The Emperor of All Maladies: A Biography of Cancer (12 page)

Antisepsis and anesthesia were twin technological breakthroughs that released surgery from its constraining medieval chrysalis. Armed with ether and carbolic soap, a new generation of surgeons lunged toward the forbiddingly complex anatomical procedures that Hunter and his colleagues had once concocted on cadavers. An incandescent century of cancer surgery emerged; between 1850 to 1950, surgeons brazenly attacked cancer by cutting open the body and removing tumors.

Emblematic of this era was the prolific Viennese surgeon Theodor Billroth. Born in 1821, Billroth studied music and surgery with almost equal verve. (The professions still often go hand in hand. Both push manual skill to its limit; both mature with practice and age; both depend on immediacy, precision, and opposable thumbs.) In 1867, as a professor in Berlin, Billroth launched a systematic study of methods to open the human abdomen to remove malignant masses. Until
Billroth’s
time, the mortality following abdominal surgery had been forbidding. Billroth’s approach to the problem was meticulous and formal: for nearly a decade, he spent surgery after surgery simply opening and closing abdomens of animals and human cadavers, defining clear and safe
routes
to the inside. By the early 1880s, he had established the routes: “
The course so far is already
sufficient proof that the operation is possible,” he wrote. “Our next care, and the subject of our next studies, must be to determine the indications, and to develop the technique to suit all kinds of cases. I hope we have taken another good step forward towards securing unfortunate people hitherto regarded as incurable.”

At the Allgemeines Krankenhaus, the teaching hospital in Vienna where he was appointed a professor, Billroth and his students now began to master and use a variety of techniques to remove tumors from the stom
ach, colon, ovaries, and esophagus, hoping to cure the body of cancer. The switch from exploration to cure produced an unanticipated challenge. A cancer surgeon’s task was to remove malignant tissue while leaving normal tissues and organs intact. But this task, Billroth soon discovered, demanded a nearly godlike creative spirit.

Since the time of Vesalius, surgery had been immersed in the study of natural anatomy. But cancer so often disobeyed and distorted natural anatomical boundaries that unnatural boundaries had to be invented to constrain it. To remove the distal end of a stomach filled with cancer, for instance, Billroth had to hook up the pouch remaining after surgery to a nearby piece of the small intestine. To remove the entire bottom half of the stomach, he had to attach the remainder to a piece of distant jejunum. By the mid-1890s, Billroth had operated on forty-one patients with gastric carcinoma using these novel anatomical reconfigurations. Nineteen of these patients had survived the surgery.

These procedures represented pivotal advances in the treatment of cancer. By the early twentieth century, many locally restricted cancers (i.e., primary tumors without metastatic lesions) could be removed by surgery. These included uterine and ovarian cancer, breast and prostate cancer, colon cancer, and lung cancer. If these tumors were removed before they had invaded other organs, these operations produced cures in a significant fraction of patients.

But despite these remarkable advances, some cancers—even seemingly locally restricted ones—still relapsed after surgery, prompting second and often third attempts to resect tumors.
Surgeons returned to the operating table
and cut and cut again, as if caught in a cat-and-mouse game, as cancer was slowly excavated out of the human body piece by piece.

But what if the whole of cancer could be uprooted at its earliest stage using the most definitive surgery conceivable? What if cancer, incurable by means of conventional local surgery, could be cured by a radical, aggressive operation that would dig out its roots so completely, so exhaustively, that no possible trace was left behind? In an era captivated by the potency and creativity of surgeons, the idea of a surgeon’s knife extracting cancer by its roots was imbued with promise and wonder. It would land on the already brittle and combustible world of oncology like a firecracker thrown into gunpowder.

*
Hunter used this term both to describe metastatic—remotely disseminated—cancer and to argue that therapy was useless.

The professor who blesses the occasion

Which permits him to explain something profound

Nears me and is pleased to direct me—

“Amputate the breast.”

