Authors: Veronica Roth
NEW YORK TIMES
BESTSELLER
INDIE BESTSELLER LIST
FAVORITE BOOK OF THE YEAR, GOODREADS CHOICE AWARDS
NPR BEST BOOKS OF THE YEAR
BARNES & NOBLE BEST BOOKS OF THE YEAR
AMAZON.COM BEST BOOKS OF THE YEAR
PUBLISHERS WEEKLY
BEST BOOKS OF THE YEAR
ALA BEST FICTION FOR YOUNG ADULTS
“
DIVERGENT
is a captivating, fascinating book that kept me in constant suspense and was never short on surprises. It will be a long time before I quit thinking about this haunting vision of the future.”
—
JAMES DASHNER
,
NEW YORK TIMES
BESTSELLING AUTHOR OF
THE MAZE RUNNER
“A taut and shiveringly exciting read! Tris is exactly the sort of unflinching and fierce heroine I love. I couldn’t turn the pages fast enough.”
—MELISSA MARR
,
NEW YORK TIMES
BESTSELLING AUTHOR OF
WICKED LOVELY
“Promising author Roth tells the riveting and complex story of a teenage girl forced to choose between her routinized, selfless family and the adventurous, unrestrained future she longs for. A memorable, unpredictable journey from which it is nearly impossible to turn away.”
—
PUBLISHERS WEEKLY
(
STARRED REVIEW
)
“This is one fast-paced read that sticks in your head for days after you put it down, both because of its video-game-like scenes and its thought-provoking premise.”
—
HOLLYWOODCRUSH.MTV.COM
“This gritty, paranoid world is built with careful details and intriguing scope. The plot clips along at an addictive pace, with steady jolts of brutal violence and swoony romance. Fans snared by the ratcheting suspense will be unable to resist speculating on their own factional allegiance. Guaranteed to fly off the shelves.”
—
KIRKUS REVIEWS
“With brisk pacing and lavish flights of imagination,
DIVERGENT
clearly has thrills, but it also movingly explores a more common adolescent anxiety—the painful realization that coming into one’s own sometimes means leaving family behind, both ideologically and physically.”
—
NEW YORK TIMES BOOK REVIEW
“The depth and richness of Beatrice herself make this an accessible option for both sci-fi buffs and realistic fiction fans.”
—BCCB
“Roth paints her canvas with the same brush as Suzanne Collins. The plot, scenes, and characters are different but the colors are the same and just as rich. Fans of Collins, dystopias, and strong female characters will love this novel.”
—
SLJ
“You’ll be up all night with
DIVERGENT
, a brainy thrill-ride of a novel.”
—
BOOKPAGE
Katherine Tegen Books is an imprint of HarperCollins Publishers.
I
NSURGENT
. Copyright © 2012 by Veronica Roth. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.
Library of Congress Cataloging-in-Publication Data is available.
ISBN 978-0-06-202404-6 (trade bdg.)
ISBN 978-0-06-212784-6 (international edition)
12 13 14 15 16
CG/BV
10 9 8 7 6 5 4 3
FIRST EDITION
EPub Edition © MARCH 2012 ISBN: 9780062114457
Version: 06102014
To Jo,
who guides and steadies me
Every question that can be answered must be
answered or at least engaged.
Illogical thought processes must be
challenged when they arise.
Wrong answers must be corrected.
Correct answers must be affirmed.
—From the Erudite faction manifesto
T
RIS
I
PACE IN
our cell in Erudite headquarters, her words echoing in my mind:
My name will be Edith Prior, and there is much I am happy to forget.
“So you’ve
never
seen her before? Not even in pictures?” Christina says, her wounded leg propped up on a pillow. She was shot during our desperate attempt to reveal the Edith Prior video to our city. At the time we had no idea what it would say, or that it would shatter the foundation we stand on, the factions, our identities. “Is she a grandmother or an aunt or something?”
