The Echo (15 page)

"Then save it for your phone call."

"It may never happen, Lawrence. My wives would tell you I score very low on reliability."

"One little call, Michael. Is that so much to ask?"

"But it's not one little call, is it?" he growled. "You're after people's souls, and don't think for one moment I don't know it."

Lawrence glanced at the back of the photograph. "May I keep this? I know quite a number of the homeless community and one of them might recognize him."

"Sure." Deacon stood up. "But it doesn't mean I'll phone you so don't raise your hopes. I'm going to be very embarrassed about this tomorrow." He shook the old man's hand. "Shalom, Lawrence, and thanks. Go home before you freeze to death."

"I will. Shalom, my friend."

He watched the younger man walk away across the grass, then smiled to himself as he took out his address book and made a careful note of Deacon's name, followed by the address and telephone number of
The Street
offices which Barry Grover had thoughtfully stamped on the back of the photograph. Not that he expected to need them. Lawrence's faith in God's mysterious ways was absolute, and he knew it was only a question of time before Michael phoned him. The old man turned his face upstream and listened to the wind and the waves rebuking each other.
 

The fight that broke out inside the warehouse was a bloody affair, started by one of the more aggressive schizophrenics who decided the man next to him wanted to kill him. He pulled a flick-knife from his pocket and plunged it into his neighbor's stomach. The man's screams acted on the other inmates like a strident alarm, bringing some to his rescue and driving the rest to stampede in fear. Terry Dalton and old Tom snatched up pieces of lead piping and waded in to try to break up the affray but, like a fighting dog, the aggressor ignored the rain of blows that descended on his back and concentrated his energy on his victim. It ended, as so many of these fights ended, only when the man's stamina ran out and he retired, bruised and battered, to nurse his wounds.

Tom knelt beside the pathetic curled figure of the man who'd been stabbed. "It's poor old Walter," he said. "That bastard Denning's done for 'im good an' proper. If 'e ain't dead now, 'e soon will be."

Terry, who was shaking from head to toe in the aftermath of heightened adrenaline, flung his piece of pipe to the ground and stripped his coat from his thin body. "Put this over Walt and keep him warm. I'm calling the ambulance," he said. "And get yourselves ready for when the cops get here. This time I'm having Denning put away good and proper. He's too fucking dangerous."

"You can cut that kind of talk, son,'' said Tom, laying the coat over the body. "There's no one gonna thank you for dropping the Law on us like a ton of bricks. We'll shift Walt out and let the coppers think it 'appened in the street. The poor bastard's leaking like a stuck pig, so there'll be enough blood on the pavement to persuade 'em it were a gang of louts what did for 'im."

"No!" snapped Terry. "If you shift him you'll kill him quicker." He clenched his fists. "We have rights, Tom, same as everyone else. Walt's right is to be given his chance and our right is to get shot of a psycho."

"There ain't no rights in 'ell, son," said Tom dismissively, "never mind Billy filled your 'ead with claptrap about 'uman dignity. You bring the bizzies in 'ere, and it won't be just Denning for the 'igh jump. You think about what's in your pockets before you go calling in the filth." He touched a gnarled hand to the wounded man's face. "Walt's 'ad it, anyway, so it won't make no difference where 'e dies. We'll get shot of Denning ourselves, send 'im back on the streets where 'e'll likely die of cold before too long, anyway. 'E's tired 'isself out with this so 'e won't be no trouble."

He spoke with the authority of a man who expected to be obeyed for, despite Deacon's impression that Terry's quick mind allowed him to dominate the group, it was Tom who governed the warehouse, and there was no place in Tom's philosophy for sentiment. He'd seen too many derelicts die to care much about this one.

"NO!" roared the youngster, making for the doorway. "You move Walt, and you'll answer to me. We're not fucking savages, so we don't fucking behave like them. YOU HEAR ME!" He pushed his way furiously through the crowd around the door.
 

The phone rang in Deacon's flat as he emerged from a shower. "I need to speak to Michael Deacon," said an urgent voice.

"Speaking," he said, rubbing his hair dry with a towel.

"Do you remember that warehouse you came to a couple of weeks back?"

"Yes." He recognized his caller. "Are you Terry?"

"Yeah. Listen, are you still after information on Billy Blake?"

