The Blue Light Project (42 page)

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Authors: Timothy Taylor

BOOK: The Blue Light Project
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This spreading sense of owning nothing as the time ran out.
 
PEGG REGAINED CONSCIOUSNESS in a sideways world, a bed up against a wall. Metal cabinetry under his head. He pieced together information—medical equipment, Red Cross symbols—and decided that he was in an ambulance that was lying on its side. Then, briefly pinching his eyes shut again, he got a bit more of it. He remembered the man screaming outside the ambulance. He remembered the van going over. He remembered a head coming through the door and yelling something at him. That would have been Haden. As for his present circumstances, Pegg knew nothing much more than that and the fact that he was somehow, miraculously, uninjured.
He crawled out onto the pavement. He saw people with boxes and stacks of clothes.
He saw a young man with a video camera following two women down the row of storefronts, all the glass gone, shattered everywhere. The women were loading each other up with belts and shoes, dropping as many as they grabbed. The young man was calling to them from behind the lens: “Wow, you guys are really great. Are you really incredibly proud of yourselves?”
The women were ignoring him, as if the trailing camera and the shouted questions, while they went about ransacking a shoe store, were just part of a world they’d gotten used to.
Pegg had a card in his wallet with the name and address of his hotel, and so he returned there through the shattered streets. Across the river, where the crowds thinned and there were fewer police, you could almost imagine that nothing had happened. Still, a shocked silence hovered. Pegg read the billboards, trying to place himself in the city.
Needs Met with Passion. Plan for a Better Future. Next Stop, Great Health.
In the lobby he was embraced by air conditioning, the sound of falling water, the smell of breakfast: waffles and strawberries. He slumped into an elevator under a video monitor with the loop of endlessly crashing waves. In his room he tormented himself with a long look in the bathroom mirror. Pain at the temples. Faint nausea. He realized that he had changed his clothes already, as if he were planning to go out. But he couldn’t remember making that decision. Things from the immediate past seemed to be slipping. Memory gone sketchy. He had certain details intact. Thom Pegg. Micah Swenson Pegg. Jenny. Spratley most certainly and the girl at dinner. Mov, definitely. He wouldn’t forget Mov. But the name of the kids in the theater, all of them were gone. And he regretted that. Pegg thought hard, his eyes staring into the reflection of his eyes, the reflection staring back into the original.
He left the bathroom and went to sit on the bed. He keyed on the television with the remote and thumbed through the channels.
Pictures of the city on every channel, national and local. Aerial shots, street-level shots, shots of crowds and police. Pegg said to himself: “All my life I’ve hated this city. I hated being raised here. What was that neighborhood called? The West Stretch. Wide lawns and narrow minds.” It was the same neighborhood Jennifer had come from. Where they had lived together until the end. He should have turned Spratley down cold and never have come back. But now he was here again, cranially damaged, driven by mysteries. Sitting in front of the rolling images—smoke and broken glass, burning cars, no escaping them channel after channel—as if this city had grown so large that it had consumed the entire world.
Room-service coffee arrived. Pegg drank two cups as quickly as he could, then pulled on a jacket and walked out into the city. He didn’t know where he was going. He just knew he had to move. So Pegg began a long walk that started at first light and stretched into the morning, punctuated by three notable episodes.
The first was a spectacular fish taco he bought from a street vendor somewhere towards the riverside lip of downtown, just at the edge of the escarpment on a boulevard that looked as if it were designed for much more traffic than was out today. Pegg was feeling a bit shaky. He deposited several tablespoons of hot sauce onto his shirtfront when trying to squirt it into the taco.
“You all right, man?”
“Splendid,” Pegg said, then realized he had no money. Not a cent. The man looked him over with his head to one side. You gotta be kidding me.
Then—strange times, strange air—the man said: “Forget it. Be careful. Crazy what’s going down over there. I’d stay on the north side if I were you.”
Pegg gave the man his cufflinks and knew he didn’t want to forget the exchange. Then, halfway to the river, thinking this was perhaps the
best food he’d eaten in six months, it occurred to him he couldn’t remember buying it and wondered about the fact that he’d somehow left his room without putting on cufflinks.
