Read The Golden Notebook Online
Authors: Doris Lessing
emphasis I had put on the words getting laid, and realised why I was sounding irritable. I said: 'Whenever you talk about sex or love you say: he got laid, I got laid or they got laid (male).' He gave his abrupt laugh, but not comprehending, so I said: 'Always in the passive.' He said, quick: 'What do you mean?' 'It gives me the most extraordinary uneasy feeling, listening to you-surely I get laid, she gets laid, they (female) get laid, but surely you, as a man, don't get laid, you lay.' He said slowly, 'Lady, you sure know how to make me feel a hick.' But it was the parody of a crude American saying: You sure know how to make me feel a hick. His eyes gleamed with hostility. And I was full of hostility. Something I've been feeling for days boiled up. I said: 'The other day you were talking about how you fought, with your American friends, about the way language degraded sex- you described yourself as the original puritan, Saul Galahad to the defence, but you talk about getting laid, you never say a woman, you say a broad, a lay, a baby, a doll, a bird, you talk about butts and boobs, every time you mention a woman I see her either as a sort of window-dresser's dummy or as a heap of dismembered parts, breasts, or legs or buttocks.' I was angry, of course, but felt ridiculous, which made me angrier, and I said: 'I suppose that's what you'd call being a square, but I'm damned if I see how a man can have a healthy attitude to sex if he can't talk about anything but butts and babies being stacked or packed and so on and so on. No wonder the bloody Americans are all in trouble about their bloody sex lives.' After a while he said, very dry: 'It's the first time in my life I've been accused of being anti-feminist. It'd interest you to know that I'm the only American male I know who doesn't accuse American women of all the sexual sins in the calendar. Do you imagine I don't know that men blame women for their inadequacies?' Well, and of course that softened me, stopped my anger. We talked about politics. For on this subject we don't disagree. It's like being back in the Party, but when a communist meant holding high standards, fighting for something. He was kicked out of the Party for being 'prematurely anti-Stalinist.' Then he was black-listed in Hollywood for being a red. It's one of the classic, already archetypal stories of our time, but the difference between him and the others is that he isn't bitter or soured. I was able for the first time to joke with him, so that his laugh wasn't defensive. He wears his new blue jeans, new blue sweater, sneakers. I told him he should be ashamed to wear the uniform of American non-conformism; he said he wasn't adult enough yet to join the tiny minority of human beings who didn't need a uniform. I am hopelessly in love with this man. I wrote the last sentence three days ago, but I didn't realise it was three days until I worked it out. I'm in love and so time has gone. Two nights ago we talked late, while the tensions built up. I wanted to laugh, because it's always funny, two people manoeuvring, so to speak, before sex; at the same time I felt a reluctance, precisely because I was in love; and I swear that either one of us might have broken the current, and said good night. At last he came and put his arms around me and said: 'We're both lonely people, let's be good to each other.' I noted there was a touch of sullenness as he said it, but chose not to hear it (*5). I'd forgotten what making love with a real man is like. And I'd forgotten what it was like to lie in the arms of a man one loves. I'd forgotten what it was like to be in love like this, so that a step on the stair makes one's heart beat, and the warmth of his shoulder against my palm is all the joy there is in life. That was a week ago. I can say nothing about it except that I was happy. (*6) I am so happy, so happy. I find myself sitting in my room, watching the sunlight on the floor, and I'm in the state that I reach after hours and hours of concentration with 'the game'-a calm and delightful ecstasy, a oneness with everything, so that a flower in a vase is oneself, and the slow stretch of a muscle is the confident energy that drives the universe. (*7) And Saul is relaxed, a different person from the man who walked into my flat, tense and suspicious, and my state of apprehension is gone, the sick person who inhabited my body for (*8) a while has vanished. I read the last paragraph as if it were written about someone else. The night after I wrote it, Saul did not come down into my room to sleep. There was no explanation, he simply did not come. He nodded, cool and stiff, and went upstairs. I lay awake and thought of how, when a woman begins making love with a new man, a creature is born in her, of emotional and sexual responses, that grows in its own laws, its own logic. That creature in me was snubbed by Saul's quietly going up to bed, so that I could see it quiver, and then