The Hour Before Dark (6 page)

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Authors: Douglas Clegg

Tags: #thriller, #horror, #suspense, #murder, #mystery, #paranormal, #supernatural, #psychological, #island, #family relationships, #new england, #supernatural horror novel, #clegg

BOOK: The Hour Before Dark
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I was your basic screw-up, and not cool enough to even be a good one. Always, I was in the wrong place at the wrong time, and for some reason I never had a good excuse for being there. I always got caught, and being the good Catholics we were, my father would drag me down to St. Bartholomew’s and toss me at the confessional, before dragging me back home. I can guarantee you that being a six-foot-tall sixteen-year-old, it was shameful to have my five-foot-two bull of a father practically pulling me by the ear along the streets in the village. At home, he might use a belt, until I reached high school, and then he just used denial of privileges—no television, no phone, no dinner, and no books, the worst for me. He’d removed every single book from my bedroom once he discovered that I loved reading so much it was really no punishment to just go to my room. I’d sometimes yell those absurd things that teens do, how he didn’t understand me, he didn’t love me, he was no kind of father, that he wasn’t even trying to be what Mom would be and if I were her, I’d have moved to Brazil, too—and the ugly heads of Sin and GUILT would rise up in me afterward, and I’d meekly apologize and tell him that he was right to punish me and I was rotten to the core.

(I wished I could go back and change those moments. I wish I could go back and tell him how much I loved him and how much he meant to me.) I respected my father enough to let him punish me. It seemed just. He was never harsher on me than I was on myself. The parish priest ended up being kind toward me in these transgressive periods of my childhood as time went on, and although it was rare for me to see the inside of a church once I went away to college, I had nothing but warm memories of Father Ronnie and St. Bart’s church.

Despite what happened with my mother when I was nine, we were not mired in some sense of sorrow. All our Christmases were brightly lit confections; all our summers were adventures and dares.

Our early history as a family on the island was actually quite good. My great-great-great-everyone were stalwarts. Welshmen, Irishmen, Scots, and some English, a mix of Anglicans, Presbyterians, and Catholics that married out of the island over the years, until my father and his younger brother were the heirs. Then his brother died in the same war in which my father nearly died—but managed, through “the grace of God and a pack of Wrigley’s,” to survive. The story went that he had exactly one pack of Wrigley’s gum with him when he was captured.

He used it as a psychological tool to resist the brainwashing that was done to him over the two years he was held prisoner.

“I chewed that gum over and over again, and each time imagined that the flavor was something I loved and missed from America. The taste of coffee. The sweetness of honey and lemon. Chocolate. Peppermint. It allowed me to get away in my mind to another place. To not listen to the brainwashing. To not be discouraged by the sensory deprivation they put me through. It was my own kind of brainwashing. I could chew the gum and close my eyes and just go somewhere else. Believe something else. And gum was easy to hide, virtually invisible.”

It became such a famous story that for a while gum companies put it in their advertising. All of that was long before any of us were born, but the stories were legendary.

My mother’s mystery and my father’s heroism and the house itself: Hawthorn—all had stories attached to them.

Named for the thorny trees that grew wild near the house (although Minnie Wooten was quick to point out whenever she could that in fact they weren’t “true hawthorns,” whatever that meant), Hawthorn was a rambling old structure—a farmhouse that had grown with a few generation of Raglans, a poor Welsh family turned rich then poor again with my father’s generation. Two stories high and simple in one way—for it was as plain as a New England farmhouse could be—it was also eccentric in many ways. It seemed of no particular age or time, for it had elements of various incarnations—from its humble early eighteenth-century beginnings as a stone house of one room right through the creation of its many rooms, and its serpentine curving along the rocky acreage where it grew. The last addition had been the greenhouse, which was under construction for most of my life and still remained unfinished to some extent. It had been intended for my mother.

Then Hawthorn had begun to fall apart, on bad pasture-land that had lain fallow for decades, edging deep New England woods, beyond which lay the village of Burnley, known more for what it didn’t have than what it did, and beyond this, the sea.

