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Authors: Carolyn G. Hart

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Posey had had enough. “You sure Clark Kent wasn’t out there that night?”

Annie ignored him. “We all saw Bledsoe go up the side of the building after the vase was pushed over. Without having seen that, I might never have figured it out But Bledsoe couldn’t resist posturing, demonstrating just how brave he was, and revealing just how athletic he was. That explains the bloodhounds, Posey. Bledsoe came down the side of the hotel, climbing down those ornate pillars (and that’s why the lady on the second floor was right; she
did
see the murderer go by), and then he jumped to the top of the wall and dropped onto the terrace. The bloodhounds picked up the murderer’s trail—Bledsoe’s trail—where he
started,
not where he stopped. He ran fast, throwing firecrackers and smoke bombs, hurrying to the closet where he pulled the breaker switches, then up the stairs—more firecrackers and smoke bombs—and here came Billy. Bledsoe knocked him out and the coast was clear. Running up to the third floor,
he opened his door, woke Kathryn. She would have been very muzzy, very sleepy. He got her up and as far as her door, then he sprinted a few feet to the foyer, turned, pinned her in the flashlight and shot her. Then he stripped out of his clothes, dropped them in his room, got a wet towel, returned to the living room—”

“You amateurs.” Posey luxuriated in his disgust “Think you’re so smart.”

Lady Gwendolyn sniffed. “Annie is absolutely correct on all counts.”

Posey directed a supercilious smile at the English author. “Your lack of knowledge about police work is astounding, madam. Any doctor knows the difference between a contact wound and one from a distance of six feet or more. And Bledsoe was shot from a distance of at least six feet.”

Lady Gwendolyn threw up her hands. “My dear man, obviously Bledsoe took this into account.”

“He didn’t forget that.” Annie shivered. “He didn’t forget anything. He dropped the towel by Kathryn’s body in readiness, wired the gun (he still wore gloves, of course) to the iron grillwork, attached a string to the trigger, carefully stepped off the distance, and pulled the trigger.”

“Shot himself?” Henny asked. Then, she answered herself. “Of course. So macho and a hell of an alibi.”

“It must have hurt like hell.” Annie remembered the little boy who’d refused to cry so long ago. “He didn’t have to hurry now. He picked up the towel, used it to staunch the blood, undid the string from the trigger and the wire from the gun, went out to the balcony and tossed the gun and wire and gloves into the night. You remember there were no lights in the hotel. People were screaming, running across the terrace. It was absolute chaos. Hurrying back to Kathryn, he picked her up, and stumbled out to the balcony.”

“The wire that was found on the terrace,” Saulter didn’t give further provenance, “tested positive for residue from gunpowder.”

“Neil had himself a damn good time, didn’t he?” Hillman said bitterly. “Except—what the hell happened to him?”

Annie looked at the editor in surprise. “But that’s already been made clear—thanks to our outstanding circuit solicitor.” She managed to sound admiring without gagging. “As
Mr. Posey insisted—since the door was chained and no one else was visible on the balcony—Bledsoe’s death was most certainly accidental.”

Max’s lake blue eyes narrowed.

Annie faced Posey. “Of course there
was
a reason why Bledsoe ran to his death. However, we may never know quite how or why it happened. My guess is that he found a picnic basket outside his door. He brought it inside and opened it and—”

Chief Saulter reached down behind the podium and picked up a finely meshed wire cage and dropped open the door. “Handsome fellow, isn’t he? A red rat snake. We found him curled up, fast asleep on top of the four-poster in Bledsoe’s room. Red rat snakes climb real good.”

Someone in the audience said, “Jesus, look at that bloody thing!”

Annie wasn’t fond of snakes. She didn’t look. “Yes, that snake was in the picnic hamper—and Bledsoe was pathologically terrified of snakes. When he opened the basket, the snake must have slithered over the side, and Bledsoe quite simply went into a state of blind panic, reeling away from the equally frightened snake, running, careening from wall to chair, across his bedroom and out the open French window and onto the balcony—to his death.”

