The Complete Stories (41 page)

Read The Complete Stories Online

Authors: Bernard Malamud

BOOK: The Complete Stories
13.02Mb size Format: txt, pdf, ePub
FLORENCE: What do you mean?
FEUER: I say that too.
FLORENCE [
still half stunned
]: How can anyone love a son of a bitch?
FEUER [
savagely striking his chest
]: I am the son of a bitch.
FLORENCE [
musing
]: It’s my fault. I shouldn’t fight with you. I don’t know why I do it. Maybe it’s change of life. What am I changing? Where is my life? It’s true, I neglected her, she’s the one who suffered. I still feel terrible about those days. But you left me. I had to work. I was out all day. At night I was afraid to be alone. I began to look for company. I was ashamed to let her see me so I sent her away. There was nobody to send her to so I sent her to strangers.
FEUER [
unable to restrain it
]: To friends of your lovers. To their relatives too.
FLORENCE: Have mercy on me, Feuer. My lovers I buried long ago. They’re all dead. Don’t dig them out of their graves. For what I did to my child I still suffer. You don’t have to hurt me more. I know how to hurt myself. [
She cries quietly.]
[FEUER
approaches her chair and stands behind her.
]
FEUER: I was a fool. I didn’t know what I was doing. I didn’t understand my own nature. I talked big but accomplished nothing. Even as an actor I wasn’t one of the best. Thomashefsky, Jacob Adler, Schwartz—all were better than me. Their names are famous. Two years off the stage and my name is dead. This is what I deserve—I don’t fool myself.
FLORENCE: You were a good actor.
FEUER: I wasn’t a good actor and I am not a good man.
[
She rises and they embrace
.]
FLORENCE: I forgave you but you don’t forgive me.
FEUER: I don’t forgive myself.
FLORENCE [
again remembering
]: Three times you left me.
FEUER: I always came back.
FLORENCE: It took so long. I hurt her so much. [
She wipes her eyes with her fingers
.]
FEUER: Enough now. It was my fault too. I hurt her and I hurt you. Why did I hurt you?—because you were there to hurt. You were the only one [
He pauses
—
there was another but he doesn’t say
so
]—the only one who could stand me.
FLORENCE: You try to be good.
FEUER:No.
FLORENCE: Yes. [
After a minute]
Please do me a favor, Feuer, and I won’t ask for anything else—let Leon alone. Let Adele alone. Let them find their life together. It’s all I ask you. For her sake—or there will be terrible trouble.
[
The door opens and
ADELE
enters, discovering them in each other’s arms.
]
ADELE [
sadly
]: Ah, you’ve been fighting again. [
She shuts the door.
]
[FLORENCE
goes to the sink, washes her eyes with cold water
,
and dries them with a kitchen towel.
FEUER,
after kissing
ADELE,
goes to the bathroom.
]
ADELE [
putting her purse and a paper down on the table
]
:
What were you fighting about?
FLORENCE: We weren’t fighting. It was a disagreement. Leon was here.
ADELE: Leon? When?
FLORENCE: He came to surprise you. He wants you to eat dinner with him. Please, darling, go. He’ll be right back in a few minutes.
ADELE: Where is he now?
FLORENCE: I don’t know. I wasn’t here. Papa told me. I think they were playing rummy and he said something to Leon.
ADELE: Nasty?
FLORENCE: Papa got sarcastic and Leon didn’t like it. But he said he would come back soon.
ADELE: I wasn’t expecting him tonight.
FLORENCE: It was a surprise.
ADELE: I wish he had at least called me. I already promised Ben I would go for a walk with him tonight.
FLORENCE: A walk is nothing.
ADELE: I promised.
FLORENCE: Adele, you’re an engaged girl. Leon came all the way from Newark to take you to dinner. You ought to go.
ADELE: Being engaged doesn’t mean I’m not entitled to a free minute to myself.
FLORENCE: Who said that? All I said was Leon was here. You can tell this boy upstairs you’ll see him some other time.
ADELE: He called me up and I said yes.
FLORENCE: It isn’t such a big promise.
ADELE: I can’t understand why Leon didn’t call.
FLORENCE: Call or not call, it’s not nice to say no when he’s already here. Adele, mamale, please see him tonight. I don’t want you to walk with that boy. It’s dangerous. [
She hadn’t meant to say quite that.
