The Illustrated Gormenghast Trilogy (22 page)

BOOK: The Illustrated Gormenghast Trilogy
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The hours ahead held no promise of relaxation. Yesterday had exhausted him, yet the day that he was now entering upon was to prove itself equally rigorous, and though no part of the climbing entailed would be as desperate as the worst of yesterday’s adventures, his hunger and faintness augured for the hours ahead a nightmare in sunshine.

Within the first hour from the time when he had awakened, he had descended a long sloping roof, after dropping nine feet from the parapet, and had then come upon a small, winding stone staircase which led him across a gap between two high walls to where a cluster of conical roofs forced him to make a long and hazardous circuit. Arriving at last at the opposite side of the cluster, faint and dizzy with fatigue and emptiness and with the heat of the strengthening sun, he saw spread out before him in mountainous façades a crumbling panorama, a roofscape of Gormenghast, its crags and its stark walls of cliff pocked with nameless windows. Steerpike for a moment lost heart, finding himself in a region as barren as the moon, and he became suddenly desperate in his weakness, and falling on his knees retched violently.

His sparse tow-coloured hair was plastered over his big forehead as though with glue, and was darkened to sepia. His mouth was drawn down very slightly at the corners. Any change in his masklike features was more than noticeable in him. As he knelt he swayed. Then he very deliberately sat himself down on his haunches and, pushing back some of the sticky hair from his brow so that it stuck out from his head in a stiff dank manner, rested his chin on his folded arms and then, very slowly, moved his eyes across the craggy canvas spread below him, with the same methodical thoroughness that he had shown when scanning the wall above the window of the prison room.

Famished as he was, he never for a moment faltered in his scrutiny, although it was an hour later when having covered every angle, every surface, he relaxed and released his eyes from the panorama, and after shutting them for a while fixed them again upon a certain window that he had found several minutes earlier in a distant precipice of grey stone.

‘NEAR AND FAR’

Who can say how long the eye of the vulture or the lynx requires to grasp the totality of a landscape, or whether in a comprehensive instant the seemingly inexhaustible confusion of detail falls upon their eyes in an ordered and intelligible series of distances and shapes, where the last detail is perceived in relation to the corporate mass?

It may be that the hawk sees nothing but those grassy uplands, and among the coarse grasses, more plainly than the field itself, the rabbit or the rat, and that the landscape in its entirety is never seen, but only those areas lit, as it were with a torch, where the quarry slinks, the surrounding regions thickening into cloud and darkness on the yellow eyes.

Whether the scouring, sexless eye of the bird or beast of prey disperses and sees all or concentrates and evades all saving that for which it searches, it is certain that the less powerful eye of the human cannot grasp, even after a life of training, a scene in its entirety. No eye may see dispassionately. There is no comprehension at a glance. Only the recognition of damsel, horse or fly and the assumption of damsel, horse or fly; and so with dreams and beyond, for what haunts the heart will, when it is found, leap foremost, blinding the eye and leaving the main of Life in darkness.

When Steerpike began his scrutiny the roofscape was neither more nor less than a conglomeration of stone structures spreading to right and left and away from him. It was a mist of masonry. As he peered, taking each structure individually, he found that he was a spectator of a stationary gathering of stone personalities. During the hour of his concentration he had seen, growing from three-quarters the way up a sheer, windowless face of otherwise arid wall, a tree that curved out and upwards, dividing and subdividing until a labyrinth of twigs gave to its contour a blur of sunlit smoke. The tree was dead, but having grown from the south side of the wall it was shielded from the violence of the winds, and, judging by the harmonious fanlike beauty of its shape, it had not suffered the loss of a single sapless limb. Upon the lit wall its perfect shadow lay as though engraved with superhuman skill. Brittle and dry, and so old that its first tendril must surely have begun to thrust itself forth before the wall itself had been completed, yet this tree had the grace of a young girl, and it was the intricate lace-like shadow upon the wall that Steerpike had seen first. He had been baffled until all at once the old tree itself, whose brightness melted into the bright wall behind it, materialized.

 

Upon the main stem that grew out laterally from the wall, Steerpike had seen two figures walking. They appeared about the size of those stub ends of pencil that are thrown away as too awkward to hold. He guessed them to be women for as far as he could judge they were wearing identical dresses of purple, and at first sight it appeared that they were taking their lives in their hands as they trod that horizontal stem above a drop of several hundred feet, but by the relative sizes of the figures and the tree trunk it was obvious that they were as safe as though they had been walking along a bridge.

He had watched them reach a point where the branch divided into three and where as he shaded his eyes he could see them seat themselves upon chairs and face one another across a table. One of them lifted her elbow in the position of one pouring out tea. The other had then arisen and hurried back along the main stem until she had reached the face of wall into which she suddenly disappeared; and Steerpike, straining his eyes, could make out an irregularity in the stonework and presumed that there must have been a window or doorway immediately above where the tree grew from the wall. Shutting his eyes to rest them, it was a minute before he could locate the tree again, lost as it was among a score of roofs and very far away; but when he did find it he saw that there were two figures once again seated at the table. Beneath them swam the pellucid volumes of the morning air. Above them spread the withered elegance of the dead tree, and to their left its lace-like shadow.

