Authors: Edmund Spenser
367
embrew: plunge.
38 4
behot: called; i.e., thought him alive.
40 2
enfouldred: black as thundercloud.
41 4
Cerberus:
the dog that guards the gate to hell.
43 8
minisht: diminished.
44 5
Aetna:
a volcano in Sicily.
45 S
expire: breathe out.
46 9
tree o f life: Genesis 2.9 describes two trees, the tree of life and the tree of the knowledge of good and evil. Adam and Eve ate of the latter and were expelled from Eden because of the former: âlest he put forth his hand, and take also of the tree of life, and eat, and live forever' (Genesis 3.22). Spenser is not suggesting that the tree of life is the cause of Adam's fall but that the taking from the tree of knowledge deprived men, until Christ's redemption, of the tree of life: and this is Adam's âcrime'
47 6
Another like faire tree: tree of knowledge of good and evil.
48 2
Balme: see note to 29.9.
48 3
daintie deare: most precious.
50 5
vertuous: powerful.
50 9
noyous: harmful.
51 2
Aurora:
Aurora, goddess of dawn, loved Tithonus and begged the gods to give him immortality, which they granted. She forgot to ask as well for eternal youth, and so Tithonus ages eternally.
53 7
importune: fierce.
54 7
poyse: hovering.
C
ANTO
12
1 1-9
The metaphor of a sea voyage near its end was quite common in classical poetry for describing the near-completion of a poem. See
Var.,
pp. 310-11.
3 5
by tryall: by his own experience, i.e., by seeing,
3 9
forrayed: harassed.
4 4
tort: wrong.
5 3
habiliments: attire.
5 7
armes to sownd: to use arms.
6 9
Timbrels: tambourines. 71 fry: crowds.
9 1
raskall many: multitude.
IO-II
Spenser's humour is not often stressed. In these stanzas he has written a splendid comedy of the provincial, of the antics of those who have seen, but do not understand, the marvel that has occurred.
11 4
gossips: women friends.
12 4
defeasance: defeat
12 9
manifold: many times.
13 2
shaumes: oboes.
14 1
guize: behaviour.
16 2
passionate: express with feeling.
17 7
seised: reached. 22 3 wimple: veil.
22 6â9
Una's garments without spot are suggested by Bey. 19.7â8and the Song of Solomon 4.7.
23 s
enchace: adorn.
26 1
king of
Eden:
Una's father is Adam only in the sense that Redcross's victory over the Dragon reaffirms Christ's victory over death and redemption of mankind. The victory of any Christian is a defeat of evil and a repudiation of the curse of Adam.
26â8
Duessa's letter reveals her fully. Her claim is merely legal. It is based on the Old Law of justice and not on the New Law of mercy, achieved by Christ and re-enacted in Redcross's defeat of the dragon.
31 3
intendiment: consideration
OED
cites this line.
34 1
suborned: bribed.
34 3
improuided scath: unforseen harm.
34 5
practicke paine: cunning skill.
35 6
chauffed: angered.
36 7
banes: banns of marriage.
37 4
housling: sacramental. 37 6 Teade: torch.
39 s trinall triplidties: the nine orders of angels: Seraphim, Cherubim, Thrones, Dominations, Virtues, Powers, Principalities, Archangels, Angels.
BOOK II
HEADNOTB
Considerable attention has been paid to the sources of Spenser's conception of the virtue of temperance (see
Vat.,
pp. 414-26}. Although Aristotle's
Nkomachean Ethics
appears to have been Spenser's point of departure, he was influenced by a wide variety of ancient, medieval, and Renaissance philosophers and commentators. The most extensive study of medieval and Renaissance definitions of temperance is Tuve,
Allegorical Imagery,
pp. 65 ff. It is, however, impossible to find in Book II a systematic exposition of the views of a single source. Perhaps the best way to understand what Spenser means by temperance is to keep in mind that the word generally means âself-restraint' and then to let Guyon's adventures qualify and define the virtue further. The narrative itself will tell us what Spenser imagined temperance to be.
