The Hollow Chocolate Bunnies of the Apocalypse (27 page)

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Authors: Robert Rankin

Tags: #sf_humor, #Fiction, #Fantasy, #General, #Science Fiction, #Humorous, #Humorous Stories, #Mystery fiction, #Crime, #Serial murders, #Teddy bears, #Characters and characteristics in literature

BOOK: The Hollow Chocolate Bunnies of the Apocalypse
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'So you see the problem,' it said. 'However, everything will be resolved. Perhaps I'll go with Twat. Do you wish to pray to me before I kill you? As you'll be kneeling, you might want to get a prayer or two going.'

'We'd rather just stick around, if it's all right,’ Jack said. 'Then we could do a lot of praying and bowing down when you're sworn in officially.'

'I think that I'll just kill you now,' said PRIMROSE.

'No, hold on,' said Jack, 'let's not be hasty.'

'There's no haste involved, I assure you. I'm killing you at my leisure.'

'No,' said Jack. 'You really don't want to do that.'

'I do. Really I do.'

'But if you kill us, you'll never find the Maguffin.'

'The
what
?'

'The Maguffin,' said Jack. 'The all-important something that's all-importantness is not apparent until its moment has come.'

'I've no idea what you're talking about.'

'Of course you do. It's about this big.’ Jack did mimings. 'And this-shaped and sort of heavyish in a lighter way than you might expect.'

'That?'
said PRIMROSE, or whatever PRIMROSE currently called itself. 'You have
thatT

'Got it from the real Tinto,' said Jack. 'He said that one of the famous folk had left it behind after one of their meetings above his bar. I'll bet you really want it, don't you?'

'Well, I...'

'Go on,' said Jack. 'Admit it. It's really important, isn't it?'

'Hand it over to me,' said PRIMROSE. 'Now!'

'I don't have it on me,' said Jack. 'Do you think I'd carry a valuable artefact like that around with me? What does it do, by the way?'

'You think I'm going to tell you
thatT
'What harm can it do?’ Jack asked. 'You're going to kill us anyway.'

'I'm getting deja vu here,' said PRIMROSE. 'Look,' said Jack, 'I know that you think that you want to kill us because we're such a nuisance. But you don't want to
really.
You're little less than a deity. And deities are noted for granting mercy and answering prayers and stuff like that. I know we've got on your nerves a bit and any ordinary mortal would probably want to kill us for that. But you're not any ordinary mortal, are you? You're special. You're unique. You're one of a kind. Special. You can make your own rules. Do whatever you want.’

‘I certainly can,' said PRIMROSE.

'So you could just send us on our way with a wave of your dextrous hand.'

'I could, if I so chose to.'

'Then go for it,' said Jack. 'Do what a God would do. Forgive and forget. That's what a
special
God would do.’

‘Well,' said PRIMROSE.

'We're beneath your notice,' said Jack. 'We're nothing. Tatty old bear and young gormster. Nothing to one as special as you.'

'You're certainly that. And I'm certainly special.’

‘So there you go,' said Jack. 'That's omnipotence for you. It's a done deal.'

'It is,' Eddie agreed. 'Bravo, special guy.' Eddie offered a thumbless thumbs-up to PRIMROSE.

'All right,' said PRIMROSE. 'I will be merciful. Give me the Maguffin. And you can go.'

'Certainly,' said Jack. 'Absolutely. As soon as Eddie and I and all the famous folk are set free, I will go at once and fetch it for you.'

There was a bit of a pause then.

'Famous folk
set free?'
said PRIMROSE, slowly and thoughtfully.

Eddie looked up at Jack.

And Jack looked down at Eddie.

'Oh dear, oh dear, oh dear,' said PRIMROSE.

'Poor choice of words there,' whispered Eddie. 'And you were doing so well until then.'

'Oh dear,' said PRIMROSE. 'And there was I almost believing you. But
set free?
You think that I have them captured and locked up. You're just the same as this stupid bear. You think I'm the evil twin.'

