The Brothers (11 page)

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Authors: Asko Sahlberg

BOOK: The Brothers
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He eyes me for a moment, stunned. Then his eyes flash and he raises his hand. I wait for the blow, motionless. I will not close my eyes, I will not. He yanks his fist behind his shoulder and his face, turned towards the moonlight, twists with immense rage. I see the blow before it is on its way and I realize this could be the end.

‘Stop it, Henrik!’ the Old Mistress snaps in a steely voice. ‘You will not hit your father!’

That is how it happens in the end. I have been waiting for this revelation for a long time, imagining a solemn affair, a little like an announcement in church or a declaration issued in the market square that people have gathered to hear in their Sunday best, pious expressions ready on their faces.

A confused, bubbling sound escapes from Anna’s lips. Erik looks at me with a frozen face. Henrik stands with one hand drawn behind his shoulder, but his head droops to the side as if he has been hit in the face or the muscles in his neck have given way.

‘No point pretending. You did know, or at least guessed,’ the Old Mistress says coldly. ‘Arvid wasn’t up to making babies, even before he got ill. And don’t judge me. I’ve got blood in my veins and, once it surges, I have a hunger that eating won’t cure.’

They have always had different ways of walking, Henrik and Erik. Henrik moves slowly and heavily but Erik is still boyishly agile, one moment here, the next gone. That is why I remain stupidly still as Henrik executes a twist in the air and launches into an incredible run. He gallops along the surface of the yard, trampled down hard, in the direction of the slope leading to the river. Erik dashes off. I am still pawing snow with my feet until I finally work up some speed and jog after them as best I can. The path thuds, the moon casts fleeting shadows, snowy spruces twist and turn anxiously beside me. Now Erik is catching up with Henrik, I lag further and further behind, I stumble, I nearly fall over, damn this old age, I see Henrik reaching the riverbank down below, and the foam of the black water, flowing between the icy banks, and then Henrik, suddenly up in the air, above the river, suspended for a moment in a void. Then he falls, breaking the swirling, muscular surface of the water. Erik makes it to the embankment and I see what is about to happen just before it happens and I try to shout, pathetically and with whining lungs, ‘Take your boots off!’

He does not take them off, he does not hear me, of course. Now he freezes in the air with his arms stretched out, his head pushed between them – the tautening of a slender figure, like a flexing bow – and then he too is in the water, and I carry on trotting along the sloping bank, clumsy as a hobbled cow. I adjust my route and get off the path, I turn downstream, but it is a mistake because I sink into the snow, right up to my thighs, and so I have no choice but to return to the path. My temples are thumping, my chest is about to burst and my knees threaten to give way, I start scooping air with my hands as I run and suddenly the river is there, I nearly tumble in myself but manage to turn and begin dropping down the embankment downstream. The river is strong, too strong, cunning under its soft skin, from afar I see a hand raised out of the water, but then it, too, vanishes, so death must be certain now, I carry on trotting along the riverside but only to trot towards the end. I feel like throwing myself into the river or collapsing in the snow and sinking into it and asking for forgiveness for all my sins, and roaring out a final prayer before they bury me: a prayer in my own words, one that has been waiting for me all along, dedicated to me.

HENRIK

He is finally mine, I clutch him, and I do not let go, I squeeze his hot flanks with my knees, the wild flying of his mane, his hot breath on my face, I am riding him.

She is finally mine, I clutch her, and I do not let go, I squeeze her hot flanks with my knees, the wild flying of her mane, her hot breath on my face, I am riding her.

We gallop deeper and deeper, towards darkness, together, free, swaying, now.

ERIK

Henrik. Fish fins. I bought Jansson’s horse for you. I cannot give you both of them. I will get down from the tree, Henrik. I will come down.

THE FARMHAND

But just then the dark surface breaks and first one head pushes through, then another. The heads do not look as if they belong to two separate bodies, but to a
two-headed
creature risen out of the sludge. Erik manages to turn onto his back and tries to get to the bank, frantically splashing about with one arm while using the other to support Henrik’s head. I reach them and begin looking feverishly for something I can stretch out. Among the shadows cast by the insolent moon, I spot a dry branch sticking out of the snow. I snatch it free from the suction of the lumpy snow and fling myself onto my knees by the water to hold it out to Erik.

