The Black Tower (3 page)

But that, and other more fundamental decisions, could wait. First he must see Father Baddeley. The obligation was not merely pious or even filial. He discovered that, despite certain foreseen difficulties and embarrassments, he was looking forward to seeing the old priest again. He had no intention of letting Father Baddeley, however unwittingly, entice him back to his job. If this were really police work, which he doubted, then the Dorset Constabulary could
take it over. And, if this pleasant early autumn sunshine continued unbroken, Dorset would be as agreeable a place as any in which to convalesce.

But the stark oblong of white, propped against his water jug, was oddly intrusive. He felt his eyes constantly drawn towards it as if it were a potent symbol, a written sentence of life. He was glad when the staff nurse came in to say that she was now going off duty, and took it away to post.

E
LEVEN DAYS LATER
, still weak and with his hospital pallor but euphoric with the deceptive well-being of convalescence, Dalgliesh left his flat high above the Thames at Queenhythe just before the first light and drove southwest out of London. He had finally and reluctantly parted with his ancient Cooper Bristol two months before the onset of his illness and was now driving a Jensen Healey. He was glad that the car had been run in and that he was already almost reconciled to the change. To embark symbolically on a new life with a totally new car would have been irritatingly banal. He put his one case and a few picnic essentials including a corkscrew in the boot and, in the pocket, a copy of Hardy's poems,
The Return of the Native
and Newman and Pevsner's guide to the buildings of Dorset. This was to be a convalescent's holiday: familiar books; a brief visit to an old friend to provide an object for the journey; a route left to each day's whim and including country both familiar and new; even the salutary irritant of a personal problem to justify solitude and self-indulgent idleness. He was disconcerted when, taking his final look round the flat, he found his hand reaching for his scene-of-crime kit. He couldn't remember when last he had travelled without it, even on holiday. But now to leave it behind was
the first confirmation of a decision which he would dutifully ponder from time to time during the next fortnight but which he knew in his heart was already made.

He reached Winchester in time for late breakfast at a hotel in the shadow of the Cathedral, then spent the next two hours rediscovering the city before finally driving into Dorset via Wimborne Minster. Now he sensed in himself a reluctance to reach journey's end. He meandered gently, almost aimlessly, north-west to Blandford Forum, bought there a bottle of wine, buttered rolls, cheese and fruit for his lunch and a couple of bottles of Amontillado for Father Baddeley, then wandered south-east through the Winterbourne villages through Wareham to Corfe Castle.

The magnificent stones, symbols of courage, cruelty and betrayal, stood sentinel at the one cleft in the ridge of the Purbeck Hills as they had for a thousand years. As he ate his solitary picnic, Dalgliesh found his eyes constantly drawn to those stark embattled slabs of mutilated ashlar silhouetted high against the gentle sky. As though reluctant to drive under their shadow and unwilling to end the solitude of this peaceful undemanding day he spent some time searching unsuccessfully for marsh gentians in the swampy scrubland before setting off on the last five miles of his journey.

Toynton Village; a thread of terraced cottages, their undulating grey stone roofs glittering in the afternoon sun; a not too picturesque pub at the village end; the glimpse of an uninteresting church tower. Now the road, bordered with a low stone wall, rose gently between sparse plantations of fir and he began to recognize the landmarks on Father Baddeley's map. Soon the road would branch, one narrow route turning westward to skirt the headland, the other leading through a barrier gate to Toynton Grange and the sea. And here, predictably, it was, a heavy iron gate set
into a wall of flat, uncemented stones. The wall was up to three feet thick, the stones intricately and skilfully fitted together, bound with lichen and moss and crowned with waving grasses, and it formed a barrier as old and permanent as the headland from which it seemed to have grown. On each side of the gate was a notice painted on board. The one on the left was the newer; it read:

OF YOUR CHARITY PLEASE RESPECT OUR PRIVACY

The one on the right was more didactic, the lettering faded but more professional.