"I am."

"Then get yourself down to the warehouse in the next half hour and bring a camera with you. Can you do that?''

"Why the hurry?"

"Because the cops are on the way, and there's stuff in there that belonged to Billy. I reckon half an hour tops before the barricades go up. You coming?"

"I'll be there."

Terry Dalton, muffled inside an old work jacket and with a black knit hat pulled down over his shaven head, was leaning against the corner of the building, watching for Deacon's arrival. As Deacon drew into the curb in front of an empty police car, Terry pushed himself off the wall and went to meet him.

"There's been a stabbing," he said in a rush, as the older man got out, ' 'and it was me called the coppers. I reckoned it wouldn't do no harm to have a journalist in on the act. Tom reckons they're going to use this as an excuse to evict us and maybe charge us with other offenses but we've got rights, and I want them protected. In return, I'll give you everything I've got on Billy. Is it a deal?" He looked down the road as another police car rounded the corner. "Move yourself. We ain't got much time. Did you bring a camera?"

Confused by this babble of information, Deacon allowed himself to be drawn into the lee of the building. "It's in my pocket."

Terry gestured along the wall. "There's a way in through one of the windows which the old Bill don't know about. If I get you inside, they'll think you were there all the time."

"What about the policemen already in there?"

"There's just the two of them and they didn't get here till after the medics. They won't have a clue who was inside and who wasn't. It's too bloody dark, and they were more interested in keeping Walt alive. They didn't start asking questions till five minutes ago when the ambulance left." He eased aside a piece of boarding. "Okay, remember this. It were Walter what got stabbed and a psycho called Denning what did it. It's something you'd know if you'd been here awhile."

Deacon put a hand on the boy's shoulder to restrain him as he prepared to climb through the window. "Hang on a minute. I'm not a lawyer. What are these rights you're expecting me to protect? And how am I supposed to do it?''

Terry rounded on him. "Take pictures or something. Jesus, I don't know. Use your imagination." His expression changed to bitterness when Deacon gave a doubtful shake of his head. "Look, you bastard, you said you wanted to prove that Billy's life had value. Well, start by proving that Walt, Tom, me, and every other damn sod in here have value. I know it's a fucking shithole, but we've got squatters' rights over it and it's where we live. It was me as rung the police, not the police as had to come looking, so they've no call to treat us like scum." His pale eyes narrowed in sudden desperation. "Billy always said that press freedom was the people's strongest weapon. Are you telling me he was wrong?"

"Okay, you lot, out," said a harassed police constable pushing resistant bodies. "Let's have you in the light where we can see you." He grabbed at an arm and swung the man to face the doorway. "Out! Out!"

The flash of Deacon's camera startled him, and he turned openmouthed to be caught in a second flash. A sudden silence descended on the warehouse as the light popped several times in quick succession.

"They'll be mounted in a series across the front page," said Deacon, swinging the camera towards another policeman whose foot was nudging a sleeping man, "with a caption like: 'Police use concentration-camp tactics on the homeless.' " He pointed the lens at the first policeman again, zooming in for a close-up. "How about a repeat of the 'Raus! Raus! Raus!' That should stir a few worrying memories among the great and the good."

"Who the hell are you?"

"Who the hell are you,
sir
!" said Deacon, lowering the camera to offer a card. "Michael Deacon and I'm a journalist. May I have your name, please, and the names of the other officers present?" He took out his notebook.

A plainclothes policeman intervened. "I'm Detective Sergeant Harrison, sir. Perhaps I can be of assistance." He was a pleasant-looking individual in his thirties, solidly built and with thinning blond hair which lifted in the breeze from the warehouse doorway. His eyes creased in an amiable smile.

"You could begin by explaining what's going on here."

"Certainly, sir. We are asking these gentlemen to clear the site of an attempted murder. As the only free area is outside we have requested them to vacate the building."

Deacon raised the camera again, pointed the lens the length of the warehouse, and took a photograph of its vast interior. "Are you sure about that, Sergeant? There seems to be acres of free space in here. As a matter of interest, when did the police adopt this policy?''

"What policy's that, sir?"

"Forcing people to leave their homes when a crime's been committed inside? Isn't the normal procedure to invite them to sit in another part of the house, usually the kitchen, where they can have a cup of tea to calm their nerves?''