The second thing was the receipt of news. Pegg was distracted, but he would never have seen it coming. He’d been standing near the river, near the museum—a good one, Pegg recalled, he’d been there with Jennifer and Micah any number of times—and across the way the sky was smoky and heaving. Still lots of small aircraft and helicopters wheeling around. Pegg watched these and licked hot sauce off his fingers and hoped everything would be all right. He hoped that the looting had stopped by then. He knew there was some point from which you couldn’t pull back. That point was the lip of the downwardsloping and inward-turning spiral, a vortex towards eternal violence and oblivion. Maybe they were at the lip, but they were not over it. Pegg could sense that. And as his eyes were drawn up towards the Slopes, up to the Heights, he thought that something might be newly alive in the city up there. Some possibility that they could yet pull back from the brink.
He started walking with this thought, pulled by that sense of new life, new hope. It was across there somewhere, south across the river, across the falls. And he had to find it. Madness. But did he stop walking, realizing it was madness? No, he did not.
Sirens and racing police cars, still. No taxis anywhere. He crossed the bridge, pausing over the falls. Then he crunched up the sidewalks through Stofton and up into the Heights. Armored cars, troops with knee pads and throat mikes, helmet-mounted cameras. And here came the unexpected news. At the brow of the hill, Pegg crossed a boulevard and a man stopped his car and rolled down the window, beckoned him over. He said: “They’ve cleared the plaza, it’s empty now.” His eyebrows angled with concern. “I was in a restaurant up there. I went home and watched on television then came back down to the plaza
last night. People came because they cared. Looting is wrong but what the police did should never have happened.”
The man was wearing a suit, tie loose. He’d been up for many hours, Pegg thought. They’d all been up for too many hours.
“The infiltration,” the man said to him, squinting up past Pegg into the diffuse light. “That’s going to cause the long-term damage. There were men dressed like protesters talking to the police. The guy shot with the rubber bullet had a Special Forces tattoo. I couldn’t make that up. He was helo’d out in a medevac. Nobody else got helo’d out in a medevac. There are hundreds of people under arrest now. Could be a thousand. Detention centers on the east side, down by the tracks.”
“I missed all that,” Pegg said. “I wasn’t in the plaza.”
The man looked up at him with a kind of sorrow. There was too much that he couldn’t explain to someone who hadn’t been there. Then he said: “And that journalist got killed too. You hear about that?”
Pegg stared at the man. “Got killed by whom?”
“Police, maybe. I don’t know. Who knows? Someone did it.”
Pegg, who assumed the man was talking about him, shook his head and smiled. “No, no,” he said. “The journalist didn’t die. I can assure you, the journalist is quite alive.”
But now the man was looking at Pegg in a sharper way, suspicions aroused. “You can’t assure me of anything,” the man spat. “You just said you weren’t there.”
“You don’t understand,” Pegg started, incredulous. How did these rumors come to life from nothing and then live with such ferocity?
“I do understand,” the man said, voice raised. “I saw it. Kicked to death, my friend. How’s that? You like that?”
Pegg watched him drive off and felt that news sink into him, news that he thought would take on darker and darker meaning as the day went by, as he learned more about the incident and who that journalist was. The one who had not been lucky. The one who had died. But then,
Pegg also wondered how much of the story he could believe. Maybe all of it. It would take no effort to believe it all. Toxic times. Cloned cattle and terminator seeds. A dead journalist. Pegg watched paper blow across the intersection. He felt the chill in the air, smelled the smoke. He felt these things inside himself. Then he walked on towards the plaza, towards the parked fire engines there, three firefighters working a hose, dousing the charred exoskeleton of a car, guts long consumed. Steam rose. Their faces were black.
And here came the third and most unexpected thing. Even in his present state, Pegg remembered enough about himself to be astonished at the feeling rising within. Rounding a corner now. Into a random street, the pavement sparkling with broken glass.
Look at her. She was something. Gold in Geneva.
Eve Latour.
And oh my, but she was lovely. As beautiful as the world knew how. Nothing of the business about her. Hair up in a rubber band. Freckles across a slightly upturned nose. Slender, long legs, all that. But unaware.