'No,' said Jack. 'Honestly I don't. And I mean what I say, I
honestly
don't.' Jack tried to make an honest face, but couldn't.

'Give me the Maguffin, and give it to me now.'

'I told you, I don't have it.'

'Then to be certain, I'll search you. Search your body, that is.' The martial monster rolled towards Jack upon grinding tank tracks. A steel claw extended from its chest regions and snatched the lad by the throat, hauling him from his feet and dragging him up the cold stone passageway wall.

'Die,' said Battle Mode PRIMROSE.

Jack fought and struggled, but the steel claw tightened about his throat. Jack's eyes started from his head and his tongue stuck from his mouth. Being choked to death really hurt. It was no fun at all. Jack struck with his fists and kicked with his feet, but it was all to no avail. The breath was going from him now. The big black darkness was closing in.

 

And then there was a bit of an explosion. Which lit up the big black darkness.

It came right out of the blue. Or the black. Unexpectedly. The way that most explosions do. This one was a real eardrum-splitter, coming as it did within the confines of a passageway — even a passageway that branched offinto other passageways. This explosion really rocked. It was a veritable deafener.

The head of the Martial PRIMROSE turned away from Jack. The head of the Martial PRIMROSE had a dent in its left cheek.

Jack, whose popping eyes had all but dropped from his head, felt the grip around his throat loosen and fell to the passageway floor, coughing and gagging for air.

He saw the head of the Martial PRIMROSE turn somewhat more. And then he saw it take another violent hit.

The second explosion, a double deafener, had Jack covering his ears, and had him glancing with watery blinking eyes towards Eddie.

The bear had the 7.62 mm M134 General Clockwork Mini-gun raised.

'Run, Jack,' shouted Eddie, pulling the trigger once again. 'Run like a rabbit, go on.'

'No, Eddie, no.'

'No?' said the bear.

'No, I mean, keep firing.'

'But.'

'Don't but me, Eddie. Shoot him some more. Shoot him until he's dead.'

'Right,' said Eddie, 'now you're talking.' He pulled the trigger and another shell hit home.

Martial PRIMROSE rocked upon its tracks. It was armoured, it was tough; inner mechanisms clicked and clacked, shutters opened, gunnery extended. This gunnery levelled at Eddie.

Jack rolled over, snatched the gun from Eddie's paws and came up firing. 'Retreat!' he shouted.

'But you said.'

'I know what I said, Eddie. But now I'm saying retreat. Just run.'

'Like a rabbit?'

'Like a rabbit. Run!'

Jack snatched up Eddie and tucked him under his arm.

'I'll do the running,' said Jack.

And he ran.

28

Jack ran like a rabbit, with Eddie tucked under his arm, along a tiled passageway and onwards, ever onwards.

Something whistled from behind, passed near to his ducking head, and exploded some distance before him.

'Discouraging, that,' remarked Eddie. 'Somewhat superior firepower. And our gun only made a few small dents. Any thoughts on this, Jack?'

Jack huffed and puffed and had no thoughts that he wished to convey at present. His long limbs carried him and Eddie back onto the factory floor.

'I'm sure we're not really lost,' said Eddie as he jiggled about under Jack's arm. 'I'll just get my bearings. Bearings, geddit?' Eddie giggled foolishly. 'Sorry,' he said, 'nerves.'

'Please be quiet.' Jack ducked this way and the next and took cover behind a big brass pumping piston. 'I don't think he'll take pot-shots at us out here.' Jack raised his head and did furtive peepings. 'He won't want to risk damaging any of his demonic machinery.'

The armoured being in full combat mode, no longer on its tank tracks, but now on sturdy steely legs, moved purposefully along between the clattering conveyor belts, a most determined expression upon its latest metal face. Its head swung to the right and left, telescopic vision focused and refocused; tiny brass ear-trumpets extending from the sides of its head picked up each and every sound, deciphered and unscrambled them within the clockwork cranial cortex, sorting the mechanical from the organic...

