The Case of the Kidnapped Angel: A Masao Masuto Mystery (Book Six)

The Case of the Kidnapped Angel

A Masao Masuto Mystery

Howard Fast writing as E. V. Cunningham

The Kidnapped Angel

As a Buddhist policeman on the Beverly Hills police force, Detective Sergeant Masao Masuto abhorred superstition. For one thing, it went against his Zen training, for another, it defied common sense; so when a day began not only badly but improbably and continued in such manner, he refused to blame anything other than coincidence. The day was early in November, close to his birthday, which marked him as a Scorpio; but his distaste for the nonsense called astrology—which pervaded Los Angeles—was as great as his distaste for any other superstition.

For all that, he found it quite extraordinary that he should be interrupted by a thief during his morning meditation. He had begun his meditation at six
A.M.
, in the first faint gray light of dawn. His meditation room was a tiny sun porch at the rear of his Culver City cottage, where he lived with his wife, Kati, and his two children. Since the two children were of different sexes, there was no bedroom to spare. Masuto did not complain. Indeed, he was grateful for the nine-by-twelve sun porch, which was large enough, since it contained no furniture other than a meditation mat and pillow; and there he was, sitting on the pillow cross-legged in what is known as the lotus position, wrapped in his saffron-colored robe, when a sixteen-year-old Chicano boy forced open one of the windows, climbed through, and stood facing him.

For a long moment the Mexican boy stood motionless, staring at the nisei detective, who sat motionless, returning the stare. For Masuto, it was a double effrontery—first that a thief should invade a policeman's house, and second that he should be interrupted in his meditation. Then the boy, digesting the fact that Masuto was alive, turned to flee, and Masuto thrust out a leg and tripped him. Then, with the boy's arm in a hammerlock, Masuto said, “Get up and don't struggle, because if you do, your arm will be broken.”

Kati, alarmed by the commotion, arrived at the meditation room in time to hear this, and her comment was, “I don't believe this. A little boy, and you threaten to break his arm?”

She was right. The Chicano boy was quite small. Masuto let go of his arm and led him from the room by the collar of his shirt. Masuto was slightly over six feet tall and, at this moment, somewhat ashamed of himself. The boy was skinny and shivering.

“I didn't do nothing. Let me go,” the boy said.

“He's a thief,” Masuto explained to Kati. Now Masuto's two children, Ana, age eight, Uraga, age ten, were also watching, standing in their nightclothes and regarding Masuto with what he could only interpret as accusatory stares.

“Why don't you let him go?” Kati asked.

“He's a thief. I'm a policeman.”

“You're a cop?” the boy said. “My God, I got as much brains as a cockroach, breaking into a cop's house.”

“What's your name?” Kati asked him.

“Pedro.”

“And you're hungry. Did you have any breakfast?”

He shook his head.

“And that did it,” Masuto explained to his partner an hour later in the homicide office of the Beverly Hills police force. “This kid breaks into my house, and Kati feeds him.”

“You know what it is, Masuto. It's those consciousness-raising sessions she's been going to. Did you call the Culver City cops?”

“No.”

“You let him go?”

“I have to live with my wife. Anyway, he swore up and down he'd never done it before and wouldn't do it again, and the only weapon he had on him was a screwdriver. If I turn him over to the cops, it's either a suspended sentence or juvenile. Either way, he gets a record and maybe worse.”

Masuto's partner, Detective Sy Beckman, nodded. “Maybe you're right. But I hate these stupid kids. Amateurs. We can deal with the professionals, but the amateurs screw things up. I don't know—no more lines of professional pride. These days everything is amateur. Maybe this kidnapping too. It has the earmarks.”

“What kidnapping?”

“Angel Barton was kidnapped, and the captain's car was stolen. The two ain't connected, except that Wainwright's sore as hell. That's a coincidence—your house broken into and Wainwright's car stolen. Do you suppose they're after the Beverly Hills cops?”

“When did that happen?”

“The car?”

“No, the kidnapping.”

“Sometime last night. I just got here ten minutes ago, so I'm not filled in on the details. Wainwright threw these files at me to play shuffleboard with—they're all on people associated with Mike Barton, but from here what we got is strictly nothing.”

“Where's the captain now?”

“In his office with a roomful of civilian brass. He called twice to ask where the hell you were.”

At that moment the telephone on Masuto's desk rang. He picked it up and Wainwright's voice asked him where the hell he was.

“I'll be right in.”