"Look, sir, this is hardly run-of-the-mill, as you can see for yourself. It's a serious crime we're investigating. There are no lights. Half these guys are comatose on drink or drugs. The only way we can find out what's been going on is to move everyone out and introduce some order."

"Really?'' Deacon continued to take pictures. "I thought the more usual first step was to invite witnesses to come forward and make a statement."

Briefly, the sergeant's guard slipped and Deacon's camera caught his look of contempt. "These guys don't even know what cooperation means. However-'' He raised his voice. "A man was stabbed in here in the last hour. Would anyone who saw the incident or has information about it, please step forward?" He waited a second or two, then smiled good-humoredly at Deacon. "Satisfied, sir? Now perhaps you'll let us get on."

"
I
saw it," said Terry, sliding out from behind Deacon's back. His eyes searched the darkness for Tom. "And I weren't the only one, though you'd think I was for all the guts the rest of them are showing."

Silence greeted this remark.

"Jesus, you're pathetic," he went on scathingly. "No wonder the old Bill treat you like dirt. That's all you know, isn't it, how to lie down in the gutter while anyone who wants to walks all over you." He spat on the floor. "That's what I think of men who'd rather let a psycho loose on the streets than stand up and be counted once in their fucking lives."

"Okay, okay," said a disgruntled voice from the middle of the crowd. "Leave off, son, for Christ's sake." Tom shouldered his way to the front and glared malignantly at Terry. "Anyone'd think you were the Archbishop of flaming Canterbury the way you're carrying on." He nodded at the sergeant. "I saw it, too. 'Ow's tricks, Mr. 'Arrison?"

The demeanor of the Detective Sergeant changed. He gave a broad grin. "Good God! Tom Beale! I thought you were dead. Your old lady did, too."

Tom's face creased into lines of disgust. "I might as well be for all she cared. She told me to bugger off the last time you got me sent down, and I never saw 'er or 'eard from 'er again."

"Bull! She was on my back for months after you were released, pressuring me to find you. Why the hell didn't you go home like you were supposed to?"

"There weren't no point," said Tom morosely. "She made it clear she didn't want me. In any case, the silly cow went and died on me. I thought I'd pay 'er a visit a couple of years ago, and there were a load of strangers in the 'ouse. I were that upset, you wouldn't believe."

"That doesn't mean she's dead, for God's sake. The council moved her into a flat six months after you scarpered."

Tom looked pleased. "Is that right? You reckon she wants to see me?"

"I'd put money on it." The DS laughed. "How about we get you home for Christmas? God only knows why, but you're probably the present your old lady's been waiting for." He turned his watch face towards the light. "Better than that, if we can get this mess sorted out PDQ, we'll have you home in time for supper. What do you say?"

"You're on, Mr. 'Arrison."

"Okay, let's start with names and descriptions of everyone involved."

"There were only the one." Tom nodded towards the sleeping man and the policeman standing over him. "That's the bastard you want. Name of Denning. 'E's out for the count at the moment because 'e wears 'isself out with 'is rages, but you want to be careful 'ow you tackle 'im. Like Terry says, 'e's a psycho and 'e's still got the knife on 'im." He cackled again and produced a cigar from one of his pockets. "We don't want no accidents, not when we're all getting along so well. I tell you what, Mr. 'Arrison, I've never been so pleased to see the old Bill in my life. 'Ere, 'ave a cigar on me."

Because he was a professional, Deacon caught the presentation on film and made a few pounds out of the picture by selling it to a photographic agency. It appeared after Christmas in one of the tabloids with the caption: havana nice cigar and a sentimental version of Tom's reunion with his wife, together with Sergeant Harrison's part in the little drama. It was a parody of the truth, glossed up by a staff reporter to stimulate good feeling for the New Year, for the facts were that Tom preferred the company of men, his wife preferred her cat, and Sergeant Harrison was furious when he discovered the cigar was part of a consignment stolen from a hijacked truck.

The whole episode left a sour taste in Deacon's mouth. It offended him that police evenhandedness should turn on the warmth that one Sergeant felt for one destitute man. This wasn't reality. Reality was Terry's shithole of a warehouse, where dereliction ruled and the manner of a man's death was the most interesting thing about him.