Authors: Iain Crichton Smith
I helped his wife up the path to her house and left her there with the two women who had been helping her before. Then I returned to my own house as empty-hearted as if I had suffered a defeat.
For a long time I seemed to hear Kenneth John’s wife crying. She didn’t really understand what had happened. I knew it was the hermit’s fault. I knew that it was his apparently
free life, brooded upon by Kenneth John, which had caused this dash for an illusory freedom. She didn’t know this because she lived in the flesh but I who lived in the spirit knew what was
happening. I knew what illusory flag he was following on his way to his youth and Hong Kong. I knew what danger the hermit represented to the village. That poor penniless man would find himself
haunting the shops and streets of the town as well as the quays and the ships, and would discover to his cost that he was now not a figure of the future but rather a figure of comedy and pathos in
a world which had left him behind.
And the poor woman he had abandoned didn’t even know what had happened to her. She didn’t know the true significance of the event. Soon she would waken up and find herself alone by
the fireside and as if stunned would mope and moan, comforted by women who were secretly laughing at her. In fact the whole village would turn on her a face of apparently comprehending sorrow while
there would be another face beneath that one, of revengeful laughter. A Janus Hallowe’en mask.
And yet I couldn’t help admiring Kenneth John, if he was in his right mind and not sleepwalking into the past. But perhaps he hadn’t been in his right mind. Perhaps his apparent
composure, his hat set at a cocky angle, his spotless suit, were all disguises for a final desperation which was almost suicidal in its deeper meaning. He had stepped out of the village into
nothingness. He was hanging over the water, high in the swaying mast.
13
After some time the Clamhan who stays opposite me came up to the house. Most of the time he sits at the door wearing spectacles and mending a green net so that he looks like a
spider intently weaving, his spectacles glittering.
‘What did you think of that, eh? Eh?’ he said.
‘I don’t know what to think of it,’ I said.
‘No,’ he said, ‘no.’ And then, ‘He was never interested in the land, you know. Never. Or in the peats. He didn’t care for them. Imagine him going away like
that though. He had some spunk, eh? Some spunk.’ As if pleased with the word, like a girl with a new necklace, he repeated it. As if he had found a new shining word. And this was not my
imagination, for the Clamhan was the local bard who composed songs about any event, unusual or comic, that happened in the village. Such as, for instance, his song about the cart that had fallen
down, loaded with peats, while the horse broke one of its legs. Perhaps he was thinking of composing a song now. Perhaps this was what he did, immersed in his green net all day.
His small eyes peered at me.
‘Nothing’s gone right since that hermit came,’ he said. ‘I wonder what he does with himself all day. Do you know anything about him?’
‘No,’ I said.
‘I wonder what he eats. Do you think he’s got the Pension? They say that he goes to the well for water since there is no water in the house. And there’s Murdo. He’ll
never finish his house.’ And he glanced over at the pile of chaotic stones. ‘He was in the army with me, you know. Always idle. He never finished anything. And what do you think of
Kenneth John, eh? Who would have believed it?’ His little eyes darted about all the time, as if he were a bird perched on an invisible twig.
‘What is happening to the village at all?’ he said. No one was coming out of Kenneth John’s house. Already it had taken on the appearance of a grave.
‘I’ll tell you something,’ he said. ‘She had him on a tether. Maybe I would have left her as well.’ His own wife was large and heavy and submissive.
‘Maybe,’ he repeated, ‘I would have left her years ago. But I don’t know. I don’t know if I would have the courage. The strength. I don’t know.’ And he
gazed down at the ground and following his eyes I too gazed down at the ground to see his large shapeless boots with the dust of the road on them.
‘He mentioned the hermit to me, you know,’ he said. ‘He mentioned him to me once. He said that he would like to stay in the house by himself just like that. He never settled
down, you know. He always wanted to be sailing. He had no time for the land. I don’t understand that. I don’t understand that at all. Still,’ he said, ‘I was never away from
the island like him. The ones who were away from the island never settled down. Think of Kirsty’s daughter. She never settles down.’ And he looked at me askance with his small
glittering eyes.
