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b
. Iobates, equally loth to ill-treat a royal guest, asked Bellerophon to do him the service of destroying the Chimaera, a fire-breathing she-monster with lion’s head, goat’s body, and serpent’s tail. ‘She is’, he explained, ‘a daughter of Echidne, whom my enemy, the King of Caria, has made a household pet.’ Before setting about this task, Bellerophon consulted the seer Polyeidus, and was advised to catch and tame the winged horse Pegasus, beloved by the Muses of Mount Helicon, for whom he had created the well Hippocrene by stamping his moon-shaped hoof.
2

c
. Pegasus was absent from Helicon, but Bellerophon found him drinking at Peirene, on the Acropolis of Corinth, another of his wells; and threw over his head a golden bridle, Athene’s timely present. But some say that Athene gave Pegasus already bridled to Bellerophon; and others, that Poseidon, who was really Bellerophon’s father, did so. Be that as it may, Bellerophon overcame the Chimaera by flying above her on Pegasus’s back, riddling her with arrows, and then thrusting between her jaws a lump of lead which he had fixed to the point of his spear. The Chimaera’s fiery breath melted the lead, which trickled down her throat, searing her vitals.
3

d
. Iobates, however, far from rewarding Bellerophon for this daring feat, sent him at once against the warlike Solymians and their allies, the Amazons; both of whom he conquered by soaring above them, well out of bowshot, and dropping large boulders on their heads. Next, in the Lycian Plain of Xanthus, he beat off a band of Carian pirates led by one Cheimarrhus, a fiery and boastful warrior, who sailed in a ship adorned with a lion figurehead and a serpent stern. When Iobates showed no gratitude even then but, on the contrary, sent the palace guards to ambush him on his return, Bellerophon dismounted and prayed that, while he advanced on foot, Poseidon would flood the Xanthian Plain behind him. Poseidon heard his prayer, and sent great waves rolling slowly forward as Bellerophon approached Iobates’s palace; and, because no man could persuade him to retire, the Xanthian women hoisted their skirts to the waist and came rushing towards him
full butt, offering themselves to him one and all, if only he would relent. Bellerophon’s modesty was such that he turned tail and ran; and the waves retreated with him.

e
. Convinced now that Proetus must have been mistaken about the attempt on Anteia’s virtue, Iobates produced the letter, and demanded an exact account of the affair. On learning the truth, he implored Bellerophon’s forgiveness, gave him his daughter Philonoë in marriage, and made him heir to the Lycian throne. He also praised the Xanthian women for their resourcefulness and ordered that, in future, all Xanthians should reckon descent from the mother, not the father.

f
. Bellerophon, at the height of his fortune, presumptuously undertook a flight to Olympus, as though he were an immortal; but Zeus sent a gadfly, which stung Pegasus under the tail, making him rear and fling Bellerophon ingloriously to earth. Pegasus completed the flight to Olympus, where Zeus now uses him as a pack-beast for thunderbolts; and Bellerophon, who had fallen into a thorn-bush, wandered about the earth, lame, blind, lonely and accursed, always avoiding the paths of men, until death overtook him.
4

1
. Apollodorus: i. 9. 3; Homer:
Iliad
vi. 155.
2
. Homer:
Iliad
vi. 160; Eustathius
on the same text
; Apollodorus: ii. 3. 1; Antoninus Liberalis: 9; Homer:
Iliad
xvi. 328 ff.
3
. Hesiod
Theogony
319 ff.; Apollodorus: ii. 3. 2; Pindar:
Olympian Odes
xiii. 63 ff.; Pausanias: ii. 4.1; Hyginus:
Fabula
157; Scholiast on Homer’s
Iliad
vi. 155; Tzetzes:
On Lycophron
17.
4
. Pindar:
Olympian Odes
xiii. 87–90;
Isthmian Odes
vii. 44; Apollodorus:
loc. cit
.; Plutarch:
On the Virtues of Women
9; Homer:
Iliad
vi. 155–203 and xvi. 328; Ovid:
Metamorphoses
ix. 646; Tzetzes:
On Lycophron
838.

