The Girl With All The Gifts (6 page)

A hundred and seventeen days means that it’s summer now. Maybe Miss Justineau will bring the world into the classroom again – will show them what summer looks like, the way she did with spring. But Miss Justineau is different these days, when she’s with the class. She sometimes forgets what she’s saying, breaks off mid-sentence and goes quiet for a long time before she starts up again, usually with something completely different.

She reads from books a lot more, and organises games and sing-songs a lot less.

Maybe Miss Justineau is sad for some reason. That thought makes Melanie both desperate and angry. She wants to protect Miss Justineau, and she wants to know who’d be so horrible as to make her sad. If she could find out who it was, she doesn’t know what she’d do to them, but it would make them very sorry.

And when she starts to think about who it might be, there’s really only one name that comes into her mind.

And here he is walking into the classroom now, at the head of half a dozen of his people, his scowling face half crossed out by the wobbly diagonal of his scar. He puts his hands on the handles of Melanie’s chair, swivels it around and pushes it out of the classroom. He does it really fast and jerky, the way he does most things. He wheels the chair right past the door of Melanie’s cell, then he backs in, pushing the door open with his bottom, and spins the chair around so sharply and suddenly it makes Melanie dizzy.

Two of Sergeant’s people come in behind him, but they don’t go anywhere near the chair. They stand to attention and wait until Sergeant nods permission. One of them covers Melanie with his handgun while the other starts to undo the straps, the neck strap first and from behind.

Melanie meets Sergeant’s gaze, feeling something inside her clench like a fist. It’s Sergeant’s fault that Miss Justineau is sad. It has to be, because she only started to be sad after Sergeant got mad with her and told her she’d broken the rules.

“Look at you,” he says to Melanie now. “Face all screwed up like a tragedy mask. Like you’ve got feelings. Jesus Christ!”

Melanie scowls at him, as fierce as she can get. “If I had a box full of all the evils of the world,” she tells him, “I’d open it just a little way and push you inside. Then I’d close it again for always.”

Sergeant laughs, and there’s surprise in the laugh – like he can’t believe what he just heard. “Well, shit,” he says, “I’d better make sure you never get hold of a box.”

Melanie is outraged that he took the biggest insult she could think of and laughed it off. She casts around desperately for a way to raise the stakes. “She loves me!” she blurts. “That’s why she stroked my hair! Because she loves me and wants to be with me! And all you do is make her sad, so she hates you! She hates you as bad as if you were a hungry!”

Sergeant stares at her, and something happens in his face. It’s like he’s surprised, and then he’s scared, and then he’s angry. The fingers of his big hands pull back slowly into fists.

He puts his hands on the arms of the chair and slams it back against the wall. His face is very close to Melanie’s, and it’s all red and twisty.

“I will fucking dismantle you, you little roach!” he says in a choking voice.

Sergeant’s people are watching all this with anxious looks on their faces. They look like they think there’s something they should be doing but they’re not sure what it is. One of them says, “Sergeant Parks…” but then doesn’t say anything else.

Sergeant straightens up and steps back, makes a gesture that’s halfway to being a shrug. “We’re done here,” he says.

“She’s still strapped in,” says the other one of Sergeant’s people.

“Too bad,” says Sergeant. He throws the door open and waits for them to move, looking at one of them and then the other until they give up and leave Melanie where she is and go out through the door.

“Sweet dreams, kid,” Sergeant says. He slams the door shut behind him, and she hears the bolts shoot home.

One.

Two.

Three.

“I’m concerned about your objectivity,” Dr Caldwell tells Helen Justineau.

Justineau doesn’t answer, but her face probably says
excuse me?
all by itself.

“We’re examining these subjects for a reason,” Caldwell goes on. “You wouldn’t necessarily know it from the level of support we get, but our research programme is incalculably important.”

Justineau still says nothing, and Caldwell seems to feel a need to fill the vacuum. Maybe to overfill it. “It’s no exaggeration to say that our survival as a race might depend on our figuring out why the infection has taken a different course in these children – as opposed to its normal progression in the other ninety-nine point nine nine nine per cent of subjects. Our survival, Helen. That’s what we’re playing for. Some hope of a future. Some way out of this mess.”

