The Brotherhood Of The Holy Shroud

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Authors: Julia Navarro

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BOOK: The Brotherhood Of The Holy Shroud
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Annotation
A fire at the Cathedral of Turin and the discovery of a strangely mutilated body attract the attention of Italy's special Art Crimes Department. For the fire is only the latest in a troubling series of arsons and break-ins at the cathedral, which houses what millions believe to be the authentic burial shroud of Jesus Christ.
A cop as well as an art historian, department chief Marco Valoni leads a crack team of investigators in a race to solve a crime he's certain is about to shock the world. Someone is planning to steal the Holy Shroud, and Valoni's only suspect-a mystery man who bears the same scars as the unidentified corpse-is currently serving out a sentence in a Turin prison.
Following a trail that stretches from the humble meeting places of the earliest Christian communities to the highest councils of the Vatican and the boardrooms that rule the world, Valoni and his associates will find themselves in the cross fire of an ancient conflict forged by mortal sacrifice, assassination, and secret societies with ties to the shadowy legend of the Knights Templars.
Spanning centuries and continents, from the storm-rent skies over Calvary, through the glories of Byzantium and the intrigue and treachery of the Crusades, to the modern-day citadels of Istanbul, New York, London, Paris, and Rome, The Brotherhood of the Holy Shroud is a provocative page-turner of the highest order-one that will challenge you to believe.
Julia Navarro
The Brotherhood Of The Holy Shroud
Translated from the Spanish by ANDREW HURLEY
For Fermin and Alex… because sometimes dreams do come true.

 

ACKNOWLEDGMENTS
My thanks to Fernando Escribano, who revealed the tunnels of Turin to me, and who is always "on duty" when his friends need him.
I owe a debt of gratitude also to Gian Maria Nicastro, who has been my guide to the secrets of Turin, his city. He has been my eyes in the city and has generously and swiftly provided me with any information I've asked for.
Carmen Fernandez de Bias and David Trias believed in the novel. Thank you.
And thanks, too, to Olga, the friendly voice at Random House Mondadori.
There are other worlds, but they are in this one.
-PAUL ELUARD

 

