the Desert Of Wheat (2001) (36 page)

BOOK: the Desert Of Wheat (2001)
7.12Mb size Format: txt, pdf, ePub

Just the same, Lenore, I'm learning more every day. If I was not so disgusted I'd think this was a wonderful opportunity. As it is, I

regard it only as an experience over which I have no control and that interests me in spite of myself. New York is an awful place--endless, narrow, torn-up streets crowded with hurrying throngs, taxicabs, cars, and full of noise and dust. I am always choked for air. And these streets reek. Where do the people come from and where are they going? They look wild, as if they had to go somewhere, but did not know where that was. I've no time or inclination to see New York, though under happier circumstances I

think I'd like to.

People in the East seem strange to me. Still, as I never mingled with many people in the West, I cannot say truly whether Eastern people are different from Western people. But I think so. Anyway, while I was in Spokane, Portland, San Francisco, and Los Angeles I

did not think people were greatly concerned about the war. Denver people appeared not to realize there was a war. But here in New York everything is war. You can't escape it. You see that war will soon obsess rich and poor, alien and neutral and belligerent, pacifist and militarist. Since I wrote you last I've tried to read the newspapers sent to us. It's hard to tell you which makes me the sicker--the prattle of the pacifist or the mathematics of the military experts. Both miss the spirit of men. Neither has any soul.

I think the German minds must all be mathematical.

But I want to write about the women and girls I see, here in New York, in the camps and towns, on the trains, everywhere. Lenore, the war has thrown them off their balance. I have seen and studied at close hand women of all classes. Believe me, as the boys say, I have thought more than twice whether or not I would tell you the stark truth. But somehow I am impelled to. I have an overwhelming conviction that all American girls and mothers should know what the truth is. They will never be told, Lenore, and most would never believe if they were told. And that is one thing wrong with people.

I believe every soldier, from the time he enlists until the war is ended, should be kept away from women. This is a sweeping statement and you must take into account the mind of him who makes it. But I

am not leaping at conclusions. The soldier boys have terrible peril facing them long before they get to the trenches. Not all, or nearly all, the soldiers are going to be vitally affected by the rottenness of great cities or by the mushroom hotbeds of vice springing up near the camps. These evils exist and are being opposed by military and government, by police and Y. M. C. A., and good influence of good people. But they will never wholly stamp it out.

Nor do I want to say much about the society women who are "rushing"

the officers. There may be one here and there with her heart in the right place, but with most of them it must be, first, this something about war that has unbalanced women; and secondly, a fad, a novelty, a new sentimental stunt, a fashion set by some leader. Likewise I

want to say but little about the horde of common, street-chasing, rattled-brained women and girls who lie in wait for soldiers at every corner, so to speak. All these, to be sure, may be unconsciously actuated by motives that do not appear on the surface;

and if this be true, their actions are less bold, less raw than they look.

What I want to dwell upon is my impression of something strange, unbalanced, incomprehensible, about the frank conduct of so many well-educated, refined, and good women I see; and about the eagerness, restlessness, the singular response of nice girls to situations that are not natural.

To-night a handsome, stylishly gowned woman of about thirty came up to me with a radiant smile and a strange brightness in her eyes.

There were five hundred couples dancing on the floor, and the music and sound of sliding feet made it difficult to hear her. She said:

"You handsome soldier boy! Come dance with me?" I replied politely that I did not dance. Then she took hold of me and said, "I'll teach you." I saw a wedding-ring on the hand she laid on my arm. Then I

looked straight at her, "Madam, very soon I'll be learning the dance of death over in France, and my mind's concerned with that." She grew red with anger. She seemed amazed. And she snapped, "Well, you _are_ a queer soldier!" Later I watched her flirting and dancing with an officer.

Overtures and advances innumerable have been made to me, ranging from the assured possession-taking onslaught like this woman's to the slight, subtle something, felt more than seen, of a more complex nature. And, Lenore, I blush to tell you this, but I've been mobbed by girls. They have a thousand ways of letting a soldier _know!_ I

could not begin to tell them. But I do not actually realize what it is that is conveyed, that I know; and I am positive the very large majority of soldiers _misunderstand_. At night I listen to the talks of my comrades, and, well--if the girls only heard! Many times I go out of hearing, and when I cannot do that I refuse to hear.