And I was thinking, I never ran away. In spite of everything I never ran away: that must count for something surely. In our mortal accounts that must count for something. Perhaps what lay
between us was love after all, in spite of the cancer, in spite of the pain.
‘Did he say anything to you while you were talking to him?’ he asked.
I looked up startled, as if I had forgotten that he was still there. ‘No,’ I said, ‘he didn’t say anything. Nothing at all.’
‘That’s funny,’ he said, ‘that he shouldn’t have said anything. It’s funny, that. You would think he would have said something.’
‘What should he have said?’ I asked.
‘I don’t know,’ he repeated. ‘You would think he would have said something.’
‘Well,’ I said decisively and almost angrily, ‘you can take it from me that he didn’t say anything.’
What are you angling for, I was thinking. Are you trying to get hold of some saying that you can use for your poem when you can get round to composing it? His small bald head glittered in the
light, like a small round stone.
‘I just thought,’ he said, ‘that he might have said something.’ I was too tired to repeat what I had already said and anyway we both stopped talking as we saw Kenneth
John’s wife making her way to the peatstack. Her body was bent as if under a great weight. She stood for a moment at the peatstack as if wondering why she was there. Then she put out her hand
slowly as if in a dream, and withdrew two peats. She stared down at them for a while and then still very slowly and with bent back she made her way back to the house. His gluttonous quick eyes
followed her movements.
‘Well,’ he said, ‘well . . . ’
‘I’m sorry,’ I said, ‘I have to leave you now. I have things to do.’
‘Of course, of course,’ he said. ‘Of course.’ I went into the house without looking at him and I poured out a very large whisky and drank it in one gulp. It was very
bitter and raw. When I was finished I could have smashed the glass against the wall. For a long time I stood there thinking of many things. Then I went up to the room where the violin was and I got
it down. I played a little, with joy and sorrow. I drew the bow rapidly across the strings and it was as if new confident feelings sprang up in me. I played as I watched the Clamhan make his way
down to his house and his eternal green net. Then I laid the violin down on the table – heart-shaped, coffin-shaped violin – and I almost wept for us all, for our strange hectic
appalling lives. For poor Kenneth John’s wife who at that very moment was probably sitting next door staring into the fire which she had composed from her black peats.
14
The following morning as usual I went down to the foot of the path to collect the milk from Janet. She was as usual cool and lovely, wearing yellow, her black hair contrasting
strongly with her dress. I held the bottle of milk in my hand as I said, ‘Another fine morning.’ She said it was.
I continued, ‘I’ve been thinking about what your mother said when I was at your house.’
She looked at me without speaking.
‘About marriage and so on,’ I said. ‘It’s true that people need money before they marry nowadays.’ I just wanted to talk to her and didn’t really know what I
was talking about. Cool mornings, how I love you before the sun rises demanding decisions. ‘One needs a house,’ I went on. ‘It must be even worse now, more expensive. Furniture
and so on. When are you thinking of getting married?’
‘I don’t know yet,’ she said. ‘We aren’t even engaged.’
‘Oh,’ I said, ‘I thought . . . But still, it won’t be long, a girl like you.’ I thought I could see the cool wheels of her mind turning in the still early morning.
After what seemed a long while she suddenly said in a hard cold voice, ‘There’s a suite I saw in the town. It’s a red suite. Two chairs and a sofa. I’ve never seen one like
it anywhere. That’s what I would like to get.’
‘A suite,’ I said.
‘I saw it in the window of a shop in the town,’ she said. Dead ahead of her the sun was red and strong in the sky. A suite of clouds overhead.
‘How much does it cost?’ I asked.
‘Two hundred pounds,’ she said. And then she added, ‘I must be going or I’ll be late.’ And she set off at her brisk pace, her lovely cool body moving so freely. In
the early cool morning. Towards the red sun. A suite at two hundred pounds. Why had she mentioned that? I considered it and as I was considering it the hermit rode past on his bicycle on his way to
the shop for his messages. At least that was what I assumed. It was the first time I had seen him close to. He rode past me, his eyes fixed straight ahead, looking neither to right nor to left.