Steerpike had seen at a glance that it would be impossible for him to reach the tree or the window and his eyes had continued their endless searching.

He had seen a tower with a stone hollow in its summit. This shallow basin sloped down from the copestones that surrounded the tower and was half filled with rainwater. In this circle of water whose glittering had caught his eye, for to him it appeared about the size of a coin, he could see that something white was swimming. As far as he could guess it was a horse. As he watched he noticed that there was something swimming by its side, something smaller, which must have been the foal, white like its parent. Around the rim of the tower stood swarms of crows, which he had identified only when one of them, having flapped away from the rest, grew from the size of a gnat to that of a black moth as it circled and approached him before turning in its flight and gliding without the least tremor of its outspread wings back to the stone basin, where it landed with a flutter among its kind.

He had seen, thirty feet below him and frighteningly close, after his eyes had accustomed themselves to the minutiae of distances a head suddenly appear at the base of what was more like a vertical black gash in the sunny wall than a window. It had no window-frame, no curtains, no window-sill. It was as though it waited for twelve stone blocks to fill it in, one above the other. Between Steerpike and this wall was a gap of eighteen to twenty feet. As Steerpike saw the head appear he lowered himself gradually behind an adjacent turret so as not to attract attention and watched it with one eye around the masonry.

It was a long head.

It was a wedge, a sliver, a grotesque slice in which it seemed the features had been forced to stake their claims, and it appeared that they had done so in a great hurry and with no attempt to form any kind of symmetrical pattern for their mutual advantage. The nose had evidently been the first upon the scene and had spread itself down the entire length of the wedge, beginning among the grey stubble of the hair and ending among the grey stubble of the beard, and spreading on both sides with a ruthless disregard for the eyes and mouth which found precarious purchase. The mouth was forced by the lie of the terrain left to it, to slant at an angle which gave to its right-hand side an expression of grim amusement and to its left, which dipped downwards across the chin, a remorseless twist. It was forced by not only the unfriendly monopoly of the nose, but also by the tapering character of the head to be a short mouth; but it was obvious by its very nature that, under normal conditions, it would have covered twice the area. The eyes in whose expression might be read the unending grudge they bore against the nose were as small as marbles and peered out between the grey grass of the hair.

This head, set at a long incline upon a neck as wry as a turtle’s cut across the narrow vertical black strip of the window.

Steerpike watched it turn upon the neck slowly. It would not have surprised him if it had dropped off, so toylike was its angle.

As he watched, fascinated, the mouth opened and a voice as strange and deep as the echo of a lugubrious ocean stole out into the morning. Never was a face so belied by its voice.

The accent was of so weird a lilt that at first Steerpike could not recognize more than one sentence in three, but he had quickly attuned himself to the original cadence and as the words fell into place Steerpike realized that he was staring at a poet.

For some time after the long head had emptied itself of a slow, ruminative soliloquy it stared motionlessly into the sky. Then it turned as though it were scanning the dark interior of whatever sort of room it was that lay behind that narrow window.

In the strong light and shade the protruding vertebrae of his neck, as he twisted his head, stood out like little solid parchment-covered knobs. All at once the head was facing the warm sunlight again, and the eyes travelled rapidly in every direction before they came to rest. One hand propped up the stubbly peg of a chin. The other, hanging listlessly over the rough sill-less edge of the aperture swung sideways slowly to the simple rhythm of the verses he then delivered.

 

Linger now with me, thou Beauty
,

On the sharp archaic shore
.

Surely ’tis a wastrel’s duty

And the gods could ask no more
.

If you lingerest when I linger
,

If thou tread’st the stones I tread
,

Thou wilt stay my spirit’s hunger

And dispel the dreams I dread
.

 

Come thou, love, my own, my only
,

Through the battlements of Groan
;

Lingering becomes so lonely

When one lingers on one’s own
.

 

I have lingered in the cloisters

Of the Northern wing at night
,

As the sky unclasped its oysters

On the midnight pearls of light
.

For the long remorseless shadows

Chilled me with exquisite fear
.

I have lingered in cold meadows

Through a month of rain, my dear
.

 

Come my Love, my sweet, my Only
,

Through the parapets of Groan
.

Lingering can be very lonely

When one lingers on one’s own
.

 

In dark alcoves I have lingered

Conscious of dead dynasties
.

I have lingered in blue cellars

And in hollow trunks of trees
,

Many a traveller through moonlight

Passing by a winding stair

Or a cold and crumbling archway

Has been shocked to see me there
.

 

I have longed for thee, my Only
,

Hark! the footsteps of the Groan!

Lingering is so very lonely

When one lingers all alone
.

 

Will you come with me and linger?

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