“I told you, no,” I say, turning when I reach the wall. “Prior is—was—my father’s name, so it would have to be on his side of the family. But Edith is an Abnegation name, and my father’s relatives must have been Erudite, so . . .”
“So she must be older,” Cara says, leaning her head against the wall. From this angle she looks just like her brother, Will, my friend, the one I shot. Then she straightens, and the ghost of him is gone. “A few generations back. An ancestor.”
“Ancestor.” The word feels old inside me, like crumbling brick. I touch one wall of the cell as I turn around. The panel is cold and white.
My ancestor, and this is the inheritance she passed to me: freedom from the factions, and the knowledge that my Divergent identity is more important than I could have known. My existence is a signal that we need to leave this city and offer our help to whoever is outside it.
“I want to know,” Cara says, running her hand over her face. “I need to know how long we’ve been here. Would you stop pacing for
one minute
?”
I stop in the middle of the cell and raise my eyebrows at her.
“Sorry,” she mumbles.
“It’s okay,” Christina says. “We’ve been in here way too long.”
It’s been days since Evelyn mastered the chaos in the lobby of Erudite headquarters with a few short commands and had all the prisoners hustled away to cells on the third floor. A factionless woman came to doctor our wounds and distribute painkillers, and we’ve eaten and showered several times, but no one has told us what’s going on outside. No matter how forcefully I’ve asked them.
“I thought Tobias would come by now,” I say, dropping to the edge of my cot. “Where
is
he?”
“Maybe he’s still angry that you lied to him and went behind his back to work with his father,” Cara says.
I glare at her.
“Four wouldn’t be that petty,” Christina says, either to chastise Cara or to reassure me, I’m not sure. “Something’s probably going on that’s keeping him away. He told you to trust him.”
In the chaos, when everyone was shouting and the factionless were trying to push us toward the staircase, I curled my fingers in the hem of his shirt so I wouldn’t lose him. He took my wrists in his hands and pushed me away, and those were the words he said.
Trust me. Go where they tell you.
“I’m trying,” I say, and it’s true. I’m trying to trust him. But every part of me, every fiber and every nerve, is straining toward freedom, not just from this cell but from the prison of the city beyond it.
I need to see what’s outside the fence.
T
OBIAS
I
CAN’T WALK
these hallways without remembering the days I spent as a prisoner here, barefoot, pain pulsing inside me every time I moved. And with that memory is another one, one of waiting for Beatrice Prior to go to her death, of my fists against the door, of her legs slung across Peter’s arms when he told me she was just drugged.
I hate this place.
It isn’t as clean as it was when it was the Erudite compound; now it is ravaged by war, bullet holes in the walls and the broken glass of shattered lightbulbs everywhere. I walk over dirty footprints and beneath flickering lights to her cell and I am admitted without question, because I bear the factionless symbol—an empty circle—on a black band around my arm and Evelyn’s features on my face. Tobias Eaton was a shameful name, and now it is a powerful one.
Tris crouches on the ground inside, shoulder to shoulder with Christina and diagonal from Cara. My Tris should look pale and small—she
is
pale and small, after all—but instead the room is full of her.
Her round eyes find mine and she is on her feet, her arms wound tightly around my waist and her face against my chest.
I squeeze her shoulder with one hand and run my other hand over her hair, still surprised when her hair stops above her neck instead of below it. I was happy when she cut it, because it was hair for a warrior and not a girl, and I knew that was what she would need.
“How’d you get in?” she says in her low, clear voice.
“I’m Tobias Eaton,” I say, and she laughs.
“Right. I keep forgetting.” She pulls away just far enough to look at me. There is a wavering expression in her eyes, like she is a heap of leaves about to be scattered by the wind. “What’s happening? What took you so long?”
She sounds desperate, pleading. For all the horrible memories this place carries for me, it carries more for her, the walk to her execution, her brother’s betrayal, the fear serum. I have to get her out.
Cara looks up with interest. I feel uncomfortable, like I have shifted in my skin and it doesn’t quite fit anymore. I hate having an audience.