Lenore, I am talking about nice girls now. I am merciless. There are many girls like you--they seem like you, though none so pretty. I

mean, you know, there are certain manners and distinctions that at once mark a really nice girl. For a month I've been thrown here and there, so that it seems I've seen as many girls as soldiers. I have been sent to different entertainments given for soldiers. At one place a woman got up and invited the girls to ask the boys to dance.

At another a crowd of girls were lined up wearing different ribbons, and the boys marched along until each one found the girl wearing a ribbon to match the one he wore. That was his partner. It was interesting to see the eager, mischievous, brooding eyes of these girls as they watched and waited. Just as interesting was it to see this boy's face when he found his partner was ugly, and that boy swell with pride when he found he had picked a "winner." It was all adventure for both boys and girls. But I saw more than that in it.

Whenever I could not avoid meeting a girl I tried to be agreeable and to talk about war, and soldiers, and what was going on. I did not dance, of course, and I imagine more than one girl found me a "queer soldier."

It always has touched me, though, to see and feel the sweetness, graciousness, sympathy, kindness, and that other indefinable something, in the girls I have met. How they made me think of you, Lenore! No doubt about their hearts, their loyalty, their Americanism. Every soldier who goes to France can fight for some girl! They make you feel that. I believe I have gone deeper than most soldiers in considering what I will call war-relation of the sexes. If it is normal, then underneath it all is a tremendous inscrutable design of nature or God. If that be true, actually true, then war must be inevitable and right! How horrible! My thoughts confound me sometimes. Anyway, the point I want to make is this: I

heard an officer tell an irate father, whose two daughters had been insulted by soldiers: "My dear sir, it is regrettable. These men will be punished. But they are not greatly to blame, because so many girls throw themselves at their heads. Your daughters did not, of course, but they should not have come here." That illustrates the fixed idea of the military, all through the ranks--_Women throw themselves at soldiers!_ It is true that they do. But the idea is false, nevertheless, because the mass of girls are misunderstood.

Misunderstood!--I can tell you why. Surely the mass of American girls are nice, fine, sweet, wholesome. They are young. The news of war liberates something in them that we can find no name for. But it must be noble. A soldier! The very name, from childhood, is one to make a girl thrill. What then the actual thing, the uniform, invested somehow with chivalry and courage, the clean-cut athletic young man, somber and fascinating with his intent eyes, his serious brow, or his devil-may-care gallantry, the compelling presence of him that breathes of his sacrifice, of his near departure to privation, to squalid, comfortless trenches, to the fire and hell of war, to blood and agony and death--in a word to fight, fight, fight for women!... So through this beautiful emotion women lose their balance and many are misunderstood. Those who would not and could not be bold are susceptible to advances that in an ordinary time would not affect them. War invests a soldier with a glamour. Love at first sight, flirtations, rash intimacies, quick engagements, immediate marriages. The soldier who is soon going away to fight and perhaps to die strikes hard at the very heart of a girl. Either she is not her real self then, or else she is suddenly transported to a womanhood that is instinctive, elemental, universal for the future.

She feels what she does not know. She surrenders because there is an imperative call to the depths of her nature. She sacrifices because she is the inspiritor of the soldier, the reward for his loss, the savior of the race. If women are the spoils of barbarous conquerors, they are also the sinews, the strength, the soul of defenders.

And so, however you look at it, war means for women sacrifice, disillusion, heartbreak, agony, doom. I feel that so powerfully that I am overcome; I am sick at the gaiety and playing; I am full of fear, wonder, admiration, and hopeless pity for them.

