The House by the Church-Yard

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We are going to talk, if you please, in the ensuing chapters, of what was going on in Chapelizod about a hundred years ago. A hundred years, to be sure, is a good while; but though fashions have changed, some old phrases dropped out, and new ones come in; and snuff and hair–powder, and sacques and solitaires quite passed away—yet men and women were men and women all the same—as elderly fellows, like your humble servant, who have seen and talked with rearward stragglers of that generation—now all and long marched off—can testify, if they will.

In those days Chapelizod was about the gayest and prettiest of the outpost villages in which old Dublin took a complacent pride. The poplars which stood, in military rows, here and there, just showed a glimpse of formality among the orchards and old timber that lined the banks of the river and the valley of the Liffey, with a lively sort of richness. The broad old street looked hospitable and merry, with steep roofs and many coloured hall–doors. The jolly old inn, just beyond the turnpike at the sweep of the road, leading over the buttressed bridge by the mill, was first to welcome the excursionist from Dublin, under the sign of the Phoenix. There, in the grand wainscoted back–parlour, with 'the great and good King William,' in his robe, garter, periwig, and sceptre presiding in the panel over the chimneypiece, and confronting the large projecting window, through which the river, and the daffodils, and the summer foliage looked so bright and quiet, the Aldermen of Skinner’s Alley—a club of the 'true blue' dye, as old as the Jacobite wars of the previous century—the corporation of shoemakers, or of tailors, or the freemasons, or the musical clubs, loved to dine at the stately hour of five, and deliver their jokes, sentiments, songs, and wisdom, on a pleasant summer’s evening. Alas! the inn is as clean gone as the guests—a dream of the shadow of smoke.

Lately, too, came down the old 'Salmon House'—so called from the blazonry of that noble fish upon its painted sign–board—at the other end of the town, that, with a couple more, wheeled out at right angles from the line of the broad street, and directly confronting the passenger from Dublin, gave to it something of the character of a square, and just left room for the high road and Martin’s Row to slip between its flank and the orchard that overtopped the river wall. Well! it is gone. I blame nobody. I suppose it was quite rotten, and that the rats would soon have thrown up their lease of it; and that it was taken down, in short, chiefly, as one of the players said of 'Old Drury,' to prevent the inconvenience of its coming down of itself. Still a peevish but harmless old fellow—who hates change, and would wish things to stay as they were just a little, till his own great change comes; who haunts the places where his childhood was passed, and reverences the homeliest relics of by–gone generations—may be allowed to grumble a little at the impertinences of improving proprietors with a taste for accurate parallelograms and pale new brick.

Then there was the village church, with its tower dark and rustling from base to summit, with thick piled, bowering ivy. The royal arms cut in bold relief in the broad stone over the porch—where, pray, is that stone now, the memento of its old viceregal dignity? Where is the elevated pew, where many a lord lieutenant, in point, and gold lace, and thunder–cloud periwig, sate in awful isolation, and listened to orthodox and loyal sermons, and took French rappee; whence too, he stepped forth between the files of the guard of honour of the Royal Irish Artillery from the barrack over the way, in their courtly uniform, white, scarlet, and blue, cocked hats, and cues, and ruffles, presenting arms—into his emblazoned coach and six, with hanging footmen, as wonderful as Cinderella’s, and out–riders out–blazing the liveries of the troops, and rolling grandly away in sunshine and dust.

The 'Ecclesiastical Commissioners' have done their office here. The tower, indeed, remains, with half its antique growth of ivy gone; but the body of the church is new, and I, and perhaps an elderly fellow or two more, miss the old–fashioned square pews, distributed by a traditional tenure among the families and dignitaries of the town and vicinage (who are they now?), and sigh for the queer, old, clumsy reading–desk and pulpit, grown dearer from the long and hopeless separation; and wonder where the tables of the Ten Commandments, in long gold letters of Queen Anne’s date, upon a vivid blue ground, arched above, and flanking the communion–table, with its tall thin rails, and fifty other things that appeared to me in my nonage, as stable as the earth, and as sacred as the heavens, are gone to.

As for the barrack of the Royal Irish Artillery, the great gate leading into the parade ground, by the river side, and all that, I believe the earth, or rather that grim giant factory, which is now the grand feature and centre of Chapelizod, throbbing all over with steam, and whizzing with wheels, and vomiting pitchy smoke, has swallowed them up.