They’re in the lab, Caldwell’s workshop of filthy creation, which Justineau doesn’t often visit. She’s only here now because Caldwell summoned her. This base and this mission may both be under military jurisdiction, but Caldwell is still her boss, and when that call comes, she has to answer. Has to leave the classroom and visit the torture chamber.

Brains in jars. Tissue cultures in which recognisably human limbs and organs spawn lumpy cloudscapes of grey fungal matter. A hand and forearm – child-sized, of course – flayed and opened, the flesh pinned back and slivers of yellow plastic inserted to prise apart muscle and leave interior structures open to examination. The room is cluttered and claustrophobic, the blinds always drawn down to keep the outside world at a clinically optimum distance. The light – pure white, unforgivingly intense – comes from fluorescent tubes that lie flush with the ceiling.

Caldwell is preparing microscope slides, using a razor blade to take slivers of tissue from what looks like a tongue.

Justineau doesn’t flinch. She takes care to look at everything that’s there, because she’s a part of this process. Pretending not to see would, she believes, take her past some point of no return, past the event horizon of hypocrisy into a black hole of solipsism.

Christ, she might turn into Caroline Caldwell.

Who almost got to be part of the great big save-the-human-race think tank, back in the early days of what came to be called the Breakdown. A couple of dozen scientists, secret mission, secret government training – the biggest deal in a rapidly shrinking world. Many were called, and few were chosen. Caldwell was one of the ones at the front of the line when the doors closed in her face. Does that still sting, all these years later? Is that what drove her crazy?

It was so long ago now that Justineau has forgotten most of the details. Three years after the first wave of infections, when the freefalling societies of the developed world hit what they mistakenly thought was bottom. In the UK the numbers of infected appeared briefly to have stabilised, and a hundred initiatives were discussed. Beacon was going to find the cure, reclaim the cities, and restore a much-longed-for status quo.

In that strange false dawn, two mobile labs were commissioned. They weren’t built from scratch – there wasn’t time enough for that. Instead they were jury-rigged quickly and elegantly by refitting two vehicles already owned by the London Natural History Museum.

Intended to house travelling exhibitions, Charles Darwin and Rosalind Franklin – Charlie and Rosie – now became huge roving research stations. Each was the length of an articulated truck, and almost twice as wide. Each was fitted with state-of-the-art biology and organic chemistry labs, together with berths for a crew of six researchers, four guards and two drivers. They also benefited from a range of refurbishments approved by the Department of Defence, including the fitting of caterpillar treads, inch-thick external armour and both forward-and rear-mounted field guns and flame-throwers.

The great green hopes, as they were called, were unveiled with as much fanfare as could be mustered. Politicians hoping to be the heroes of the coming human renaissance made speeches over them and broke champagne bottles off their bows. They were launched with tears and prayers and poems and exordiums.

Into oblivion.

Things fell apart really quickly after that – the respite was just a chaos artefact, created by powerful forces momentarily cancelling each other out. The infection was still spreading, and global capitalism was still tearing itself apart – like the two giants eating each other in the Dalí painting called
Autumn Cannibalism
. No amount of expertly choreographed PR could prevail, in the end, against Armageddon. It strolled over the barricades and took its pleasure.

Nobody ever saw those hand-picked geniuses again. They’re left with the second division, the substitutes’ bench, the runners-up.
Only Caroline Caldwell can save us now!
God fucking help us.

“You didn’t bring me here to be objective,” Justineau reminds her superior, and she’s surprised that her voice sounds almost level. “You brought me in because you wanted psychological evaluations to supplement the raw physical data you get from your own research. If I’m objective, I’m worthless to you. I thought my engaging with the children’s thought processes was the whole point.”

Caldwell makes a non-committal gesture, purses her lips. She wears lipstick every day, despite its scarcity, and she wears it to good effect; puts up an optimal front to the world. In an age of rust, she comes up stainless steel.

