The History of History (30 page)

But all was not mended. Turning back toward the terminal, she saw that the building was dark. Of course, the sun had burst through the clouds again, and maybe it was just a trick of the eye, the washing-out effect of the brightness, but as Margaret got closer to the building, it still seemed dark, and half was encased in scaffolding. Even more strange, the scaffolding was made of wood. The sign Margaret had so often seen from the Ringbahn, the famous lettering that should have impressed the eye from the sky,
Flughafen Tempelhof
, was also missing.

The place was deserted. The empty reception hall glowered at her, the windows dark. Margaret pulled back one section of a fence and entered. Shouldn’t there have been more security? Inside, too, everything was wrong. Half of the ceiling she knew so well was missing, and there were nothing but piles of bricks and dusty drop cloths all around, without any airline check-in counters or the usual blue and red logos to be seen. As she walked through the long hall to the other side, her footsteps clattered loudly on the marble floor.

She came out the other end. She was under a mess of wooden scaffolding. Two construction workers walked the boards above her.

Margaret stood very still. The workers had not noticed her, and she was glad of it. An odd thing: they seemed to be old men, seventy
if a day. Margaret positioned herself where she could see them but remain hidden. She watched. The men moved strangely. Their pants were belted high, and also unusual for German construction workers, they wore no bright colors. The accent of their Berlinerisch, as they yelled to each other, was somehow unfamiliar, overly stylized. The melody seemed rounder and jauntier than what Margaret knew.

She ducked on tiptoe back into the reception hall and walked back to the other end. Her heels clacked. Margaret tried to bend the sound away with a lithe ankle. It was better, she thought, to avoid running into those construction workers again. But she didn’t know how to get out. Already she was tired of walking, and her fear was dragging heavily behind her.

She went into a stairwell in hopes of finding an exit from the upper floor, which by some vague recollection she thought was at street level on the other side. It was dark in the stairwell and smelled thickly of fresh plaster. She wound round and round, flight after flight. Finally she came to a landing that had a window to the outside. She dashed to it, overcome by claustrophobia. But the window only looked out on a dank, concrete courtyard. She heard shouts and looked down. A group of construction workers were on the paving stones below. Or were they construction workers? Again, there was something wrong. They were in clothing like pajamas; they spoke to one another, and even from this height, Margaret could hear that their language wasn’t German. It sounded Slavic. Margaret’s hair was standing up now, and she slumped down against the ground, her back to the wall. But in another instant she rose again and peeked through the window a second time, her fingers shaking as she heaved herself up on the sill. This time her gaze was focused, seeking. Off to the side, in the courtyard, was a truck, and it wasn’t a model from Margaret’s era. On top of the truck two men lounged, in black uniforms with machine guns slung over their shoulders. And then a thought crossed Margaret’s mind:
Organisation Todt
. Other than forced labor, Margaret had almost no associations with Hitler’s engineers, and so now she began to be hugely afraid.

The workers were from the East. And if they were slaves from the East, then that would explain the condition of the airport—unfinished.

The men in black uniforms frightened her more than the German
construction workers. So back down the stairs she went, all the way through the reception hall and main building, and outside to the wooden scaffolding again. Without giving herself time to become afraid, she clacked her heels loudly so the two elderly construction workers, still up on their scaffolding, would be sure to hear her. From the wide drive where the taxi stand should have been, she yelled up at them. “Hallo? Excuse me!”

The construction workers looked down at her in astonishment. There was a long silence. Finally, one of them, the one with the beard, said to her, “What are
you
doing here?”

“I hit my head,” Margaret said.

The man looked at his companion. His companion shrugged. He turned back to Margaret. “We don’t like the girls from the BDM.”

“What?”

“Oh—” He left off. “I was just poking fun,” he called out, smiling sheepishly. And his companion gave him a look of despair. Margaret considered—BDM, those were the Hitler girls. The Hitler Youth girls. Feeling so frightened now that she thought she would pass out, she looked down at her feet. She looked down at her shoes. But she was not wearing
her
shoes. Nor
her
pants. Nor
her
shirt. Instead, a dark blue skirt, a white blouse, and a black neckerchief, and over everything, a short jacket with four patch pockets.