fold itself up and begin to shrink. Next morning, we had coffee, and I looked across the table at him (he was extraordinary white and tense-looking) and I realised that if I said to him, Why didn't you come to my room last night, why didn't you make some kind of explanation for not coming, he would frown and go hostile. Later that day he came into my room and made love to me. It wasn't real love-making. He had decided he would make love. The creature inside me who is the woman in love was not implicated, refused to be lied to. Last evening he said: 'I have to go and see...' a long complicated story followed. I said: 'Of course.' But he went on with the story, and I got annoyed. I knew what it was all about, of course, but I didn't want to know and that in spite of the fact that I had written the truth in the yellow diary. Then he said, sullen and hostile: 'You are very permissive, aren't you?' He had said it yesterday, and I wrote in the yellow notebook. I said aloud, suddenly: 'No.' A blind look came over his face. And I remembered that I knew the blind look, I'd seen it before and not wanted to. The word permissive is so alien to me, it's got nothing to do with me. He came into my bed late, and I knew he had just come from sleeping with another woman. I said: 'You've slept with another woman, haven't you?' He stiffened and said, sullen: 'No.' But I didn't say anything and he said: 'But it doesn't mean anything, does it?' What was strange was, that the man who had said No, defending his freedom, and the man who said, pleading, It doesn't mean anything, were two men. I couldn't connect them. I was silent, in the grip of apprehension again, and then a third man said, brotherly and affectionate: 'Go to sleep now.' I went to sleep, in obedience to this third friendly man, conscious of two other Annas, separate from the obedient child-Anna, the snubbed woman in love, cold and miserable in some corner of myself, and a curious detached sardonic Anna, looking on and saying: 'Well, well!' I slept lightly, with terrible dreams. The dream that kept recurring was myself with the old dwarfed malicious man. In my dream I even nodded a sort of recognition-so there you are, I knew you'd turn up some time. He had a great protruding penis sticking out through his clothes, it menaced me, was dangerous, because I knew the old man hated me and wanted to hurt me. I woke myself up, tried to calm myself. Saul lay against me, a weight of inert dense cold flesh. He was lying on his back, but even asleep his pose was defensive. In the dim early morning light I could see his face, defensive. I was aware of a sharp sour smell. I thought: It can't be Saul, he is too fastidious; then I could smell the sourness coming off the flesh of his neck, and I knew it was the smell of fear. He was afraid. In his sleep he was locked in fear, and he began to whimper, like a child afraid. I knew he was ill (though during the week of being happy I had refused to know it) and I felt full of love and compassion and I began rubbing his shoulders and neck into warmth. Towards morning he gets very cold, the cold was coming out of him, with the smell of his being afraid. When he was warmed, I put myself back to sleep, and instantly I was the old man, the old man had become me, but I was also the old woman, so that I was sexless. I was also spiteful and destructive. When I woke, Saul was again cold in my arms, a weight of cold. I had to warm myself out of the terror of the dream before I could warm him. I was saying to myself: I've been the malicious old man, and the spiteful old woman, or both together, so now what next? Meanwhile the light had come into the room, a greyish light, and I could see Saul. His flesh which, had he been well, would have been the warm dun-coloured flesh of his type of man-the broad strong fair man, strongly fleshed, was yellowish, loose on the big bones of his face. Suddenly he woke, afraid, out of a dream, and sat up, defensive, looking for enemies. Then he saw me and smiled: I could see how his smile would be on the broad, brown face of Saul Green, healthy. But his smile was yellow and terrified. He made love to me, out of fear. Fear of being alone. It was not the counterfeit love the woman-in-love, that instinctive creature, repudiated, but it was love from fear, and the Anna who was afraid responded; we were two frightened creatures, loving through terror. And my brain was on guard, fearful. For a week he didn't come near me, again, no explanations, nothing, he was a stranger who came in, nodded, went upstairs. For a week I watched the female creature shrink, then grow angry, grow jealous. It was a terrible, spiteful jealousy I didn't recognise in myself. I went upstairs to Saul and said: 'What sort of man is it who makes love to a woman with every appearance of enjoying the process for days on end, and then switches off without so much as a polite lie?' The loud aggressive laugh. Then he said: 'What sort of a man, you ask? You may very well ask.' I said: 'I suppose you are writing that great American novel, young hero in search of an identity.' 