The Gothic Terror MEGAPACK™: 17 Classic Tales (144 page)

The Count, meanwhile, had returned to the supper-room, whither those of the party, who had attended him to the north apartment, had retreated, upon hearing Dorothee’s scream, and who were now earnest in their enquiries concerning those chambers. The Count rallied his guests on their precipitate retreat, and on the superstitious inclination which had occasioned it, and this led to the question, Whether the spirit, after it has quitted the body, is ever permitted to revisit the earth; and if it is, whether it was possible for spirits to become visible to the sense. The Baron was of opinion, that the first was probable, and the last was possible, and he endeavoured to justify this opinion by respectable authorities, both ancient and modern, which he quoted. The Count, however, was decidedly against him, and a long conversation ensued, in which the usual arguments on these subjects were on both sides brought forward with skill, and discussed with candour, but without converting either party to the opinion of his opponent. The effect of their conversation on their auditors was various. Though the Count had much the superiority of the Baron in point of argument, he had considerably fewer adherents; for that love, so natural to the human mind, of whatever is able to distend its faculties with wonder and astonishment, attached the majority of the company to the side of the Baron; and, though many of the Count’s propositions were unanswerable, his opponents were inclined to believe this the consequence of their own want of knowledge, on so abstracted a subject, rather than that arguments did not exist, which were forcible enough to conquer his.

Blanche was pale with attention, till the ridicule in her father’s glance called a blush upon her countenance, and she then endeavoured to forget the superstitious tales she had been told in her convent. Meanwhile, Emily had been listening with deep attention to the discussion of what was to her a very interesting question, and, remembering the appearance she had witnessed in the apartment of the late Marchioness, she was frequently chilled with awe. Several times she was on the point of mentioning what she had seen, but the fear of giving pain to the Count, and the dread of his ridicule, restrained her; and, awaiting in anxious expectation the event of Ludovico’s intrepidity, she determined that her future silence should depend upon it.

When the party had separated for the night, and the Count retired to his dressing-room, the remembrance of the desolate scenes he had lately witnessed in his own mansion deeply affected him, but at length he was aroused from his reverie and his silence. ‘What music is that I hear?’—said he suddenly to his valet, ‘Who plays at this late hour?’

The man made no reply, and the Count continued to listen, and then added, ‘That is no common musician; he touches the instrument with a delicate hand; who is it, Pierre?’

‘My lord!’ said the man, hesitatingly.

‘Who plays that instrument?’ repeated the Count.

‘Does not your lordship know, then?’ said the valet.

‘What mean you?’ said the Count, somewhat sternly.

‘Nothing, my Lord, I meant nothing,’ rejoined the man submissively—‘Only—that music—goes about the house at midnight often, and I thought your lordship might have heard it before.’

‘Music goes about the house at midnight! Poor fellow!—does nobody dance to the music, too?’

‘It is not in the chateau, I believe, my Lord; the sounds come from the woods, they say, though they seem so near;—but then a spirit can do any thing!’

‘Ah, poor fellow!’ said the Count, ‘I perceive you are as silly as the rest of them; tomorrow, you will be convinced of your ridiculous error. But hark!—what voice is that?’

‘O my Lord! that is the voice we often hear with the music.’

‘Often!’ said the Count, ‘How often, pray? It is a very fine one.’

‘Why, my Lord, I myself have not heard it more than two or three times, but there are those who have lived here longer, that have heard it often enough.’

‘What a swell was that!’ exclaimed the Count, as he still listened, ‘And now, what a dying cadence! This is surely something more than mortal!’

‘That is what they say, my Lord,’ said the valet; ‘they say it is nothing mortal, that utters it; and if I might say my thoughts’—

‘Peace!’ said the Count, and he listened till the strain died away.

‘This is strange!’ said he, as he turned from the window, ‘Close the casements, Pierre.’

Pierre obeyed, and the Count soon after dismissed him, but did not so soon lose the remembrance of the music, which long vibrated in his fancy in tones of melting sweetness, while surprise and perplexity engaged his thoughts.