“Pardon me,” I said with sadness

“But I had forgotten the operation.”

—Rodolfo Figuoeroa,
in
Poet Physicians

It is over
: she is dressed, steps gently and decently down from the table, looks for James; then, turning to the surgeon and the students, she curtsies—and in a low, clear voice, begs their pardon if she has behaved ill. The students—all of us—wept like children; the surgeon happed her up.

—John Brown describing a
nineteenth-century mastectomy

William Stewart Halsted
, whose name was to be inseparably attached to the concept of “radical” surgery, did not ask for that distinction. Instead, it was handed to him almost without any asking, like a scalpel delivered wordlessly into the outstretched hand of a surgeon. Halsted didn’t invent radical surgery. He inherited the idea from his predecessors and brought it to its extreme and logical perfection—only to find it inextricably attached to his name.

Halsted was born in 1852, the son of a well-to-do clothing merchant in New York. He finished high school at the Phillips Academy in Andover and attended Yale College, where his athletic prowess, rather than academic achievement, drew the attention of his teachers and mentors. He wandered into the world of surgery almost by accident, attending medi
cal school not because he was driven to become a surgeon but because he could not imagine himself apprenticed as a merchant in his father’s business. In 1874, Halsted matriculated at the College of Physicians and Surgeons at Columbia. He was immediately fascinated by anatomy. This fascination, like many of Halsted’s other interests in his later years—purebred dogs, horses, starched tablecloths, linen shirts, Parisian leather shoes, and immaculate surgical sutures—soon grew into an obsessive quest. He swallowed textbooks of anatomy whole and, when the books were exhausted, moved on to real patients with an equally insatiable hunger.

In the mid-1870s, Halsted passed an entrance examination to be a surgical intern at Bellevue, a New York City hospital swarming with surgical patients. He split his time between the medical school and the surgical clinic, traveling several miles across New York between Bellevue and Columbia. Understandably, by the time he had finished medical school, he had already suffered a nervous breakdown. He recuperated for a few weeks on Block Island, then, dusting himself off, resumed his studies with just as much energy and verve. This pattern—heroic, Olympian exertion to the brink of physical impossibility, often followed by a near collapse—was to become a hallmark of Halsted’s approach to nearly every challenge. It would leave an equally distinct mark on his approach to surgery, surgical education—and cancer.

Halsted entered surgery at a transitional moment in its history. Bloodletting, cupping, leaching, and purging were common procedures. One woman with convulsions and fever from a postsurgical infection was treated with even more barbaric attempts at surgery: “
I opened a large orifice
in each arm,” her surgeon wrote with self-congratulatory enthusiasm in the 1850s, “and cut both temporal arteries and had her blood flowing freely from all at the same time, determined to bleed her until the convulsions ceased.” Another doctor, prescribing a remedy for lung cancer, wrote, “
Small bleedings give temporary relief
, although, of course, they cannot often be repeated.” At Bellevue, the “internes” ran about in corridors with “
pus-pails
,” the bodily drippings of patients spilling out of them. Surgical sutures were made of catgut, sharpened with spit, and left to hang from incisions into the open air. Surgeons walked around with their scalpels dangling from their pockets. If a tool fell on the blood-soiled floor, it was dusted off and inserted back into the pocket—or into the body of the patient on the operating table.

In October 1877, leaving behind
this gruesome medical world of purgers, bleeders, pus-pails, and quacks, Halsted traveled to Europe to visit the clinics of London, Paris, Berlin, Vienna, or Leipzig, where young American surgeons were typically sent to learn refined European surgical techniques. The timing was fortuitous: Halsted arrived in Europe when cancer surgery was just emerging from its chrysalis. In the high-baroque surgical amphitheaters of the Allgemeines Krankenhaus in Vienna, Theodor Billroth was teaching his students novel techniques to dissect the stomach (the complete surgical removal of cancer, Billroth told his students, was
merely an “audacious step” away
). At Halle, a few hundred miles from Vienna, the German surgeon Richard von Volkmann was working on a technique to operate on breast cancer. Halsted met the giants of European surgery: Hans Chiari, who had meticulously deconstructed the anatomy of the liver; Anton Wolfler, who had studied with Billroth and was learning to dissect the thyroid gland.