And homed in upon Jack's breathing.

The armoured being ceased its marching; hinged flaps upon its shoulders raised, tiny rocket launchers rose and fired two tiny rockets.

These struck home quite close to Jack, causing him and Eddie great distress.

'So much for your theory about not wanting to fire his guns out here,' whispered Eddie. 'Shall we run some more?'

'I think it would be for the best.’ Jack ducked some more and, hauling Eddie after him, he ran. 'Which way?' Jack asked as he reached a place where many possibilities existed.

'That
way,' said Eddie, pointing.

'Do you know it's
that
way?'

Eddie shrugged beneath Jack's arm. 'Ursine intuition?' he suggested.

'Fair enough.’ Jack ran in the direction of Eddie's choice.

Presently they found themselves in a dead-end situation. To the right and left of them high conveyor belts clattered; before them was a wall of riveted steel and behind them strolled the armoured maniac.

Difficult.

'Shoot him, Jack,' urged Eddie.

'I think we already tried that.'

'He might have a weak spot. Shoot him in the goolies.'

'I don't think he has any goolies.'

'Shut up! Be silent! Cease to speak!'

Jack and Eddie shut their mouths, fell silent and ceased to speak.

'Stupid,' said the armoured one. 'Stupid, stupid, stupid. You shot at me. You tried to kill me.'

'But,'said Eddie.

'Shut up!
You shot at
me.
The saviour of Toy City.
Me!'

'Who's speaking?’ Jack asked.

'I told you to shut up. And put that ridiculous gun down.'

Jack dropped the 7.62 mm M134 General Clockwork Mini-gun. 'We give up,' he said.

'Of course you give up.' Cogs whirly-whirled, metal plates interlocked, armoured bits and bobs shifted and jigsaw-locked. 'You're dead; of course you give up.'

'That's not what I mean,' said Jack. 'I mean that Eddie and I
really
give up. We'll tell you everything you need to'know. About the Maguffin. Everything. Well, obviously we won't tell
you.
But we'll tell the real
you,
if you know what I mean.'

'What
do
you mean?' The metallic monster drew nearer to Jack. Its chest rose and fell, expanding and contracting its shining coppery links.

'I mean I'll tell everything to your leader. To the one in charge.'

'I am in charge. I am PRIMROSE.'

'No,' said Jack. 'PRIMROSE is not in charge. You weren't telling us the truth. I'll tell everything to the one in charge. The
real
you. I know who you really are. I know your real name.'

'You know his real name?' Eddie made a
puzzled
face.

'You're going to kill us anyway,' said Jack. 'What harm can it do?'

'Not
that
again.'

'But what harm
can
it do?'

'None. No harm at all.' The being took a step back. Steel shutters fell over the telescopically visual eye attachments. The ear trumpets slid back into the head section. The armoured chest drew back. Legs and arms twisted, inverted.

A man of less than average height, with the large face and slender body of the potentially famous, now stood before them. He had a high forehead, deeply set eyes, a narrow nose and a bitter little mouth. He wore a rather splendid three-piece green tweed suit with a golden watch chain and a red silk cravat unknotted over the winged collar of a starched white shirt. He bore more than a strong resemblance to the toymaker.

'Mr Sredna, I presume,' said Jack. 'Sredna Sredna.'

'So you really
do
know my name,' said Mr Sredna.

'I'm very pleased to meet you,' said Jack. 'At last, and face to face.'

'I would shake your hand,' said Mr Sredna, 'but it is not to my choosing. How is it that you know my name?'

'Because I work for your company: the Sredna Corporation. We have a code 15 situation in New York.'

'A code 15?" said Mr Sredna.

'New York?'
said Eddie.

'My name is Jon Kelly,' said Jack. 'Codename Jack, deep cover operative for the Sredna Corporation, offices in New York, London and Tokyo. I could not divulge my true identity earlier, because I was not certain that I was speaking to
you.
I'm certain now. I've very pleased to meet you, sir.'