]
ADELE: A walk isn’t a wedding, Mama.
FLORENCE: It could be worse than a wedding.
ADELE: For God’s sake, what do you mean?
FLORENCE [
cracking her knuckles on
her bosom
]: You can walk to your grave with a little walk.
[FEUER
comes out of the bathroom, looks at himself earnestly in the mirror, mutters something derogatory, and enters the kitchen.
]
ADELE: Doesn’t anyone trust me?
FEUER: I trust you.
FLORENCE [to ADELE]: Is this what you want all your life? [
Indicating
the
apartment.
]
ADELE: I don’t see the relationship.
FLORENCE [
deeply troubled
]: For my sake don’t go out with this writer. Don’t make any more complications in your life. Life is complicated enough.
[
There is a knock on the door.
]
FLORENCE: Come in.
[LEON
enters, carrying a large bouquet of flowers.
]
FLORENCE: Leon!
LEON: Hello, everybody. [
To
ADELE] This is for you, honey.
ADELE: Hello, darling.
[
He hands her the flowers and they kiss
.]
LEON: Hello, Mrs. Feuer. Good evening, Mr. Feuer. [
He bears no grudges.
]
FEUER: Good evening.
[ADELE
hands the bouquet to her mother, who hunts for something to put it into. While she is doing that,
FEUER
takes up his newspaper, excuses himself, and, after drawing the curtain separating the rooms, sits on the daybed, reading.
FLORENCE
, disapproving the drawn curtain but glad to have
FEUER
out of the way, attends first to the flowers, then fixes her cold supper.
LEON
has seated himself at the table, and
ADELE,
after setting the vase of new flowers on the windowsill, is sitting near him.]
FLORENCE: Leon, would you like to eat with us? It’s not much—just a salad with smoked whitefish. Also a few potato pancakes, though not for Feuer—he can’t eat them.
LEON: Thanks very much but I was thinking of asking Adele to go out and eat Chinese tonight. [
He looks at her
.]
ADELE: I’m sorry, Leon, if I had known you were coming I would have said yes. That is if you had called before Ben asked me. He’s that friend of Papa’s who writes. You met him.
LEON [
disappointed
]: Couldn’t you break it with him, honey?
ADELE [
hesitantly
]: I’d rather not.
LEON: What’s so special about this guy? I mean that you gave him the date? Is it because he’s a writer?
ADELE [
defensively
]: You said I could go out once in a while if I felt like it.
LEON: I said it and I stick by it. All I want to know is why you’re going out with him?
ADELE: I guess I have the feeling he’s gone through a lot.
FLORENCE: Everybody goes through a lot—
ADELE: I like him, he’s interesting. I like to talk to him.
LEON: I appreciate his problems, but the fact of it is I’ve come all the way from Newark, New Jersey, to be with the girl I’m engaged to—
FLORENCE: Mamale—
ADELE: Please, Mama—
[FLORENCE
removes her apron and retires behind the curtain.
FEUER,
who has been listening, raises his paper as she enters and pretends he’s reading. FLORENCE, not sure she has made the right move, lights a cigarette and sits in the armclzair, flipping through the pages of a magazine.
]
LEON [
lowering
his
voice
]: Honey, I don’t dig it. I thought you’d surely be happy to have this kind of a surprise from me.
ADELE [
gently
]: I am. It’s a nice surprise. But all I’m saying is I feel committed tonight. [
Aware of his concern
] Don’t worry, it’s not serious. Don’t make anything serious out of it. It’s just that he’s a lonely person, I guess. You feel that when you’re with him.
LEON: I’m lonely too. Couldn’t you postpone it till tomorrow night?
ADELE: He’s off tonight. Tomorrow he works.
LEON: Then till the next time he’s off? I’ll exchange him tonight for then. [
Again lowering his voice
] You haven’t forgotten our plan to spend a week in the country together in September?
ADELE [
a little cold
]: I don’t see what the relationship of this is with that.
LEON: Well, maybe there isn’t, but why don’t you think it over? I mean about tonight.
ADELE: I feel I ought to keep my word with him.
LEON [
edgy
]: What’s the matter, Adele—you don’t seem cordial at all. What is it, the atmosphere here?
ADELE: If you don’t like the atmosphere, why do you come here?
LEON: I don’t want to fight with you.
ADELE: I don’t want to fight with you.
