been built in the Western style. It was three stories high, of mortar and stone, with long metal balconies on each floor and chimneys at every corner.

When we arrived, a young servant woman ran out and greeted my mother with cries of joy. She had a high scratchy voice: "Oh Taitai, you've already arrived! How can this be?" This was Yan Chang, my mother's personal maid, and she knew how to fuss over my mother just the right amount. She had called my mother Taitai, the simple honorable title of Wife, as if my mother were the first wife, the only wife.

Yan Chang called loudly to other servants to take our luggage, called another servant to bring tea and draw a hot bath. And then she hastily explained that Second Wife had told everyone not to expect us for another week at least. "What a shame! No one to greet you! Second Wife, the others, gone to Peking to visit her relatives. Your daughter, so pretty, your same look. She's so shy, eh? First Wife, her daughters…gone on a pilgrimage to another Buddhist temple…Last week, a cousin's uncle, just a little crazy, came to visit, turned out not to be a cousin, not an uncle, who knows who he was…."

As soon as we walked into that big house, I became lost with too many things to see: a curved staircase that wound up and up, a ceiling with faces in every corner, then hallways twisting and turning into one room then another. To my right was a large room, larger than I had ever seen, and it was filled with stiff teakwood furniture: sofas and tables and chairs. And at the other end of this long, long room, I could see doors leading into more rooms, more furniture, then more doors. To my left was a darker room, another sitting room, this one filled with foreign furniture: dark green leather sofas, paintings with hunting dogs, armchairs, and mahogany desks. And as I glanced in these rooms I would see different people, and Yan Chang would explain: "This young lady, she is Second Wife's servant. That one, she is nobody, just the daughter of cook's helper. This man takes care of the garden."

And then we were walking up the staircase. We came to the top of the stairs and I found myself in another large sitting room. We walked to the left, down a hall, past one room, and then stepped into another. "This is your mother's room," Yan Chang told me proudly. "This is where you will sleep."

And the first thing I saw, the only thing I could see at first, was a magnificent bed. It was heavy and light at the same time: soft rose silk and heavy, dark shiny wood carved all around with dragons. Four posts held up a silk canopy and at each post dangled large silk ties holding back curtains. The bed sat on four squat lion's paws, as if the weight of it had crushed the lion underneath. Yan Chang showed me how to use a small step stool to climb onto the bed. And when I tumbled onto the silk coverings, I laughed to discover a soft mattress that was ten times the thickness of my bed in Ningpo.

Sitting in this bed, I admired everything as if I were a princess. This room had a glass door that led to a balcony. In front of the window door was a round table of the same wood as the bed. It too sat on carved lion's legs and was surrounded by four chairs. A servant had already put tea and sweet cakes on the table and was now lighting the
houlu
, a small stove for burning coal.

It was not that my uncle's house in Ningpo had been poor. He was actually quite well-to-do. But this house in Tientsin was amazing. And I thought to myself, My uncle was wrong. There was no shame in my mother's marrying Wu Tsing.

While thinking this, I was startled by a sudden clang! clang! clang! followed by music. On the wall opposite the bed was a big wooden clock with a forest and bears carved into it. The door on the clock had burst open and a tiny room full of people was coming out. There was a bearded man in a pointed cap seated at a table. He was bending his head over and over again to drink soup, but his beard would dip in the bowl first and stop him. A girl in a white scarf and blue dress was standing next to the table and she was bending over and over again to give the man more of this soup. And next to the man and girl was another girl with a skirt and short jacket. She was swinging her arm back and forth, playing violin music. She always played the same dark song. I can still hear it in my head after these many years—ni-ah! nah! nah! nah! nah-ni-nah!

This was a wonderful clock to see, but after I heard it that first hour, then the next, and then always, this clock became an extravagant nuisance. I could not sleep for many nights. And later, I found I had an ability: to not listen to something meaningless calling to me.

