Read The Complete Stories Online
Authors: David Malouf
The one I was staring at was of half a dozen young men in military uniform. It might have been from the last century, but there was a date in copperplate: 1921. Splendidly booted and sashed and frogged, and hieratically stiff, with casque helmets under their arms, swords tilted at the thigh, white gloves tucked into braided epaulettes, they were a chorus
line from a Ruritanian operetta. They were also, as I knew, the heroes of a lost but unforgotten war.
“You recognise me?” the Professor asked.
I looked again. It was difficult. All the young men strained upright with the same martial hauteur, wore the same little clipped moustaches, had the same flat hair parted in the middle and combed in wings over their ears. Figures from the past can be as foreign, as difficult to identify individually, as the members of another race. I took the plunge, set my forefinger against the frame, and turned to the Professor for confirmation. He came to my side and peered.
“No,” he said sorrowfully. “But the mistake is entirely understandable. He was my great friend, almost a brother. I am here. This is me. On the left.”
He considered himself, the slim assured figure, chin slightly tilted, eyes fixed ahead, looking squarely out of a class whose privileges— inherent in every point of the stance, the uniform, the polished accoutrements—were not to be questioned, and from the ranks of an army that was invincible. The proud caste no longer existed. Neither did the army nor the country it was meant to defend, except in the memory of people like the Professor and my parents and, in a ghostly way, half a century off in another hemisphere, my own.
He shook his head and made a clucking sound. “Well,” he said firmly, "it's a long time ago. It is foolish of me to keep such things. We should live for the present. Or like you younger people,” bringing the conversation back to me, "for the future.”
I found it easier to pass to the other photographs.
In one, the unsmiling officer appeared as an even younger man, caught in an informal, carefully posed moment with a group of ladies. He was clean-shaven and lounging on the grass in a striped blazer; beside him a discarded boater—very English. The ladies, more decorously disposed, wore long dresses with hats and ribbons. Neat little slippers peeped out under their skirts.
“Yes, yes,” he muttered, almost impatient now, "that too. Summer holidays—who can remember where? And the other a walking trip.”
I looked deep into a high meadow, with broken cloud-drift in the dip below. Three young men in shorts, maybe schoolboys, were climbing on the far side of the wars. There were flowers in the foreground, glowingly
out of focus, and it was this picture whose glass was shattered; it was like looking through a brilliant spider's web into a picturebook landscape that was utterly familiar, though I could never have been there.
That is the place,
I thought.
That is the land my parents mean when they “the Old Country": the country of childhood and first love that they go back to in their sleep and which I have no memory of, though I was born there. Those flowers are the ones, precisely those, that blossom in the songs they sing.
And immediately I was back in my mood of just a few minutes ago, when I had stood out there gazing up at the stars.
What is it,
I asked myself,
that I will remember and want to preserve, when in years to come I think of the Past? What will be important enough? For
what the photographs had led me back to, once again, was myself. It was always the same. No matter how hard I tried to think my way out into other people's lives, into the world beyond me, the feelings I discovered were my own.
“Come. Sit,” the Professor said, "and drink your beer. And do eat one of these sandwiches. It's very good rye bread, from the only shop. I go all the way to South Brisbane for it. And Grken. I seem to remember you like them.”
“What do you do up on the roof?” I asked, my mouth full of bread and beer, feeling uneasy again now that we were sitting with nothing to fix on.
“I make observations, you know. The sky, which looks so still, is always in motion, full of drama if you understand how to read it. Like looking into a pond. Hundreds of events happening right under your eyes, except that most of what we see is already finished by the time we see it—ages ago—but important just the same. Such large events. Huge! Bigger even than we can imagine. And beautiful, since they unfold, you know, to a kind of music, to numbers of infinite dimension like the ones you deal with in equations at school, but more complex, and entirely visible.”