For Halsted, this whirlwind tour through Berlin, Halle, Zurich, London, and Vienna was an intellectual baptism. When he returned to practice in New York in the early 1880s, his mind was spinning with the ideas he had encountered in his journey: Lister’s carbolic sprays, Volkmann’s early attempts at cancer surgery, and Billroth’s miraculous abdominal operations. Energized and inspired, Halsted threw himself to work, operating on patients at Roosevelt Hospital, at the College of Physicians and Surgeons at Columbia, at Bellevue, and at Chambers Hospital. Bold, inventive, and daring, his confidence in his handiwork boomed.
In 1882, he removed an infected gallbladder
from his mother on a kitchen table, successfully performing one of the first such operations in America. Called urgently to see his sister, who was bleeding heavily after childbirth, he withdrew his own blood and transfused her with it. (He had no knowledge of blood types; but fortunately Halsted and his sister were a perfect match.)

In 1884, at the prime of his career in New York, Halsted read a paper describing the use of a new surgical anesthetic called cocaine. At Halle, in Volkmann’s clinic, he had watched German surgeons perform operations using this drug; it was cheap, accessible, foolproof, and easy to dose—the fast food of surgical anesthesia. His experimental curiosity aroused, Halsted began to inject himself with the drug, testing it before using it to numb patients for his ambitious surgeries. He found that it produced
much more than a transitory numbness: it amplified his instinct for tirelessness; it synergized with his already manic energy. His mind became, as one observer put it, “
clearer and clearer, with no sense of fatigue
and no desire or ability to sleep.” He had, it would seem, conquered all his mortal imperfections: the need to sleep, exhaustion, and nihilism. His restive personality had met its perfect pharmacological match.

For the next five years, Halsted sustained an incredible career as a young surgeon in New York despite a fierce and growing addiction to cocaine. He wrested some control over his addiction by heroic self-denial and discipline. (At night, he reportedly left a sealed vial of cocaine by his bedside, thus testing himself by constantly having the drug within arm’s reach.) But he relapsed often and fiercely, unable to ever fully overcome his habit. He voluntarily entered the Butler sanatorium in Providence, where he was treated with morphine to treat his cocaine habit—in essence, exchanging one addiction for another. In 1889, still oscillating between the two highly addictive drugs (yet still astonishingly productive in his surgical clinic in New York), he was recruited to the newly built Johns Hopkins Hospital by the renowned physician William Welch—in part to start a new surgical department and in equal part to wrest him out of his New York world of isolation, overwork, and drug addiction.

Hopkins was meant to change Halsted, and it did. Gregarious and outgoing in his former life, he withdrew sharply into a cocooned and private empire where things were controlled, clean, and perfect. He launched an awe-inspiring training program for young surgical residents that would build them in his own image—a superhuman initiation into a superhuman profession that emphasized heroism, self-denial, diligence, and tirelessness. (“It will be objected that this apprenticeship is too long, that the young surgeon will be stale,” he wrote in 1904, but “these positions are not for those who so soon weary of the study of their profession.”) He married Caroline Hampton, formerly his chief nurse, and lived in a sprawling three-story mansion on the top of a hill (“
cold as stone and most unlivable
,” as one of his students described it), each residing on a separate floor. Childless, socially awkward, formal, and notoriously reclusive, the Halsteds raised thoroughbred horses and purebred dachshunds. Halsted was still deeply addicted to morphine, but he took the drug in such controlled doses and on such a strict schedule that not even his closest students suspected it. The couple diligently avoided Baltimore society. When visitors came unannounced to their mansion on the hill, the maid was told
to inform them that the Halsteds were not home.