The Haunting of Hill House (21 page)

Theodora's grasp loosened, and tightened, and Eleanor, lulled for a minute by the sounds, started and looked across to where Theodora ought to be in the darkness, and then thought, screamingly, Why is it dark?
Why is it dark?
She rolled and clutched Theodora's hand with both of hers, and tried to speak and could not, and held on, blindly, and frozen, trying to stand her mind on its feet, trying to reason again. We left the light on, she told herself, so why is it dark? Theodora, she tried to whisper, and her mouth could not move; Theodora, she tried to ask, why is it dark? and the voice went on, babbling, low and steady, a little liquid gloating sound. She thought she might be able to distinguish words if she lay perfectly still, if she lay perfectly still, and listened, and listened and heard the voice going on and on, never ceasing, and she hung desperately to Theodora's hand and felt an answering weight on her own hand.

Then the little gurgling laugh came again, and the rising mad sound of it drowned out the voice, and then suddenly absolute silence. Eleanor took a breath, wondering if she could speak now, and then she heard a little soft cry which broke her heart, a little infinitely sad cry, a little sweet moan of wild sadness. It is a
child,
she thought with disbelief, a child is crying somewhere, and then, upon that thought, came the wild shrieking voice she had never heard before and yet knew she had heard always in her nightmares. “Go away!” it screamed. “Go away, go away, don't hurt me,” and, after, sobbing, “Please don't hurt me. Please let me go home,” and then the little sad crying again.

I can't stand it, Eleanor thought concretely. This is monstrous, this is cruel, they have been hurting a child and I won't let anyone hurt a child, and the babbling went on, low and steady, on and on and on, the voice rising a little and falling a little, going on and on.

Now, Eleanor thought, perceiving that she was lying sideways on the bed in the black darkness, holding with both hands to Theodora's hand, holding so tight she could feel the fine bones of Theodora's fingers, now, I will not endure this. They think to scare me. Well, they have. I am scared, but more than that, I am a person, I am human, I am a walking reasoning humorous human being and I will take a lot from this lunatic filthy house but I will not go along with hurting a child, no, I will not; I will by God get my mouth to open right now and I will yell I will I will yell “STOP IT,” she shouted, and the lights were on the way they had left them and Theodora was sitting up in bed, startled and disheveled.

“What?” Theodora was saying. “What, Nell? What?”

“God God,” Eleanor said, flinging herself out of bed and across the room to stand shuddering in a corner, “God God—whose hand was I holding?”

I am learning the pathways of the heart, Eleanor thought quite seriously, and then wondered what she could have meant by thinking any such thing. It was afternoon, and she sat in the sunlight on the steps of the summerhouse beside Luke; these are the silent pathways of the heart, she thought. She knew that she was pale, and still shaken, with dark circles under her eyes, but the sun was warm and the leaves moved gently overhead, and Luke beside her lay lazily against the step. “Luke,” she asked, going slowly for fear of ridicule, “why do people want to talk to each other? I mean, what are the things people always want to find out about other people?”

“What do you want to know about me, for instance?” He laughed. She thought, But why not ask what
he
wants to know about
me;
he is so extremely vain—and laughed in turn and said, “What can I
ever
know about you, beyond what I see?”
See
was the least of the words she might have chosen, but the safest. Tell me something that only I will ever know, was perhaps what she wanted to ask him, or, What will you give me to remember you by?—or, even, Nothing of the least importance has ever belonged to me; can you help? Then she wondered if she had been foolish, or bold, amazed at her own thoughts, but he only stared down at the leaf he held in his hands and frowned a little, as one who devotes himself completely to an absorbing problem.

He is trying to phrase everything to make as good an impression as possible, she thought, and I will know how he holds me by what he answers; how is he anxious to appear to me? Does he think that I will be content with small mysticism, or will he exert himself to seem unique? Is he going to be gallant? That would be humiliating, because then he would show that he knows that gallantry enchants me; will he be mysterious? Mad? And how am I to receive this, which I perceive already will be a confidence, even if it is not true? Grant that Luke take me at my worth, she thought, or at least let me not see the difference. Let him be wise, or let me be blind; don't let me, she hoped concretely, don't let me know too surely what he thinks of me.