The origins of the name
Guyon,
the titular knight of Book II, are unknown, but Fowler
(MLN
75, i960, 289-92) has suggested that the name may have its origin in
Gihon,
one of die four rivers of Eden associated with the four cardinal virtues,
Gihon
with temperance. Susan Snyder
(RN
14, 1961, 249-52) has argued that the name comes from
gym,
or wrestler.
P
ROEM
4
I
8 vaunt: boast o£
1 9
vouch: affirm, declare.
2 5
late age: i.e., until very recently. The Amazon was first sailed in 154a In 1584 Sir Walter Ralegh presented to Queen Elizabeth the lands he had discovered in North America. See IV.ii.2i.
4 3
admire: wonder.
4 5
footing: tracks.
4 6
Princesse: i.e. Queen Elizabeth.
C
ANTO
1
Arg. 1
abusd:
tricked, deceived. Arg. 3
Mordant:
Latin: âdeath-givingâ.
Amauia:
a slightly altered form of the Latin âI have loved'.
1 1
cancred: malignant.
1 2
bands: shackles.
1 3
falsed: forged.
2 7
late ygoe: recently.
3 5
engins: plots.
3 6
practick: experienced.
3 8
credit: reputation.
4 1
stales: decoys, lures.
4 3
spials: observers, spies.
45a
vantage: i.e., Archimago's advantage.
6 7
tourney: compete in tournaments. lists: enclosures for tilts. debate: contend.
6 8
Sir
Huons
hero of a thirteenth-century romance,
Hum ae Bordeaux.
See
Vat.,
p. 188.
7 2
comely: decent, pleasing to the moral sense
(OED
3). Palmer: strictly speaking, a pilgrim who carried a palm branch or palm leaf to signify that he had returned from the Holy Land. Spenser uses the term loosely. Amavia dons âPalmer's weed' in 52.8. My colleague Julia Bolton Holloway informs me that palmers did not wear black.
7 3
hoarie: whitish.
7 4
stire: steer.
7 9
equall: even, consistent.
8 3
clew: a ball of thread (i.e., a string of plots).
8 9
miser: a miserable or wretched person.
9 2
bad: commanded. tenor: substance, message. 9 5 paint: adorn, embellish. 9 7 langourous: sorrowful. 10 3 ribauld: wicked or licentious person.
10 5
sheene: beautiful.
11 1
wroth: angry.
11 3
weene for troth: know certainly, truly understand.
12 3
vitall: life-sustaining.
12 7
tract: follow, track.
12 9
chalenge: cry aloud on finding the scent
13 1
staid: waited for.
13 9
blubbered: disfigured with weeping.
14 2
bedight: arrayed.
14 6
concerned: imagined.
14 7
despight: injury, outrage.
15 8
teene: sorrow.
16 s
wayment: lament bitterly.
16 9
voluntarie: wilful.
17 5
reaue: take away.
19 7
enterpris: attempt, undertake.
19 8
Errant datnozett:
i.e., Una.
20 3
abyde: suffer, endure.
20 4
amendment: reparation.
21 3
semblant: outward appearance.
21 9
aguisd: dressed.
22 9
reuest: dress again. habiliments: outfit, attire.
23 3
slug: dally, become idle.
23 4
irrenowmed: not renowned.
OED
cites this line.
23 9
as⦠allye: i.e., virtuous knights who might ally themsel Redcross.
25 2
feet: act, deed.
25 5
do him rew: make him repent.
25 9
addresse: point, raise.
26 2
embrace: buckle, fasten.
26 5
rencounter: meet, encounter.
26 6
afixap: strike.
26 7
abace: lower.
26 9
betidde: befallen.
27 2
hardiment: boldness.
28 7
Mayd: Gloriana, the Faerie Queene.
29 1
attone: at one, in concord. 29 2 beuers: faceguards of helmets.