Fingernail to her cheek. Mill-town sky. That waterfall and its never-ending song in the background. She was the longing. Oh yes. The longing of our generations. The best we had. And by we, of course I mean me.
She looked up. She saw me.
ESSAY
THE BLUE LIGHT PROJECT
PART III. Black out, blue light
By Thom Pegg
W
e worked our way skyward in tiny steps. And I was terrified, make no mistake about it. I’ve never had much in the way of physical confidence, myself. I know and accept it. And yet there I was, the ground dropping away, spiraling beneath me as we rounded the stairwells. More a ladder than stairs really, thin steel treads with open risers, radically steep, with tiny upturned spikes for traction under your shoes. I was gasping. I was panting. My shirtfront was soaked with icy sweat. I gripped the handrails on either side with hands cramped even though I was wearing a pair of gloves. I was bent against the chill wind. Bent against myself and my every weak tendency.
When we pulled up in Eve’s truck, fifteen minutes before, I’d tared up at this spindly structure and laughed out loud. You’d have to be mad. The thing was weeded over at its base, sheathed around in a high chain-link fence. Barbed wire, check.
No Trespassing
signs, yes indeed. It towered over us, forbidden and iconic. A bank of warning diagrams itemized a comprehensive rebuke to those who would think to enter here. One diagram showed a man shot through by a single lightning bolt. Do not climb or you will be struck dead by a vengeful God.
Thom Pegg is a Los Angeles–based journalist. This is the third of three excerpts from his book,
Black Out, Blue Light
, published this month. Pegg is working on his first novel.
“What the hell is it?” I asked her, staring up. “You’re not suggesting.” This after a half hour’s drive. Out across one of the bridges to the East Shore, then winding up through the neighborhood to the ridgeline. Already from here, the city was laid out below, comprehensible in its pieces. Downtown and the river neighborhoods. The smoky flanks of the slope rising up to the Heights where the fires were winking still.
“It’s an old radio tower,” Eve said. “All these warnings are overkill since the whole thing was powered down in the eighties.”
“You do realize how old I am.”
Eve was pacing the dry grass, expertly assessing the fence.
“I used to live out there,” I told her, pointing out west across the city.
“Yes, I knew that,” she said, still looking for something. “I did read about you, back in the day.”
I wondered what day that might have been. A day now gone. A day now fading as ours was here. A day on which the sun was sinking in the west, making long shadows and agitating the sky with its tracer bullets of orange and red. A reflection of the city still burning below.
“Radio tower,” I muttered to myself, just as she found the breech she was looking for and pulled up the wire fence. Then, in her other hand, I saw the wire cutters and realized she had made the opening herself. Evey Latour. The things you thought you knew about the famous.
We passed into the courtyard of dead thistles and beige bramble that surrounded the feet of the tower. Four enormous steel legs, splayed, and looking to be firmly enough anchored, bolted
to concrete slabs. But looking up, the eye rose through ever more whimsical layers of the structure as it thinned and thinned, Eiffelesque, waisting itself into a dainty thing up there in the sky. It loomed over us, ancient. And where it touched the sky and thin traces of cloud beyond, you could see it tottering in place, groaning and creaking in its joints.
“Three hundred and fifty feet,” Eve said. “Built in 1957. It’s been replaced by the radio masts you see lined up on Route 45 West. But up top of this one you have your best views of the city. You think it’s good from the ridge, wait until you get up there. It’s like being in a helicopter.”
I enunciated the words carefully for her: “You must be completely mad.”
Eve smiled at me. “It’s worth it. Promise.”
I believed her. And she was going to show me how to do it. I’ll be right there, she said. I’ll be just one step ahead of you.
“Behind me might be better,” I said. “That way you can catch me if I fall.”
You won’t fall, Eve told me. And following was indeed the far better choice. Thom Pegg the daredevil. Life, I thought, was surely upended. We crossed to the base of the tower and she showed me how the stairs down to the ground had long ago been hacksawed away. She dismissed this obstacle with a shrug, a roll of the eyes. The legs of the structure were made of wide steel lattice. She had gloves. This incredible woman had brought extra gloves for me, for just this purpose. I put them on and grabbed ahold of the steel, and up we went, one cautious step at a time to the bottom of the severed stairway. Up and on solid footing in a long walkway that squared around the inside of the tower’s four legs. I could see other platforms like this overhead: rectilinear concentrics rising like some kind of gun sight for aiming moon shots.