A line of houses fronting this—old familiar faces—still look blank and regretfully forth, through their glassy eyes, upon the changed scene. How different the company they kept some ninety or a hundred years ago!

Where is the mill, too, standing fast by the bridge, the manorial appendage of the town, which I loved in my boyhood for its gaunt and crazy aspect and dim interior, whence the clapper kept time mysteriously to the drone of the mill–sluice? I think it is gone. Surely
that
confounded thing can’t be my venerable old friend in masquerade!

But I can’t expect you, my reader—polite and patient as you manifestly are—to potter about with me, all the summer day, through this melancholy and mangled old town, with a canopy of factory soot between your head and the pleasant sky. One glance, however, before you go, you will vouchsafe at the village tree—that stalworth elm. It has not grown an inch these hundred years. It does not look a day older than it did fifty years ago,
I
can tell you. There he stands the same; and yet a stranger in the place of his birth, in a new order of things, joyless, busy, transformed Chapelizod, listening, as it seems to me, always to the unchanged song and prattle of the river, with his reveries and affections far away among by–gone times and a buried race. Thou hast a story, too, to tell, thou slighted and solitary sage, if only the winds would steal it musically forth, like the secret of Mildas from the moaning reeds.

The palmy days of Chapelizod were just about a hundred years ago, and those days—though I am jealous of their pleasant and kindly fame, and specially for the preservation of the few memorials they have left behind, were yet, I may say, in your ear, with all their colour and adventure—perhaps, on the whole, more pleasant to read about, and dream of, than they were to live in. Still their violence, follies, and hospitalities, softened by distance, and illuminated with a sort of barbaric splendour, have long presented to my fancy the glowing and ever–shifting combinations upon which, as on the red embers, in a winter’s gloaming, I love to gaze, propping my white head upon my hand, in a lazy luxury of reverie, from my own arm–chair, while they drop, ever and anon, into new shapes, and silently tell their 'winter’s tales.'

When your humble servant, Charles de Cresseron, the compiler of this narrative, was a boy some fourteen years old—how long ago precisely that was, is nothing to the purpose, 'tis enough to say he remembers what he then saw and heard a good deal better than what happened a week ago—it came to pass that he was spending a pleasant week of his holidays with his benign uncle and godfather, the curate of Chapelizod. On the second day of his, or rather
my
sojourn (I take leave to return to the first person), there was a notable funeral of an old lady. Her name was Darby, and her journey to her last home was very considerable, being made in a hearse, by easy stages, from her house of Lisnabane, in the county of Sligo, to the church–yard of Chapelizod. There was a great flat stone over that small parcel of the rector’s freehold, which the family held by a tenure, not of lives, but of deaths, renewable for ever. So that my uncle, who was a man of an anxious temperament, had little trouble in satisfying himself of the meerings and identity of this narrow tenement, to which Lemuel Mattocks, the sexton, led him as straight and confidently as he could have done to the communion–table.

My uncle, therefore, fiated the sexton’s presentment, and the work commenced forthwith. I don’t know whether all boys have the same liking for horrors which I am conscious of having possessed—I only know that I liked the churchyard, and deciphering tombstones, and watching the labours of the sexton, and hearing the old world village talk that often got up over the relics.

When this particular grave was pretty nearly finished—it lay from east to west—a lot of earth fell out at the northern side, where an old coffin had lain, and good store of brown dust and grimy bones, and the yellow skull itself came tumbling about the sexton’s feet. These fossils, after his wont, he lifted decently with the point of his shovel, and pitched into a little nook beside the great mound of mould at top.

'Be the powers o' war! here’s a battered head–piece for yez,' said young Tim Moran, who had picked up the cranium, and was eyeing it curiously, turning it round the while.

'Show it here, Tim;' 'let
me
look,' cried two or three neighbours, getting round as quickly as they could.

'Oh! murdher;' said one.

'Oh! be the powers o' Moll Kelly!' cried another.

'Oh! bloody wars!' exclaimed a third.

'That poor fellow got no chance for his life at all, at all!' said Tim.