Laurel gasped dramatically.

She stood up, pressed a hand to her heart.

Annie jolted to a stop. “Laurel, what—”

“Oh my dears, I am stricken.” Laurel closed her eyes, then opened them to look piteously about, tears brimming in her huge blue eyes. “To unwittingly cause a fellow creature such horror, such fear—to indirectly be responsible for another’s death—I don’t know if I can bear it.” She pressed a dainty lace handkerchief to her face.

Max jumped to his feet.

“Well, I’ll be double damned!” Emma Clyde exclaimed.

Annie darted across the room, pulled her mother-in-law into her embrace. “Dear Laurel …”

Her mother-in-law lifted her chin, stared bravely at the shocked faces turned toward her. “I had no idea that was Bledsoe’s room.” She pulled away from Annie. “Oh, Henny, why didn’t you tell me you’d changed rooms?”

“Oh my God, so that’s how it happened!” Annie exclaimed.

“Wait a minute.” Posey gaped at them. “You mean she”—and he pointed at Laurel—“put a damn snake in a picnic basket and put it there for this guy to get when he’s scared to death of snakes? Wait a minute!”

“How tragic,” Henny said somberly. “Laurel, I am so sorry.” She turned to Posey. “It’s so simple, really. You see, I was originally in the suite taken by Bledsoe and his aunt. They were assigned to 313, which has a mural with an alligator in it, and it threw Bledsoe into a state of panic. That’s when I offered to trade suites. I took 313 and gave my suite, 315, to Bledsoe. Unfortunately, poor Laurel didn’t know of the room change.” Henny reached out to take Laurel’s hand. “I’ll bet that lovely red rat snake was a present for me, wasn’t it?”

“A present?” A stunned Posey peered toward the cage where the red splotched snake coiled, head up.

Laurel dabbed at her moist eyes. “Moles. Red rat snakes are so effective with moles, and poor dear Henny, a new lawn just
filled
with mole tunnels. Those pesky little rascals. I took a little picnic over to the forest preserve Saturday afternoon, just for a few moments by myself with nature and I enjoyed it so much—chicken salad sandwich and kiwi—just a light repast …”

“And you got that
snake?”
Posey eyed her belligerently.

“One must seize opportunity,” Laurel replied with great dignity. “Red rat snakes are great climbers, you know, but this one must have been full, for he was curled up right on the first branch. I saw him and I immediately thought, ‘Henny!’” Laurel clapped her hands together. “It was but the work of a moment. I just scooped this dear fellow right into my basket and popped shut the lid.” She beamed, looking around for approval. Then her lovely face settled into sad and pensive lines. “Such a tragedy that I didn’t know Henny’s room had been changed.”

“So,” Annie concluded heartily, “Circuit Solicitor Posey was absolutely right—Bledsoe’s death
was
an accident”

Lady Gwendolyn rushed to Annie and gave her a quick hug. Then she turned to the circuit solicitor. “One has to wonder about fate—and the mills of the gods. Don’t you think?”

•   •   •

The phone rang.

Annie rose stiffly. Shelving books had to be the hardest work ever devised and she’d been at it for days now, replacing the books they’d offered at the book room during the conference. Sales had been excellent, but there were always plenty that came home.

She reached the phone as it rang again.

“Death on Demand.” It felt good once again to be at work in the finest mystery bookstore this side of Atlanta. The Christie conference—aside from the unexpected traumas, and she would be a long time forgetting some of them—had been a fabulous success. But Annie was ready for a little peace and quiet. Perhaps she’d have a chance to read some of the books just in, the latest from Julie Smith, James Yaffe, and Caroline Graham.

“I just keep having the most
marvelous
ideas for a new book.” The line crackled.

“Lady Gwendolyn, where are you?” No answer would have surprised Annie—in a commune, atop a fire lookout tower, nursing a gin gimlet at Raffles in Singapore.

