The Bone Clocks (15 page)

T
HE
S
ECURITY
G
OBLIN
is waving his palm in front of my face. “Wakey-wakey! So sorry if I’m dis
tur
bin’ you, but would you an’ the Almighty resume your business tomorrer?”

My first thought is,
How dare he?
There isn’t a second thought because his Gorgonzola-and-paint-thinner breath makes me gag.

“It’s closin’ time,” he says.

“The chapel’s open until
six
,” I tell him tersely.

“Uh—
yeah
. Exactly. And what’s the time now?”

Then I notice the windows; they’re shiny dark.

17:58, insists my watch. It can’t be. It’s only just gone four. I peer around my tormentor’s belly to find Immaculée Constantin, but she’s gone. Long gone, I feel. But no no no no no; she told me to look at the Rubens, just a few seconds ago. I did, and …

… I frown up at Security Goblin for an answer.

“Out at six,” he says. “Closing time’s closing time.”

He taps his watch in front of my face and, even upside-down, its cheap and nasty digital face is quite clear: 17:59. I mutter, “But …” But what? Two whole hours do not vanish in the space of two minutes. “Was there …” my voice is thin, “… was there a woman here? Sitting there?”

He looks where I point. “Earlier? This year? Ever?”

“About … half three, I think. Dark blue coat. A real looker.”

Security Goblin folds his stumpy arms. “If you’d kindly get your herbally enhanced arse into gear, I’ve got a home to go to.”

•   •   •

M
E
, R
ICHARD
C
HEESEMAN
, Dominic Fitzsimmons, Olly Quinn, and Jonny Penhaligon clunk our glasses and bottles in the roar and slosh of the Buried Bishop, across the cobbled lane behind Humber College’s west gate. The place is heaving: Tomorrow the Christmas exodus begins, and we’re lucky to have found a table in the furthest nook. I hole-in-one my Kilmagoon Special Reserve, and the fat Scotch slug scorches a trail from tonsils to stomach. Here, it gets to work on the knot of gut-worry I’ve been suffering from since my zone-out in the chapel earlier. I’ve been rationalizing. It’s been a tiring month with essays and deadlines; Mariângela keeps leaving those nagging messages; and I’ve endured two all-nighters at Toad’s in the last week to tenderize Jonny Penhaligon. Losing track of time isn’t proof of a brain tumor; it’s hardly as if I keeled over, or found myself wandering among the chimneys of the college, naked. I lost track of time while sitting in the finest Late Gothic church in the country, meditating upon a Rubens masterpiece—surroundings designed to transport you. Olly Quinn puts down his half-drunk pint and suppresses a belch. “So, did you solve the mystery of How Ronald Reagan Accidentally Won the Cold War, Lamb?”

I can barely hear him: The Humber College Young Conservatives in the next room are howling along to Cliff Richard’s probably immortal Christmas hit “Mistletoe and Wine.” “Done, dusted, and slipped under Professor Dewey’s door.”

“Don’t know how you’ve stuck at politics for three years.” Richard Cheeseman wipes Guinness foam from his Young Hemingway beard. “I’d rather circumcize myself with a cheese grater.”

“Too bad you missed dinner,” Fitzsimmons tells me. “Pudding was the last of Jonny’s Narnian weed. We couldn’t very well let Mrs. Mop find it during her end-of-term clean-up, assume it was a turd nugget, and chuck it out with Jonny’s gluey copies of
Scouting Ahoy!
” Jonny Penhaligon, still draining his bitter, gives Fitzsimmons the finger; his knobbly Adam’s apple bobs up and down. Idly, I imagine slicing it with a razor. Fitzsimmons sniffs and asks Cheeseman,
“Where’s your leather-trousered friend from the Mysterious Orient?”

Cheeseman glances at his watch. “Thirty thousand feet over Siberia, turning back into an upstanding Confucian eldest son. Why would I risk my reputation on being seen with a gang of notorious heterosexuals if Sek was still in town? I’m a fully converted rice queen. Crash us a cancer-stick, Fitz; I could bloody murder a fag, as I delight in telling Americans.”

“You don’t need to light up in here.” Olly Quinn is our pet nonsmoker. “Just breathe in.”

“Weren’t you giving up?” Fitzsimmons passes Cheeseman his box of Dunhills; Penhaligon and I take one too.

“Tomorrow, tomorrow,” says Cheeseman. “Your Hermann Göring lighter, Jonny, if you’d be so kind? I adore its frisson of evil.”

Penhaligon produces his Third Reich lighter. It’s genuine, obtained by his uncle in Dresden, and these fat boys fetch three thousand pounds at auction. “Where’s RCP tonight?”

“The future Lord Rufus Chetwynd-Pitt,” answers Fitzsimmons, “is scoring drugs. Pity for him it’s not an academic discipline.”