'And I you, my boy.' Mr Sredna stepped forward and warmly shook Jack by the hand. 'Jon Kelly. I know you by reputation. A corporation man, who works only for the corporation. I am very pleased to meet you too.'

'
What?'
went Eddie. 'What is going on here? Jack?'

'Jon,' said Jon. 'Jon Kelly. I'm sorry I had to deceive you, Eddie. But business is business; I'm sure you understand.'

'I'm sure I
don't,'
said Eddie.

'Well, it's neither here nor there. Is there somewhere we can talk, Mr Sredna? Away from all this noise?'

‘Jack?' Eddie shook his head. 'I don't understand any of this.'

'I'll just kill this stupid bear before we talk.' Mr Sredna glared at Eddie.

'Not worth the trouble,' said Jon. 'Let him come with us. He amuses me.'

'What?' went Eddie. 'What? What? What?'

At length they were no longer in the factory. They were high above it, in an elegantly appointed office several storeys up in the East Wing of the chocolate factory building.

The sun fell through a high mullioned window. The vista beyond the windows was of Knob Hill and the toymaker's house.

Mr Sredna sat behind an expansive desk laden with many precious things. Jon stood before the window, gazing out of it. Eddie sat upon the floor. Eddie was a very puzzled bear.

'This is a serious breach of security,' said Mr Sredna. 'It is strictly forbidden.'

'The situation merited drastic action,' said Jon Kelly, turning. 'A number of serious faults have developed in the latest presidential model.'

'Surely not,' said Mr Sredna, making a surprised face. 'I oversaw the construction of that model myself. It should run flawlessly throughout its term of office. They've not let it get in the rain, have they? The buyers were told that it's not fully waterproof.'

Eddie made an exasperated face. 'Will somebody
please
tell me what is going on?' he said. 'I'm losing my mind here.'

Jon Kelly (codename Jack) smiled down upon Eddie. 'You,' said he, 'are a very intelligent little bear. It has actually been a great pleasure working with you.'

'Thank you,' said Eddie. 'But...'

'We'll have to kill him, though,' said Mr Sredna.

'Of course,' said Jon Kelly. 'We can't have any loose ends dangling around. But it has been a pleasure. And as /will be killing him...'

'You?'
said Eddie.

'It really doesn't matter if he knows the truth.'Jon Kelly smiled upon Eddie. 'My name, as I said, is Jon Kelly. I work for the Sredna Corporation, a corporation in the world beyond. Originally a toy company, it dates back two hundred years or so: Purveyors of Clockwork Automata to the Gentry. But times and tastes change. When I told you, Eddie, that there
was
another world out there, beyond the world of Toy City, I was telling all of the truth. There 15 such a world. I come from there. I grew up there. I never worked in any clockwork factory, although I do know all about clockwork.'

'But Jack, everything we've been through together—

'It was all for a purpose, Eddie. I had to contact Mr Sredna here. He's been missing for two months. We had to know what happened to him, why he had not returned to the outer world. However, Mr Sredna is a very hard man to track down.'

'I have to be,' said Mr Sredna. 'I am known here. I've had to remain in hiding and disguise until all my plans were completed.'

'I understand that now,' said Jon Kelly.

'But soon, everyone will know my name.' There was a terrible tone to the voice, and a madness in the eyes of Mr Sredna. Neither went unnoticed by either Eddie or Jon.

'Well, what you choose to do here in Toy City is
your
business,' said Jon Kelly, 'but what goes on out there in the world beyond is a different matter. And if a presidential model fails, then the Sredna Corporation's reputation is at stake.'

'What
is
a presidential model?' Eddie asked.

'A kind of toy,' saidjon. 'Mr Sredna here employs his toy-making skills in the world beyond. And he does make exceedingly good toys. Very life-like. The Sredna Corporation supplies these toys to countries all over our world. These toys then appear to run these countries. But naturally they don't actually do that. The owners of these toys are the big business consortiums that can afford to buy them from Mr Sredna. It's all just good business. It's a businessman thing.'