“In flight. They have an air phone. I just couldn’t resist.”

Annie had last seen her visitor at the Savannah airport en route for New York.

“Are you going home?” With most people, it was a natural assumption.

“No.”

It was a beautifully modulated
Neow.

“I decided to visit your West Coast. I understand there are many writers there. I will be attending a retreat.” A burble of laughter. “I’ve already come up with the title for my next book—
The Christie Caper.
Do you think it has a certain ring?”

Static exploded on the line. Annie held the receiver away from her ear and faintly heard, “After that,
Death of a Fat Fool.
So I’m thinking of coming back by your island on the way home. A spot of research.”

It was not the most direct route to England. But Annie was thrilled. “As soon as you can,” she urged.

Annie was smiling when she returned to her task. Lady
Gwendolyn—brilliant, jolly, intrepid—a co-conspirator to be prized.

The front doorbell rang.

Still on her knees, Annie twisted around, then scrambled to her feet “Mrs. Calloway, how nice of you to come by.”

Fleur Calloway, slim and lovely in a lemon blazer, a cream blouse, and daffodil skirt, hesitated in the doorway. The late afternoon sunlight turned her gloriously red hair to flame. She said, abruptly, “I wanted to see you before I left the island.”

“Let’s have coffee,” Annie urged, and she led the way to the back of the store and the coffee bar.

As Annie poured almond mocha into their mugs, she said warmly, “Your speech at the luncheon was just wonderful. It was a perfect ending to the conference.”

“Lady Gwendolyn’s closing remarks,” Fleur said quietly, “were well received.”

Annie had been delighted to give the speaker’s role to Lady Gwendolyn so that she might make good on her promise to announce the name of the murderer at the luncheon’s end. The doughty author held her listeners spellbound with her account. Neil Bledsoe, murderer. And so the story ended, a murderer who escaped men’s justice in an odd twist of fate. “But,” Lady Gwendolyn had concluded, “can we doubt that the mills of the gods grind exceedingly fine?”

Annie looked directly into Calloway’s luminous, questioning eyes. “I’m very glad it’s over.” She knew that Fleur Calloway understood that she was not talking about the conference.

Fleur Calloway, who had loved her daughter so much and every day placed a single yellow rose on her grave.

Fleur Calloway, who grew up in the bayous of Louisiana with four rambunctious brothers.

A snake and a single yellow rose.

The author’s lips trembled. “How? How did you and Lady Gwendolyn and—is it your mother-in-law and—”

“It wasn’t difficult. Once I knew what must have happened—”

Fleur pressed a hand against suddenly trembling lips—“I talked to Laurel and Henny.” Annie paused. “Laurel has three daughters. She loves them very much. And Henny was
adamant that the truth would do no one any good. They agreed at once to my plan.”

Fleur stared at her with luminous eyes. “I still don’t see why you would take such a risk … for a stranger.”

“Because we felt it was right,” Annie said simply. She put down her mug. “Just a moment.” Hurrying up the aisle, she scanned her almost reshelved Christie section and found the title she sought. Returning, she placed it on the coffee bar. “I’d like for you to have this. It’s a story of people working together to see justice done. This is a first edition. To remember … Death on Demand.”

The author looked down at the cover, at the copy of Christie’s famed
Murder on the Orient Express,
the indescribably brilliant and touching novel in which Christie made it very clear that law and justice are not always synonymous.

Calloway’s eyes had the bright shine of tears when she looked up. “I see—and the three of you conspired—”

“Four,” Annie interrupted. It would never do to leave out Lady Gwendolyn. Then, briskly, she asked, “Are you on your way home?” To say too much would be a serious mistake.

“Yes.” The author took a deep breath, looked away, her gaze sweeping the back of the bookstore. “Oh, your water-colors. They are so well done. Who won the contest?”

“Do you know, we forgot to ask people to turn in their lists!”

