The Canongate Burns (65 page)

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Authors: Robert Burns

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When She Cam Ben, She Bobbed

First printed in Johnson's S.M.M., Vol. 4, 13th August 1792.

O when she cam ben she bobbed fu' law,
came in, bowed

O when she cam ben she bobbed fu' law;

And when she cam' ben she kiss'd Cockpen,

        And syne she deny'd she did it at a'. —
later, at all

5
And was na Cockpen right saucy witha',
not, everyone

And was na Cockpen right saucy witha',

In leaving the dochter o' a lord,
daughter

        And kissin a Collier-lassie an' a'. —

O never look down, my lassie at a',

10
O never look down, my lassie at a';

Thy lips are as sweet, and thy figure compleat,
complete

As the finest dame in castle or ha'. —
hall

Tho' thou hast nae silk and holland sae sma,
no, so small

Tho' thou hast nae silk and holland sae sma,

15
Thy coat and thy sark are thy ain handywark
shirt, own work

        And Lady Jean was never sae braw.
so fine

This is an improved version of a traditional song about a Laird who had an affair with a common girl, printed in Herd's collection (Vol. 2, p. 206). The first two stanzas are almost unaltered while the last two are from Burns.

O, for Ane and Twenty, Tam

Tune: The Moudiewart
First printed in Johnson's S.M.M., Vol. 4, 13th August 1792.

They snool me sair, and haud me down,
snub, sore, hold

        And gar me look like bluntie, Tam;
make, fool

But three short years will soon wheel roun',
round

        And then comes ane-and-twenty, Tam.
one-

Chorus

5
An O, for ane and twenty, Tam!
one-

        And hey, sweet ane and twenty, Tam!

I'll learn my kin a rattlin sang,
song

        An I saw ane and twenty, Tam.

A gleib o' lan', a claut o' gear,
piece, handful

10
        Was left me by my Auntie, Tam;

At kith or kin I needna spier,
need not ask

        An I saw ane and twenty, Tam.

               An' O, for ane and twenty, &c.

They'll hae me wed a wealthy coof,
have, fool

        Tho' I mysel hae plenty, Tam;
have

15
But hear'st thou, laddie, there's my loof,
hand

        I'm thine at ane and twenty, Tam!
one

               An' O, for ane and twenty, &c.

Although published anonymously in the S.M.M., Burns acknowledges to George Thomson in October 1794 that this is his song, with the remark ‘“In summer when the hay was mawn”, “An O for ane and twenty Tam” are both mine' (Letter 644). Again, this is a song of significant female defiance regarding an ‘unsuitable' marriage partner.

O Kenmure's on and Awa, Willie

First printed in Johnson's S.M.M., Vol. 4, 13th August 1792. 

O Kenmure's on and awa, Willie,

         O, Kenmure's on and awa;
away

An' Kenmure's Lord's the bravest Lord

         That ever Galloway saw.

5
Success to Kenmure's band, Willie!

         Success to Kenmure's band,

There's no a heart that fears a Whig

         That rides by Kenmure's hand.

Here's Kenmure's health in wine, Willie,

10
         Here's Kenmure's health in wine,

There ne'er was a coward o' Kenmure's blude,
blood

         Nor yet o' Gordon's Line.