“Good?” she said.
Thumbs-up. My breath in long, ragged pulls already. “Roger,” I said.
“Then up we go.” And Eve turned to the bottom of the access stairs, crisscrossing upwards in their impossible length. Up into the lowering darkness. Wind high, clearing away the cloud cover as I watched. Stars just shimmering to life up there.
 
I
can’t tell you much about what I was thinking during this climb. I was scared primarily, moving each hand with exaggerated care from one hold to the next. Gripping a railing here or the edge of the stair above me. I suppose I was thinking of her, impossible not to when you’re following someone. As Eve rose above me I was comparing myself to her. I was rising up towards some vision, full of fear. Eve was bounding up the stairs ahead, step after step with unflagging commitment. She was eating up the altitude, consuming the moment at hand.
Below us the land spiraled away, dropping into the shadows of evening that were already stretching, ribbing the landscape. Shadows a hundred yards long. Houses covering the block with the black of their silhouette. I saw the spread of the small airfield near the river, then the lights of the international airport out on the eastern fringe of the city. I saw the river as it broke into view, the shining back of it, slowly twisting through the city. The silver break of the waterfall. Its sharp contour bringing back childhood views, postcards, old memories.
Up and up. High enough to see all of Stofton, River Park, the Heights. The grid of streets familiar here. I could see a church where I was taken as a child. I could see its bell tower. Our Lady of Lourdes. Hadn’t thought of it in thirty years. I could see a restaurant where Jennifer and I used to go for dinner. Cheap Italian joint. When Micah came along we took him too and there was a booth table they gave us where he could kick off his shoes and lie down after eating. Jennifer and me lingering over plates of lasagna and a half carafe of sharp red.
The river arched its back below me and I could make out where the power was still out in swathes on the south side and across the East Shore below. It highlighted the scattered
headlights of those few cars that were out and brought to mind the troubles, the curfew, the city still reeling.
The wind was loud enough that Eve had to raise her voice to speak to me. “It’s amazing, isn’t it?”
“I’m scared silly,” I told her.
“Hang in there,” Eve said, right up next to my ear now. “This is the last platform on the main stairs. The top deck is up a ladder.”
Air currents and suspension. I felt a certain excitement I don’t remember ever feeling in an airplane. Always plain dread in those circumstances. The sad dread of the helpless. Here, I was host to a different fear. I felt the age of the structure. The whole thing buzzing and wobbling in its joints and rivets. I was looking over her shoulder at the spindle of ladder to which she had gestured, my own hand gripping the railing. Maybe this kind of fear was better. Not being strapped in a seat. Not being hurtled through the air by a machine.
I looked at the ladder, my hands instinctively tightening on the rail. I was holding it as though Eve might try pulling me away. As though I might have to make a stand right there. She was smiling, rather sweetly for the horror of my dawning realization. Her head bobbing backwards to indicate that I should follow her. Eve was smiling as if she was enjoying this little thing we were sharing. And I must admit I was enjoying it too. For all my anxiety, my racing heart rate and thoughts, my self-doubt. It couldn’t be denied that it was just Eve Latour and me up that tower, and I took sudden, enormous pleasure from that idea. My organs—my chatty spleen, my gossipy, insinuating inner reaches—were completely silent. Completely still.
The ladder disappeared from the middle of the platform up into a tube of lattice steel. The tube was designed to prevent you from falling outwards off the ladder, as you might if you caught even one glimpse of the ground, down there through the shredding steel below. The distance was the distance to death. That was how the normal brain worked, unwilling to
suspend its faith in gravity. Its belief that gravity must ultimately win.
“I can’t,” I said. “I mean seriously. Isn’t this high enough?”
No, it wasn’t high enough. We could see the city perfectly well from this last of the inner platforms. But above us, even I could appreciate, was an experience of another order. Up there we would be past the structure and into the air that belonged to no one, that high and unsuspended place just short of the stars. The vantage point called for in the calculations she’d made just that afternoon as she cracked the code, the meaning of the map.