KEEP OUT

THIS LAND IS STRICTLY PRIVATE

DANGEROUS CLIFFS NO ACCESS TO BEACH

CARS AND CARAVANS PARKED HERE WILL BE MOVED

Under the notice was fixed a large postbox.

Dalgliesh thought that any motorist unmoved by this nicely judged mixture of appeal, warning and threats would hesitate before risking his car springs. The track deteriorated sharply beyond the gate and the contrast between the comparative smoothness of the approach road and the boulder edged and stony way ahead was an almost symbolic deterrent. The gate, too, although unlocked, had a heavy latch of intricate design, the manipulation of which gave an intruder ample time in which to repent of his rashness. In his still weakened state, Dalgliesh swung back the gate with some difficulty. When he had driven through and finally closed it behind him it was with a sense of having committed himself to an enterprise as yet imperfectly understood and probably unwise. The problem would probably be embarrassingly unrelated to any of his skills,
something that only an unworldly old man—and he perhaps getting senile—could have imagined that a police officer could solve. But at least he had an immediate objective. He was moving, even if reluctantly, back into a world in which human beings had problems, worked, loved, hated, schemed for happiness, and since the job he had determined to relinquish would go on despite his defection, killed and were killed.

Before he turned again to the car his eye was caught by a small clump of unknown flowers. The pale pinkish white heads rose from a mossy pad on top of the wall and trembled delicately in the light breeze. Dalgliesh walked over and stood stock still, regarding in silence their unpretentious beauty. He smelt for the first time the clean half-illusory salt tang of the sea. The air moved warm and gentle against his skin. He was suddenly suffused with happiness and, as always in these rare transitory moments, intrigued by the purely physical nature of his joy. It moved along his veins, a gentle effervescence. Even to analyse its nature was to lose hold of it. But he recognized it for what it was, the first clear intimation since his illness that life could be good.

The car bumped gently over the rising track. When some two hundred yards further on he came to the summit of the rise he expected to see the English Channel spread blue and wrinkled before him to the far horizon and experienced all the remembered disappointment of childhood holidays when after so many false hopes, the eagerly awaited sea still wasn't in sight. Before him was a shallow rock-strewn valley, criss-crossed with rough paths, and to his right what was obviously Toynton Grange.

It was a powerfully built square stone house dating, he guessed, from the first half of the eighteenth century. But the owner had been unlucky in his architect. The house was an aberration, unworthy of the name of Georgian. It faced
inland, north-east he estimated, thus offending against some personal and obscure canon of architectural taste which, to Dalgliesh, decreed that a house on the coast should face the sea. There were two rows of windows above the porch, the main ones with gigantic keystones, the row above unadorned and mean in size as if there had been difficulty in fitting them beneath the most remarkable feature of the house, a huge Ionic pediment topped by a statue, a clumsy and, at this distance, unidentifiable lump of stone. In the centre was one round window, a sinister cyclops eye glinting in the sun. The pediment debased the insignificant porch and gave a lowering and cumbersome appearance to the whole façade. Dalgliesh thought that the design would have been more successful if the façade had been balanced by extended bays, but either inspiration or money had run out and the house looked curiously unfinished. There was no sign of life behind the intimidating frontage. Perhaps the inmates—if that was the right word for them—lived at the back. And it was only just three-thirty, the dead part of the day as he remembered from hospital. Probably they were all resting.

He could see three cottages, a pair about a hundred yards from the Grange and a third standing alone higher on the foreland. He thought there was a fourth roof just visible to seaward, but couldn't be sure. It might be only an excrescence of rock. Not knowing which was Hope Cottage it seemed sensible to make first for the nearer pair. He had briefly turned off his car engine while deciding what next to do and now, for the first time, he heard the sea, that gentle continuous rhythmic grunt which is one of the most nostalgic and evocative of sounds. There was still no sign that his approach was observed; the headland was silent, birdless. He sensed something strange and almost
sinister in its emptiness and loneliness which even the mellow afternoon sunlight couldn't dispel.

