The Empire Trilogy (163 page)

Matthew looked at his watch: he would soon have to be getting back to the Mayfair for something to eat before the night's watch. He lingered for a moment, however, to inspect the paper models of a motor-car, a wireless, a refrigerator and other useful articles that the dead man would be taking on his journey, thinking: ‘After all, if these are the things people want and entrepreneurs like my father help them to get them …' He wondered what the head man had thought of it all, whether he had been satisfied. Here he was, presumably, in this impressive coffin which might, to judge by its size, have been hollowed out of a substantial tree trunk, each end swept up like the prow of a ship and standing on trestles which advertised, in English and Chinese, the name and telephone number of the undertaker. A line of professional mourners dressed in crudely stitched sackcloth sat on the kerb, smoking cigarettes and looking disaffected. A small boy hammered on a tin drum and was now joined by a rather down-at-heel brass band of elderly men in white uniforms who struck up raggedly for a few moments. An aeroplane roared by very low overhead and the mourners looked up apprehensively … but it was British, a Catalina flying-boat. Matthew walked on thoughtfully. As he walked, hands in pockets, he felt someone take his arm. Looking round he saw Miss Chiang's smiling face.

‘Vera! Where have you been? Why haven't you been back to the Mayfair?'

Vera's smile disappeared; she looked a trifle upset. She said with a shrug: ‘They told me not to come back.'

‘Who told you?'

‘A man from Mr Blackett's office.' She shrugged again. ‘It does not matter. It is not in the least “pressing”. Tell me about yourself … I'm so glad to see you are now well again. What a terrible fever! You gave me such a fright. I was afraid you might “kick the bucket”.'

‘But
why
did they tell you not to come back?'

‘They say my job has been finished. They bring me suitcase and money and a letter of thanks signed by Miss Blackett. I think it is because she is jealous of my beauty.'

‘D'you really think so? Lumme!' Matthew mopped his perspiring face with a handkerchief.

‘Yes,' went on Vera, looking pretty and malicious, yet at the same time more innocent than ever, ‘it is because also she does not have my command of foreign languages and because my breasts are bigger than hers. She does not have my poise, either, which I have probably inherited from my mother … I think I told you my mother was Russian princess, forced to show “clean heels” during Revolution. Well, there … it is not worth bothering about.'

Meanwhile, they had strolled on together and, after a moment's hesitation, Vera had taken his arm again and her light hand resting in the hollow of his elbow caused a delicate warmth to flow into him. Some women, he could not help thinking, were extraordinarily good at touching you, while others did so as if they had had a recently dislocated arm (no doubt women found the same about men). Vera's touch was as distinctive as her voice. At the end of the street, however, they discovered that they were obliged to go in different directions, which seemed a pity. They lingered there for a moment.

‘You must halt …' said Vera with a sigh. ‘I must go on because my silk-worms are hungry.'

‘What? You have silk-worms?' cried Matthew, thinking: ‘How delightfully Chinese!'

‘Oh no, here in Singapore it is too hot for silk-worms.' She smiled flirtatiously. ‘It is a line from an old Chinese song about a woman who is separated from her lover.'

‘Well, let me see …' Matthew again looked at his watch. ‘Can I invite you to a cup of tea?'

‘Thank you, but first I must visit a friend who is dying. Will you come with me?'

Presently, Matthew found himself standing in a vast dimly lit shed, blinking and polishing his spectacles; but even when he had put them on again, such was the contrast with the brightness outside, he still could not see very well. Vera had set off down a sort of aisle on each side of which rose tier after tier of shadowy racks, as in a store-house or wine-cellar. Matthew followed her, stepping uncertainly. There was a smell of humanity here and a faint, twittering murmur of voices.

As his vision improved he saw that the racks on either side were occupied by recumbent forms, some of which stirred slightly as he passed but for the most part lying still … Eyes followed him incuriously, the sunken eyes of very elderly, emaciated people; here and there he made out a somewhat younger face. Vera explained to him that this was a Chinese ‘dying-house' where lonely people came to die. He had not wanted to come; he had tried to explain to Vera that he had only just finished watching a funeral. It seemed to him that his life had taken a decidely lugubrious turn all of a sudden. No, he would definitely prefer to wait for her outside.