“It’s a recession-proof sector of the economy,” I note.

“This time next year,” Olly Quinn picks at the label of his nonalcoholic lager, “we’ll all be out in the real world, earning a living.”

“Can’t bloody wait,” says Fitzsimmons, stroking his chin cleft. “I despise being poor.”

“My heart bleeds.” Richard Cheeseman holds his ciggie in the corner of his mouth à la Serge Gainsbourg. “People see your parents’ twenty-roomed mansion in the Cotswolds, your Porsche, your Versace gear and jump to
all
the wrong conclusions.”

“It’s my parents’ loot,” says Fitzsimmons. “It’s only fair that I have my
own
obscene bonus to squander.”

“Daddy’s still sorting you a job in the City?” asks Cheeseman, then frowns as Fitzsimmons brushes the shoulders of Cheeseman’s tweed jacket. “What are you doing?”

“Flicking the chips off your shoulders, our Richard.”

“They’re superglued on,” I tell Fitzsimmons. “And don’t knock
nepotism, Cheeseman; my well-connected uncles all agree, nepotism made this country what it is today.”

Cheeseman blows smoke my way. “When you’re a burned-out
ex
-Citibank analyst having your Lamborghini repossessed and your third wife’s lawyer’s got your nuts under a judge’s gavel, you’ll be sorry.”

“Right,” I say, “and the Ghost of Christmas Future sees Richard Cheeseman working on a charity project for Bogotá street-children.”

Cheeseman ponders Bogotá street-children, purrs, and desists. “Charity breeds fecklessness. No, it’s the way of the hack for me. A column here, a novel there, bit of broadcasting now and then. Speaking of which …” He fishes in his jacket pocket and retrieves a book:
Desiccated Embryos
by Crispin Hershey.
REVIEW COPY ONLY
is emblazoned in red across the cover. “My first paid review for Felix Finch at
The Piccadilly Review
. Twenty-five pence a word, twelve hundred words, three hundred quid for two hours’ work. Result.”

“Fleet Street beware,” says Penhaligon. “Who’s Crispin Hershey?”

Cheeseman sighs. “The son of Anthony Hershey?”

Penhaligon blinks at him, none the wiser.

“Oh, c’
mon
, Jonny! Anthony Hershey! Filmmaker! Oscar for
Box Hill
in 1964, made
Ganymede 5
in the seventies,
the
best British SF film ever made.”

“That film robbed me of the will to live,” remarks Fitzsimmons.

“Well,
I’m
impressed by your commission, our Richard,” I say. “Crispin Hershey’s last novel was superb. I picked it up in a hostel in Ladakh on my gap year. Is this one as good?”

“Almost.” Monsieur Le Critic places his fingertips together. “Hershey Junior
is
a gifted stylist, and Felix—Felix Finch, to you plebs—Felix puts him up there with McEwan, Rushdie, Ishiguro, et al. Felix’s praise is premature, but in a few books’ time, he’ll ripen nicely.”

Penhaligon asks, “How’s your own novel going, Richard?” Fitzsimmons and I do hanged-men faces at each other.

“Evolving.” Cheeseman gazes into his glorious literary future and likes what he sees. “My hero is a Cambridge student called Richard Cheeseman, working on a novel about a Cambridge student called Richard Cheeseman, working on a novel about a Cambridge student called Richard Cheeseman. No one’s ever tried anything like it.”

“Cool,” says Jonny Penhaligon. “That’s sounds like—”

“A frothy pint of piss,” I announce, and Cheeseman looks at me with death in his eyes until I add, “is what’s in my bladder right now. The book sounds incredible, Richard. Excuse me.”

T
HE GENTS SMELLS
well fermented and the only free urinal is blocked and ready to brim over with the amber liquid so I have to queue, like a girl. Finally a grizzly bear of a man ambles away and I fill the vacancy. Just as I’m coaxing my urethra open, a voice at the next urinal says, “Hugo Lamb, as I live and breathe.”

It’s a stocky, swarthy man in a fisherman’s sweater with wiry dark hair, whose “Lamb” sounds like “Limb”—a New Zealander’s vowels. He’s older than me, around thirty, and I can’t place him. “We met back in your first year. The Cambridge Sharpshooters. Sorry, it’s appalling men’s-room etiquette to put a guy off his stride like this.” He’s pissing no-handedly into the gurgling urinal. “Elijah D’Arnoq, postgrad in biochemistry, Corpus Christi.”

A memory flickers: that unique surname. “The rifle club, yes. You’re from those islands, east of New Zealand?”

“The Chathams, that’s right. Now, I remember
you
because you’re a natural bloody marksman. Still room at the inn, you know.”

Now I know there’s no cottagey thing going on, I start pissing. “You’re overestimating my potential, I’m afraid.”

“Mate, you could be a contender. I’m serious.”

