The Fuller Memorandum (26 page)

There’s a tunnel out of nightmares in the library in the underside of the world. I’m not sure I can quite describe what happens in there: cold air, moist, the dankness and silence of the crypt broken only by the squeaking of the overloaded wheels of my cart. A sense of being watched, of a mindless and terrible focus sweeping across me, averted by the skin of the Hand of Glory’s burning fingertips. A rigor fit to still the heart of heroes, and only the faint pulsing ward-heart of my phone to bring me through it with QRS complex intact. There is a reason they use residual human resources to run the files to and from the MailRail system: you don’t need to be dead to work here, but it
really
helps.

I’m in the darkness for only ten or fifteen seconds, but when I come out I am in soul-deep pain, my heart pounding and my skin clammy, as if on the edge of a heart attack. Everything is gray and grainy and there is a buzzing in my ears, as of a monstrous swarm of flies. It disperses slowly as the light returns.

I blink, trying to get a grip, and I realize that the handcart has stopped moving. Shivering, I sit up and somehow slither over the edge of the cart without tipping the thing over. There’s carpet on the floor, thin, beige, institutional—I’m back in the land of the living. I look round. There’s a wooden table, three doors, a bunch of battered filing cabinets, and another door through which the mailmen are disappearing—black painted wood, with a motto engraved above the lintel: ABANDON HOPE. Trying to remember what I actually saw in there sends my mind skittering around the inside of my skull like a frightened mouse, so I give up. I’m still clutching the Hand of Glory. I hold it up to look at the flames. They’ve burned down deep, and there’s little left but calcined bones. Regretfully, I blow them out one by one, then dispose of the relic in the recycling bin at one side of the table.

No mailmen, but no librarians either. It’s all very Back Office, just as Angleton described it. I head for the nearest door, just as it opens in front of me.

“Hey—”

I blink. “Hello?” I ask.

“You’re not supposed to be here,” he says, annoyed if not outright cross. “Visitors are restricted to levels five and six only. You could do yourself a mischief, wandering around the subbasement!” In his shirt and tie and M&S suit he’s like an intrusion from another, more banal, universe. I could kiss him just for existing, but I’m not out of the woods yet.

“Sorry,” I say contritely. “I was sent to ask for a new document that’s supposed to have come in this morning . . . ?”

“Well, you’d better come with me, then. Let me see your ID, please.”

I show him my warrant card and he nods. “All right. What is it you’re after?”

“A file.” I show him the slip of paper on which I’ve written down Mo’s document reference. “It’s new, it should have come in this morning.”

“Follow me.” He leads me through a door, to a lift, up four levels and along a corridor to a waiting room with a desk and half a dozen cheap powder-blue chairs: I vaguely recognize it from a previous visit. “Give me that and wait here.”

I sit down and wait. Ten minutes later he’s back, frowning. “Are you sure this is right?” he asks.

Annoyed, I think back. “Yes,” I say. I read the number back to Mo, didn’t I? “It’s a new file, deposited last night.”

“Well, it’s not here yet.” He shrugs. “It may still be waiting to be allocated a shelf, you know. That happens sometimes, if adding a new file triggers a shelf overflow.”

“Oh.” Mo won’t be happy, I guess, but it establishes my cover. “Well, can you flag it for me when it comes in?”

“Certainly. If you can show me your card again?” I do so, and he takes a note of my name and departmental assignment. “Okay, Mr. Howard, I’ll send you an email when the file comes into stock. Is that everything?”

“Yes, thanks, you’ve been very helpful.” I smile. He turns to go. “Er, can you remind me the way out . . . ?”

He waves a hand at one of the doors. “Go down there, second door on the left, you can’t miss it.” Then he leaves.

 

 

THE SECOND DOOR ON THE LEFT OPENS ONTO A SMOOTH-FLOORED
tunnel lined in white glazed tiles and illuminated by overhead fluorescent tubes of a kind that are sufficiently familiar that, when I reach the end of the tunnel and step through the gray metal door (which locks behind me with a muffled
click
) I am unsurprised to find myself in a passage between two tube platforms.