'It sounds ghastly,' said Eddie. 'It sounds as corrupt as.'

'Oh it is,' said Mr Sredna. 'Totally. But then, what isn't? Who isn't?'

'I'm not,' said Eddie. 'And I didn't think that Jack was. I'm very upset.'

'Your city is quite amazing,'Jon Kelly said to Mr Sredna. 'When the corporation executives sent me here to find you, they told me that this city was inhabited by toys which actually thought for themselves; actually lived their own lives. I never really believed them. Never thought it possible. There is a magic here in Toy City, there's no doubt about that.'

'Of course there is.' Mr Sredna leaned back in his chair and interlinked his long, narrow fingers. 'If it wasn't for the fact that certain things can be done here in this world that cannot be done out there, there could be no Sredna Corporation.'

Eddie punched himself violently in the head. 'I
am
going mad,' he declared. ‘ Jack, you're my friend. You're my bestest friend. You and I were tracking down the evil twin. Have you forgotten about that?'

Jon glanced towards Mr Sredna. 'What about
that?'
he asked.

'Nothing you need concern yourself with,' said Mr Sredna.

'I'd like to know.'

'Then you shall.' The madness was once more in the eyes. 'Those nursery rhymers: they deserved what they got. And I gave it to them, one at a time, in the order that they became famous. I've always hated them. I didn't mean for them to become rich and famous, but they did, and they had me to thank for it. But did they thank me? No, they sided with my brother and threw me out of the city.'

'Your brother?' said Eddie. 'Tell me about your brother.'

'The toymaker,' said Mr Sredna.

'So you
are
the evil twin. There, Jack, he's confessed.'

'I'm
not
evil! How dare you!' Mr Sredna brought his fists down hard upon the table. 'Evil twin this! Evil twin that! I'm not evil. Never was evil. I am
innovative.
Imaginative.
Special!
But because I didn't play by the rules, follow the instructions, do things the way they were supposed to be done, I was cast from this world by that ungrateful scum.'

Eddie cowered on the floor.

'Let me tell
you,'
said Mr Sredna, 'who really wrote those nursery rhymes.'

'Really wrote?' said Eddie. 'Didn't Wheatley Porterman write them?'

'
I
wrote them!' Mr Sredna fairly bellowed. 'They're supposed to be hymns, not damn nursery rhymes.'

'Hymns?' said Eddie. 'But—‘

'Each one of them is a parable.' Mr Sredna leaned across his desk and scowled down at Eddie. 'They're
all
parables. Take the hymn of Jack and Jill: of course you can't go
up
a hill to fetch a pail of water. What the hymn really means is that if you spend your life seeking to achieve impossible goals, rather than doing something useful, you will surely tumble to earth. It's pretty damn obvious, isn't it?'

'I suppose it is,' said Eddie. 'So they're all like that, are they? They're all, like, parables; they all have real meanings?'

'Of course they do!' Mr Sredna drummed his fists upon his expansive desk, rattling precious things. 'They all mean something. They were supposed to be instructive. They were Holy Writ.'

'What?' said Jon Kelly.

'Holy Writ!' Mr Sredna's voice rose in zeal. 'Which is another reason that I was ousted. Gods aren't supposed to write their own Holy Writ. Gods are supposed to be "hands-off". Leave the writing of Holy Writ to "inspired" mortals. And what happens to theirs? The same as happened to mine. Misinterpreted! You can't produce any kind of Holy Writ without some oaf misinterpreting it. I write deep-meaningful hymns. And the trash that I wrote those moving deep-meaningful hymns about, the examples of man's folly, they get rich and famous from the proceeds. And because I've upset them, they conspire against me and then rise up and throw me out of the city. Me, a God in my own right: they throw
me
out. What kind of insane irony is that, I ask you?' Jon Kelly shook his head. 'I don't know,' he said.

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