Very afraid now, she called up to the two men on the scaffolding, making up a lie: “I’ve been hit on the head. Can you tell me please, I know it’s odd, but what year is it?”

“Why, little ninny
(Dummerchen)
! It’s 1942.”

And Margaret looked at herself, in her patriotic uniform. She thought, So it’s true about me, and she felt so much hurt that when the black started rising she did nothing to stop it. She only felt a bit of the fall; the last thing she remembered was the smacking of the back of her skull against the concrete.

Margaret woke up
, she knew not how much later, back in her bed on the Grunewaldstrasse. She was no longer wearing the BDM uniform. But she had a pounding headache and some dried blood on the back of her scalp, where the skin broke when she hit her head. She got up, went into the bathroom, and looked in the mirror.

She gazed into her face with hatred. The uniform had fit. It looked all too crisp, sharp—stunningly attractive.

The very next day she gave a tour, and when she was at Hitler’s bunker, again she saw the bodyguard, Arthur Prell, talking to young people on skateboards in the park adjacent.

W
ith resolve, and a pounding desperation, Margaret returned to Dr. Gudrun Arabscheilis once again. She went through the muted ivy courtyard and proceeded upward with a firm, clacking step. She would do things differently this time. She would demand a fair hearing no matter what the woman tried on her. In her bag she carried her American passport and two other forms of identification.

But when she arrived at the office, nothing was as it had been before. Her ambitions began to flounder and distort. At first the change was subtle. The stairwell had a different smell.

Then as Margaret came in and walked past the coatrack, the place became more unfamiliar still. In the waiting room was an intense heat. Margaret instantly began to sweat in the dryness of it. The room was very dark, and the lights glowed yellow.

At the reception desk, the dour nurse, almost hidden behind an enormous jade plant, was asleep with her mouth open. The lights seemed to give off a vapor.

Through the hot ether, Margaret could hear a sound. A great whooshing, windy assibilation of hot air and beneath it a stuttering, mechanized clack-clack-clack. The sound of a running film projector. Margaret tiptoed down the long hallway. Opening the oak door of the examination room, she was buffeted backward by the heat, the air hot and dry as in a sauna. The curtains were drawn and the room made light-tight against the dusk. It was close and musty in the heat.

On the wall next to the door, a film was projected. Black and white; the forest scene, a boy in medieval garb with sword in hand rising out of the lake, with great scabs of light burning across it.

A sudden glimmer in the recesses of the darkness—two round
O
s—perhaps the lenses of the doctor’s bifocals. But Margaret felt as if she had trespassed, and she withdrew and closed the door behind her. She walked back down the hall and sat on a chair in the waiting room.

She closed her eyes. The heavy heat was richly soporific. Lulled
by the whooshing clack of the film projector’s noise, Margaret fell asleep.

When she awoke, the receptionist was still breathing behind the counter with an even, whistling rhythm. Margaret went down the hall a second time. Now the examination chamber was brilliant with light, and Margaret stepped through the door. The old woman’s skin glowed with sweat, and an album of black-and-white photographs lay in front of her on the desk. Over it, she held an enormous magnifying glass, and her ruddy, hot face hovered close to the book.

“Ah, Margaret
Täubner,
” the doctor said. She did not look up. “Be so kind and give me a moment, will you?”

Margaret tried to say something acquiescent, but only grunted softly, the words sticking in her throat. She pulled at her collar. The doctor moved the magnifying glass toward the top of the oversized page, her massive head moving with it, eyes just a few centimeters from the glass. After three or four slow minutes, she spoke.

“What can I do for you, my dear?”

Margaret breathed out. “Help me.”

“With what?” The doctor elongated her vowels.

Margaret was unprepared for the question. She thought for a moment. “Well,” she said slowly, “help me—get rid of the past.”

It seemed like the sort of large-scale request to which the doctor might be able to respond.

But the doctor only went back to her photographs. She turned a page, peering again through her thick bifocals and the large magnifying glass. The room was silent.

Margaret had imagined, on her way over, that the scene would play very differently. She had seen herself stepping forward and speaking in a loud voice of her ever-increasing terror. Now she found herself cramped by the true. The cue of the room revivified the memory of her last visit, and the doctor’s eccentricity rose up against her. How could she have forgotten her mistreatment at the hands of this woman? She began to feel the old anger. She watched the bulbous-headed doctor peering idiotically at the uniformly grey pictures, which, from Margaret’s vantage point, looked like little grey fractals: each one randomly, differently the same. Margaret gave two loud, suggestive sighs. The woman looked up again.