29 3
comportance: carriage, behaviour.
29 s
Now⦠weet: now might I know.
29 6
saliaunce: assault,
29 8
gouernaunce: self-control.
30 2
fond encheason: foolish occasion.
30 4
ill bested: unfortunately situated.
31 1
turne⦠game: resolve a serious or hazardous situation.
31 3
aged guide: i.e., Palmer.
31 5
had perfect cognizance: i.e., recognized Redcross.
31 9
aguized: furnished, equipped.
33 7
thee: thrive, prosper.
33 9
thewes: manners.
34 1
conge: formal farewell. 34 2 plighted: intertwined.
34 7
race: i.e., the course of his life.
35 2
assayes: attempts, adventures. 35 6 succour: relief.
35 7
ruefull: sorrowful, dearnly: dismally. 35 8 lay: song (in this instance, lamentation).
35 9
attend: pay attention to.
36 1
carelesse: uncaring.
36 4
despight: contempt, scorn.
36 5
warne: prevent.
37 1
fro ward: adverse.
37 8
embrewd: stained, defiled.
37 9
Loe⦠leaue: i.e., the blood on the child's hands is left as a symbol of the mother's fate. See Fowler, HLQ 24, 1961, 91-110.
38 6
Hynd: deer.
39 1
straict: immediately. 39 4 quicke: alive.
39 7
gorebloud: clotted blood.
39 9
sanguine: blood colour.
40 4
ray: defile.
42 2
starke: stiff, immobile.
43 7
shop: i.e., body.
44 3
meetest: most appropriate.
47 7
let: prevent.
48 6
priefe: trial, test
48 8
cast to compasse: plan to bring about
49 9
Mordant: see note to Arg. 3.
51 2
Acrasia: Greek: âwithout control'. Acrasia, as a character and as a condition, becomes clear in canto 12. Her self-indulgence stands in direct contrast to Guyon's self-control. Acrasia's literary predecessors include Circe in Od. 10, Alcina in OP 5, 6, 10 and Armida in GL 16.
51 4
fordonne: destroyed.
51 8
wend amis: go wrong, stray, wander into difficulty.
53 1â2
by⦠yeare: nine months, measured by the phases of the moon (Cynthia), had gone by.
53 3
crooked homes: i.e., the thin crescent of the new moon.
53 S
Lucina: goddess of birth.
54 7
recured: restored.
55 4â6
See Carol v. Kaske, Renaissance Quarterly, 29, 1976, 195-209.
58 1
squire: i.e., a square, the measuring device.
59 6
teene: prescribe.
60 3
embraue: embellish. 60 7 obsequy: funeral rites.
60 9
Bynempt: swore solemnly.
C
ANTO
2
1 4
hent: took. a 4 portion of thy liuelihed: i.e., inheritance.
3 9
cloue: divided.
5 1
bord: approach.
6 5
Floraes: goddess of flowers.
7 5
Dan Faunus: wood god, half man, half goat; part of the company of Pan. Cf. 1.6.15â17and VII. 6.4a ff.
7 7
chace: some editors emend to pray for the sake of rhyme.
7â9
The nearest classical analogue to this story is the tale of Daphne, who was changed into a laurel tree (Met. 1.548 ff). Cf. also Met. 9.663â5and 3.882-97.
8 4
Diana: goddess of chastity.
9 6
byde: abide, endure.
10 9
moniment: monument.
11 6
sell: saddle.
11 7
barbes: covering for breasts and flanks of war horses.
13 ff
The three sisters are Elissa (Greek: âtoo little', stanza 35), Medina (Greek: âthe mean', stanza 14), and Perissa (Greek: âtoo much', stanza 36), an allegory of Aristotle's ethical system of defect (too little), mean, and excess (too much). Cf. Vat., pp. 200-201. Upton (Var., p. 198) suggests that the three mothers are the rational, the appetitive, and the ireful powers of the soul, from Plato, Republic 9.7.