But as they were walking Vera had told him a little about the old man she was going to visit. He had befriended her on the boat that had taken her from Shanghai to Singapore (that same boat on which Miss Blackett and her mother had been travelling), had given her a little money and had helped her to find her feet; his own children had died or disappeared in one of the civil wars that had swept back and forth over China since the fall of the Manchu dynasty. While talking about this man, to whom she was bringing a little parcel of food, Vera happened to mention that until he had grown too old to work he had lived by tapping his few rubber trees on a smallholding near Layang Layang in Johore. Matthew had pricked up his ears at this and exclaimed: ‘That's near my own estate!' And so, despite his misgivings, he had decided to enter the dying-house with her. Now, blundering between these racks of moribund people in the gloom, he felt like Orpheus descending into the underworld.

It was not only the lonely who came to die here, explained Vera in a low voice, grasping him by the sleeve, but a great many others, too. People were brought here to die by their families in order to spare the home from the bad luck that comes when somebody dies there …

‘I must say, that sounds a bit heartless!'

Yes, and yet it was accepted by the person who was dying as the best thing to do and the custom had been carried on, perhaps, for generations. And no doubt those who came here from the land of the living to bring food and water to their dying relations would in due course come to spend their own last days or hours here, rather than take up room in one of the crowded tenement cubicles or boats on the river … It was very sad, certainly, but it was moving, too, to see the way these shelves of dying people accepted their fate. Vera's dark eyes searched Matthew's face to see whether he understood. He nodded cautiously though, as a matter of fact, he was not very keen on hearing of people ‘accepting their fate'. Vera seemed to him extraordinarily full of life by contrast with the trays of shadowy expiring figures on either side. ‘What a dismal way to end up though!'

‘How attractive he is!' Vera was thinking. ‘How stooping and shortsighted! What deliciously round shoulders and unhealthy complexion!' She gazed at him in wonder, reflecting that there was no way in which he could be improved. Indeed, she could hardly keep her eyes off him. For the fact was that Vera had been brought up, as Chinese girls had been for centuries, to find stooping, bespectacled, scholarly-looking young men attractive, and the more literary the better; no doubt there was an economic motive originally buried somewhere beneath this tradition of finding attractive qualities in poor physical specimens like Matthew (although, actually,
he
was quite strong): for until recently with the fall of the Ch'ing dynasty all China's most powerful administrators and officials, a source of prosperity and glory for their families as well as themselves, had been chosen traditionally by competitive examinations in literary subjects open to rich and poor alike. Already though, a willingness to have their heart-strings plucked in such a way was beginning to seem old-fashioned to the young women of the New China. Yes, already by January 1942, young men with rippling muscles, fists of steel and a good posture were beginning to barge these spindle-legged weaklings aside and leave them grovelling in the dust for their spectacles while
they
, instead, installed themselves in maidenly dreams from Shanghai to Sinkiang. How lucky then for Matthew, who was just in time to catch Vera's eye. He would not have cut much ice with one of these others. As a matter of fact, she had already begun to notice one or two young men with fists of steel who perhaps did not look
too
unprepossessing.

Vera had paused for a moment to talk to a middle-aged man sitting on his heels beside someone on the lowest rack; he was wearing a cheap, crumpled European suit whose pockets were bulging with packages of various kinds; a stethoscope hung over his open-necked white shirt. As he was talking he looked up briefly at Matthew and smiled: his face, which was deeply lined and cross-hatched, conveyed a strong impression of sensitivity and strength of character. As they walked on again, it occurred to Matthew that if you could tell someone's character by his face, even without sharing a culture or language with him, perhaps people of different nations and races were not so deeply divided from each other as they appeared to be, that whatever Dupigny might think, there
was
such a thing as shared humanity, and that with one or two minor adjustments different nations and communities could live in harmony with each other, concerning themselves with each other's welfare.