Fleur Calloway pointed in order.
“The Mysterious Affair at Styles, The Murder of Roger Ackroyd, And Then There Were None, Mrs. McGinty’s Dead,
and
What Mrs. McGillicuddy Saw!
Among Christie’s finest.”

Annie clapped her hands. “Now you’ve won. You get free coffee and a book.”

Calloway slowly picked up
Murder on the Orient Express.
“I
will
take this one.” She held it tight to her body. “I can never thank you enough,” she said softly, her voice breaking. She gave Annie a swift hug, then turned and walked away.

C
LUE
S
HEET

1. Beware the false face;
Can’t trust someone in this place.

2. Lucky, lovely, rich Linnet.
Luckiest girl in the world—or is she?

3. Children’s laughter, bobbing apples;
Too much talk and murder strikes.

4. Where was Agnes Woddell,
Or is this too ob-skewer?

5. Bess Sedgwick wanted to take the blame,
But Poirot wouldn’t play that game.

6. Be wary of so many accidents;
Fair of face, but a greedy soul.

7. Henrietta did her best,
And almost lost her life.

8. Jane’s ulster droops over a chair;
A rolled-up magazine pokes from a pocket.

9. Poor Wonky Pooh’s mistress never reached Scotland Yard;
Lavinia was victim No. 4, how many more?

10. Malicious Henet met her fate among disordered sheets;
Human nature was just the same, then as now.

11. “He
was
murdered, wasn’t he?”
But the ladylike killer talks too much.

12. Suntan in a bottle;
Who took that bath?

13.
Miss Lemon makes a mistake!
Hercule Poirot does a double take.

14. Blood on a golf club, blood on a suit;
Somebody, Inspector Battle thinks, got very cute.

15. Dolly Bantry’s worried sick;
She recruits Miss Marple quick.

16. Poor Dora Bunner meant well,
But there was too much she could tell.

17. Things are hot, revolution is brewing.
Bob hides the jewels, but a mirror reflects.

18. Mr. Shaitana thumbed his nose,
And his life drew to a close.

19. Elinor Katharine Carlisle—
Innocent or guilty?

20. A wasp flew loose in the cabin,
But the fatal sting came from a thorn.

21. She had to die;
Poirot finds out why.

22. Frankie crashes the car,
But that doesn’t get her very far.

23. A mislabeled path at Victoria Falls;
Look for the answer in the wooden giraffe.

24. Just a contest, but money tempts;
A hearty man’s closet tells the tale.

25. Lady Hoggin is willing to pay;
Will Shan Tung come home today?

AGATHA CHRISTIE

TREASURE HUNT POSTERS

POSTER 1

A cupboard in the corner of a cottage dining room. It contains sports equipment and relics of the sporting life: two pairs of skis, ten or twelve hippopotamus tusks, fishing tackle, a stuffed elephant’s foot, golf clubs, a tennis racket, and a tiger skin.

POSTER 2

The small, mustachioed man on the hotel terrace holds a woman’s fawn felt hat in his hands, showing it to his companion. A look of impatience underlies one of concern on the little man’s face. One finger is stuck through a small hole in the hat’s brim.

POSTER 3

Scissors. Cut-out letters. A young woman standing at an upper window watching, watching. A wasp’s nest and a jar of cyanide.

POSTER 4

The old butler peers nearsightedly through the windows at the drive. A looking glass. Wax flowers on a malachite table.

POSTER 5

The smoldering remains of an air crash. Luggage in a hotel lobby. A much battered tennis racket.

POSTER 6

In the candlelight, the body clothed in a black cloak and a black mask looks absurdly melodramatic, but the young man is very dead.

POSTER 7

The black-haired young woman with eager green eyes stares at a ship model behind the plate-glass window of the steamship company. In her hand, she holds a roll of unexposed film.

POSTER 8

A bucket filled with water and bobbing apples.