No man can tell what is going on in the souls of soldiers while noble women are offering love and tenderness, throwing themselves upon the altar of war, hoping blindly to send their great spirits marching to the front. Perhaps the man who lives through the war will feel the change in his soul if he cannot tell it. Day by day I

think I see a change in my comrades. As they grow physically stronger they seem to grow spiritually lesser. But maybe that is only my idea. I see evidences of fear, anger, sullenness, moodiness, shame. I see a growing indifference to fatigue, toil, pain. As these boys harden physically they harden mentally. Always, 'way off there is the war, and that seems closely related to the near duty here--what it takes to make a man. These fellows will measure men differently after this experience with sacrifice, obedience, labor, and pain. In that they will become great. But I do not think these things stimulate a man's mind. Changes are going on in me, some of which I am unable to define. For instance, physically I am much bigger and stronger than I was. I weigh one hundred and eighty pounds! As for my mind, something is always tugging at it. I feel that it grows tired. It wants to forget. In spite of my will, all of these keen desires of mine to know everything lag and fail often, and I catch myself drifting. I see and feel and hear without thinking. I am only an animal then. At these times sight of blood, or a fight, or a plunging horse, or a broken leg--and these sights are common--affects me little until I am quickened and think about the meaning of it all. At such moments I have a revulsion of feeling. With memory comes a revolt, and so on, until I am the distressed, inquisitive, and morbid person I am now. I shudder at what war will make me. Actual contact with earth, exploding guns, fighting comrades, striking foes, will make brutes of us all. It is wrong to shed another man's blood. If life was meant for that why do we have progress? I cannot reconcile a God with all this horror. I

have misgivings about my mind. If I feel so acutely here in safety and comfort, what shall I feel over there in peril and agony? I fear I shall laugh at death. Oh, Lenore, consider that! To laugh in the ghastly face of death! If I yield utterly to a fiendish joy of bloody combat, then my mind will fail, and that in itself would be evidence of God.

I do not read over my letters to you, I just write. Forgive me if they are not happier. Every hour I think of you. At night I see your face in the shadow of the tent wall. And I love you unutterably.

Faithfully, Kurt Dorn.

Camp ----, _November_ --, Dear Sister,--It's bad news I've got for you this time. Something bids me tell you, though up to now I've kept unpleasant facts to myself.

The weather has knocked me out. My cold came back, got worse and worse. Three days ago I had a chill that lasted for fifteen minutes.

I shook like a leaf. It left me, and then I got a terrible pain in my side. But I didn't give in, which I feel now was a mistake. I

stayed up till I dropped.

I'm here in the hospital. It's a long shed with three stoves, and a lot of beds with other sick boys. My bed is far away from a stove.

The pain is bad yet, but duller, and I've fever. I'm pretty sick, honey. Tell mother and dad, but not the girls. Give my love to all.

And don't worry. It'll all come right in the end. This beastly climate's to blame.

_Later_,--It's night now. I was interrupted. I'll write a few more lines. Hope you can read them. It's late and the wind is moaning outside. It's so cold and dismal. The fellow in the bed next to me is out of his head. Poor devil! He broke his knee, and they put off the operation--too busy! So few doctors and so many patients! And now he'll lose his leg. He's talking about home. Oh, Lenore! _Home!_

I never knew what home was--till now.

I'm worse to-night. But I'm always bad at night. Only, to-night I

feel strange. There's a weight on my chest, besides the pain. That moan of wind makes me feel so lonely. There's no one here--and I'm so cold. I've thought a lot about you girls and mother and dad. Tell dad I made good.

Jim CHAPTER XXV

Jim's last letter was not taken seriously by the other members of the Anderson family. The father shook his head dubiously. "That ain't like Jim," but made no other comment. Mrs. Anderson sighed. The young sisters were not given to worry. Lenore, however, was haunted by an unwritten meaning in her brother's letter.

Other books

Birthday List by Willa Edwards
You Know Me Well by David Levithan
Wheels of Terror by Sven Hassel
Prohibited Zone by Alastair Sarre
Cold Winter Rain by Steven Gregory
HARD KNOX by Jaxson Kidman
THE LUTE AND THE SCARS by Adam Thirlwell and John K. Cox
The River Nymph by Shirl Henke