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Authors: Alexander Mccall Smith

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Now, if Harry had decided to go somewhere far away to escape what must be a very dull home life, then he would obviously not wish Christine to accompany him. But he would have to be circumspect about it. If he made it clear that he did not want her to come with him, then that would only persuade her that she must at all costs accompany him in order to prevent his going off with somebody else.

Of course she could be dissembling. She might secretly be rather keen to live in Singapore but not wish to give that impression. It might suit her very well for her husband to go off to Singapore and leave her in Scotland … with
her lover …
The new young sports teacher, perhaps. Isabel stopped herself. This was absurd. The situation had no such complexities: this was a straightforward case of a man taking a job in a place where his wife did not wish to live because she was set in her ways and happy where she was. However, she would follow him, and life for them would go on very much as it went on back in Scotland. There was nothing under the surface here; what you saw was what there was. Nothing more than that.

Isabel, who had momentarily turned away, turned round again and saw that Christine was moving off towards other guests.
She
thinks
I
am boring, thought Isabel. But then she had every right to reach this conclusion after that conversation; every right. Isabel finished the last of her cold coffee and put the cup down on a table. Harry and Christine depressed her. There was no happiness there.

She looked at her watch. She was driving back to Edinburgh
and she made a quick calculation. She had had one glass of wine before dinner and half a glass during the meal. That quantity, spread over three hours, made it quite safe for her to drive. If she left now, she would be home in not much more than an hour, and Jamie would not be much later. Grace was babysitting and would stay the night.

A few minutes later she was in her green Swedish car and heading back along the road to Edinburgh. The Border countryside could just be made out under a three-quarters moon: wide fields punctuated by dark woods; rolling hills, silhouetted against the night sky; crouching shapes like sleeping bears or humpback whales. This was the landscape of Walter Scott, and she imagined him at Abbotsford, looking out of his library window at the world he peopled with his characters; a world of desperate doings and heroic quests.

That was not what the world was like now, and she should not allow her imagination to suggest otherwise. There were no hidden dimensions to the world of Harry and Christine. They had nothing to do with the unresolved problem of that shortlist, and in that enquiry she was no further along than she had been before, except, perhaps, she now had the knowledge that Alex distrusted Tom Simpson and wrote him off as being intellectually inferior to the other two candidates. And a fraud, of course. That changed the picture—if it could be proved. And that should not be too difficult, despite Alex’s unsuccessful efforts: one either had the degree one claimed to have or one did not, and there must be some way of ascertaining that. She could try to find out, although she thought that it was probably a waste of time. It was just too unlikely a thing for a candidate to do. No,
she would not bother. The real subject of the anonymous letter, she decided, was John Fraser. He was the one who had something serious to hide.

As she came into Edinburgh from the south and saw the lights of the city laid out below her, her thoughts turned to Jamie’s friend Prue. Down there, there were so many people she knew, or who knew about her. There were links and associations and relationships; there were all the tissue, the sinews, of human society. And one of these people whose light might still be burning at this hour was that unhappy, frightened girl whom she would have to see; whose heart was presumably already broken by the arbitrariness of her illness, and for whom only disappointment and sorrow lay ahead. Unless … the thought that came to her was unexpected, and outrageous. Unless she were to share Jamie—as an act of charity towards a girl who did not have long to live. She had everything, and that young woman had nothing; was it out of the question to allow Jamie to go to her and comfort her, to give her the experience of love before she died? Most women would be appalled by the idea—yes, appalled. But that was not how Isabel felt. She felt ashamed, embarrassed perhaps, but she did not feel appalled. And how would Jamie react if she made the suggestion? She saw him looking at her with that reproachful look that he sometimes adopted. “Isabel, are you serious? Or are you out of your mind? Perhaps you are. Completely. How could you? How could you?” Or, more likely, he would just stare at her in justified shock.

He would be right: how could she? It might have seemed an act of generosity, of sharing, but it was also an act of insouciance, an implicit statement that she did not care enough to
bother if the man to whom she was about to be married had an affair with another woman. Of course she cared; of course she wanted Jamie to the exclusion of all others—what were the precise words of the marriage service, before linguistic meddling had destroyed its poetry?
Forsaking all others?
What a powerful, resonant word was
forsake
. The phrase
forsaking all others
meant so much more, made its point so much more emphatically than its weaker alternatives. And yet the thought had occurred to her. It did not come from nowhere. It had occurred to her, and the things that come into our mind are
ours
. If they are outrageous, then it is because somewhere within ourselves we have an outrageous part; a dark twin in whose mind thoughts of infidelity, carnal excess, selfishness dwell with ease and naturalness.

CHAPTER TWELVE

O
F COURSE SHE SAID NOTHING
about it to Jamie. The following morning, over the breakfast table, as Jamie fed Charlie his boiled-egg-and-Marmite soldiers, the thought crossed her mind again, but she quickly dismissed it by deliberately thinking of something else. This, she understood, was the technique adopted by the saints, actual and aspiring, for whom impure thoughts were temptations to be put out of mind; they thought of heavenly subjects, choirs of angels and the like, and the unsettling thoughts were elbowed out. Or they flagellated themselves, which was another way of dealing with the errant mind, though not a practice one could easily adopt at the breakfast table. In Isabel’s case, she thought of Christopher Dove, and imagined him sitting over breakfast, frowning at his bowl of muesli, plotting his next move. To this picture she added Professor Lettuce, sitting on the other side of the table, glancing with admiration at his younger colleague. The thought made her smile, and it worked:
I have stopped dwelling on that dreadful idea of mine
.