I watched hot water pouring out of pipes not just in the kitchen but also into washbasins and bathtubs on all three floors of the house. I saw chamber pots that flushed clean without servants having to empty them. I saw rooms as fancy as my mother's. Yan Chang explained which ones belonged to First Wife and the other concubines, who were called Second Wife and Third Wife. And some rooms belonged to no one. "They are for guests," said Yan Chang.

On the third floor were rooms for only the men servants, said Yan Chang, and one of the rooms even had a door to a cabinet that was really a secret hiding place from sea pirates.

Thinking back, I find it hard to remember everything that was in that house; too many good things all seem the same after a while. I tired of anything that was not a novelty. "Oh, this," I said when Yan Chang brought me the same sweet meats as the day before. "I've tasted this already."

My mother seemed to regain her pleasant nature. She put her old clothes back on, long Chinese gowns and skirts now with white mourning bands sewn at the bottoms. During the day, she pointed to strange and funny things, naming them for me: bidet, Brownie camera, salad fork, napkin. In the evening, when there was nothing to do, we talked about the servants: who was clever, who was diligent, who was loyal. We gossiped as we cooked small eggs and sweet potatoes on top of the
houlu
just to enjoy their smell. And at night, my mother would again tell me stories as I lay in her arms falling asleep.

If I look upon my whole life, I cannot think of another time when I felt more comfortable: when I had no worries, fears, or desires, when my life seemed as soft and lovely as lying inside a cocoon of rose silk. But I remember clearly when all that comfort became no longer comfortable.

My mother had the same fearful look she wore in the harbor station. She walked quickly into the house. I walked around the side of the house toward the front. Two shiny black rickshaws had arrived and behind them a large black motorcar. A manservant was taking luggage out of one rickshaw. From another rickshaw, a young maid jumped out.

All the servants crowded around the motorcar, looking at their faces in the polished metal, admiring the curtained windows, the velvet seats. Then the driver opened the back door and out stepped a young girl. She had short hair with rows of waves. She looked to be only a few years older than I, but she had on a woman's dress, stockings, and high heels. I looked down at my own white dress covered with grass stains and I felt ashamed.

And then I saw the servants reaching into the backseat of the motorcar and a man was slowly being lifted by both arms. This was Wu Tsing. He was a big man, not tall, but puffed out like a bird. He was much older than my mother, with a high shiny forehead and a large black mole on one nostril. He wore a Western suit jacket with a vest that closed too tightly around his stomach, but his pants were very loose. He groaned and grunted as he heaved himself out and into view. And as soon as his shoes touched the ground, he began to walk toward the house, acting as though he saw no one, even though people greeted him and were busy opening doors, carrying his bags, taking his long coat. He walked into the house like that, with this young girl following him. She was looking behind at everyone with a simpering smile, as if they were there to honor her. And when she was hardly in the door, I heard one servant remark to another, "Fifth Wife is so young she did not bring any of her own servants, only a wet nurse."

I looked up at the house and saw my mother looking down from her window, watching everything. So in this clumsy way, my mother found out that Wu Tsing had taken his fourth concubine, who was actually just an afterthought, a foolish bit of decoration for his new motorcar.

My mother was not jealous of this young girl who would now be called Fifth Wife. Why should she be? My mother did not love Wu Tsing. A girl in China did not marry for love. She married for position, and my mother's position, I later learned, was the worst.

After Wu Tsing and Fifth Wife arrived home, my mother often stayed in her room working on her embroidery. In the afternoon, she and I would go on long silent rides in the city, searching for a bolt of silk in a color she could not seem to name. Her unhappiness was this same way. She could not name it.

And so, while everything seemed peaceful, I knew it was not. You may wonder how a small child, only nine years old, can know these things. Now I wonder about it myself. I can remember only how uncomfortable I felt, how I could feel the truth with my stomach, knowing something terrible was going to happen. And I can tell you, it was almost as bad as how I felt some fifteen years later when the Japanese bombs started to fall and, listening in the distance, I could hear soft rumbles and knew that what was coming was unstoppable.

