The Dark Tower (107 page)

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Authors: Stephen King

BOOK: The Dark Tower
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And for the time being, none of that mattered. Here was another one he had killed, and if there was consolation to be had, it was this: Oy would be the last. Now he was alone again except for Patrick, and Roland had an idea Patrick was immune to the terrible germ the gunslinger carried, for he had never been ka-tet to begin with.

I only kill my family,
Roland thought, stroking the dead billy-bumbler.

What hurt most was remembering how unpleasantly he had spoken to Oy the day before.
If’ee wanted to go with her, thee should have gone when thee had thy chance!

Had he stayed because he knew that Roland would need him? That when push came down to shove (it was Eddie’s phrase, of course), Patrick would fail?

Why will’ee cast thy sad houken’s eyes on me now?

Because he had known it was to be his last day, and his dying would be hard?

“I think you knew both things,” Roland said, and closed his eyes so he could feel the fur beneath his hands better. “I’m so sorry I spoke to’ee so—would give the fingers on my good left hand if I could take the words back. So I would, every one, say true.”

But here as in the Keystone World, time only ran one way. Done was done. There would be no taking back.

Roland would have said there was no anger left, that every bit of it had been burned away, but when he felt the tingling all over his skin and understood what it meant, he felt fresh fury rise in his heart. And he felt the coldness settle into his tired but still talented hands.

Patrick was
drawing
him! Sitting beneath the cottonwood just as if a brave little creature worth ten of him—no, a hundred!—hadn’t died in that very tree, and for both of them.

It’s his way,
Susannah spoke up calmly and gently from deep in his mind.
It’s all he has, everything else has been taken from him

his home world as well as his mother and his tongue and whatever brains he might once have had. He’s mourning, too, Roland. He’s frightened, too. This is the only way he has of soothing himself.

Undoubtedly all true. But the truth of it actually fed his rage instead of damping it down. He put his remaining gun aside (it lay gleaming between
two of the singing roses) because having it close to hand wouldn’t do, no, not in his current mood. Then he rose to his feet, meaning to give Patrick the scolding of his life, if for no other reason than it would make Roland feel a little bit better himself. He could already hear the first words:
Do you enjoy drawing those who saved your mostly worthless life, stupid boy? Does it cheer your heart?

He was opening his mouth to begin when Patrick put his pencil down and seized his new toy, instead. The eraser was half-gone now, and there were no others; as well as Roland’s gun, Susannah had taken the little pink nubbins with her, probably for no other reason than that she’d been carrying the jar in her pocket and her mind had been studying other, more important, matters. Patrick poised the eraser over his drawing, then looked up—perhaps to make sure he really wanted to erase at all—and saw the gunslinger standing in the streambed and frowning at him. Patrick knew immediately that Roland was angry, although he probably had no idea under heaven as to
why,
and his face cramped with fear and unhappiness. Roland saw him now as Dandelo must have seen him time and time again, and his anger collapsed at the thought. He would not have Patrick fear him—for Susannah’s sake if not his own, he would not have Patrick fear him.

And discovered that it
was
for his own sake, after all.

Why not kill him, then?
asked the sly, pulsing voice in his head.
Kill him and put him out of his misery, if thee feels so tender toward him? He and the bumbler can enter the clearing together. They can make a place there for you, gunslinger.

Roland shook his head and tried to smile. “Nay, Patrick, son of Sonia,” he said (for that was how Bill the robot had called the boy). “Nay, I was wrong—again—and will not scold thee. But . . .”

He walked to where Patrick was sitting. Patrick cringed away from him with a doglike, placatory smile that made Roland angry all over again, but he quashed the emotion easily enough this time. Patrick had loved Oy too, and this was the only way he had of dealing with his sorrow.

Little that mattered to Roland now.

He reached down and gently plucked the eraser out of the boy’s fingers. Patrick looked at him questioningly, then reached out his empty hand, asking with his eyes that the wonderful (and useful) new toy be given back.