“I was spreading myself a bit thin, extracurricular-wise.”

He nods. “Life’s too short to do everything, right?”

“Something like that. So … you’ve enjoyed Cambridge?”

“Bloody love it. The lab’s good, got a great prof. You’re economics and politics, right? Must be your final year.”

“It is. It’s flown by. Do you still shoot?”

“Religiously. I’m an Anchorite now.”

I wonder if “Anchorite” means “anchorman,” or if it’s a Kiwi-ism or a rifle club–ism. Cambridge is full of insiders’ words to keep outsiders out. “Cool,” I tell him. “I enjoyed my few visits to the range.”

“Never too late. Shooting is prayer. And when civilization shuts up shop, a gun’ll be worth any number of university degrees. Happy Christmas.” He zips his fly. “See you around.”

P
ENHALIGON ASKS, “SO
where’s this mystery woman of yours, Olly?”

Olly Quinn frowns. “She said she’d be here by half seven.”

“Only ninety minutes late,” offers Cheeseman. “Doesn’t
prove
she’s dumped you for a gym rat with the face of Keanu Reeves, the anatomy of King Dong, and the charisma of moi. Not necessarily.”

“I’m driving her home to London tonight,” says Olly. “She lives in Greenwich—so she’s bound to be along by and by …”

“Confide in us, Olly,” says Cheeseman. “We’re your friends. Is she a real girlfriend, or have you … y’know … made her up?”

“
I
can vouch for her existence,” says Fitzsimmons, enigmatically.

“Oh?” I glower at Olly. “Since when did
this
cuckolding crim take precedence over your stairs neighbor?”

“Chance encounter.” Fitzsimmons tips his roasted-nut crumbs into his mouth. “I espied Olly-plus-companion at the drama section in Heffer’s.”

“And speaking as a reformed postfeminist new man,” I ask Fitzsimmons, “where would you position Queen Ness on the Scale?”

“She’s hot. I presume an escort agency is involved, Olly?”

“Screw
you
.” Olly smiles like the cat who got the cream. “Ness!” He jumps up as a girl squeezes through the crush of student bodies. “Talk of the devil! Glad you got here.”

“
So
sorry I’m late, Olly,” she says, and they kiss on the lips. “The bus took about eight hundred years to arrive.”

I know her, or knew her, but only in the biblical sense. Her surname escapes me, but other parts I remember very well. An afterparty in my first year, though she was “Vanessa” back then; potty-mouthed Cheltenham Ladies College, if memory serves; a big shared house down the arse-end of Trumpington Road. We necked a bottle of Château Latour ’76, which she’d nicked from the cellar in the pre-party house. We’ve sighted each other around town since and nodded to avoid the crassness of ignoring each other. She’s a craftier operator than Olly, but even as I wonder what’s in him for her, I recall a drunk-driving offense and a suspended license—and Olly’s warm, dry Astra. All’s fair in love and war, and although I’m many things, I’m not a hypocrite. Ness has seen me and a fifth of a second is enough to agree upon a policy of cordial amnesia.

“Have my seat,” Olly’s saying, removing her coat like a gentle-twat, “and I’ll … er, kneel. Fitz, you’ve met. And this is Richard.”

“Charmed.” Cheeseman offers her a four-fingered handshake. “I’m the malicious queer. Are you Nessie the Monster or Ness the Loch?”

“And I’m as charmed as you are.” I remember her voice, too: slumming-it posh. “My friends have no trouble with just ‘Ness’ but you can call me Vanessa.”

“I’m Jonny, Jonny Penhaligon.” Jonny jumps up to shake her hand. “A pleasure. Olly’s told us shedloads about you.”

“All of it good.” I hold up my palm to say hi. “Hugo.”

Ness misses no beat: “Hugo, Jonny, the malicious queer, and Fitz. Got it.” She turns to Olly. “And sorry—who are you again?”

Olly’s laugh is a notch too loud. His pupils have morphed into love-hearts and, for the
n
th time squared, I wonder what love feels like on the inside because externally it turns you into the King of Tit Mountain.

“Richard was about to buy a round,” says Fitzsimmons. “Right, Richard? Aerate your wallet?”

Cheeseman feigns confusion. “Isn’t it your turn, Penhaligon?”

“Nope. I bought the round before this one. Nice try.”

“But you own half of Cornwall!” says Cheeseman. “You should see Jonny’s manor, Ness—gardens, peacocks, deer, stables, portraits of three centuries’ worth of Captain Penhaligons up the main staircase.”

Penhaligon snorts. “Tredavoe House is
why
we’ve got no bloody money. The upkeep’s crippling. And the peacocks are utter bastards.”

“Oh, don’t be a Scrooge, Jonny, the poll tax must be saving you a king’s ransom. I’m going to have to pimp myself later just to get a National Express ticket home to my Leeds pigeon-loft.”