'That was a bullet,' said one of them, putting his finger into a clean circular aperture as large as a half–penny.

'An' look at them two cracks. Och, murther!'

'There’s only one. Oh, I see you’re right,
two
, begorra!'

'Aich o' them a wipe iv a poker.'

Mattocks had climbed nimbly to the upper level, and taking the skull in his fist, turned it about this way and that, curiously. But though he was no chicken, his memory did not go far enough back to throw any light upon the matter.

'Could it be the Mattross that was shot in the year '90, as I often heerd, for sthrikin' his captain?' suggested a by–stander.

'Oh! that poor fellow’s buried round by the north side of the church,' said Mattocks, still eyeing the skull. 'It could not be Counsellor Gallagher, that was kilt in the jewel with Colonel Ruck—he was hot in the head—bud it could not be—augh! not at all.'

'Why not, Misther Mattocks?'

'No, nor the Mattross neither. This, ye see, is a dhry bit o' the yard here; there’s ould Darby’s coffin, at the bottom, down there, sound enough to stand on, as you see, wid a plank; an' he was buried in the year '93. Why, look at the coffin this skull belongs to, 'tid go into powdher between your fingers; 'tis nothin' but tindher.'

'I believe you’re right, Mr. Mattocks.'

'Phiat! to be sure. 'Tis longer undher ground by thirty years, good, or more maybe.'

Just then the slim figure of my tall mild uncle, the curate, appeared, and his long thin legs, in black worsted stockings and knee–breeches, stepped reverently and lightly among the graves. The men raised their hats, and Mattocks jumped lightly into the grave again, while my uncle returned their salute with the sad sort of smile, a regretful kindness, which he never exceeded, in these solemn precincts.

It was his custom to care very tenderly for the bones turned up by the sexton, and to wait with an awful solicitude until, after the reading of the funeral service, he saw them gently replaced, as nearly as might be, in their old bed; and discouraging all idle curiosity or levity respecting them, with a solemn rebuke, which all respected. Therefore it was, that so soon as he appeared the skull was, in Hibernian phrase, 'dropt like a hot potato,' and the grave–digger betook himself to his spade so nimbly.

'Oh! Uncle Charles,' I said, taking his hand, and leading him towards the foot of the grave; 'such a wonderful skull has come up! It is shot through with a bullet, and cracked with a poker besides.'

''Tis thrue for him, your raverence; he was murthered twiste over, whoever he was—rest his sowl;' and the sexton, who had nearly completed his work, got out of the grave again, with a demure activity, and raising the brown relic with great reverence, out of regard for my good uncle, he turned it about slowly before the eyes of the curate, who scrutinised it, from a little distance, with a sort of melancholy horror.

'Yes, Lemuel,' said my uncle, still holding my hand, ''twas undoubtedly a murder; ay, indeed! He sustained two heavy blows, beside that gunshot through the head.'

''Twasn’t gunshot, Sir; why the hole 'id take in a grape–shot,' said an old fellow, just from behind my uncle, in a pensioner’s cocked hat, leggings, and long old–world red frock–coat, speaking with a harsh reedy voice, and a grim sort of reserved smile.

I moved a little aside, with a sort of thrill, to give him freer access to my uncle, in the hope that he might, perhaps, throw a light upon the history of this remarkable memorial. The old fellow had a rat–like gray eye—the other was hid under a black patch—and there was a deep red scar across his forehead, slanting from the patch that covered the extinguished orb. His face was purplish, the tinge deepening towards the lumpish top of his nose, on the side of which stood a big wart, and he carried a great walking–cane over his shoulder, and bore, as it seemed to me, an intimidating, but caricatured resemblance to an old portrait of Oliver Cromwell in my Whig grandfather’s parlour.

'You don’t think it a bullet wound, Sir?' said my uncle, mildly, and touching his hat—for coming of a military stock himself, he always treated an old soldier with uncommon respect.

'Why, please your raverence,' replied the man, reciprocating his courtesy; 'I
know
it’s not.'

'And what
is
it, then, my good man?' interrogated the sexton, as one in authority, and standing on his own dunghill.

'The trepan,' said the fogey, in the tone in which he’d have cried 'attention' to a raw recruit, without turning his head, and with a scornful momentary skew–glance from his gray eye.