LEON [
after a minute
]: Maybe you’re right. Give me a kiss and I’ll call it quits.
ADELE: I’ll kiss you because I like you.
[
They kiss.
]
ADELE [
gently
]: I’ll postpone it with him if you really want me to.
FEUER [
from behind the curtain
]: Do what
you
want.
FLORENCE [
hushed whisper
]: Please, for God’s sake, Feuer.
LEON [
as though he had heard nothing
]: Let’s make a compromise. What time is he showing up here?
ADELE: I don’t know, around eight, I suppose. He didn’t say exactly.
LEON: All right, whatever time. [
He looks at his wristwatch.
] It’s ten to six. We can still go out, have our Chinese meal, and I’ll have you back in the car at fifteen after eight. Then you can go for a short walk and when you come back I’ll be waiting and we can drive down to Coney Island.
ADELE: For the first suggestion, okay. I’ll go to the Chinese restaurant with you. But I don’t want to rush him, while we’re walking, to get back for the drive. It’s not that kind of date.
LEON [
annoyed
]: What kind of date is it?
ADELE: A very innocent one.
[
There’s a knock on the door
. ADELE
gets up and opens it. Both
FLORENCE
and
FEUER
are attentive.
BEN
enters with a small bouquet of daffodils.
]
BEN: Am I too early?
[
No one answers as the curtain goes down.
]
1963
S
he seemed to remember the man from the same day last year. He was standing at a nearby grave, occasionally turning to look around, while Etta, a rosary in her hand, prayed for the repose of the soul of her husband, Armando. Sometimes she prayed he would move over and let her lie down with him so her heart might be eased. It was the second of November, All Souls’ Day in the cimitero Campo Verano, in Rome, and it had begun to drizzle after she had laid down the bouquet of yellow chrysanthemums on the grave Armando wouldn’t have had if it wasn’t for a generous uncle, a doctor in Perugia. Without this uncle Etta had no idea where Armando would be buried, certainly in a much less attractive grave, though she would have resisted his often expressed desire to be cremated.
Etta worked for meager wages in a draper’s shop and Armando had left no insurance. The bright large yellow flowers, glowing in November gloom on the faded grass, moved her and tears gushed forth. Although she felt uncomfortably feverish when she cried like that, Etta was glad she had, because crying seemed to be the only thing that relieved her. She was thirty, dressed in full mourning. Her figure was slim, her moist brown eyes red-rimmed and darkly ringed, the skin pale, and her features grown thin. Since the accidental death of Armando, a few months more than a year ago, she came almost daily during the long Roman afternoon to pray at his grave. She was devoted to his memory, ravaged within. Etta went to confession twice a week and took communion every Sunday. She lit candles for Armando
at La Madonna Addolorata, and had a Mass offered once a month, more often when she had a little extra money. Whenever she returned to the cold flat she still lived in and could not give up because it had once also been his, Etta thought of Armando, recalling him as he had looked ten years ago, not as when he had died. Invariably she felt an oppressive pang and ate very little.
It was raining quietly when she finished her rosary. Etta dropped the beads into her purse and opened a black umbrella. The man from the other grave, wearing a darkish green hat and a tight black overcoat, had stopped a few feet behind her, cupping his small hands over a cigarette as he lit it. Seeing her turn from the grave he touched his hat. He was a short man with dark eyes and a barely visible mustache. He had meaty ears but was handsome.
“Your husband?” he asked respectfully, letting the smoke flow as he spoke, holding his cigarette cupped in his palm to keep it from getting wet.
She said it was.
He nodded in the direction of the grave where he had stood. “My wife. One day while I was on my job she was hurrying to meet a lover and was killed at once by a taxi in the Piazza Bologna.” He spoke without bitterness, without apparent emotion, but his eyes were restless.
She noticed that he had put up his coat collar and was getting wet. Hesitantly she offered to share her umbrella with him on the way to the bus stop.
“Cesare Montaldo,” he murmured, gravely accepting the umbrella and holding it high enough for both of them.
“Etta Oliva.” She was, in her high heels, almost half a head taller than he.
They walked slowly along an avenue of damp cypresses to the gates of the cemetery, Etta keeping from him that she had been so deeply stricken by his story she could not get out even a sympathetic comment.
“Mourning is a hard business,” Cesare said. “If people knew there’d be less death.”
She sighed a slight smile.