Ludovico, meanwhile, in his remote chamber, heard, now and then, the faint echo of a closing door, as the family retired to rest, and then the hall clock, at a great distance, strike twelve. ‘It is midnight,’ said he, and he looked suspiciously round the spacious chamber. The fire on the hearth was now nearly expiring, for his attention having been engaged by the book before him, he had forgotten every thing besides; but he soon added fresh wood, not because he was cold, though the night was stormy, but because he was cheerless; and, having again trimmed his lamp, he poured out a glass of wine, drew his chair nearer to the crackling blaze, tried to be deaf to the wind, that howled mournfully at the casements, endeavoured to abstract his mind from the melancholy, that was stealing upon him, and again took up his book. It had been lent to him by Dorothee, who had formerly picked it up in an obscure corner of the Marquis’s library, and who, having opened it and perceived some of the marvels it related, had carefully preserved it for her own entertainment, its condition giving her some excuse for detaining it from its proper station. The damp corner into which it had fallen, had caused the cover to be disfigured and mouldy, and the leaves to be so discoloured with spots, that it was not without difficulty the letters could be traced. The fictions of the Provencal writers, whether drawn from the Arabian legends, brought by the Saracens into Spain, or recounting the chivalric exploits performed by the crusaders, whom the Troubadors accompanied to the east, were generally splendid and always marvellous, both in scenery and incident; and it is not wonderful, that Dorothee and Ludovico should be fascinated by inventions, which had captivated the careless imagination in every rank of society, in a former age. Some of the tales, however, in the book now before Ludovico, were of simple structure, and exhibited nothing of the magnificent machinery and heroic manners, which usually characterized the fables of the twelfth century, and of this description was the one he now happened to open, which, in its original style, was of great length, but which may be thus shortly related. The reader will perceive, that it is strongly tinctured with the superstition of the times.

THE PROVENCAL TALE

‘There lived, in the province of Bretagne, a noble Baron, famous for his magnificence and courtly hospitalities. His castle was graced with ladies of exquisite beauty, and thronged with illustrious knights; for the honour he paid to feats of chivalry invited the brave of distant countries to enter his lists, and his court was more splendid than those of many princes. Eight minstrels were retained in his service, who used to sing to their harps romantic fictions, taken from the Arabians, or adventures of chivalry, that befel knights during the crusades, or the martial deeds of the Baron, their lord;—while he, surrounded by his knights and ladies, banqueted in the great hall of his castle, where the costly tapestry, that adorned the walls with pictured exploits of his ancestors, the casements of painted glass, enriched with armorial bearings, the gorgeous banners, that waved along the roof, the sumptuous canopies, the profusion of gold and silver, that glittered on the sideboards, the numerous dishes, that covered the tables, the number and gay liveries of the attendants, with the chivalric and splendid attire of the guests, united to form a scene of magnificence, such as we may not hope to see in these
degenerate days
.

‘Of the Baron, the following adventure is related. One night, having retired late from the banquet to his chamber, and dismissed his attendants, he was surprised by the appearance of a stranger of a noble air, but of a sorrowful and dejected countenance. Believing, that this person had been secreted in the apartment, since it appeared impossible he could have lately passed the anti-room, unobserved by the pages in waiting, who would have prevented this intrusion on their lord, the Baron, calling loudly for his people, drew his sword, which he had not yet taken from his side, and stood upon his defence. The stranger slowly advancing, told him, that there was nothing to fear; that he came with no hostile design, but to communicate to him a terrible secret, which it was necessary for him to know.

‘The Baron, appeased by the courteous manners of the stranger, after surveying him, for some time, in silence, returned his sword into the scabbard, and desired him to explain the means, by which he had obtained access to the chamber, and the purpose of this extraordinary visit.

‘Without answering either of these enquiries, the stranger said, that he could not then explain himself, but that, if the Baron would follow him to the edge of the forest, at a short distance from the castle walls, he would there convince him, that he had something of importance to disclose.

‘This proposal again alarmed the Baron, who could scarcely believe, that the stranger meant to draw him to so solitary a spot, at this hour of the night, without harbouring a design against his life, and he refused to go, observing, at the same time, that, if the stranger’s purpose was an honourable one, he would not persist in refusing to reveal the occasion of his visit, in the apartment where they were.

‘While he spoke this, he viewed the stranger still more attentively than before, but observed no change in his countenance, or any symptom, that might intimate a consciousness of evil design. He was habited like a knight, was of a tall and majestic stature, and of dignified and courteous manners. Still, however, he refused to communicate the subject of his errand in any place, but that he had mentioned, and, at the same time, gave hints concerning the secret he would disclose, that awakened a degree of solemn curiosity in the Baron, which, at length, induced him to consent to follow the stranger, on certain conditions.