“Engaging?” she says. “Engaging is fine, Helen. I’m talking about something beyond that.” She nods towards a stack of papers on one of the work surfaces, in among the Petri dishes and stacked slide boxes. “That top sheet, there. That’s a routine file copy of a request you made to Beacon. You wanted them to impose a moratorium on physical testing of the subjects.”

Justineau has no answer, apart from the obvious one. “I asked you to send me home,” she says. “On seven separate occasions. You refused.”

“You were brought here to do a job. The job still remains to be done. I choose to hold you to your contract.”

“Well, then you get the whole deal,” Justineau says. “If I was back in Beacon, maybe I could look the other way. If you keep me here, you have to put up with minor inconveniences like me having a conscience.”

Caldwell’s lips narrow down to a single ruled line. She reaches out and touches the handle of her razor, moves it so that it’s parallel with the edge of the table. “No,” she says. “I really don’t. I define the programme, and your part in it. And that part is still a necessary one, which is why I’m taking the time to talk to you now. I’m concerned, Helen. You seem to have made a fundamental error of judgement, and unless you can step away from it, it will taint all your observations of the subjects. You’ll be worse than useless.”

An error of judgement.
Justineau considers a remark about the reliability of Caldwell’s own judgement, but trading insults isn’t going to win this. “Isn’t it apparent to you by now,” she says instead, “that the children’s responses are all within the normal human range? And mostly displaced towards the top end of that range?”

“You’re talking cognitively?”

“No, Caroline. I’m talking across the board. Cognitively. Emotionally. Associatively. The works.”

Caldwell shrugs. “Well, ‘the works’ would have to include their hard-wired reflexes. Anyone who experiences a feeding frenzy when they smell human flesh isn’t testing entirely within normal parameters, wouldn’t you agree?”

“You know what I mean.”

“Yes. And you know that you’re wrong.” Caldwell hasn’t raised her voice, shows no sign of being angry or impatient or frustrated. She might be a teacher, exposing a pupil’s sophomoric lapse of logic so that they can correct and improve. “The subjects aren’t human; they’re hungries. High-functioning hungries. The fact that they can talk may make them easier to empathise with, but it also makes them very much more dangerous than the animalistic variety we usually encounter. It’s a risk just having them here, inside the perimeter – which is why we were told to set up so very far from Beacon. But the information that we’re hoping to gain justifies that risk. It justifies anything.”

Justineau laughs – a harsh and ugly spasming of breath that hurts her coming out. It’s got to be said. There’s no way around it. “You carved up two children, Caroline. And you did it without anaesthetic.”

“They don’t respond to anaesthetic. Their brain cells have a lipid fraction so small that alveolar concentrations never cross the action threshold. Which in itself ought to tell you that the subjects’ ontological status is to some extent in doubt.”

“You’re dissecting
kids
!” Justineau repeats. “My God, you’re like the wicked witch in a fairy tale! I know you’ve got form. You cut up seven of them, didn’t you? Back before I got here. Before you requisitioned me. You stopped because there were no surprises. You weren’t finding anything you didn’t already know. But now, for some reason, you’re ignoring that fact and starting up again. So yeah, I went over your head because I was hoping there might be somebody sane up there.”

Justineau registers her own voice, realises that she’s too loud and too shrill. She falters into silence, waits to be told that she’s cashiered. It will be a relief. It will all be over. She’ll have taken it as far as she can, and she’ll have lost, and they’ll send her away. It will become somebody else’s problem. Of course she’d save the kids if she could, if there was any way, but you can’t save people from the world. There’s nowhere else to take them.

“I’d like you to see something,” Caldwell says.

Justineau doesn’t have any answer. She watches with an eerie sense of dislocation as Caldwell crosses to another part of the lab, comes back with a glass fish tank in which she’s set up one of her tissue cultures. It’s an older one, with several years of growth. The tank is about eighteen inches by twelve by ten inches high, and its interior is completely filled with a dense mass of fine, dark grey strands. Like plague-flavoured candy floss, Justineau thinks. It’s impossible even to tell what the original substrate was; it’s just lost in the toxic froth that has sprouted from it.