“Nay,” Roland said, as gently as he could. “You made do for the gods only know how many years without ever knowing such things existed; you can make do the rest of this one day, I think. Mayhap there’ll be something for you to draw—and then undraw—later on. Do’ee ken, Patrick?”

Patrick did not, but once the eraser was safely deposited in Roland’s pocket along with the watch, he seemed to forget about it and just went back to his drawing.

“Put thy picture aside for a little, too,” Roland told him.

Patrick did so without argument. He pointed first to the cart, then to the Tower Road, and made his interrogative hooting sound.

“Aye,” Roland said, “but first we should see what Mordred had for gunna—there may be something useful there—and bury our friend. Will’ee help me see Oy into the ground, Patrick?”

Patrick was willing, and the burial didn’t take long; the body was far smaller than the heart it had held. By mid-morning they had begun to cover the last few miles on the long road which led to the Dark Tower.

C
HAPTER
III:
T
HE
C
RIMSON
K
ING
AND THE
D
ARK
T
OWER
ONE

The road and the tale have both been long, would you not say so? The trip has been long and the cost has been high . . . but no great thing was ever attained easily. A long tale, like a tall Tower, must be built a stone at a time. Now, however, as the end draws closer, you must mark yon two travelers walking toward us with great care. The older man—he with the tanned, lined face and the gun on his hip—is pulling the cart they call Ho Fat II. The younger one—he with the oversized drawing pad tucked under his arm that makes him look like a student in days of old—is walking along beside it. They are climbing a long, gently upsloping hill not much different from hundreds of others they have climbed. The overgrown road they follow is lined on either side with the remains of rock walls; wild roses grow in amiable profusion amid the tumbles of fieldstone. In the open, brush-dotted land beyond these fallen walls are strange stone edifices. Some look like the ruins of castles; others have the appearance of Egyptian obelisks; a few are clearly Speaking Rings of the sort where
demons may be summoned; one ancient ruin of stone pillars and plinths has the look of Stonehenge. One almost expects to see hooded Druids gathered in the center of that great circle, perhaps casting the runes, but the keepers of these monuments, these precursors of the Great Monument, are all gone. Only small herds of bannock graze where once they worshipped.

Never mind. It’s not old ruins we’ve come to observe near the end of our long journey, but the old gunslinger pulling the handles of the cart. We stand at the crest of the hill and wait as he comes toward us. He comes. And comes. Relentless as ever, a man who always learns to speak the language of the land (at least some of it) and the customs of the country; he is still a man who would straighten pictures in strange hotel rooms. Much about him has changed, but not that. He crests the hill, so close to us now that we can smell the sour tang of his sweat. He looks up, a quick and automatic glance he shoots first ahead and then to either side as he tops any hill—
Always con yer vantage
was Cort’s rule, and the last of his pupils has still not forgotten it. He looks up without interest, looks down . . . and stops. After a moment of staring at the broken, weed-infested paving of the road, he looks up again, more slowly this time. Much more slowly. As if in dread of what he thinks he has seen.

And it’s here we must join him—sink into him—although how we will ever con the vantage of Roland’s heart at such a moment as this, when the single-minded goal of his lifetime at last comes in sight, is more than this poor excuse for a storyman can ever tell. Some moments are beyond imagination.

TWO

Roland glanced up quickly as he topped the hill, not because he expected trouble but because the habit was too deeply ingrained to break.
Always con yer vantage,
Cort had told them, drilling it into their heads from the time when they had been little more than babbies. He looked back down at the road—it was becoming more and more difficult to swerve among the roses without crushing any, although he had managed the trick so far—and then, belatedly, realized what he had just seen.

What you
thought
you saw,
Roland told himself, still looking down at the road.
It’s probably just another of the strange ruins we’ve been passing ever since we started moving again.

But even then Roland knew it wasn’t so. What he’d seen was not to either side of the Tower Road, but dead ahead.