‘Grab this!’ I shout. My cry sounds like wordless roaring. ‘I’ll pull you out!’

Erik beats the rushing water with his free hand. His head bounces on the surface, while Henrik’s looks immobile, like a stone sticking out of the river. I try to extend my arms and slither over the bank until almost the whole of my upper body is swaying above a void. Erik lets out a yell – desperate or anguished or merely frantic – and rises partially out of the water, springing out of it backwards in an arched leap. Henrik’s head is in his arms like a loaf clutched by a starving man. Erik clasps the stick I am holding out. I tug with all my might, for a moment I worry that their weight will pull me into the river, but now Erik grabs my shoulder and then the embankment, and I use my last ounce of strength to lie back, tucking my feet underneath myself for grip. I reach forward to seize Henrik’s wet shock of hair. He becomes detached from the river like an exhausted fish and collapses face-first on top of me.

I hear their panting through my own puffing. Henrik starts coughing water onto my face, I shift him off me. I hear sounds approaching from further along the bank. I push myself into an upright position, I sway. The brothers lie on the ground next to each other with their chests heaving, so alike. Anna reaches us and throws herself onto her knees next to Erik. The Old Mistress has stopped at the bend in the river, not because she does not have the strength to go any further, but because she can see all she needs to from where she is. I bend down to push Anna to the side and help Erik to sit up by taking hold of his armpits.

‘You should’ve taken your boots off,’ I say. ‘They gulp down water.’

‘There wasn’t time,’ he gasps.

‘We’ve got to get into the house at once,’ Anna says. ‘Otherwise you’ll catch your death.’

Henrik lifts his head listlessly. ‘Doesn’t sound like a bad idea.’

‘Keep your mouth shut!’ Erik snaps. ‘I’m not planning to go to my grave because of you.’

‘Though you nearly did,’ Henrik says, his voice quivering.

Erik pushes himself up. ‘I would have let go.’

‘I expect you would have. But would I?’

We half-run upstream. The Old Mistress has already turned round to trudge back ahead of us. Henrik trails behind, his head bent, hugging himself with both arms. Erik turns to me and asks, ‘It is true, then?’

I nod. ‘It’s true, most likely, no way round it.’

He thinks for a moment and states calmly, ‘Why not, suits me fine.’

I look over my shoulder; Henrik is following us. He looks lonelier than ever as he comes up the slope. I stop to wait for him. This is the way he must have trudged for months, struggling uphill, sullen, alone. Reaching me, he is minded to pass at first, but then he turns his face towards me and, with it, his eyes. They lack their usual gleam. Maybe it is because of the bluish light of the moon that his expression appears almost gentle, unless he is just exhausted, unless his strength has finally been depleted and he has, at last, given in. ‘St John used to baptize folk in a stream,’ he says.

THE OLD MISTRESS

We had no choice in the matter. No generation can fail to hear the demands that are sung out by the choir of the tribe that came before. The legacy of landowners in particular is to burden their offspring with their gains and losses; they are to succeed, come what may. When it began to dawn on Arvid and myself during that night in the bridal chamber that he had not been blessed with the capacity to make fruitful the field that he had been given to sow, something that later became undeniable, we understood that hostile fate had picked on us and was beginning to nudge us towards shameful oblivion. I would have borne our situation, but it made the sickly Arvid seriously ill. The flesh fell off his bones, he lost his appetite, he stayed awake brooding at night. The gloom in his eyes reached such proportions that even animals shied away from him and when he took to his bed in the evenings, you would think he was arranging his limbs in a coffin.

‘I’m not fit to make babies,’ he sighed, resigned.

‘It isn’t your fault,’ I tried to comfort him.

‘I must have done some wrong, to be punished like this.’

‘Maybe you’re having to pay for the sins of past generations.’ ‘In that case there must have been many generations of sinners in this family. I’d happily go hang myself so you could get a new husband, but that too is a sin, as we know, and there’s nothing to be gained from me roasting in hell.’

I do not remember now, or I do not want or dare to remember, which one of us came up with a way out of the horrible situation. I only recall, or choose to recall, how once again we had laid our heads on the pillows of our marital bed, airless in its chastity, and the idea worked itself into our subdued talk, as if presented by heavenly mercy. Arvid said, ‘What if I had a chat with the Farmhand? We could agree on one Sunday a month.’