"An-mei, be a good girl," she said in a tired voice. "Go to Yan Chang's room now."

I rubbed my eyes and as I awoke I saw a dark shadow and began to cry. It was Wu Tsing.

"Be quiet. Nothing is the matter. Go to Yan Chang," my mother whispered.

And then she lifted me down slowly to the cold floor. I heard the wooden clock begin to sing and Wu Tsing's deep voice complaining of the chill. And when I went to Yan Chang, it was as though she had expected me and knew I would be crying.

The next morning I could not look at my mother. But I saw that Fifth Wife had a swollen face like mine. And at breakfast that morning, in front of everybody, her anger finally erupted when she shouted rudely to a servant for serving her so slowly. Everyone, even my mother, stared at her for her bad manners, criticizing a servant that way. I saw Wu Tsing throw her a sharp look, like a father, and she began to cry. But later that morning, Fifth Wife was smiling again, prancing around in a new dress and new shoes.

In the afternoon, my mother spoke of her unhappiness for the first time. We were in a rickshaw going to a store to find embroidery thread. "Do you see how shameful my life is?" she cried. "Do you see how I have no position? He brought home a new wife, a low-class girl, dark-skinned, no manners! Bought her for a few dollars from a poor village family that makes mudbrick tiles. And at night when he can no longer use her, he comes to me, smelling of her mud."

She was crying now, rambling like a crazy woman: "You can see now, a fourth wife is less than a fifth wife. An-mei, you must not forget. I was a first wife,
yi tai
, the wife of a scholar. Your mother was not always Fourth Wife,
Sz Tai!
"

She said this word,
sz
, so hatefully I shuddered. It sounded like the
sz
that means "die." And I remembered Popo once telling me four is a very unlucky number because if you say it in an angry way, it always comes out wrong.

My mother was standing behind me, ready to greet everybody. A woman wearing a plain foreign dress and large, ugly shoes walked toward us. Three girls, one of whom was my age, followed behind.

"This is Third Wife and her three daughters," said my mother.

Those three girls were even more shy than I. They crowded around their mother with bowed heads and did not speak. But I continued to stare. They were as plain as their mother, with big teeth, thick lips, and eyebrows as bushy as a caterpillar. Third Wife welcomed me warmly and allowed me to carry one of her packages.

I felt my mother's hand stiffen on my shoulder. "And there is Second Wife. She will want you to call her Big Mother," she whispered.

I saw a woman wearing a long black fur coat and dark Western clothes, very fancy. And in her arms she held a little boy with fat rosy cheeks who looked to be two years old.

"He is Syaudi, your littlest brother," my mother whispered. He wore a cap made out of the same dark fur and was winding his little finger around Second Wife's long pearl necklace. I wondered how she could have a baby this young. Second Wife was handsome enough and seemed healthy, but she was quite old, perhaps forty-five. She handed the baby to a servant and then began to give instructions to the many people who still crowded around her.

And then Second Wife walked toward me, smiling, her fur coat gleaming with every step. She stared, as if she were examining me, as if she recognized me. Finally she smiled and patted my head. And then with a swift, graceful movement of her small hands, she removed her long pearly strand and put it around my neck.

This was the most beautiful piece of jewelry I had ever touched. It was designed in the Western style, a long strand, each bead the same size and of an identical pinkish tone, with a heavy brooch of ornate silver to clasp the ends together.

My mother immediately protested: "This is too much for a small child. She will break it. She will lose it."

But Second Wife simply said to me: "Such a pretty girl needs something to put the light on her face."

I could see by the way my mother shrank back and became quiet that she was angry. She did not like Second Wife. I had to be careful how I showed my feelings: not to let my mother think Second Wife had won me over. Yet I had this reckless feeling. I was overjoyed that Second Wife had shown me this special favor.

"Thank you, Big Mother," I said to Second Wife. And I was looking down to avoid showing her my face, but still I could not help smiling.