Jamie, unaware of Isabel’s mental struggle, discussed the
day ahead. He was entirely free and wanted to take Charlie to the Botanical Gardens. Jamie had recently discovered the fish that swam languidly in one of the hothouse pools; they would visit them, he said, and look at a few of the more exotic plants. Charlie wanted desperately to touch a cactus, it seemed, and Jamie wondered whether he should be allowed to discover about thorns and spikes for himself. “That’s how they learn, isn’t it?” he asked. “How else?”

Isabel looked fondly at Charlie. There was so much that she wanted to protect him from in life—as every parent does. Cactuses were on that list somewhere, she supposed.

“I don’t think so,” she said. “There’ll be time enough to find out about cactuses in the future. Cactuses, alcohol, the breaking of the heart: lots of time to learn about all that.”

She had her own plans for the day. The previous day, before going down to Abbotsford, she had telephoned Charlie Maclean with a request to meet the father of the man who had been lost on Everest. Charlie had mentioned that he knew him, and she wondered whether she could have a word with him. Charlie was obliging, and came up with a telephone number. “He’s retired now,” he said. “He actually lives not far away from us. He still does some nosing for one or two of the distilleries. He was very good.” He paused. “Apparently he never really recovered from what happened. He was an only son—the climber. There’s a daughter, but she’s not quite right, I believe. Unfortunately she’s a bit glaikit.” He used the Scots word for mental handicap. It was not a word that many used any more, preferring
learning difficulties
, the modern euphemism. But there was nothing unkind about
glaikit
, which survived because the policing of language had not extended to the Scots lexicon.

She had telephoned the father and he had said that he was prepared to see her. He asked her what it was about and she explained. “I want to know more about what happened on that expedition,” she said.

He sounded weary. “You’re writing something?”

“Not exactly.”

“You really want to talk to me?” he asked. “I wasn’t there, you know.”

“If you don’t mind.”

There was a short silence. He does mind, she thought, and understandably so. But this is not what he said. “Very well. If it’s important to you.”

He spoke with resignation, but it was not his tone of voice that struck her: it was the phrase
If it’s important to you
. That phrase, she observed, was the foundation of so much of our moral dealing with others. We recognise what is important to them; we take it into account. And if we did that, then so much else followed: recognition of rights, the practice of courtesy—everything, really, that made for peaceable relations between people. Gay marriage, she thought: some people might not like the idea, but if they thought
If it’s important to you
, the case for their recognising it became so much stronger, so much more obvious. Unless, of course, one applied the same question to the objectors, in which case one was back where one started—trying to reconcile two mutually antipathetic positions, which was about as easy as ensuring that olive oil and balsamic vinegar remain mixed after shaking.

Isabel closed her eyes; one could not construct a moral position based on analogies of balsamic vinegar.

“Are you there?”

The voice on the line brought her back from her philosophical wandering.

“I am. Sorry. I was thinking about something else.” She apologised again and then made the arrangement. He would see her at his house at ten-thirty. He gave her the address, which was just outside Edinburgh, near Roslin Chapel, on the edge of the Pentland Hills. He lived off a road that ran between Roslin and the village of Temple; a strange slice of landscape, caught between narrow, twisting glens and the more rolling terrain that became the Border hills.

“You can’t miss our house,” he said. “It’s ochre. You won’t see any other ochre houses. You can’t go wrong.”

As he had anticipated, she found the house easily. It was larger than she had imagined: somewhere between a functional farmhouse and a house that would in the past have been called a laird’s house—a house that at the time of its building would not have been grand enough for a family with real aspirations, but which would have been perfect for one that wanted to be comfortable.

The house was served by a short drive, on which gravel had been freshly laid, making a satisfactory crunching noise under the tyres of her car; a noise like the crashing of waves on the shore; a
good
sound, she thought. She parked, and then, getting out of the car, looked at the house before her. It was a fortunate house, she decided, as it must have been built just before Georgian became Victorian. The shadow of Victoria was there, but had not quite fallen on this building, which still had the scale and pleasing proportions of Georgian architecture. An easy house. A house that was comfortable in its skin, or mortar perhaps.

The ochre came from the harling, that roughcast coating of tiny pebbles and lime that was applied to the outside of Scottish houses. This had been painted in the warm shade that one found occasionally in eastern Scotland, brought from somewhere else, from the Netherlands, perhaps, in the days of trade between the Scottish ports and their Dutch neighbours over the North Sea.

He had seen her and opened the front door as she stood before the house, looking up at its façade. “Miss Dalhousie?”

Iain Alexander looked somewhere in his early seventies, perhaps, but well groomed and with the clear, slightly ruddy skin of the Scottish countryman. Wind and rain were the foundations of that complexion; wind and rain and the cloud-scudded skies.

They shook hands. She gestured to the front wall of the house. “You’re very lucky living here,” she said.

“I know that. Yes, we are fortunate. Ochre is such a warm colour.” He spoke simply, with an accent that was redolent of old-fashioned Edinburgh. “My late wife was particularly fond of this place.” He pointed vaguely at the grounds. “She created a marvellous garden, which I’m afraid I’ve rather let run to seed. But one can’t do everything—or anything, sometimes.”

He invited her in, leading her down a book-lined corridor into a large drawing room that faced, unusually, the rear garden. There were paintings on the walls, all of them conventional: landscapes, a study of birds in flight, a small classical study, an old framed map of the county of Midlothian. And there, above the white marble fireplace, was her Raeburn, the one that she had examined with Guy Peploe and that she thought he would be bidding for on her behalf next month. She stood still for a
moment, wondering whether she was mistaken. Was it a copy? Or was it another painting altogether, one that looked uncannily like the real Raeburn?

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