I thought the suggestion over. ‘I wonder if once a month is enough. Wouldn’t two or three times be better?’

‘Let’s say that, then. I can reward him with a cow.’

But the Farmhand did not care to be paid with a cow. He explained that first of all it was a matter of honour for him to help his masters in such a matter and, secondly, he did not expect the service we had agreed upon to prove altogether unpleasant. And so I started creeping into the Farmhand’s small cabin at night, unbeknown to the servants; at first two or three times a month and then, emboldened, four or even five times. In the beginning, we stuck to Sundays, as planned, but despite our earnest efforts, the
hoped-for
result did not come about. That is when Arvid concluded that we had perhaps misinterpreted the Lord’s wishes – Sunday being a day of rest, it might not be favourable for conception, and therefore we should try on weekdays too. Performing this taxing night service after a long working day put quite a strain on the Farmhand, but Arvid had a neat herb garden laid out behind the Farmhand’s cottage and also forced him to accept as a gift the biggest pig that could be found in the district. As you might expect, the Farmhand resisted these luxurious gifts till the end, but I saw how he chuckled, when alone, at the surprising improvement in his living conditions.

Whatever atrocities Arvid’s forefathers had committed, they were eventually forgiven: I became pregnant with Henrik. His birth was joyous, but we did not dare to trust in fate firmly enough to be satisfied with only him – many a firstborn is snatched straight from the cradle by the Grim Reaper. So I had to make my way back dutifully to the Farmhand’s bed, for which Arvid had procured a soft cotton mattress from Vaasa to make me happy.

The joy brought by offspring came too late for Arvid, however; it did not make him a healthy man. He seemed to fade away gradually, from day to day, and I had to take more and more responsibility for the affairs of the house. At the same time, I became oppressed by the loneliness of the man, who would barricade himself in his cramped study. At night, I could not help thinking about my lawful spouse sitting sleepless in his worn leather chair, broken by ill health, pale and wounded, while I lay drowsy, the needs of my blood satisfied, next to the Farmhand. I knew that Arvid would not have allowed me to pity him, but I could not help doing so.

‘I feel that he’s approaching death. It may take weeks or years but it’s coming,’ I said to the Farmhand. ‘So I thought that we could have a break from these services of yours. It’d feel more decent somehow.’

And so came long and quiet years, through which Arvid struggled with amazing endurance, holding on to life, and I stayed away from the Farmhand’s bed. I watched my children grow up, I spent a lot of time by the river in summer and in winter remained mainly indoors, letting time crawl by. I would not say that I was hoping for Arvid’s death. I anticipated it because it was inevitable. When the moment finally came – when the housemaid found him one morning, lifeless in his chair – I did not experience overwhelming grief any more than I did great relief. I felt I had encountered an inescapable given, just as I did when I first came to this remote place as Arvid’s bride. I waited for as long after the funeral as I deemed fitting and then crept into the Farmhand’s shack to discover that he had slept all these years on his old straw pallet, keeping the cotton mattress strictly in storage for me.

I did not become pregnant again. My blood calmed down, it was in ferment only now and then, and the agony of the long days began to trouble me. I started to shorten my days with the help of spirits. At times I paused to wonder whether I should reveal to the boys their origin, but I kept deferring the moment, carelessly and irresponsibly. I put off the future for a long time, but now it is here.

ANNA

I stand with my back against the window and watch Erik about to fall asleep. He is stretched out on the bed, his head bent tiredly to one side. A strong vein throbs at his throat and I feel its pulsing in my fingertips. I feel it on my temples, my tongue. Frozen moments always carry the salty taste of impatient skin.

I turn to glance outside. The Farmhand and Mauri are standing in the middle of the yard, which is chalked by the moonlight; Mauri seems to be explaining something fervently and the Farmhand keeps nodding, as is his habit: exaggeratedly, almost as if he were bowing and scraping. I sense the frost, polishing their words bright. The darkness in the forest yearns for their echoes. Mauri grabs the Farmhand’s hand. Immediately, the spaces between my fingers seep with clammy sweat.

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