His arrival at the cottages produced no face at the window, no cassock-clad figure framed in the front porch. They were a pair of old, limestone single-storeyed buildings, whose heavy stone roofs, typical of Dorset, were patterned with bright cushions of emerald moss. Hope Cottage was on the right, Faith Cottage on the left, the names comparatively recently painted. The third more distant cottage was presumably Charity, but he doubted whether Father Baddeley had had any hand in this eponymous naming. He didn't need to read the name on the gate to know which cottage housed Father Baddeley. It was impossible to associate his remembered almost total uninterest in his surroundings with those chintzy curtains, that hanging basket of trailing ivy and fuchsia over the door of Faith Cottage or the two brightly painted yellow tubs still garish with summer flowers which had been artfully placed one each side of the porch. Two mushrooms, looking mass-produced in concrete, stood each side of the gate seeming so cosily suburban that Dalgliesh was surprised that they weren't crowned with squatting gnomes. Hope Cottage, in contrast, was starkly austere. There was a solid oak bench in front of the window serving as a seat in the sun, and a conglomeration of sticks and an old umbrella littered the front porch. The curtains, apparently of some heavy material in a dull red, were drawn across the windows.

No one answered to his knock. He had expected no one. Both cottages were obviously empty. There was a simple latch on the door and no lock. After a second's pause he lifted it and stepped into the gloom inside to be met with a smell, warm, bookish, a little musty, which immediately took him back thirty years. He drew back the curtains and
light streamed into the cottage. And now his eyes recognized familiar objects: the round single-pedestal rosewood table, dull with dust, set in the middle of the room; the roll-top desk against one wall; the high-backed and winged armchair, so old now that the stuffing was pushing through the frayed cover and the dented seat was worn down to the wood. Surely it couldn't be the same chair? This stab of memory must be a nostalgic delusion. But there was another object, equally familiar, equally old. Behind the door hung Father Baddeley's black cloak with, above it, the battered and limp beret.

It was the sight of the cloak that first alerted Dalgliesh to the possibility that something was wrong. It was odd that his host wasn't here to greet him, but he could think of a number of explanations. His postcard might have gone astray, there might have been an urgent call to the Grange, Father Baddeley might have gone into Wareham to shop and missed the return bus. It was even possible that he had completely forgotten the expected arrival of his guest. But if he were out, why wasn't he wearing his cloak? It was impossible to think of him in summer or winter wearing any other garment.

It was then that Dalgliesh noticed what his eye must have already seen but disregarded, the little stack of service sheets on top of the bureau printed with a black cross. He took the top one over to the window as if hoping that a clearer light would show him mistaken. But there was, of course, no mistake. He read:

Michael Francis Baddeley, Priest

Born 29th October 1896 Died 21st September 1974

R.I.P. Buried at St. Michael & All Angels,

Toynton, Dorset

26th September 1974

He had been dead eleven days and buried five. But he would have known that Father Baddeley had died recently. How else could one account for that sense of his personality still lingering in the cottage, the feeling that he was so close that one strong call could bring his hand to the latch? Looking at the familiar faded cloak with its heavy clasp—had the old man really not changed it in thirty years?—he felt a pang of regret, of grief even, which surprised him by its intensity. An old man was dead. It must have been a natural death; they had buried him quickly enough. His death and burial had been unpublicized. But there had been something on his mind and he had died without confiding it. It was suddenly very important that he should be reassured that Father Baddeley had received his postcard, that he hadn't died believing that his call for help had gone unregarded.

The obvious place to look was in the early Victorian bureau which had belonged to Father Baddeley's mother. Father Baddeley, he remembered, had kept this locked. He had been the least secretive of men, but any priest had to have at least one drawer or desk private from the prying eyes of cleaning women or overcurious parishioners. Dalgliesh could remember Father Baddeley fumbling in the deep pockets of his cloak for the small antique key, secured by string to an old-fashioned clothes peg for easier handling and identification, which opened the lock. It was probably in one of the cloak pockets still.