POSTER 9

An elderly gentleman stands in the hotel lobby, staring in dismay at the Out-of-Order sign on the lift.

POSTER 10

Her elfin face twisted with jealous rage, the angry young woman yanks a pistol from her lap and shoots the athletic, blond man.

POSTER 11

Light from the fireplace flickers on the faces of the bridge players, intent upon their game, and on the Mephistophelian countenance of the man watching from his chair next to the fire.

POSTER 12

Clutching an oilskin packet, the young woman hurries toward the lifeboats as the
Lusitania
begins to sink.

POSTER 13

The hotel counter is not quite seedy, but certainly not posh. On a notice board, envelopes are pinned for hotel guests. One envelope is addressed to Miss Carnaby.

POSTER 14

The scene aboard the airliner is quite peaceful. Two passengers appear to sleep: a heavy-set middle-aged woman and a small man wrapped heavily in mufflers.

POSTER 15

The beautiful young woman has an air of quiet dignity and great despair as she stands before the judge.

POSTER 16

Uncertain of the proper demeanor when faced with tragedy, the fresh-faced young man in golf clothes kneels on the cliffside path beside the dying man.

POSTER 17

The old woman is definitely the center of the family group in the hotel lounge. The young people seem indistinct and bloodless in comparison to her monumental bulk and grotesque ugliness.

POSTER 18

The clear-eyed old lady sips a cup of tea and studies the occupants of the old-fashioned, luxurious hotel lounge. Muffins and seed cakes are on the plate before her.

POSTER 19

The elderly man in the white duck suit and panama hat reclines comfortably on the deck chair, watching the sunbathers with interest.

POSTER 20

The young woman’s body, dressed in a cheap white satin evening dress, looks completely out of place on the old bearskin hearth rug.

POSTER 21

The melange of objects seems to have no rhyme or reason: a cut-up rucksack, several electric light bulbs, a pair of flannel trousers, one woman’s evening shoe, a diamond ring, a bottle of green ink …

POSTER 22

The murder scene looks just like a stage setting: the lovely swimming pool, the dark blue water, and the blood from the dying man.

POSTER 23

A speeding car. An old woman staring up at it in horror. A cat with a bandaged ear.

POSTER 24

The old man next to the thornbush looks as though he’d seen a ghost as he stuffs a photograph back in his wallet.

POSTER 25

The dark, pretty girl hurries up the steep path on the limestone cliffs to a rock chamber near the tomb.

TREASURE HUNT TITLES

Murder at Hazelmoor,
Poster 1, Clue 24.
Peril at End House,
Poster 2, Clue 6.
The Moving Finger,
Poster 3, Clue 4.
Funerals Are Fatal,
Poster 4, Clue 11.
Cat Among the Pigeons,
Poster 5, Clue 17.
A
Murder Is Announced,
Poster 6, Clue 16.
The Man in the Brown Suit,
Poster 7, Clue 23.
Hallowe’en Party,
Poster 8, Clue 3.
Towards Zero,
Poster 9, Clue 14.
Death on the Nile,
Poster 10, Clue 2.
Cards on the Table, Poster
11, Clue 18.
The Secret Adversary,
Poster 12, Clue 8.
“The Nemean Lion,”
Poster 13, Clue 25.
Death in the Air,
Poster 14, Clue 20.
Sad Cypress,
Poster 15, Clue 19.
The Boomerang Clue,
Poster 16, Clue 22.
Appointment with Death,
Poster 17, Clue 21.
At Bertram’s Hotel,
Poster 18, Clue 5,
Evil Under the Sun,
Poster 19, Clue 12.
The Body in the Library,
Poster 20, Clue 15.
Hickory Dickory Death,
Poster 21, Clue 13.
Murder After Hours,
Poster 22, Clue 7.
Easy to Kill,
Poster 23, Clue 9.
A Caribbean Mystery,
Poster 24, Clue 1.
Death Comes as the End,
Poster 25, Clue 10.

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