‘“Sir knight,” said he, “I will attend you to the forest, and will take with me only four of my people, who shall witness our conference.”

‘To this, however, the Knight objected.

‘“What I would disclose,” said he, with solemnity, “is to you alone. There are only three living persons, to whom the circumstance is known; it is of more consequence to you and your house, than I shall now explain. In future years, you will look back to this night with satisfaction or repentance, accordingly as you now determine. As you would hereafter prosper—follow me; I pledge you the honour of a knight, that no evil shall befall you;—if you are contented to dare futurity—remain in your chamber, and I will depart as I came.”

‘“Sir knight,” replied the Baron, “how is it possible, that my future peace can depend upon my present determination?”

‘“That is not now to be told,” said the stranger, “I have explained myself to the utmost. It is late; if you follow me it must be quickly;—you will do well to consider the alternative.”

‘The Baron mused, and, as he looked upon the knight, he perceived his countenance assume a singular solemnity.’

[Here Ludovico thought he heard a noise, and he threw a glance round the chamber, and then held up the lamp to assist his observation; but, not perceiving any thing to confirm his alarm, he took up the book again and pursued the story.]

‘The Baron paced his apartment, for some time, in silence, impressed by the last words of the stranger, whose extraordinary request he feared to grant, and feared, also, to refuse. At length, he said, “Sir knight, you are utterly unknown to me; tell me yourself,—is it reasonable, that I should trust myself alone with a stranger, at this hour, in a solitary forest? Tell me, at least, who you are, and who assisted to secrete you in this chamber.”

‘The knight frowned at these latter words, and was a moment silent; then, with a countenance somewhat stern, he said,

‘“I am an English knight; I am called Sir Bevys of Lancaster,—and my deeds are not unknown at the Holy City, whence I was returning to my native land, when I was benighted in the neighbouring forest.”

‘“Your name is not unknown to fame,” said the Baron, “I have heard of it.” (The Knight looked haughtily.) “But why, since my castle is known to entertain all true knights, did not your herald announce you? Why did you not appear at the banquet, where your presence would have been welcomed, instead of hiding yourself in my castle, and stealing to my chamber, at midnight?”

‘The stranger frowned, and turned away in silence; but the Baron repeated the questions.

‘“I come not,” said the Knight, “to answer enquiries, but to reveal facts. If you would know more, follow me, and again I pledge the honour of a Knight, that you shall return in safety.—Be quick in your determination—I must be gone.”

‘After some further hesitation, the Baron determined to follow the stranger, and to see the result of his extraordinary request; he, therefore, again drew forth his sword, and, taking up a lamp, bade the Knight lead on. The latter obeyed, and, opening the door of the chamber, they passed into the anti-room, where the Baron, surprised to find all his pages asleep, stopped, and, with hasty violence, was going to reprimand them for their carelessness, when the Knight waved his hand, and looked so expressively upon the Baron, that the latter restrained his resentment, and passed on.

‘The Knight, having descended a stair-case, opened a secret door, which the Baron had believed was known only to himself, and, proceeding through several narrow and winding passages, came, at length, to a small gate, that opened beyond the walls of the castle. Meanwhile, the Baron followed in silence and amazement, on perceiving that these secret passages were so well known to a stranger, and felt inclined to return from an adventure, that appeared to partake of treachery, as well as danger. Then, considering that he was armed, and observing the courteous and noble air of his conductor, his courage returned, he blushed, that it had failed him for a moment, and he resolved to trace the mystery to its source.

‘He now found himself on the heathy platform, before the great gates of his castle, where, on looking up, he perceived lights glimmering in the different casements of the guests, who were retiring to sleep; and, while he shivered in the blast, and looked on the dark and desolate scene around him, he thought of the comforts of his warm chamber, rendered cheerful by the blaze of wood, and felt, for a moment, the full contrast of his present situation.’

[Here Ludovico paused a moment, and, looking at his own fire, gave it a brightening stir.]

‘The wind was strong, and the Baron watched his lamp with anxiety, expecting every moment to see it extinguished; but, though the flame wavered, it did not expire, and he still followed the stranger, who often sighed as he went, but did not speak.