Across the street from the bus stop was a bar with tables under a drawn awning. Cesare suggested coffee or perhaps an ice.
She thanked him and was about to refuse but his sad serious expression changed her mind and she went with him across the street. He guided her gently by the elbow, the other hand firmly holding
the umbrella over them. She said she felt cold and they went inside.
He ordered an espresso but Etta settled for a piece of pastry, which she politely picked at with her fork. Between puffs of a cigarette he talked about himself. His voice was low and he spoke well. He was a freelance journalist, he said. Formerly he had worked in a government office but the work was boring so he had quit in disgust although he was in line for the directorship. “I would have directed the boredom.” Now he was toying with the idea of going to America. He had a brother in Boston who wanted him to visit for several months and then decide whether he would emigrate permanently. The brother thought they could arrange that Cesare might come in through Canada. He had considered the idea but could not bring himself to break his ties with this kind of life for that. He seemed also to think that he would find it hard not to be able to go to his dead wife’s grave when he was moved to do so. “You know how it is,” he said, “with somebody you have once loved.”
Etta felt for her handkerchief in her purse and touched her eyes.
“And you?” he asked sympathetically.
To her surprise she began to tell him her story. Though she had often related it to priests, she never had to anyone else, not even a friend. But she was telling it to a stranger because he seemed to be a man who would understand. And if later she regretted telling him, what difference would it make once he was gone?
She confessed she had prayed for her husband’s death, and Cesare put down his coffee cup and sat with his cigarette between his lips, not puffing as she talked.
Armando, Etta said, had fallen in love with a cousin who had come during the summer from Perugia for a job in Rome. Her father had suggested that she live with them, and Armando and Etta, after talking it over, decided to let her stay for a while. They would save her rent to buy a secondhand television set so they could watch
Lascia
o
Raddoppia,
the quiz program that everyone in Rome watched on Thursday nights, and that way save themselves the embarrassment of waiting for invitations and having to accept them from neighbors they didn’t like. The cousin came, Laura Ansaldo, a big-boned pretty girl of eighteen with thick brown hair and large eyes. She slept on the sofa in the living room, was easy to get along with, and made herself helpful in the kitchen before and after supper. Etta had liked her until she noticed that Armando had gone mad over the girl. She then tried to get rid of Laura but Armando threatened he would leave if she bothered her. One day Etta had come home from work and found them naked in the marriage bed, engaged in the act. She had
screamed and wept. She called Laura a stinking whore and swore she would kill her if she didn’t leave the house that minute. Armando was contrite. He promised he would send the girl back to Perugia, and the next day in the Stazione Termini had put her on the train. But the separation from her was more than he could bear. He grew nervous and miserable. Armando confessed himself one Saturday night and, for the first time in ten years, took communion, but instead of calming down he desired the girl more strongly. After a week he told Etta that he was going to get his cousin and bring her back to Rome.
“If you bring that whore here,” Etta shouted, “I’ll pray to Christ that you drop dead before you get back.”
“In that case,” Armando said, “start praying.”
When he left the house she fell on her knees and prayed for his death.
That night Armando went with a friend to get Laura. The friend had a truck and was going to Assisi. On the way back he would pick them up in Perugia and drive to Rome. They started out when it was still twilight but it soon grew dark. Armando drove for a while, then felt sleepy and crawled into the back of the truck. The Perugian hills were foggy after a hot September day and the truck hit a rock in the road with a hard bump. Armando, in deep sleep, rolled out of the open tailgate of the truck, hitting the road with head and shoulders, then rolling down the hill. He was dead before he stopped rolling. When she heard of this Etta fainted away and it was two days before she could speak. After that she had prayed for her own death, and often did.
Etta turned her back to the other tables, though they were empty, and wept openly and quietly.
After a while Cesare squashed his butt. “Calma, signora. If God had wanted your husband to live he would still be living. Prayers have little relevance to the situation. To my way of thinking the whole thing was no more than a coincidence. It’s best not to go too far with religion or it becomes troublesome.”
“A prayer is a prayer,” she said. “I suffer for mine.”
Cesare pursed his lips. “But who can judge these things? They’re much more complicated than most of us know. In the case of my wife I didn’t pray for her death but I confess I might have wished it. Am I in a better position than you?”
“My prayer was a sin. You don’t have that on your mind. It’s worse than what you just might have thought.”