1
c. A.D.
30
Abgar, fetng of
Edessa,
to Jesus the good Savior, who appears at Jerusalem, greetings
-
I have been informed concerning you and the cures you perform without the use of medicines and herbs.
For it is reported that you cause the blind to see and the lame to walk, that you cleanse lepers, cast out unclean spirits and devils, and restore to health those who have been long diseased, and, further, that you raise up the dead.
All of which, when I heard, persuaded me of one of these two: either that you are God Himself descended from heaven who does these things, or you are the Son of God.
On this account, therefore, I write to you earnestly, to beg that you take the trouble of a journey hither and cure a disease which 1 am under.
For I hear the Jews ridicule you and intend you mischief.
My
city is indeed small, but neat, and large enough for us both.
The king laid down his pen and turned his eyes toward a young man of his own age, waiting motionless and respectful at the far end of the room.
"You are certain, Josar?" The king's gaze was direct and piercing.
"My lord, believe me…" The young man could barely hold himself back as he spoke. He approached the king and stopped near the table at which Abgar had been writing.
"I believe you, Josar, I believe you. You are the most faithful friend I have, and so you have been since we were boys. You have never failed me, Josar, but the wonders that are told of this Jew are so passing strange that I fear your desire to aid me may have confounded your senses."
"My lord, you must believe me, for only those who believe in the Jew are saved. I have seen a blind man, when Jesus brushed his fingers over the man's dead eyes, recover his sight. I have seen a lame man, whose legs would not move, touch the hem of Jesus' tunic and have seen Jesus gaze sweetly upon him and bid him walk, and to the astonishment of all, the man stood and his legs bore him as your legs, sire, bear you. I have seen a poor woman suffering from leprosy watch the Nazarene as she hid in the shadows of the street, for all men fled her, and Jesus approached her and said to her, 'You are cured,' and the woman, incredulous, cried, 'I am healed, I am healed!' For indeed her face became that of a human once more, and her hands, which before she hid from sight, were whole.
'And I have seen with my own eyes the greatest of all miracles, for when I was following Jesus and his disciples and we came upon a family mourning the death of a relative, Jesus entered the house and commanded the dead man to rise. God must be in the voice of the Nazarene, for I swear to you, my king, that the man opened his eyes, and stood, and wondered at being alive…"
"You are right, Josar, I must believe if I am to be healed. I want to believe in this Jesus of Nazareth, who is truly the Son of God if he can raise the dead. But will he want to heal a king who has been prey to concupiscence?"
'Abgar, Jesus cures not only men's bodies but also their souls. He preaches that with repentance and the desire to lead a life free thenceforth of sin, a man may merit the forgiveness of God. Sinners find solace in the Nazarene, my sire…"
"I do sincerely hope so, Josar, although I cannot forgive myself for my lust for Ania. The woman has brought this plight upon me; she has sickened me in body and in soul."
"How were you to know, sire, that she was diseased, that the gift sent you by King Tyrus was a stratagem of state? How were you to suspect that she bore the seed of the illness and would contaminate you? Ania was the most beautiful woman we had ever seen. Any man would have lost his reason and given his all to have her."
"But I am king, Josar, and I should not have lost my reason, however beautiful the dancing girl may have been… Now she weeps over her lost beauty, for the marks of the disease are upon her face, and the whiteness is eating it away. And I, Josar, have a sweat upon me that never leaves me, and my sight grows cloudy, and I fear above all things that the illness will consume my skin and leave me-"
Abgar fell silent at the sound of soft footsteps. A smiling woman, lithe, with black hair and olive skin, entered.
Josar admired her. Yes, he admired the perfection of her features and the happy smile she always wore; beyond that he admired her loyalty to the king and the fact that her lips would never have uttered the slightest reproach against the man stolen from her by Ania, the dancing girl from the Caucasus, the woman who had contaminated her husband the king with the terrible disease.
Abgar would not allow himself to be touched by anyone, since he feared he might pollute all those with whom he came in contact. He appeared less and less frequently in public. But he had not been able to resist the iron will of the queen, who insisted upon caring for him personally and, not just that, who also encouraged him in his soul to believe the story brought by Josar of the wonders performed by the Nazarene.
The king looked at her with sadness in his eyes.
"It is you, my dear… I was talking with Josar about the Nazarene. He will take a letter to him inviting him to come. I have offered to share my kingdom with him."
'An escort should accompany Josar, to ensure that nothing happens on the journey and to ensure also that he returns safely with the Nazarene."
"I will take three or four men; that will be enough," Josar said. "The Romans have no trust in their subjects and would not look with favor on a group of soldiers entering the town. Nor would Jesus. I hope, my lady, to complete my mission and convince Jesus to return with me. I will take swift horses and will send you and my lord the news when I reach Jerusalem."
"I shall complete the letter, Josar."
'And I shall leave at dawn, my lord."
2
THE FIRE BEGAN TO LICK AT THE PEWS AS smoke filled the nave with darkness. Four figures dressed in black hurried toward a lateral chapel. A fifth man, humbly dressed, hovering in a doorway near the high altar, wrung his hands. The high wail of sirens reached a crescendo outside-fire trucks responding to the alarm. In a matter of seconds firefighters would burst into the cathedral, and that meant another failure. The man rushed down from the altar, motioning his brothers to come to him. One of them kept running toward the chapel, while the others shrank back from the fire that was beginning to surround them. Time had run out. The fire had come out of nowhere and progressed faster than they'd calculated. The man trying so desperately to fulfill their mission was enveloped in flames. He writhed as the fire consumed his clothes, his skin, but somehow he found the strength to pull off the hood that concealed his face. The others tried to reach him, to beat back the flames, but the fire was everywhere, and the cathedral doors began to buckle as the firefighters battered against them. Their brother burned without a scream, without a sound.
They retreated then and raced behind their guide to a side door, slipping outside at the same instant the water from the fire hoses poured into the cathedral. They never saw the man hiding among the shadows of one of the pulpits, a silencer-equipped pistol at his side.
Once they were gone, he came down from the pulpit, touched a spring hidden in the wall, and disappeared.
Marco Valoni took a drag off his cigarette, and the smoke mixed in his lungs with the smoke from the fire. He'd come outside for fresh air while the firefighters finished putting out the embers that were still glowing in and around the right side of the high altar.
The piazza was closed off with police blockades, and the carabinieri were holding back the curious and the concerned, all craning their necks to try to see what had happened in the cathedral. At that hour of the evening, Turin was a beehive of people desperate to learn whether the Holy Shroud had been damaged.
Marco had asked the reporters covering the fire to try to keep the crowds calm: The shroud had been unscathed. What he hadn't told them was that someone had died in the flames. He still didn't know who.
Another fire. Fire seemed to plague the old cathedral. But Marco didn't believe in coincidences, and the Turin Cathedral was a place where too many accidents happened: robbery attempts and, within recent memory, three fires. In the first one, which occurred after the Second World War, investigators had found the bodies of two men incinerated by the flames. The autopsy determined that they were both about twenty-five and that, despite the fire, they had been killed by gunshot. And last, a truly gruesome finding: Their tongues had been surgically cut out. But why? And who had shot them? No one had ever been able to find out. The case was still open, but it had gone cold.
Neither the faithful nor the general public knew that the shroud had spent long periods of time outside the cathedral over the last hundred years. Maybe that was why it had been spared the consequences of so many accidents.
A vault in the Banco Nazionale had been the shroud's place of safekeeping. The relic was taken out of it only to be displayed on special occasions, and then only under the strictest security. But despite all the security, the shroud had been exposed to danger-real danger-more than once. It had been moved back to the cathedral only days ago, in preparation for the unveiling of extensive refurbishments.

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