My father’s favorite things about the old house, he told us, were the lessons it taught him. “Never let your roof get too leaky, never let the gutters fill with leaves, and always check the gas before you light the pilot.” He had once, accidentally, nearly blown up the house because he had not checked the gas first. “Life is like a house. You have to do routine maintenance constantly or else it all just goes down the tubes at once.” My main memories of him at home generally were about repairing and fixing things. Or putting up drywall when the old wall near the front staircase had rotted out—I wasn’t much help, even though I tried my best to pitch in. My dad had a temper when he worked on the old house. He’d cuss a blue streak if I so much as held a hammer the wrong way or wasn’t sure how to change a drill bit. He worked on the plumbing himself, allowing no one to come in and “rob us blind just for changing a washer and unscrewing a bolt.” He had an ongoing project of tearing down walls, putting in new insulation, putting the walls back up—as if it were his main occupation. About the only thing he allowed me to do was install locks (I could handle this by the time I was fourteen or so) and carry his toolkit for him. He loved that house, and had worked on the ceiling and floors and walls as if he treasured the place.

I had left Hawthorn and hoped to never spend more than a weekend there ever again. Not because of unhappy memories, or because of something stupid that I took part in just before I headed off for college, but because of something I did that had cut me off from knowing any peace on the island.

I fell in love with a girl who would not love me back. A pattern for me, as it turned out.

Between that event—when I was eighteen—and my mother’s abandonment of us when I was a little boy, and yes, the arguments with my father, which never seemed to end, I just had no reason to return.

I always told anyone who asked—outside of the village—that my mother had died when I was nine.

 

3

 

I’d make up a story about her awful lingering illness, and how we gathered ‘round her bedside, with my sister weeping to bring the angels and my father kissing my mother on the hand. I cribbed the emotion of the scene from the death of Little Nell in Dickens’s
The Old Curiosity Shop
, and part from the death of Little Eva from
Uncle Tom’s Cabin
. These were deaths of absolute purity and saintliness, as befitted a beloved family member. There was an intensity to the innocence of those deaths. I wanted to believe it happened that way, too, with Mother beneath a snow-white comforter, her golden hair falling across the tear-stained pillow, the scent of wildflowers and bitter herbs in the air, a small red rose of color in her otherwise pale cheek, and a last clasp of her hand as she gave me motherly wisdom and departed to Heaven with one final and wistful sigh.

But that was a lie.

Everyone in Burnley knew the truth. Anyone could tell you—in broad daylight on a Wednesday afternoon, you could walk into what might roughly approximate a village and ask any of the children who had just gotten off the school bus. I’m betting they’d know about the Raglans’ mother. How she had abandoned her husband and family, and was very much alive and enjoying a different family somewhere in Sao Paulo, Brazil. My mother was, after all, the most exotic creature that Burnley Island had ever seen after the summer was over.

She ordered perfume from London, from a perfumery that her grandmother had once run, that her great-grandfather had founded in the South of France, and from which she had been disinherited when she purportedly stole several thousands of dollars from my grandmother’s bank account. (How many times had I been told by people as I grew up that she was bad Woman? That I might turn out just like she had, somehow tainted with her blood?) She had been raised in London, Switzerland, and Majorca, gone to college at Columbia. She had met my father in Burnleyside one summer when visiting a college friend’s family there, dropped out of college, and went slumming with him until she ended up pregnant and in love. Her family never spoke to her again. And she never spoke to them. They never spoke to us, the grandchildren, either. They lived in other countries, and were mythological to me—real but not truly to be believed.

My father had his own share of fame, but without the wealth, so he was her equal in many ways, despite his rough-and-tumble upbringing, as opposed to her refined boarding school years. She had been, without question, the most beautiful woman on the island. I remember her looking like a fairy princess—slender, ethereal, with almond-shaped eyes, and a sloping but elegant nose. She had golden hair—not blond or yellow, but a rich autumn gold that might look sandy blond on her worst days, like creamy toffee on others, and spun gold at her best. She always smelled of vanilla and lime and lavender. I would sit with her while she bathed, and she would tell me tales from the Arabian nights or of how she had stowed away once with a friend on a tramp steamer and had gone to Brazil, her favorite country in the entire world. “I was sixteen and running away,” she said, “but it was just for the summer. A wonderful summer of romantic suspense,” she added, without explaining any details. My mother had many talents: She played music, sketched on long summer afternoons, read from books, and tried her hand at poetry briefly. I remember her mainly surrounded by candlelight—she was a romantic at heart, and I suppose it’s what changed her, that romantic yearning.