Hunched over the table at Kozel’s. I was watching when Eve did it. She’d explained that the map had been left for her by a young man named Rabbit. That she knew it was for her to puzzle over, to solve. And then to use, somehow.
Then she said: “And I’ve finally gotten it. I can’t believe I didn’t see it earlier.”
“See what?” I asked her.
“These numbers here in the margin. They’re not coordinates or secret codes. Rabbit—of course. What was I thinking?”
“What are they?”
“Phone numbers.”
Eve had been poring over that map. She’d run her fingers from Stofton up the Slopes, then along a series of red lines to the west. Back again. Rethinking. Retracing. Fingers to the margins to check numbers and coordinates. Then to the top of the hill, to the Heights. To one building there.
Phone numbers. She hadn’t recognized them because of all the unusual exchanges. But now she put her finger on one of them, tapping in nervous excitement. New cell phones, she said. These were new cellular exchanges.
“I should have guessed Rabbit was using cell phones, but I just didn’t put it together,” she said to me, eyes alight.
We cored our way up that final length in fading light. And when I crawled free of the top of the ladder, gasping again for breath, I found myself on a platform less than ten feet square.
Eve already at the rail, face outwards into the wind. Standing above her city, just short of the stars.
I stayed on my knees at first, too breathless, too frightened to stand. Then I pulled myself up using the railing. The lowest rail, the middle one, the top. I stood there swaying like a toddler: ankles tentative, knees in question. And when I seemed to have steadied myself, she turned to me and I saw that she had her phone out and the map too, folded over into a tight square. She was holding these at the ready. About to make the call, throw the switch.
She asked me, “Any reason you can think of why I shouldn’t do this?”
“Panic in the street?” I tried. “More rioting? Martial law?”
“Why would that happen?”
“You met this Rabbit character, not me. What do you think he had in mind?”
“Something new and without explanation,” she said. “Something so beautiful nobody could be afraid.”
“You could phone him and ask,” I said. But I knew she couldn’t, because the author of this moment, this young Rabbit, this young man whose imagination had captivated her, was now long gone.
“You don’t have to tell me any of this,” I said to her in Kozel’s when we got to this part of the story. “We two having just met and all. Or met again.”
But she wanted to. Eve wanted to tell me about waking up in a lumpy, unfamiliar bed. Naked in the sheets. She wanted to tell me about her reflection in the little mirror over the sink in the kitchen. A cracked and wavering image. It had taken her five minutes before she noticed the obvious thing that he’d left for her. A wall mural in black felt pen. A sketch of a path chosen, a rail line north, the name of a town, the name of a lane with some landmarks noted: blackberry cane, broken gate, hidden key. And across the top of this diorama Rabbit had written in block letters, in a font and phrase she remembered immediately:
You’ll Find It Where You Last Saw It.
We looked down over the darkened cityscape. The guttering flames were still to be seen, the intricate dance of fire truck and police lights high on the facades of buildings as they passed, action now rising again as the evening approached. Looting. The big-box stores were surrounded by guards. Running skirmishes, chaos, flames.
I looked at her. Green eyes momentarily held, checked. Her lips were a full line, her chin sharp to its tiny dimple. I saw her eyes behind the sights of a target rifle and imagined why they would be effective there. A certain coolness and a certainty about life. She was balanced now, our Evey. And from that balance came her last moment of hesitation. She put a finger to the corner of her lips, tracing it backwards to her cheekbone.
 
N
ight was coming. It was conceivable we had climbed all this way for nothing. But Eve had an idea and I could only hope it was the right one. The idea that would throw back the cover. The idea that would reveal.
Eve keyed in the number and held the phone between us. Leaning close, I could hear the nubby tremolo of ringing.
And then, out there, far out over the expanse of the city, a prick of light. We both forgot all about where we were, let go of the railing, stood a bit straighter in the rising wind.
A pulse of blue a split second off the sound of the ring tone in both our ears. The light pulsed and held, then faded. Then pulsed and held. Halogen blue. Intense and pure. A brilliant tone on the darkened cityscape, penetrating and singular, unlike anything else to be seen on the blackened grid below. To my eye, the light seemed to come from very near the plaza. From just beyond Meme Media.

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