The doctor she had just spoken to, Vera explained, devoted all his spare time and money to treating the inmates of the dying-house who could not otherwise afford medical attention.

‘Of course he does!' exclaimed Matthew excitedly. ‘You only have to look at his face to know that!' He would hardly have believed her if she had suggested anything else. Oppressed as he was by Dupigny's cynical views on human nature, he felt quite delighted to have stumbled on this lonely philanthropist. Vera, meanwhile, was indicating in a whisper that those inhabitants of the dying-house who were actually expiring were brought down to the floor level because it was believed that anyone below a dying person would be visited by bad luck.

After a moment of uncertainty while she peered in the gloom at one elderly Chinese face after another (each shrivelled and puckered like an old apple and, to Matthew, almost indistinguishable) Vera had made her selection and was kneeling by a frail figure where it was darkest at the end of the row. Matthew approached, too, and gazed with interest and sympathy at the wizened head which lay, not on a pillow, but on a small bundle, perhaps of clothing. At the touch of Vera's hand on his arm, the old man's eyes opened slowly. He surveyed her calmly, remotely, showing no sign of surprise or animation. But presently he murmured something. A faint conversation ensued. Once, very slowly, his eyes moved towards Matthew. Vera's parcel contained a small bowl of rice, mushrooms and sea-slugs. A boy appeared with a pot of tea and Vera gave him a coin. Meanwhile the old man's withered hand had been groping feebly at his bedside and presently closed over a pair of chopsticks. Vera took them from him and helped him to eat a few mouthfuls from the bowl.

When he had finished eating the old man again looked at Matthew and said something to Vera. Vera, too, looked at Matthew and replied with a smile, saying then in English: ‘I tell him you are in rubber business.'

The old man spoke again, this time to Matthew, in a faint, grumbling voice.

‘What does he say?'

‘He ask you where your estates are … I tell him you son of Blackett and Webb.'

Matthew nodded and smiled winningly at the old Chinese, delighted to think that he was at last, thanks to Vera, coming into contact with the real roots of life in Malaya, not just its top dressing of Europeans.

But despite Matthew's winning smiles the old fellow on his death-bed did not altogether give the impression of being won over. Indeed, he had begun to fidget restlessly on his tray, muttering indignantly. Matthew was not sure but he thought he could make out the words ‘Brackett and Webb' recurring in the old chap's mutterings. Vera was listening attentively: her face showed concern.

‘Well, oh dear … He say you swindle smallholders. He says European estates swindle him and other smallholders …'

‘Oh really, Vera!' scoffed Matthew. ‘The poor old blighter's just wool-gathering. But I can see my presence is upsetting him so perhaps I'd better …' He was afraid that the elderly Chinese, who was now searching crossly with trembling, skeletal hands for something in the pile of rags he was using as a pillow, might suffer some terminal seizure brought on by excitement and indignation. To judge by his wasted body and blue lips it would not take very much to capsize the frail craft in which the old chap was now trying to navigate the final stages of his life's voyage. Still, something caused Matthew to linger. Until now he had not given much thought to native smallholders. Their smallholdings seldom amounted to more than a few acres, at most. And yet, now he thought about it, these native smallholdings together produced nearly half of Malaya's rubber and covered almost a million and a quarter acres! ‘What's he saying now?' he asked uneasily.

‘He says British steal money from his rubber trees.'

‘How did they do that?' asked Matthew dubiously. Vera turned back to the old man who had fallen back now, exhausted by his efforts to find whatever it was he had been looking for. He was no longer looking at Matthew but into the distance; his chest hardly seemed to move but still that faint, grumbling voice went on and on, rising and falling, almost like the wind when it sighs under a doorway.

‘He says the inspector did not give him proper share of rubber to sell when he came to look at his trees for Restriction Scheme …'

‘I suppose he means when his production was being assessed before the scheme started … to see what his share of the total export rights would be. All right, go on.'