Half an hour and a change of line later, I swipe my Oyster card and surface, blinking at the afternoon sun. I pat the inside pocket where I secreted the sheaf of papers that Angleton gave me. And then I head back to my office in the New Annexe, where I very pointedly dial open my secure document safe and install those papers, then lock it and go home, secure in the knowledge of the first half of a job well done.

(Like I said: fatal accidents never happen because of just
one
mistake.)

I DON’T FUNCTION WELL IN THE SMALL HOURS OF THE MORNING.
I sleep like a log, and I have difficulty pulling my wits about me if something wakes me in the pre-dawn dark.

So it takes me a few seconds to sit up and grab the bedside phone when it begins to snarl for attention. I fumble the handset close to my face: “Whuuu—” I manage to drone, thinking,
If this is a telesales call, I’ll plead justifiable homicide
, as Mo spasms violently in a twist of the duvet and rolls over, pulling the bedding off me.

“Bob.”
I know that voice. It’s—
“Jo here. Code Blue. How soon can you be ready for a pickup?”

I am abruptly awake in an icy-cold drench of sweat. “Five minutes,” I croak. “What’s up?”

“I want you in here stat, and I’m sending a car. Be ready in five minutes.” She sounds uncertain . . .
afraid
? “This line isn’t secure, so save your questions.”

“Okay.” The phrase
this had better be good
doesn’t even reach my larynx: declaring Code Blue is the sort of thing that attracts the Auditors’ attention. “Bye.” I put the phone down.

“What was that?” says Mo.

“That was a Code Blue.” I swing my feet over the edge of the bed and fish for yesterday’s discarded socks. “There’s a car calling for me in five minutes.”

“Shit . . .”
Mo rolls over the other way and buries her face in a pillow. “Am I wanted?” Her voice, muffled, trails away.

“Just me.” I paw through an open drawer for pants. “It’s Jo Sullivan. At four in the morning.”

“She’s with Oscar-Oscar, isn’t she?”

“Yup.” Pants: on. Tee shirt: on. Trousers: next in queue.

“You’d better go.” She sounds serious. “Phone me the instant you hear something.”

I glance at the alarm. “It’s twenty to five.”

“I don’t mind.” She pulls the bedding into shape. “Take care.”

“And you,” I say, as I head downstairs, carrying my holstered pistol.

I’m standing in the front hall when blue and red strobes light up the window glass above the door. I open it in the face of a cop. “Mr. Howard?” she asks.

“That’s me.” I hold up my warrant card and her eyes age a little.

“Come with me, please,” she says, and opens the rear door for me. I strap myself in and we’re off for another strobe-lit taxi ride through the wilds of South London, speeding alarmingly down narrow shuttered streets and careening around roundabouts in the gray pre-dawn light until, after a surprisingly short time, we pull up outside the staff entrance to a certain store.

The door is open. Jo is waiting for me. One look at her face tells me it’s bad. Angleton warned me:
This is where it starts
. I tense. “What’s happened?” I ask.

“Come this way.” Jo leads me up the stairwell. The lights are on, which is abnormal, and I hear footsteps—not the steady shuffle of the night staff, but boots and raised voices. Something in the air makes me think of a kicked anthill.

We head past reception where a couple of blue-suited security men are standing guard over a stapler and six paper clips, then back along the corridor past Iris’s corner office, then round the bend to—

“Fuck,”
I say, unable to contain myself. My office door is closed. But I can see the interior, because there’s a gigantic hole in the door, as if someone hit it with a wrecking ball. (Except a wrecking ball would leave rough jagged edges of splintered wood, while the rim of this particular hole looks oddly melted.) The interior isn’t much better; an avalanche of paper and scraps of broken metal are strewn across half an overturned desk. A thin blue glow clings patchily to some of the wreckage, fading slowly even as I watch. “What happened?”