Then he looked at her briefly and smiled what she was coming to know as his self-deprecatory smile; did Theodora, she wondered, and the thought was unwelcome, did Theodora know him as well as this?

“I never had a mother,” he said, and the shock was enormous. Is
that
all he thinks of me, his estimate of what I want to hear of him; will I enlarge this into a confidence making me worthy of great confidences? Shall I sigh? Murmur? Walk away? “No one ever loved me because I belonged,” he said. “I suppose you can understand that?”

No, she thought, you are not going to catch me so cheaply; I do not understand words and will not accept them in trade for my feelings; this man is a parrot. I will tell him that I can never understand such a thing, that maudlin self-pity does not move directly at my heart; I will not make a fool of myself by encouraging him to mock me. “I understand, yes,” she said.

“I thought you might,” he said, and she wanted, quite honestly, to slap his face. “I think you must be a very fine person, Nell,” he said, and then spoiled it by adding, “warmhearted, and honest. Afterwards, when you go home . . .” His voice trailed off, and she thought, Either he is beginning to tell me something extremely important, or he is killing time until this conversation can gracefully be ended. He would not speak in this fashion without a reason; he does not willingly give himself away. Does he think that a human gesture of affection might seduce me into hurling myself madly at him? Is he afraid that I cannot behave like a lady? What does he know about me, about how I think and feel; does he feel sorry for me? “Journeys end in lovers meeting,” she said.

“Yes,” he said. “I never had a mother, as I told you. Now I find that everyone else has had something that I missed.” He smiled at her. “I am entirely selfish,” he said ruefully, “and always hoping that someone will tell me to behave, someone will make herself responsible for me and make me be grown-up.”

He is altogether selfish, she thought in some surprise, the only man I have ever sat and talked to alone, and I am impatient; he is simply not very interesting. “Why don't you grow up by yourself?” she asked him, and wondered how many people—how many women—had already asked him that.

“You're clever.” And how many times had he answered that way?

This conversation must be largely instinctive, she thought with amusement, and said gently, “You must be a very lonely person.” All I want is to be cherished, she thought, and here I am talking gibberish with a selfish man. “You must be very lonely indeed.”

He touched her hand, and smiled again. “You were so lucky,” he told her. “You had a mother.”

“I found it in the library,” Luke said. “I swear I found it in the library.”

“Incredible,” the doctor said.

“Look,” Luke said. He set the great book on the table and turned to the title page. “He made it himself—look, the title's been lettered in ink: MEMORIES,
for
SOPHIA ANNE LESTER CRAIN;
A Legacy for Her Education and Enlightenment During Her Lifetime From Her Affectionate and Devoted Father,
HUGH DESMOND LESTER CRAIN;
Twenty-first June, 1881
.”

They pressed around the table, Theodora and Eleanor and the doctor, while Luke lifted and turned the first great page of the book. “You see,” Luke said, “his little girl is to learn humility. He has clearly cut up a number of fine old books to make this scrapbook, because I seem to recognize several of the pictures, and they are all glued in.”

“The vanity of human accomplishment,” the doctor said sadly. “Think of the books Hugh Crain hacked apart to make this. Now here is a Goya etching; a horrible thing for a little girl to meditate upon.”

“Underneath he has written,” Luke said, “under this ugly picture: ‘Honor thy father and thy mother, Daughter, authors of thy being, upon whom a heavy charge has been laid, that they lead their child in innocence and righteousness along the fearful narrow path to everlasting bliss, and render her up at last to her God a pious and a virtuous soul; reflect, Daughter, upon the joy in Heaven as the souls of these tiny creatures wing upward, released before they have learned aught of sin or faithlessness, and make it thine unceasing duty to remain as pure as these.' ”

“Poor baby,” Eleanor said, and gasped as Luke turned the page; Hugh Crain's second moral lesson derived from a color plate of a snake pit, and vividly painted snakes writhed and twisted along the page, above the message, neatly printed, and touched with gold: “Eternal damnation is the lot of mankind; neither tears, nor reparation, can undo Man's heritage of sin. Daughter, hold apart from this world, that its lusts and ingratitudes corrupt thee not; Daughter, preserve thyself.”