He was moved as he spoke by an emotion that I could not identify, touched by occasions a million light-years off and still unfolding towards him, in no way personal. The room for a moment lost its tension. I no longer felt myself to be the focus of his interest, or even of my own. I felt liberated, and for the first time the Professor was interesting in his own right, quite apart from the attention he paid me or the importance my parents attached to him.
“Maybe I could come again,” I found myself saying. “I'd like to see.”
“But of course,” he said, "any time. Tonight is not good—there is a little haze, but tomorrow if you like. Or any time.”
I nodded. But the moment of easiness had passed. My suggestion, which might have seemed like another move in a game, had brought me back into focus for him and his look was quizzical, defensive. I felt it and was embarrassed, and at the same time saddened. Some truer vision of myself had been in the room for a moment. I had almost grasped it. Now I felt it slipping away as I moved back into my purely physical self.
I put the glass down, not quite empty.
“No thanks, really,” I told him when he indicated the half finished bottle on the tray. “I should have been home nearly an hour ago. My mother, you know.”
“Ah yes, of course. Well, just call whenever you wish, no need to be formal. Most nights I am observing. It is a very interesting time. Here— let me open the door for you. The books, I see, are a little awkward, but you are so expert on the bicycle I am sure it will be okay.”
I followed him round the side of the pool into the courtyard and there was my bike at its easy angle to the wall, my other familiar and streamlined self. I wheeled it out while he held the gate.
Among my parents’ oldest friends were a couple who had recently moved to a new house on the other side of the park, and at the end of winter, in the year I turned seventeen, I sometimes rode over on Sundays to help John clear the big overgrown garden. All afternoon we grubbed out citrus trees that had gone wild, hacked down morning-glory that had grown all over the lower part of the yard, and cut the knee-high grass with a sickle to prepare it for mowing. I enjoyed the work. Stripped down to shorts in the strong sunlight, I slashed and tore at the weeds till my hands blistered, and in a trancelike preoccupation with tough green things that clung to the earth with a fierce tenacity, forgot for a time my own turmoil and lack of roots. It was something to
do.
John, who worked up ahead, was a dentist. He paid me ten shillings a day for the work, and this, along with my pocket money, would take Helen and me to the pictures on Saturday night, or to a flash meal at one of the city hotels. We worked all afternoon, while the children, who
were four and seven, watched and got in the way. Then about five thirty Mary would call us for tea.
Mary had been at school with my mother and was the same age, though I could never quite believe it; she had children a whole ten years younger than I was, and I had always called her Mary. She wore bright bangles on her arm, liked to dance at parties, never gave me presents like handkerchiefs or socks, and had always treated me, I thought, as a grown-up. When she called us for tea I went to the garden tap, washed my feet, splashed water over my back that was streaked with soil and sweat and stuck all over with little grass clippings, and was about to buckle on my loose sandals when she said from the doorway where she had been watching: "Don't bother to get dressed. John hasn't.” She stood there smiling, and I turned away, aware suddenly of how little I had on; and had to use my V-necked sweater to cover an excitement that might otherwise have been immediately apparent in the khaki shorts I was wearing—without underpants because of the heat.
As I came up the steps towards her she stood back to let me pass, and her hand, very lightly, brushed the skin between my shoulder blades.
“You're still wet,” she said.
It seemed odd somehow to be sitting at the table in their elegant dining room without a shirt; though John was doing it, and was already engaged like the children in demolishing a pile of neat little sandwiches.
I sat at the head of the table with the children noisily grabbing at my left and John on my right drinking tea and slurping it a little, while Mary plied me with raisin-bread and Old Country cookies. I felt red, swollen, confused every time she turned to me, and for some reason it was the children's presence rather than John's that embarrassed me, especially the boy's.
Almost immediately we were finished John got up.
“I'll just go,” he said, "and do another twenty minutes before it's dark.” It was dark already, but light enough perhaps to go on raking the grass we had cut and were carting to the incinerator. I made to follow. “It's all right,” he told me. “I'll finish off. You've earned your money for today.”