O Kenmure's lads are men, Willie,

         O Kenmure's lads are men,

15
Their hearts and swords are metal true,

         And that their faes shall ken.
foes, know

They'll live, or die wi' fame, Willie,

         They'll live, or die wi' fame,

But soon wi' sounding victorie

20
         May Kenmure's lord come hame.
home

Here's Him that's far awa, Willie,

         Here's Him that's far awa,

And here's the flower that I lo'e best,
love

         The rose that's like the snaw!
snow/white cockade

Previous editors have assumed this is based on an old Galloway song, but no evidence of such an earlier work exists. It is not impossible that Burns converted a Highland Jacobite song (akin to
Up an Warn A' Willie
) so that Galloway becomes the location and Viscount William Gordon of Kenmure Castle, who led the Jacobite troops in the South of Scotland in 1715, becomes the hero. The poet and John Syme spent three days at Kenmure Castle (sadly now in ruins), near New Galloway village at the end of July, into August, 1793, on the poet's first tour of Galloway. The snow white rose is the Jacobite emblem (the white cockade) which even the Marxist McDiarmid writes of with considerable pathos. The song is original and carries overtones of
Here's A Health Tae Them That's Awa
', a later song where Jacobite dissidents meet and merge with the radicalism of the 1790s.

Bessy and her Spinning Wheel

Tune: The Sweet Lass that Loves Me
First printed in Johnson's S.M.M., Vol. 4, 13th August 1792.

O leeze me on my spinnin-wheel,
delight me with

And leeze me on my rock and reel;
distaff

Frae tap to tae that cleeds me bien,
from, head, toe, clothes, well

And haps me fiel and warm at e'en!
covers, well, evening

5
I'll set me down, and sing and spin,

While laigh descends the summer sun,
low

Blest wi' content, and milk and meal,

O leeze me on my spinnin-wheel. —

On ilka hand the burnies trot,
either, small burns run

10
And meet below my theekit cot;
thatched cottage

The scented birk and hawthorn white
birch

Across the pool their arms unite,

Alike to screen the birdie's nest,

And little fishes' callor rest:
cool

15
The sun blinks kindly in the biel'
glimmers, shelter

Where blythe I turn my spinnin-wheel. —

On lofty aiks the cushats wail,
oaks, wood pigeons

And Echo cons the doolfu' tale;
woeful

The lintwhites in the hazel braes,
linnets, rows of

20
Delighted, rival ither's lays:

The craik amang the claver hay,
corncrake, clover

The paitrick whirrin o'er the ley,
partridge, grass land

The swallow jinkin round my shiel,
darting, sheiling

Amuse me at my spinnin-wheel. —

25
Wi' sma to sell, and less to buy,
little

Aboon distress, below envy,
above

O wha wad leave this humble state,
who would

For a' the pride of a' the Great?

Amid their flairing, idle toys,

30
Amid their cumbrous, dinsome joys,

Can they the peace and pleasure feel

Of Bessy at her spinnin-wheel!

This song derives its title, if not its form and content from Ramsay's
The Loving Lass and Spinning Wheel.
The song is a eulogy to Elizabeth Burgess of Watcarrick in Eskdalemuir.

The song is a celebration of what were to become Wordsworthian pastoral, sessile virtues of economic and environmental contentment, but with a personal, intimate, charming sense of specific character of which the English poet was arguably not capable.

My Collier Laddie

First printed in Johnson's S.M.M., Vol. 4, 13th August 1792.

Whare live ye, my bonie lass,
where

          And tell me how they ca' ye?
what, call

My name, she says, is Mistress Jean,

          And I follow the Collier laddie.

My name, she says, is Mistress Jean,

         
And I follow the Collier laddie.

5
See you not yon hills and dales

          The sun shines on sae brawlie?
so finely

They a' are mine and they shall be thine,

          Gin ye'll leave your Collier laddie.
if

They a' are mine &c.

Ye shall gang in gay attire,
go/dress

10
          Weel buskit up sae gaudy;
well dressed so splendidly

And ane to wait on every hand,
one/servants

          Gin ye'll leave your Collier laddie.
if

And ane to wait &c.

Tho' ye had a' the sun shines on,

          And the earth conceals sae lowly;
so

15
I wad turn my back on you and it a',
would

          And embrace my Collier laddie.

I wad turn my &c.

I can win my five pennies in a day

          An' spen ‘t at night fu' brawlie;
full/wel
l

And make my bed in the Collier's neuk,
corner

20
          And lie down wi' my Collier laddie.

And make my bed &c.