“What is the trouble?”

“I told you last time,” Margaret said. “My own past isn’t coming. I’m drawn to the past before I was born.”

“What do you see in it?”

Margaret wondered whether the woman had forgotten everything she had told her. Dr. Arabscheilis spoke much more slowly than she had last time, soberly and detached, and it crossed Margaret’s mind that the woman might be addicted to some kind of prescription medication.

“I’m unable to find a place in it,” Margaret said, still making an effort. “Don’t you remember what I told you?”

“You have no place in the past,” the doctor said slowly and without lifting her head.

“But I do.”

“You do?” asked the doctor rather absentmindedly. Her face was hovering, a dragonfly of attention, over the pictures.

“Yes, I do.” Margaret thought of the night she had knelt before the yellow stripe and worshiped the Family Strauss. She took a breath. “I can do all my living through other people,” Margaret began. She stopped. The room was quiet. Margaret felt as though she were hoisted up, floating on the heat.

“What does it mean to you, to live through others?” asked the doctor. Again, without any special interest.

“Well,” Margaret said. There was a way in which the woman’s cool, slow detachment might be read as encouragement. Detachment prevented the woman from talking very much. Maybe she would listen this time, Margaret thought. She had been longing for the doctor to listen.

Margaret began to formulate what she had been thinking about as she was trying to fall asleep the night before. “Once there were people who suffered horribly,” she said. “They suffered so much that all other kinds of suffering must be inside that single suffering.”

“What?” the doctor asked.

“Comprehensive suffering,” Margaret said.

“What are you speaking of, my child?”

“Don’t you think there must be such a thing?”

“I have no opinion,” said the doctor.

“But isn’t there something—about innocence?” Margaret asked. As this last word came out of her mouth, she felt ridiculous, buffoonish even.

But she pressed on. She was focused on the graves of the Family Strauss, with their waxy pillow of black ivy and rash of scarlet dots. Margaret looked at the floor, noticing in the corner the movement of falling dust.

“But sometimes,” Margaret went on, “I think no matter how much I search for them and think of them, their innocence can’t be transferred to me. They are quiet. And also I wonder, is innocence even a trait of goodness?” Margaret looked at the doctor, waiting for the woman’s face to move. But the room was silent.

Then the doctor spoke all at once, and when she did, her harsh voice was decisive and unyielding. Margaret jumped. Dr. Arabscheilis spoke loudly, almost making of her acerbic idea an incantation, and it became apparent she had never been absent from the conversation at all.

“Listen, comrade. I’ll tell you something. Death has an aesthetic appeal, but there is no aesthetic appeal to death on a mass scale. All stories in this world are premised on the idea of character as arbiter of destiny. But these people you like to think about, they were killed regardless of their personality. So now you switch it around, you make destiny capable of arbitrating character. You want to make the victims purer by ex post facto decree, by virtue of their deaths alone.” The doctor hummed a little tune to herself and looked away, her head was swaying. “But there is no link between these people and what happened to them,” she said. “No link at all.” She hummed again. “You have become sanctimonious in your obsession, comrade.”

Margaret was upset. “No, it’s not like that,” she said. “Let me tell
you
something.” She rubbed the flannel wool over her knees in haste. “The thing is—there’s something else.” She spoke louder, trying to pull together her courage. “It’s not just the victims. The killers, too. They shadow me. She—” Margaret corrected herself, “
They
have been shadowing me for a long time, only I didn’t want to mention it. They come at me—and they’re disgusting, they’re desiccated hawks. But sometimes they seem intriguing anyway—like—like intelligent, righteous souls.” Margaret still couldn’t bear to name the name. “They want to carry me away with them. I can feel it. They want to carry me away with them, dress me in their clothes.” She scowled, her face, she could feel, was bright, and her eyes were swelling. “If I don’t do something, they’re going to come for me,” Margaret said, beginning to cough. The heat was rising in her face; the room had begun to twirl, and she grabbed onto her chair to keep from falling over.