“That’s only a technical thing, signora.”
“If Armando had lived,” she said after a minute, “he would have been twenty-nine next month. I am a year older. But my life is useless now. I wait to join him.”
He shook his head, seemed moved, and ordered an espresso for her.
Though Etta had stopped crying, for the first time in months she felt substantially disburdened.
Cesare would put her on the bus; as they were crossing the street he suggested they might meet now and then since they had so much in common.
“I live like a nun,” she said.
He lifted his hat. “Coraggio,” and she smiled at him for his kindness.
When she returned home that night the anguish of life without Armando recommenced. She remembered him as he had been when he was courting her and felt uneasy for having talked about him to Cesare. And she vowed for herself continued prayers, Rosaries, her own penitence to win him further indulgences in Purgatory.
Etta saw Cesare on a Sunday afternoon a week later. He had written her name in his little book and was able to locate her apartment in a house on the Via Nomentana through the help of a friend in the electric company.
When he knocked on her door she was surprised to see him, turned rather pale, though he hung back doubtfully. He said he had found out by accident where she lived and she asked for no details. Cesare had brought a small bunch of violets, which she embarrassedly accepted and put in water.
“You’re looking better, signora,” he said.
“My mourning for Armando goes on,” she answered with a sad smile.
“Moderazione,” he counseled, flicking his meaty ear with his finger. “You’re still a young woman, and at that not bad-looking. You ought to acknowledge it to yourself. There are certain advantages to self-belief.”
Etta made coffee and Cesare insisted on going out for a half dozen pastries.
He said as they were eating that he was considering emigrating if nothing better turned up soon. After a pause he said he had decided he had given more than his share to the dead. “I’ve been faithful to her memory but I have to think of myself once in a while. There comes a time when one has to return to life. It’s only natural. Where there’s life there’s life.”
She lowered her eyes and sipped her coffee.
Cesare set down his cup and got up. He put on his coat and thanked her. As he was buttoning his overcoat he said he would drop by again when he was in the neighborhood. He had a journalist friend who lived close by.
“Don’t forget I’m still in mourning,” Etta said.
He looked up at her respectfully. “Who can forget that, signora? Who would want to so long as you mourn?”
She then felt uneasy.
“You know my story.” She spoke as though she was explaining again.
“I know,” he said, “that we were both betrayed. They died and we suffer. My wife ate flowers and I belch.”
“They suffer too. If Armando must suffer, I don’t want it to be about me. I want him to feel that I’m still married to him.” Her eyes were moist again.
“He’s dead, signora. The marriage is over,” Cesare said. “There’s no marriage without his presence unless you expect the Holy Ghost.” He spoke dryly, adding quietly, “Your needs are different from a dead man’s, you’re a healthy woman. Let’s face the facts.”
“Not spiritually,” she said quickly.
“Spiritually and physically, there’s no love in death.”
She blushed and spoke in excitement. “There’s love for the dead. Let him feel that I’m paying for my sin at the same time he is for his. To help him into heaven I keep myself pure. Let him feel that.”
Cesare nodded and left, but Etta, after he had gone, continued to be troubled. She felt uneasy, could not define her mood, and stayed longer than usual at Armando’s grave when she went the next day. She promised herself not to see Cesare again. In the next weeks she became a little miserly.
The journalist returned one evening almost a month later and Etta stood at the door in a way that indicated he would not be asked in. She had seen herself doing this if he appeared. But Cesare, with his hat in his hand, suggested a short stroll. The suggestion seemed so modest that she agreed. They walked down the Via Nomentana, Etta wearing her highest heels, Cesare unselfconsciously talking. He wore small patent-leather shoes and smoked as they strolled.
It was already early December, still late autumn rather than winter. A few leaves clung to a few trees and a warmish mist hung in the air. For a while Cesare talked of the political situation, but after an espresso in a bar on the Via Venti Settembre, as they were walking back he brought up the subject she had hoped to avoid. Cesare seemed suddenly
to have lost his calm, unable to restrain what he had been planning to say. His voice was intense, his gestures impatient, his dark eyes restless. Although his outburst frightened her she could do nothing to prevent it.

Other books

Bright Spark by Gavin Smith
He's Got Her Goat by Christine
The Voice of the Night by Dean Koontz
Shifting by Rachel D'Aigle
The Changeling Princess by Jackie Shirley