She had mischief in her as well. I discovered this early and was charmed by it—by her misadventures in finding ways of getting to Boston faster than anyone could get there, the way she’d spend money cautiously one minute and then as if nothing were more important than something whimsical she’d just seen—and had to have at any cost. My father adored her, and adored the attention men gave her—he told me that he was proud that his wife was such a prize and yet had chosen him.

It all ended one night, years ago. December 19th. A red-letter day.

My mother walked out the door when I was nine years old and told my father that if he loved his kids so much, he could have them. The details: She wore her reddest dress (as small town minds like to recall), she had one of my father’s guns for protection in case he tried to force her to stay, and it was very late at night or else very early in the morning. The story went that my father sobbed quietly, gave her his blessing, and told her he would be there with the kids when she got tired of this new man in her life.

My father was a good man, so said people in Burnley and everyone who had ever heard of him. He told us that our mother loved us very much and left us only because something inside her head had control of her—but he promised he would be there, to take care of us and keep us safe.

He kept that promise, in his own way.

He even told us he’d take her back, if she wished to return.

“But to stand in the way of someone’s happiness,” he told me once, “is the cruelest of impulses. It’s as cruel as killing men, in my opinion. Real love sometimes means letting love fly.”

I had a dream soon after my mother left us. When I spoke about it to my brother and sister, when we were young, they told me they had dreams like it, too. In the dream, our mother came home and took each of us up in her arms, embracing and kissing us all over. In the dream, our father hugged us as well. It’s only natural for children to want to see their parents reunited, even if those same children know that it’s like wishing there were an Easter Bunny, or that birthday candles release some magic when they’re blown out. I sometimes wonder if we don’t long for precisely what we know in truth we can never have.

I dreamed about a silver crescent, too, like the moon. Like a crown that our mother would wear when she returned to us from the man she’d run off with so many years ago. The shadow man we’d never known, but who had come into our mother’s life and stolen her from us.

My father had been taken by a different kind of shadow man.

Viciously.

“A peculiar ferocity,” wrote Harry Withers, who reported for the
Burnley Gazette
, but whom I knew primarily from the playground of my childhood. “One does not associate this sort of crime with the peaceful island of Burnley, Massachusetts, known primarily for its plover shelter in the wetlands and its role in the Revolutionary War. The bogs and woods and meadows no longer seem benign. The hunt is on for the person or persons who committed this heinous act upon a war hero, upon a father, upon a man who stood for everything that was good in Burnley.”

The first I knew that my father had been tortured in a war was in second grade when that boy I had only just met named Harry Withers taunted me with, “Your daddy’s got only one ball! The other got cut off and fed to snakes! Your daddy’s a freak!”

 

4

 

It never occurred to me at that age that just because my father had always been missing two fingers on his right hand, he might have had something happen to him that caused it. Or that other parts of him might be missing as well. Since I was only dimly aware of what balls were at that age, I wasn’t sure if it mattered how many my father possessed.

Harry Withers seemed to think it mattered a hell of a lot. There was something in the nature of both challenge and humiliation for him to say it out on the blacktop during recess. I ended up in a fistfight, which got me to the principal’s office, then to the nurse’s office, and then a note to my parents about how I’d nearly bitten Harry’s ear off.

I had barely snipped at his ear with my teeth, but it did bleed a lot. I was afraid I’d mutilated Harry, that I’d be thrown in jail for having done it, and that poor one-eared Harry would haunt me forever. As it turned out, Harry’s ear would heal within days. Not so my troubled heart. Why did my father have only one ball and eight fingers?

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