In the dozen steps between his office and Captain Wainwright's—he was chief of detectives in the Beverly Hills police force—Masuto tried to remember and piece together what he knew about the Bartons. He knew at least a little and sometimes a great deal about most of the celebrities who lived in Beverly Hills, which is not to say that he knew many of them personally. What he knew of the Bartons had been gleaned from newspapers and from his wife, Kati, who was a much more enthusiastic movie fan than Masuto. Mike Barton was one of a half-dozen or so bankable stars, which meant that his name alone, associated with a film project, was enough to bring in the financing necessary to make the film. It was said that he had been paid a million and a half to star in his last film and that he was asking two million for his next. He was a tall, well-built man, with a craggy face, russet hair, and blue eyes, and given the right director, he could perform as an actor. Masuto tried to recall him on the screen, and while he felt he must have seen one of his films, he was not absolutely certain.

Concerning Barton's wife, Angel, his information had come totally from Kati, who read the gossip columns and pored over the picture magazines and was absolutely enchanted by both the name and the public image of Angel Barton.

The most intriguing thing about Angel Barton was that she had no traceable past, not even a real name available to the columnists on
The Hollywood Reporter
and
Daily Variety.
When questioned on this subject, she simply smiled her wonderful smile, and her husband, in reply to the same question, told reporters that since her name was Angel, she had obviously dropped from heaven. He himself had christened her Angel, and neither of them would discuss any prior existence. This was taken by the media as a publicity stunt, and while several enterprising reporters set out to discover who Angel actually was, none of them were successful. The secret was well kept.

And as Kati had put it to her husband, “She does look like an angel.” More precisely, she looked like the romantically remembered Marilyn Monroe, with the same golden curls and wide blue eyes. She had a very faint, almost undiscernable foreign accent which no one could place and a way of making any man she spoke to feel that he was the most important member of the male world. She and Mike Barton had been married two years ago, but whether it was her first marriage or not Kati had never mentioned. The rest of what Kati had told him about Angel Barton was of no great consequence, nor could Masuto recall much of it as he entered Captain Wainwright's office.

The small office was crowded. Joe Smith, the city manager, was there, along with Al Freeman, who was the mayor—an honorary, unpaid job—and three other men, introduced in turn as Frank Keller of the FBI, very young, very pompous; Jack McCarthy, Barton's lawyer; and Bill Ranier, Barton's business manager. McCarthy was in his late fifties, overweight, sure of himself, with a wide local reputation among film people; Ranier was middle forties, thin, nervous, impatient.

Wainwright wasted no time. “This is Masuto,” he told Ranier and McCarthy. “I'll settle for him and his partner, but I can't have hands off. Once Barton informs the police, it's a police matter.”

“I know, I know,” said McCarthy. “I advised him. But you know damn well, Captain, that a smart kidnapper will not pick up the ransom if he suspects a trap.”

“Jack,” the mayor said soothingly, “if there's one thing we're all together on, it's that nothing must happen to Angel. But Barton can't handle this alone.”

“He's not alone. He has Bill and me.”

“Not enough,” Wainwright said. “You know that as well as I do, Mr. McCarthy. I'll tell you what I'll do. I know Barton's convinced that his house is being watched and that maybe there's even an inside connection, and we got to respect the threat that his wife will be killed if he even speaks to the cops. There'll be no phone taps, and the feds will use our place here as their command post. Now Sergeant Masuto here is the best man we got. A hell of a lot of gardeners are Japanese or nisei. We'll fit Masuto up with a gardener's pickup and he'll change his clothes and drive out to Barton's place and go in through the back door the way a gardener would. Barton's an actor, so he can raise hell with Masuto for interrupting him today if anyone's listening and then he can find a way to talk to Masuto alone.”

“I don't know whether Barton will buy that.”

“He'll buy it,” Freeman said. “I'll drive out first and talk him into it. But when it comes to the drop he wants to be alone, absolutely alone.”

“Let him work that out with Masuto,” the city manager said. “Barton has the last word, but when there's a crime in our city limits and we're informed, we have an obligation to pursue it.”

“I'll arrange for the car,” Wainwright told them. “Nothing's going to happen until the banks open. I'd appreciate it if one of you filled Sergeant Masuto in. Then he can go home and change clothes, and still get to Barton's soon after nine.”

“I'll go there now,” Freeman said, and then asked McCarthy, “are you worried about carrying the money, Jack? I can meet you at the bank.”

“No sweat. You stay with Mike. He's alone, and he'll need all the support he can get.”

Freeman left with Wainwright. The mayor put his arm around McCarthy and assured him of the city's support. “Everyone loves Angel. I wouldn't want to be in the kidnapper's shoes if anything happens to her. You tell Mike that we're at his disposal. The whole damn city's at his disposal.”

“That'll help.”

They left McCarthy with Masuto, who said, “You'll forgive me if my questions are blunt. I have to get home and change clothes, and I want to get to Barton's as early as possible. First—how much is the ransom?”

“A million dollars.”

“Has Barton got it?”

“He'll get it. Yes, he's got it.”

“When did the kidnapping take place?”