“Next comes hell,” Luke said. “Don't look if you're squeamish.”

“I think I will skip hell,” Eleanor said, “but read it to me.”

“Wise of you,” the doctor said. “An illustration from Foxe; one of the less attractive deaths, I have always thought, although who can fathom the ways of martyrs?”

“See this, though,” Luke said. “He's burnt away a corner of the page, and here is what he says: ‘Daughter, could you but hear for a moment the agony, the screaming, the dreadful crying out and repentance, of those poor souls condemned to everlasting flame! Could thine eyes be seared, but for an instant, with the red glare of wasteland burning always! Alas, wretched beings, in undying pain! Daughter, your father has this minute touched the corner of his page to his candle, and seen the frail paper shrivel and curl in the flame; consider, Daughter, that the heat of this candle is to the everlasting fires of Hell as a grain of sand to the reaching desert, and, as this paper burns in its slight flame so shall your soul burn forever, in fire a thousandfold more keen.' ”

“I'll bet he read it to her every night before she went to sleep,” Theodora said.

“Wait,” Luke said. “You haven't seen Heaven yet—even
you
can look at this one, Nell. It's Blake, and a bit stern, I think, but obviously better than Hell. Listen—‘Holy, holy, holy! In the pure light of heaven the angels praise Him and one another unendingly. Daughter, it is Here that I will seek thee.' ”

“What a labor of love it is,” the doctor said. “Hours of time just planning it, and the lettering is so dainty, and the gilt—”

“Now the seven deadly sins,” Luke said, “and I think the old boy drew them himself.”

“He really put his heart into gluttony,” Theodora said. “I'm not sure I'll ever be hungry again.”

“Wait till lust,” Luke told her. “The old fellow outdid himself.”

“I don't really want to look at any more of it, I think,” Theodora said. “I'll sit over here with Nell, and if you come across any particularly edifying moral precepts you think would do me good, read them aloud.”

“
Here
is lust,” Luke said. “Was ever woman in this humor wooed?”

“Good heavens,” said the doctor. “Good heavens.”

“He
must
have drawn it himself,” Luke said.

“For a
child?
” The doctor was outraged.

“Her very own scrapbook. Note Pride, the very image of our Nell here.”

“What?” said Eleanor, starting up.

“Teasing,” the doctor said placatingly. “Don't come look, my dear; he's teasing you.”

“Sloth, now,” Luke said.

“Envy,” said the doctor. “How the poor child dared transgress . . .”

“The last page is the very nicest, I think. This, ladies, is Hugh Crain's blood. Nell, do you want to see Hugh Crain's blood?”

“No, thank you.”

“Theo? No? In any case, I insist, for the sake of your two consciences, in reading what Hugh Crain has to say in closing his book: ‘Daughter: sacred pacts are signed in blood, and I have here taken from my own wrist the vital fluid with which I bind you. Live virtuously, be meek, have faith in thy Redeemer, and in me, thy father, and I swear to thee that we will be joined together hereafter in unending bliss. Accept these precepts from thy devoted father, who in humbleness of spirit has made this book. May it serve its purpose well, my feeble effort, and preserve my Child from the pitfalls of this world and bring her safe to her father's arms in Heaven.' And signed: ‘Thy everloving father, in this world and the next, author of thy being and guardian of thy virtue; in meekest love, Hugh Crain.' ”

Theodora shuddered. “How he must have enjoyed it,” she said, “signing his name in his own blood; I can see him laughing his head off.”

“Not healthy, not at all a healthy work for a man,” the doctor said.

“But she must have been very small when her father left the house,” Eleanor said. “I wonder if he ever did read it to her.”

“I'm sure he did, leaning over her cradle and spitting out the words so they would take root in her little mind. Hugh Crain,” Theodora said, “you were a dirty old man, and you made a dirty old house and if you can still hear me from anywhere I would like to tell you to your face that I genuinely hope you will spend eternity in that foul horrible picture and never stop burning for a minute.” She made a wild, derisive gesture around the room, and for a minute, still remembering, they were all silent, as though waiting for an answer, and then the coals in the fire fell with a little crash, and the doctor looked at his watch and Luke rose.