The Book of the Dead (46 page)
The last sentence refers to his investigation by the FBI when he was under suspicion, not only for occult activities but also for associating with known communist sympathizers. This cost him his government clearance, which meant he could no longer work on official rocket projects. Financially ruined and pushed to the edge, he contemplated suicide, but then, with Candida’s support, he decided he was ready to go beyond even Crowley. He took the Oath of the Abyss and declared himself the Antichrist.
This sounds ludicrously overdramatic, but Parsons’s idea of the Apocalypse was different from the one in the Bible. In fact, it reads more like a vision of the countercultural movements that would sweep America in the 1960s.
An end to the pretense and lying hypocrisy of Christianity. An end to the servile virtues, and superstitious restrictions. An end to the slave morality. An end to prudery and shame, to guilt and sin, for these are of the only evil under the sun, that is fear. An end to all authority that is not based on courage and manhood, to the authority of lying priests, conniving judges, blackmailing police, and an end to the servile flattery and cajolery of mods, the coronations of mediocrities, the ascension of dolts.
Jack Parsons, “the James Dean of the Occult,” never got to see his satanic Utopia. By early 1952 he had begun to manufacture bootleg explosives at home. He and Candida planned to move down to Mexico to create one that was “more powerful than anything yet invented.” Before they left, on June 17, 1952, Parsons, sweaty-palmed as ever, accidentally dropped a vial of the extremely volatile compound known as fulminate of mercury. The explosion blew off his entire right forearm, broke his other arm and both legs, and ripped a hole in his jaw. It was heard more than a mile away. Parsons died an hour later, protesting: “I wasn’t done.” Shortly after hearing the news, his mother committed suicide.
Marjorie “Candida” Cameron went on to become a successful painter and actress in avant-garde films. She is sometimes cited as the inspiration behind the Eagles song “Hotel California.” In recognition of his work on the space program, Parsons had a crater named after him on the moon—on the dark side, naturally.
In 1946 Parsons, a great believer in UFOs, claimed to have met a Venusian in the Mohave Desert. Venusians were very much in fashion at the time and it was only a couple of years since the death of the Serbian engineer
Nikola Tesla
(1856–1943), who some believed had been sent from Venus to modernize earthly technology. Tesla was one of the great innovators of the modern age, often so far ahead of his time that he might as well have been from another planet. Honored as “the man who invented the twentieth century” and nicknamed “the patron saint of electricity” for developing the alternating current system that underpins all today’s electrical networks, he held more than seven hundred patents in his lifetime, for innovations in electromagnetics,
robotics, remote control, radar, ballistics, and nuclear physics. He invented the Tesla coil, which gave us radio, X-ray tubes, and fluorescent light. Some of his ideas were so advanced that science has still not caught up with them, and his almost extraterrestrial gifts as a scientist were matched by a strange and otherworldly personality. If John Dee and Jack Parsons fall into the category of madly brilliant eccentrics, Nikola Tesla is in a class of his own.
Were he born today he would be diagnosed as being on the autistic spectrum, with a severe case of obsessive-compulsive disorder. But those labels weren’t available in the mid-nineteenth century. Mental illness was put down to “nerves” or “hysteria,” and real oddities were either tolerated or committed to the asylum. Tesla’s peculiarities meant that the scientific community would never truly come to accept him, nor did he receive either the acclaim or the financial rewards his work should have commanded.
He was born into a Serbian family in Smiljan, then part of Austro-Hungary, now in Croatia: It was his proud boast to be both Serbian
and
Croatian. The fourth of five children, he recalled his early years as exceptionally happy, growing up in the country surrounded by farm animals. Later in life he would tell how it was witnessing the sparks generated by stroking the family cat that made him want to understand what electricity was. “Eighty years have gone by since,” he wrote, “and I still ask the same question, unable to answer it.” The Teslas were a clever family, blessed with exceptional memories, and Tesla’s father, Milutin, a Serbian Orthodox priest and poet, devised mental exercises to keep his children’s minds supple and alert. He had an impressive library of books but said it wouldn’t matter if he lost them because he had memorized the classics by heart. Tesla’s mother Duka was barely able to read but could recite thousands
of verses of Serb sagas and long passages from the Bible. Her needlework was famously intricate—using only her fingers, Tesla claimed, she could tie three knots in an eyelash. She also improvised ingenious labor-saving devices, even constructing her own mechanical eggbeater. “I must trace to my mother’s influence,” Tesla wrote, “whatever inventiveness I possess.”
The great tragedy of Tesla’s youth was the death of his older brother, Dane, in a riding accident. Nikola was only five, but he had vivid nightmares about it for the rest of his childhood. A conscientious, sensitive boy, he felt his parents’ grief keenly, and no matter how hard he worked, he was conscious that he could never make up for the loss of his brilliant sibling. Dane and Nikola shared at least one outstanding talent: the ability to visualize things in precise, three-dimensional detail. Vivid images of memorable or traumatic events would return to Tesla at any time of night or day, often accompanied by flashes of light, and refuse to disappear. “Sometimes they would remain fixed in space even though I pushed my hand through them,” he recalled. Though distressing for a child, this pictorial clarity would be very useful to him as an inventor.
Young Nikola was hopelessly accident-prone and had several brushes with death. He fell headlong into a kettle of boiling milk, nearly drowned after swimming under a raft, was almost swept over a waterfall at one of the nearby dams, and suffered serious bouts of both malaria and cholera. These shocks provoked a general sense that the world was out to get him, and worsened the long list of obsessions he suffered from:
I would not touch the hair of other people except, perhaps, at the point of a revolver. I would get a fever by looking at a peach and if a piece of camphor was anywhere in the house it caused me the keenest discomfort. I counted the steps in my walks and calculated the cubical contents of my soup plates, coffee cups and pieces of food, otherwise my meal was unenjoyable. All repeated acts or operations I performed had to be divisible by three and if I missed I felt impelled to do it all over again even if it took hours.