He looked up again, hearing his neck creak like hinges in an old door, and there, still miles ahead but now visible on the horizon, real as roses, was the top of the Dark Tower. That which he had seen in a thousand dreams he now saw with his living eyes. Sixty or eighty yards ahead, the road rose to a higher hill with an ancient Speaking Ring moldering in the ivy and honeysuckle on one side and a grove of ironwood trees on the other. At the center of this near horizon, the black shape rose in the near distance, blotting out a tiny portion of the blue sky.

Patrick came to a stop beside Roland and made one of his hooting sounds.

“Do you see it?” Roland asked. His voice was dusty, cracked with amazement. Then, before
Patrick could answer, the gunslinger pointed to what the boy wore around his neck. In the end, the binoculars had been the only item in Mordred’s little bit of gunna worth taking.

“Give them over, Pat.”

Patrick did, willingly enough. Roland raised them to his eyes, made a minute adjustment to the knurled focus knob, and then caught his breath as the top of the Tower sprang into view, seemingly close enough to touch. How much was visible over the horizon? How much was he looking at? Twenty feet? Perhaps as much as fifty? He didn’t know, but he could see at least three of the narrow slit-windows which ascended the Tower’s barrel in a spiral, and he could see the oriel window at the top, its many colors blazing in the spring sunshine, the black center seeming to peer back down the binoculars at him like the very Eye of Todash.

Patrick hooted and held out a hand for the binoculars. He wanted his own look, and Roland handed the glasses over without a murmur. He felt light-headed, not really there. It occurred to him that he had sometimes felt like that in the weeks before his battle with Cort, as though he were a dream or a moonbeam. He had sensed something coming, some vast change, and that was what he felt now.

Yonder it is,
he thought.
Yonder is my destiny, the end of my life’s road. And yet my heart still beats (a little faster than before, ’tis true), my blood still courses, and no doubt when I bend over to grasp the handles of this becurst cart my back will groan and I may pass a little gas. Nothing at all has changed.

He waited for the disappointment this thought surely presaged—the letdown. It didn’t come. What he felt instead was a queer, soaring brightness
that seemed to begin in his mind and then spread to his muscles. For the first time since setting out at mid-morning, thoughts of Oy and Susannah left his mind. He felt free.

Patrick lowered the binoculars. When he turned to Roland, his face was excited. He pointed to the black thumb jutting above the horizon and hooted.

“Yes,” Roland said. “Someday, in some world, some version of you will paint it, along with Llamrei, Arthur Eld’s horse. That I know, for I’ve seen the proof. As for now, it’s where we must go.”

Patrick hooted again, then pulled a long face. He put his hands to his temples and swayed his head back and forth, like someone who has a terrible headache.

“Yes,” Roland said. “I’m afraid, too. But there’s no help for it. I have to go there. Would you stay here, Patrick? Stay and wait for me? If you would, I give you leave to do so.”

Patrick shook his head at once. And, just in case Roland didn’t take the point, the mute boy seized his arm in a hard grip. The right hand, the one with which he drew, was like iron.

Roland nodded. Even tried to smile. “Yes,” he said, “that’s fine. Stay with me as long as you like. As long as you understand that in the end I’ll have to go on alone.”

THREE

Now, as they rose from each dip and topped each hill, the Dark Tower seemed to spring closer. More of the spiraling windows which ran around its great circumference became visible. Roland could see
two steel posts jutting from the top. The clouds which followed the Paths of the two working Beams seemed to flow away from the tips, making a great
X
-shape in the sky. The voices grew louder, and Roland realized they were singing the names of the world. Of
all
the worlds. He didn’t know how he could know that, but he was sure of it. That lightness of being continued to fill him up. Finally, as they crested a hill with great stone men marching away to the north on their left (the remains of their faces, painted in some blood-red stuff, glared down upon them), Roland told Patrick to climb up into the cart. Patrick looked surprised. He made a series of hooting noises Roland took to mean
But aren’t you tired?

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