1
. Anteia’s attempted seduction of Bellerophon has several Greek parallels (see
70.
2
), besides a Palestinian parallel in the story of Joseph and Potiphar’s wife, and an Egyptian parallel in
The Tale of the Two Brothers
. The provenience of the myth is uncertain.

2
. Echnide’s daughter, the Chimaera, who is depicted on a Hittite building at Carchemish, was a symbol of the Great Goddess’s tripartite Sacred Year – lion for spring, goat for summer, serpent for winter. A damaged glass plaque found at Dendra near Mycenae shows a hero tussling with a lion, from the back of which emerges what appears to be a goat’s head; the tail is long and serpentine. Since the plaque dates from a period when the goddess was still supreme, this icon – paralleled in an
Etruscan fresco at Tarquinia, though the hero here is mounted, like Bellerophon – must be read as a king’s coronation combat against men in beast disguise (see
81.
2
and 123.
1
) who represent the different seasons of the year. After the Achaean religious revolution which subordinated the goddess Hera to Zeus, the icon became ambivalent: it could also be read as recording the suppression by Hellenic invaders, of the ancient Carian calendar.

3
. Bellerophon’s taming of Pegasus, the Moon-horse used in rain-making, with a bridle provided by Athene, suggests that the candidate for the sacred kingship was charged by the Triple Muse (‘mountain goddess’), or her representative, with the capture of a wild horse; thus Heracles later rode Arion (‘moon-creature on high’) when he took possession of Elis (see 138.
g
). To judge from primitive Danish and Irish practice, the flesh of this horse was sacramentally eaten by the king after his symbolic rebirth from the Mare-headed Mountain-goddess. But this part of the myth is equally ambivalent: it can also be read as recording the seizure by Hellenic invaders of the Mountain-goddess’s shrines at Ascra on Mount Helicon, and Corinth. A similar event is recorded in Poseidon’s violation of the Mare-headed Arcadian Demeter (see
16.
f
), on whom he begot this same Moon-horse Arion; and of Medusa, on whom he begot Pegasus (see
73.
h
); which explains Poseidon’s intrusion into the story of Bellerophon. How Zeus humbled Bellerophon is a moral anecdote told to discourage revolt against the Olympian faith; Bellerophon, the dart-bearer, flying across the sky, is the same character as his grandfather Sisyphus, or Tesup (see
67.
1
), a solar hero whose cult was replaced by that of solar Zeus; he is therefore given a similarly luckless end, which recalls that of Helius’s son Phaëthon (see
42.
2
).

4
. Bellerophon’s enemies, the Solymians, were Children of Salma. Since all cities and capes beginning with the syllable
salm
have an easterly situation, she was probably the Goddess of the Spring Equinox; but she soon became masculinized as the Sun-god Solyma, or Selin, Solomon, or Ab-Salom, who gave his name to Jerusalem. The Amazons were the Moon-goddess’s fighting priestesses (see
100.
1
).

5
. Bellerophon’s retreat from the Xanthian women may have been deduced from an icon which showed the Wild Women maddened with
hippomanes
– either a herb, or the slimy vaginal issue of a mare in heat, or the black membrane cut from the forehead of a new-born foal – closing in on the sacred king by the seashore at the end of his reign. Their skirts were hoisted, as in the erotic worship of Egyptian Apis (Diodorus Siculus: i. 85), so that when they dismembered him, his spurting blood would quicken their wombs. Since Xanthus (‘yellow’) is the name of one of Achilles’s horses, and of one belonging to Hector, and of one given to Peleus by Poseidon, these women perhaps wore ritual horse-masks
with moon-yellow manes, like those of palominos; for wild mares had eaten Bellerophon’s father Glaucus by the seashore of Corinth (see
71.
1
). Yet this reformed myth retains a primitive element: the approach of naked women from the chieftain’s own clan, with whom intercourse was forbidden, would force him to retreat and hide his face, and in Irish legend this same ruse was employed against Cuchulain, when his fury could not otherwise be checked. The account of the Xanthian matrilineal reckoning of descent has been turned inside out: it was the Hellenes who, on the contrary, managed to enforce patrilineal reckoning on all Carians, except the conservative Xanthians.