“Come and see our animals!" the children yelled, dragging me down the hall to their bedroom, and for ten minutes or so I sat on the floor with them, setting out farm animals and making fences, till Mary, who had been clearing the table, appeared in the doorway.
“Come on now, that's enough, it's bathtime, you kids. Off you go!”
They ran off, already half-stripped, leaving her to pick up their clothes and fold them while I continued to sit cross-legged among the toys, and her white legs, in their green sandals, moved back and forth at eye-level. When she went out I too got up, and stood watching at the bathroom door.
She was sitting on the edge of the bath, soaping the little boy's back, as I remembered my mother doing, while the children splashed and shouted. Then she dried her hands on a towel, very carefully, and I followed her into the unlighted lounge. Beyond the glass wall, in the depths of the garden, John was stooping to gather armfuls of the grass we had cut, and staggering with it to the incinerator.
She sat and patted the place beside her. I followed as in a dream. The children's voices at the end of the hallway were complaining, quarrelling, shrilling. I was sure John could see us through the glass as he came back for another load.
Nothing was said. Her hand moved over my shoulder, down my spine, brushed very lightly, without lingering, over the place where my shorts tented; then rested easily on my thigh. When John came in he seemed unsurprised to find us sitting close in the dark. He went right past us to the drinks cabinet, which suddenly lighted up. I felt exposed and certain now that he must see where her hand was and say something.
All he said was: "Something to drink, darling?”
Without hurry she got up to help him and they passed back and forth in front of the blazing cabinet, with its mirrors and its rows of bottles and cut-crystal glasses. I was sweating worse than when I had worked in the garden, and began, self-consciously, to haul on the sweater.
I pedalled furiously away, glad to have the cooling air pour over me and to feel free again.
Back there I had been scared—but of what? Of a game in which I might, for once, be the victim—not passive, but with no power to control the moves. I slowed down and considered that, and was, without realising it, at the edge of something. I rode on in the softening dark. It was good to have the wheels of the bike roll away under me as I rose on the pedals, to feel on my cheeks the warm scent of jasmine that was invisible all round. It was a brilliant night verging on spring. I didn't
want it to be over; I wanted to slow things down. I dismounted and walked a little, leading my bike along the grassy edge in the shadow of trees, and without precisely intending it, came on foot to the entrance to the Professor's drive, and paused, looking up beyond the treetops to where he might be installed with his telescope—observing what? What events up there in the infinite sky?
I leaned far back to see. A frozen waterfall it might have been, falling slowly towards me, sending out blown spray that would take centuries, light-years, to break in thunder over my head. Time. What did one moment, one night, a lifespan mean in relation to all that?
“Hullo there!”
It was the Professor. I could see him now, in the moonlight beside the telescope, which he leaned on and which pointed not upwards to the heavens but down to where I was standing. It occurred to me, as on previous occasions, that in the few moments of my standing there with my head flung back to the stars, what he might have been observing was
me.
I hesitated, made no decision. Then, out of a state of passive expectancy, willing nothing but waiting poised for my own life to occur; out of a state of being open to the spring night and to the emptiness of the hours between seven and ten when I was expected to be in, or thirteen (was it?) and whatever age I would be when manhood finally came to me; out of my simply being there with my hand on the saddle of the machine, bare-legged, loose-sandalled, going nowhere, I turned into the drive, led my bike up to the stockade gate, and waited for him to throw down the keys.
“You know which one it is,” he said, letting them fall. “Just use the other to come in by the poolside.”
I unlocked the gate, rested my bike against the wall of the courtyard, and went round along the edge of the pool. It was clean now but heavy with shadows. I turned the key in the glass door, found my way (though this part of the house was new to me) to the stairs, and climbed to where another door opened straight on to the roof.
“Ah,” he said, smiling. “So at last! You are here.”
The roof was unwalled but set so deep among trees that it was as if I had stepped out of the city altogether into some earlier, more darkly wooded era. Only lighted windows, hanging detached in the dark, showed where houses, where neighbours were.