“Am hoping you tell us.” It’s Boris, bags under his eyes and an expression as dark as midnight on the winter solstice.
When did he get back? Wasn’t he doing something overseas connected with BLOODY BARON . . . ?

“What have you
done
, Bob?” Jo grabs my left elbow. “First a civilian FATACC, now this. What are you into?”

I blink stupidly at the destruction. “My secure document safe, is it . . . ?”

She shakes her head. “We won’t know until we go inside. It’s still active.” I feel a thin prickling on the back of my neck. Demonic intruders have been at work, summoned to retrieve something.
Angleton was right,
I realize.

“What did you have in your safe?”

“I’m not sure you’re cleared—”

Boris clears his throat. “Is cleared, Bob.
I
will clear her. What was in safe? What attracted attention of burglars in night?”

I squint through the hole in the door. “I had documents relating to several codeword projects in there,” I say. “The stacks can probably reconstruct my withdrawal record, and once it’s safe to go in there we can work out what is missing.”

“Bob, you went to the archives in person yesterday.” Jo tightens her grip on my elbow, painfully tight. “What did you withdraw most recently? Tell us!”

Truth and consequences time
. “I asked for a copy of the Fuller Memorandum,” I tell her, which is entirely true and correct: “I was following up something Angleton told me to do a while ago.” Which is also entirely correct, and the most misleading thing I’ve said in front of witnesses all year.

“Fuller Memo—” I see a flicker of recognition on Boris’s face. “Tell me, when you go home last night, is Fuller Memorandum in safe?”

I nod. I don’t trust my tongue at this point because, as the man who used to be president said, it all depends on what you mean by the word “is.”

Jo stares at Boris. “What classification level are we talking about?” she asks.

Boris doesn’t answer at once. He’s staring at me, and if looks could kill, I’d be a tiny pile of ash right now. “Does Angleton say you are to the memorandum read?” he asks.

“Yup. Took me a while to track it down,” I extemporize. “So I left it in the safe overnight; I was going to look at it today.” All of which is truthful enough that I will happily repeat it in front of an Audit Panel, knowing that if I tell a lie in front of them the blood will boil in my veins and I
won’t die
—

Boris looks at Jo and nods, minutely. “Am thanking you for calling me. This is
mess
.”

“What was in the memo that’s so red-hot?” I ask, pushing my luck, because somewhere in all the fuss of expediting Angleton’s little scheme—taking the forgery he’d prepared and inserting it into the archives, then withdrawing it and planting the bait in my office safe—I hadn’t gotten round to asking him just what the original was about.

“Memorandum is control binding scripture for asset called Eater of Souls,” Boris says, and strangely he refuses to meet my eyes. “Codeword is TEAPOT. Consequences of loss—unspeakable.”

“Oh,
shit
.” I swear with feeling, because I’m not
totally
stupid: I worked out who Teapot was some time ago. I didn’t realize the Fuller Memorandum was his
control document
, though. The control document is the source code and activation signature for the geas that binds the entity called Teapot—the thing that over an eighty-year span became Angleton. It doesn’t even matter that our safe-breakers have stolen a ringer—at least, I
assume
Angleton gave me a ringer—the fact that they knew what to look for in the first place is
really bad news
.

“You’d better come with me,” says Jo, and I suddenly notice that she’s shifted her grip to my forearm and she’s got fingers like handcuffs. “Form R60 time, Bob. And this time it’s not just a FATACC enquiry. As soon as my people have gone over the incident scene with a fine-toothed comb this will be going before the Auditors. I’m sorry.”

 

 

I DO NOT PASS GO, DO NOT COLLECT £200, AND DO NOT BUY
Piccadilly Circus. I don’t go to jail, either—not yet—but by the middle of the morning a thirty-year stretch in Wormwood Scrubs would come as a blessed relief.