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Authors: Andrea Barrett

BOOK: The Forms of Water
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The pages, worn and brittle and stained, contain no astounding insights, no solutions, no revelations. They contain no generalizations, no overview of life in the valley before the reservoir, no statistics, no assessments, no blame. Nine short paragraphs, written in a wavering hand and widely spaced. The words are Da's, but as Henry sits down and begins to copy them, the voice he hears is Brendan's.

The Paradise Valley was 13 miles long and 4 miles wide at the base. The eastern branch, where we lived, was less than a mile across. Our nearest neighbor, Timothy Dana, made excellent cheese.

We had pigs, cows, and chickens at our place. We raised berries, potatoes, apples, corn, and four kinds of winter squash. I had a pig each year, a pet crow, three black Labs, and Flossie. Flossie had to be put down in 1911.

I met Eileen for the first time outside the feed store in Pomeroy. Her hair was as dark and shiny as Flossie's coat and parted in the center. She wore it in two long braids, wrapped twice around her head like a crown. Her eyes were blue and her feet were small. She was standing with her father that day.

Her father had a red face and enormous shoulders, but I was taller than him. He never stopped hating me. He brought Eileen and her sister and his wife over from Ireland when Eileen was four, and he worked at the sawmill. He was jealous of our land—we had a large place even without the woodlot, which I bought in 1926.

Brendan's birth went very easily, but there was a blizzard when Frank junior was born and the doctor couldn't get to us. Neither could my mother or hers or any of our neighbors. Frank junior was breeched and Eileen was in labor for two days. She told me to do what I did with the calves, but when I reached to turn the baby, I couldn't get my hand inside. I tried to turn him with my fingers. When he came out he was folded up like a lamb, bent at the waist with his legs against his chest, his face on his knees, his feet and arms over his head. I thought he was dead at first. Later he was a good-looking boy. Eileen was sick for a long time, and we had marital relations very seldom after that.

The apple trees in the orchard were planted before I was born and were 51 years old when we left the valley. We had Wine-saps, Jonathans, Granny Smiths, and a yellow kind Eileen made good pies from. I can't remember the name of those. The petals fell off the trees in the spring and floated on the pond and scared the cows. That was the pond where Brendan almost drowned.

My father let William Benson keep his beehives under our apple trees. In return, William gave us some of his honey each year. The honeycomb was brittle and delicate, and I kept the wax in my mouth after I sucked the honey out. The wax had no real flavor, but it smelled of apple blossoms and something else, maybe pollen.

Frank junior used to follow Brendan everywhere, but he didn't follow Brendan into the abbey and I was grateful that I'd been left with one son—the right one, even; Frank was the hardy one. Now I wish he'd followed Brendan in. Brendan looks awful but at least he's alive. I should have made Frank come to Coreopsis with us.

Our neighbors were Timothy Dana, whose family had lived in the valley forever; the Bourdins and the Gendreaus, French Canadians who came down around the time my grandfather did; and the Gregorys, who came from Ireland when I was a boy. And the monks, of course. On quiet spring evenings after a rain, we could hear them chanting when we went to milk the cows. The whole valley lay under a mist. Some of the shrubs were hinting at green, and the fields had thawed and turned black. The willows were yellow near the pond. The colors seemed very bright against the mist, and through the air, so softly we could not be sure we heard it, came the sound of the men chanting to welcome in the night.

About the Author
Andrea Barrett

lives in Rochester, New York. She is the author of
Ship Fever,
a collection of short stories which won the National Book Award for Fiction in 1996, and of the much acclaimed
The Voyage of the Narwhal
and
The Middle Kingdom,
both of which are available from HarperCollins.

From the US reviews for
The Forms of Water:

‘If any group of mortals knows how it feels to be expelled from paradise, it's the Auberon clan, the appealingly wretched family in this novel. Barrett nicely details the quiet agonies of people who have fallen from grace through bad luck and worse judgement, and suggests that if you can't regain paradise, you can at least make peace with its loss.'

New York Times

‘Subtle and strong … Barrett's talents shine. Barrett not only gets the geographical terrain right, she has the emotional terrain down as well. Her writing is insidious and fluid and as clean as a Berkshire stream. Long after the book has been shelved you'll find yourself thinking of Brendan, a crowning achievement for any writer.'

Detroit News

‘Barrett returns with her speciality – a story about the tangled web of a family told in prose that's spun smooth as silk … The strength this time around lies in Barrett's fine writing and the haunting power of the water, rising to fill that reservoir. It was a real event, but like the best of fiction writers, Barrett makes it more than real.'

Kirkus Reviews

‘Barrett is a skilful writer. She moves smoothly among the many consciousnesses that inhabit her book, giving us clearly defined and differentiated personalities and voices.'

Washington Post

Also by Andrea Barrett

SECRET HARMONIES
LUCID STARS
THE MIDDLE KINGDOM
SHIP FEVER
THE VOYAGE OF THE NARWHAL
SERVANTS OF THE MAP

The cloude passed awaye, and they sawe a ful fayr ylonde, and thyderwarde they drewe. In that ylonde was joye and myrth ynough, and all the erth of that ylonde shyned as bryght as the sonne, and there were the fayrest trees and herbes that ever ony man sawe, and there were many precyous stones shynynge bryght, and every herbe there was ful of fygures, and every tree ful of fruyte; so that it was a glorious sight, and an hevenly joye to abyde there … where is ever day, and never night, and this place is called paradyse terrestre.

—
from the
Voyage of St. Brendan
(an early translation of the Celtic tale)

Is there then any terrestrial paradise where, amidst the whispering of the olive-leaves, people can be with whom they like and have what they like and take their ease in shadows and in coolness?

—
from
The Good Soldier,
by Ford Madox Ford

Copyright

HarperPress
An imprint of HarperCollinsPublishers
77–85 Fulham Palace Road,
Hammersmith, London W6 8JB

Copyright © Andrea Barrett 1993

Andrea Barrett asserts the moral right to be identified as the author of this work.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author's imagination. Any resemblance to actual person's living or dead, events or localities, is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub Edition © OCTOBER 2010 ISBN: 9780007396870

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