'Right,' he said. 'But I'm not prepared to take that tone of voice from inhabitants of the old world who for some reason I don't understand never have a moment's doubt about their identity.' He was hard, laughing, hostile; I was also hard, and laughing. I said, enjoying the cold moment of pure hostility: 'Well good luck, but don't use me in your experiments.' And went downstairs. A few minutes later he came down, no longer a kind of spiritual tomahawk, but kindly and responsible. He said: 'Anna, you are looking for a man in your life, and you're right, you deserve one, but.' 'But?' 'You're looking for happiness. It's a word that never meant anything to me until I watched you manufacturing it like molasses out of this situation. God knows how anyone, even a woman, could make happiness out of this set-up, but.' 'But?' 'This is me, Saul Green, and I'm not happy, and I never have been.' 'So I'm making use of you.' 'That's right' 'Fair exchange, for your making use of me.' His face changed, he looked startled. 'Forgive me for mentioning it,' I said, 'but surely it must have crossed your mind that you are?' He laughed, a real laugh, not the hostile laugh. Then we went to drink coffee, and we talked about politics or rather about America. His America is cold and cruel. He talked of Hollywood, of the writers who were 'red,' who fell into a conformity of being 'red' under pressure from Mc Carthy, of the writers who became respectable and fell into a conformity of anti-communism. Of the men who informed on their friends to the inquisatorial committees. (*9) He speaks of this with a sort of detached amused anger. Told a story about his boss, who had called him into the office to ask if he was a member of the Communist Party. Saul wasn't a member then, had in fact been expelled from the Party some time before, but he refused to answer. The boss, full of regrets, then said that Saul must resign. Saul resigned. Met this man at a party a few weeks later, and he began to weep and accuse himself. 'You're my friend, Saul, I like to think of you as my friend.' This note I've heard in a dozen stories from Saul, from Nelson, from others. While he talked I felt in myself an emotion which disquiets me, the sharp angry pressure of contempt for Saul's boss, for the 'red' writers who took refuge in conforming communism, for the informers. I said to Saul: 'It's all very well, but what we are saying, our attitude, stems from an assumption that people can be expected to be courageous enough to stand up for their individual thinking.' He raised his head, sharp and challenging. Usually, when he talks, he talks blind, his eyes blank, he is talking to himself. Only when his whole personality swung into line behind his cool grey eyes did I realise how used I have got to this way of his-talking to himself, hardly conscious of me. He said: 'What do you mean?' I realised it was the first time I had thought all this so clearly, having him here makes me think clearly, because so much of our experience is similar, and yet we're so different as people. I said: 'Look, take us, there isn't one of us who hasn't done this thing, saying one thing publicly and another privately, one thing to one's friends, another to the enemy. There isn't one of us who hasn't succumbed to the pressure, fear of being thought a traitor. I remember at least a dozen times when I thought: The reason why I'm terrified to say that, or even think that, is because I'm frightened of being thought a traitor to the Party.' He was staring at me, his eyes hard, with a sort of sneer. I know that sneer, it's 'the revolutionary sneer,' and everyone of us has used it some time, and that's why I didn't challenge it but went on: 'So what I'm saying is that precisely the kind of person in our time who by definition might have been expected to be fearless, outspoken, truthful, has turned out to be sycophantic, lying, cynical, either from fear of torture, or of prison, or fear of being thought a traitor.' He barked out, an automatic bark: 'Middle-class talk, that's what that is. Well your origins are showing at the moment, aren't they?' I was stopped short for a moment. Because nothing he had ever said to me, no tone he had ever used, could have prepared me for that remark: it was a weapon from the armoury, jeering and sneering, and it took me by surprise. I said: 'That isn't the point.' He said, in the same tone: 'The fanciest bit of red-baiting I've heard in a long time.' 'But your criticisms of your old Party friends I suppose are just dispassionate comment?' He did not reply, he was frowning. I said: 'We know, from looking at America, that an entire intelligentsia can be bullied into routine anti-communist attitudes.' Suddenly he remarked: That's why I love this country, it couldn't happen here.' Again the feeling of jar, of shock. Because what he said was sentimental, stock from the liberal cupboard,