At nineteen Tesla went to study electrical engineering at the Austrian Polytechnic in Graz. He was an astonishing student, able to solve mathematical problems almost before his teachers had finished writing the formulas on the blackboard. In his spare time, he taught himself five languages, committed large chunks of Goethe and Shakespeare to memory, and plowed his way through the complete works of Voltaire. “I learned, to my dismay, that there were close on one hundred large volumes in small print which that monster had written while drinking seventy-two cups of black coffee per diem.” Like John Dee, he set himself a punishing work schedule, studying for up to twenty hours a day and sleeping less than three hours a night. He also indulged in more traditional student pursuits: drinking, smoking, gambling to excess, and, briefly, falling in love with a girl called Anna. This period of his life came to an abrupt end when he lost all the money his father had sent him for his studies in a card game. Deeply ashamed at what he had done, he gave up gambling and smoking for good and forswore all further contact with women.
While at Graz, Tesla encountered the Gramme dynamo, the cutting edge of electrical engineering at the time. It was a dual-purpose machine that when supplied with mechanical energy generated electricity, and when supplied with electrical energy could be used as a motor to drive things. Tesla was enchanted by
it but puzzled by its constant sparking. The basic principle of generating electricity by “induction”—introducing a rotating wire into a magnetic field—had first been described by Michael Faraday forty years earlier. The electricity Faraday had produced was called “alternating current,” because it continually switched direction as the electrons in the rotating wire swept past first the north and then the south pole of the magnet. In order to produce useful electricity, this alternating current had to be converted into direct current, similar to the electricity produced by a battery, where the electrons all flow in one direction, from the positive to the negative terminal. To achieve this, a switch, called a commutator, short-circuited the generator at each half spin so that the current continued its flow in the same direction. This shorting was what caused the dynamo to spark. Tesla thought this an overly complex, even clumsy solution. Why not find a way of harnessing the alternating current, he asked? His professors laughed at him, pointing out that it would be tantamount to producing a perpetual motion machine. Early attempts to produce motors with alternating current had been dismal failures.
Tesla never completed his degree. In 1881 he moved to Budapest and found work as a telephone engineer. This suited him much better than academia, and it was during this time that he came up with his first invention, a kind of early loudspeaker. Toward the middle of that year, Tesla began to suffer from a peculiar condition: a multiple sensory overload where sunlight blinded him, the ticking of a watch sounded like the blows of a hammer, vibrations from traffic made him lose his balance, and his pulse spiked and plummeted wildly. His doctors were baffled and at one point thought they would lose him, but then it stopped, as suddenly as it had started. Soon afterward, walking in
the park as he was convalescing, and reciting a passage from Goethe’s
Faust
to a friend, he had an epiphany:
As I uttered these inspiring words the idea came like a flash of lightning and in an instant the truth was revealed. I drew with a stick in the sand the diagram shown six years later in my address before the American Institute of Engineers. The images were wonderfully sharp and clear and had the solidity of metal.
What he had seen that afternoon was to change the world. It was a detailed vision of the electrical Holy Grail, the alternating current motor. His solution was brilliantly simple: to rotate the magnetic field as well as the coil and instead of a single circuit, to have two, but each timed differently so that like the firing of pistons in a combustion engine, when one was down the other would be up, and the forward momentum of the motor would be maintained. No sparks, no loud vibrations—and the motor’s motion was reversible. Tesla had literally “seen” the future. But his vision went even deeper. His recent illness had made him sensitive to both light and vibration. Now he saw the connection between the two. Alternating current produced a frequency, a wave, as the electrons whizzed backward and forward. It was a relatively low-frequency wave, but light was also a wave, a vibration, though at a far higher frequency. Suddenly the whole universe was revealed as a vast symphony of electrical vibration. And if this alternating current could be transformed into usable power, what might be achieved if he harnessed the potential of those higher frequencies? Exploring the implications of this insight would dominate the rest of his life.
In 1884 the twenty-eight-year-old Tesla turned up at Thomas Edison’s office in New York with four cents and some Serbian
poems in his pocket. He had spent the previous two years working for Edison’s company in Paris, and built his first alternating current (AC) motor there in his spare time. Now he was ready to share it with the world. He handed over a letter from his employer in Paris, Charles Batchelor. Addressed to Edison, it said, simply: “I know two great men and you are one of them; the other is this young man.”
Edison wasn’t interested in Tesla’s ideas about AC power; he was building direct current (DC) generators. These were proven to work and his customers liked them. It was Tesla himself who intrigued him. He was an exotic figure: 6 feet 4 inches tall, a cultured, poetry-loving European, always immaculately dressed in morning coat, spats, and gloves. Edison was a shambolic mess of a man who cut his own hair and wore the same food-spattered black clothing every day. About the only thing they had in common was the capacity to survive on virtually no sleep. Tesla’s spooky ability to know the answer to mathematical problems halfway through the question and to conjure phantom engineering diagrams from thin air were in marked contrast to Edison’s “99 percent perspiration” approach. As Tesla would later remark: “If Edison had a needle to find in a haystack, he would proceed at once with the diligence of the bee to examine straw after straw until he found the object of his search.” But Edison was a shrewd judge of people and had had plenty of practice in turning their ideas into his own money. He hired Tesla for the miserly sum of $18 a week, promising a $50,000 bonus if the young Serb could find a way to make the company’s temperamental DC generator system more efficient.