Loove for loove is the bargain for me,
love

          Tho' the wee Cot-house should haud me;
hold

And the warld before me to win my bread,
world

          And fair fa' my collier laddie!
blessings on

And the warld before &c.

A responsive female song of celebratory love for her collier husband, combined with economic hope. There was an embryonic Ayrshire coalfield by the 1790s, the Fife field was much older, but it remains uncertain to what degree this was a traditional song.

Nithsdale's Welcome Hame

Tune: The Country Lass
First printed in Johnson's S.M.M., Vol. 4, 13th August 1792.

The noble Maxwels and their powers

          Are coming o'er the border,

And they'll gae big Terreagles' towers
go build

          And set them a' in order:

5
And they declare, Terreagles fair,

          For their abode they chuse it;

There's no a heart in a' the land
not

          But 's lighter at the news o't. —

Tho' stars in skies may disappear,

10
          And angry tempests gather;

The happy hour may soon be near

          That brings us pleasant weather:

The weary night o' care and grief

          May hae a joyfu' morrow,
have

15
So dawning day has brought relief,

          Fareweel our night o' sorrow. —
farewell

This song celebrates the return of Lady Winifred Constable-Maxwell to rebuild Terreagles, the family seat, which had been forfeited by the participation of her grandfather, William Maxwell, 5th Earl of Nithsdale, in the 1715 rebellion. Discussed in the Introduction, Lady Winifred (Letter 377) was the passionate object of Burns's still contentious claim of the mutual Jacobite history of their respective families.

The Country Lassie

or
In Simmer, when the Hay was Mawn

First printed in S.M.M., Vol. 4, 13th August 1792.

In simmer, when the hay was mawn,
summer, mown

         And corn wav'd green in ilka field,
every

While claver blooms white o'er the lea,
clover, grass lands

         And roses blaw in ilka bield;
blow, shelter

5
Blythe Bessie, in the milking shiel
hut

         Says, I'll be wed, come o't what will;

Out spake a dame in wrinkled eild,
age

         O' gude advisement comes nae ill.
good, no

Its ye hae wooers mony ane,
have, many a one

10
         And lassie, ye're but young, ye ken;
know

Then wait a wee, and cannie wale,
while, cautious chose

         A routhie butt, a routhie ben:
well-stocked kitchen, parlour

There Johnie o' the Buskieglen,

         Fu' is his barn, fu' is his byre;
full

15
Tak this frae me, my bonie hen,
take, from

         It 's plenty beets the luver's fire.
fans

For Johnie o' the Buskieglen,

         I dinna care a single flie;
do not

He lo'es sae weel his craps and kye,
so well, crops, cattle

20
         He has nae loove to spare for me:
no

But blythe's the blink o' Robie's e'e,
eye

         And weel I wat he lo'es me dear;
well, know

Ae blink o' him I wad na gie
one, would not give

         For Buskieglen and a' his gear.
possessions

25
O thoughtless lassie, life's a faught,
struggle

         The canniest gate, the strife is sair;
prudent way, sore/harsh

But ay fu'-han't is fechtin best,
full-handed, fighting

         A hungry care's an unco care:
heavy

But some will spend, and some will spare,

30
         An' wilfu' folk maun hae their will;
shall have

Syne as ye brew, my maiden fair,
while/thus

         Keep mind that ye maun drink the yill.
must, ale

O gear will buy me rigs o' land,
wealth

         And gear will buy me sheep and kye;
cattle

35
But the tender heart o' leesome loove,
gladsome

         The gowd and siller canna buy:
gold, coins cannot

We may be poor, Robie and I,

         Light is the burden Loove lays on;

Content and Loove brings peace and joy,

40
         What mair hae queens upon a throne.
more have

Burns acknowledges authorship of this work in a letter to George Thomson in October 1794, mentioning the song along with
An O for
Ane and Twenty Tam
, remarking they ‘are both mine' (Letter 644). Youthful feminine passion is, characteristically, wholly victorious over aged prudence.

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