6
. Cheimarrhus’s name is derived from
chimaros
, or
chimaera
(‘goat’); both his fiery nature and his ship with the lion figurehead and serpent stern have been introduced into Bellerophon’s story by some euhemerist to explain away the fire-breathing Chimaera. Mount Chimaera (‘goat-mountain’) was also the name of an active volcano near Phaselis in Lycia (Pliny:
Natural History
ii. 106 and v. 27), which accounts for the fiery breath.

76

ANTIOPE

S
OME
say that when Zeus seduced Antiope, daughter of Nycteus the Theban, she fled to the King of Sicyon, who agreed to marry her, and thus occasioned a war in which Nycteus was killed. Antiope’s uncle Lycus presently defeated the Sicyonians in a bloody battle and brought her back, a widow, to Thebes. After giving birth in a wayside thicket to the twins Amphion and Zethus, whom Lycus at once exposed on Mount Cithaeron, she was cruelly ill-treated for many years by her aunt Dirce. At last, she contrived to escape from the prison in which she was immured, and fled to the hut where Amphion and Zethus, whom a passing cattleman had rescued, were now living. But they mistook Antiope for a runaway slave, and refused to shelter her. Dirce then came rushing up in a Bacchic frenzy, seized hold of Antiope, and dragged her away.

‘My lads,’ cried the cattleman, ‘you had better beware of the Furies!’

‘Why the Furies?’ they asked.

‘Because you have refused to protect your mother, who is now being carried off for execution by that savage aunt of hers.’

The twins at once went in pursuit, rescued Antiope, and tied Dirce
by the hair to the horns of a wild bull, which made short work of her.
1

b
. Others say that the river Asopus was Antiope’s father, and that one night the King of Sicyon impersonated Lycus, to whom she was married, and seduced her. Lycus divorced Antiope in consequence and married Dirce, thus leaving Zeus free to court the lonely Antiope, and get her with child. Dirce, suspecting that this was Lycus’s doing, confined Antiope in a dark dungeon; from which, however, she was freed by Zeus just in time to bring forth Amphion and Zethus on Mount Cithaeron. The twins grew up among the cattlemen with whom Antiope had taken refuge and, when they were old enough to understand how unkindly their mother had been treated, she persuaded them to avenge her. They met Dirce roaming the slopes of Mount Cithaeron in a Bacchic frenzy, tied her by the hair to the horns of a wild bull and, when she was dead, flung her body on the ground; where a spring welled up, afterwards called the Dircaean Stream. But Dionysus avenged this murder of his votary: he sent Antiope raging madly all over Greece until at last Phocus, a grandson of Sisyphus, cured and married her in Phocis.

c
. Amphion and Zethus visited Thebes, where they expelled King Laius and built the lower city, Cadmus having already built the upper. Now Zethus had often taunted Amphion for his devotion to the lyre given him by Hermes. ‘It distracts you’, he would say, ‘from useful work.’ Yet when they became masons, Amphion’s stones moved to the sound of his lyre and gently slid into place, while Zethus was obliged to use main force, lagging far behind his brother. The twins ruled jointly in Thebes, where Zethus married Thebe, after whom the city – previously known as Cadmeia – is now named; and Amphion married Niobe. But all her children except two were shot dead by Apollo and Artemis, whose mother Leto she had insulted. Amphion was himself killed by Apollo for trying to take vengeance on the Delphic priests, and further punished in Tartarus.
2
Amphion and Zethus are buried in one grave at Thebes, which is guarded carefully when the sun is in Taurus; for then the people of Phocian Tithorea try to steal earth from the mound and place it on the grave of Phocus and Antiope. An oracle once said that this act would increase the fertility of all Phocis at the expense of Thebes.
3

BOOK: The Greek Myths, Volume 1
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