Janet had turned her head to look at him but he hadn’t looked at her. He was sitting upright on his bicycle, the belt of rope around him. Coming out of the red sun he looked like Death in his
dark dirty clothes. His face looked tanned and unlined. Was the brown complexion from the sun or was it that he was naturally dark-skinned? He was like a man I had once seen who cleaned chimneys
and had a small black dog running after him as he rode along on his bicycle. And he looked so contented, so silent, so harmonious. As if he was happy enough to rest in his silence. His coat was
very long, almost touching his shoes. ‘How do you live?’ I spoke to him in a whisper. He never bought whisky or beer, just bread and cheese and butter and so on. Maybe he was a monk or
a holy man. He hadn’t looked at Janet at all. He was much stronger than me.
I returned slowly to my house, the bottle of milk in my hand, thinking about the red suite which Janet had seen in the shop window and whose like was not to be found anywhere. Her voice had
sounded hard and greedy as she spoke. Even in the dew of the early morning which hung on flowers with its silver bells wobbling there was greed and hardness.
The hermit passed out of my sight on his way to the shop with his piece of paper in his pocket.
15
On the Friday night I went to visit Dougie as I often did. Sometimes we played chess and sometimes we just sat and talked. I had forgotten that his brother and wife were home
on their annual summer holiday from Edinburgh but when I did go in, there they both were.
‘Come in, come in,’ said Dougie. His house is the largest in the village and with its large windows gives a wide panoramic view of the sea. His brother Edward and his sister-in-law
Lorna got to their feet from the sofa on which they had been sitting as I entered. Edward is a commander of some sort in the Navy and is a silent perceptive tall darkish man who bears about with
him the easy manner that is common to successful people. His wife on the other hand looks a bit neurotic and stringy and restless. She drinks vodka. After the usual greetings, I was given a
drink.
‘And how are you enjoying your holiday?’ I asked them.
‘Oh, fine,’ said Lorna. ‘We were out fishing in a boat today.’
‘We didn’t catch anything,’ said Edward.
‘Like me,’ I said. ‘I fish in the loch but I never catch anything either.’
I like sitting in the evening with professional people, preferably ones who have come from outside the village and are there only for a short time. I should have preferred to talk about books,
art, music and even philosophy but one can’t have everything. Lorna pretends she’s cultured but she isn’t, though she goes to the theatre quite a bit as her husband is often away
from home. She told me that Edinburgh is as beautiful as ever and just as cold.
Dougie said to her, ‘Of course you know that Charles’s wife came from Edinburgh, but she settled here quite happily.’ I was surprised that his own wife wasn’t in the room
till I remembered that there was an evening service on in church. He looked flushed as if he had been drinking rather heavily before I had come in. We talked about Edinburgh for a while, Edward
silent as usual.
‘I go to quite a lot of things at the Festival,’ said Lorna. ‘But there’s so much. It’s impossible to see it all.’
I envied her for that. To be able to see all the drama that one wanted to watch, to hear all the music that one wished to hear, and to see films and read books, that would have been my ideal
life. But of course it was impossible.
‘It’s quite often the case,’ she said, ‘that people who come from the city settle down happily in the country.’ She was referring to my wife.
‘Yes,’ said Dougie, ‘she settled down happily here. I don’t know whether she missed Edinburgh at all.’
‘A little,’ I said. ‘She missed it a little. Especially in the spring.’
‘I should like to stay here all the time,’ said Lorna sipping her vodka.
I discounted what she said. They all spoke like this when they came home for their annual holiday but they would have been driven out of their minds by boredom if they stayed for more than a
month and especially if they remained during the winter.
So much of language is lying, polite lying but still lying. The difference between men and animals is that men lie, animals don’t. This thought came to me quite clearly as I listened to
her bubbling on.
There were so many definitions about the difference between men and animals but this one came to me quite effortlessly. Man is the animal who lies. I sipped my whisky meditatively till Dougie
suddenly said, ‘The hermit was in today. He was getting his provisions.’
‘Hermit?’ said Lorna looking up.
‘Oh yes,’ said Dougie, ‘didn’t I tell you we have a hermit? No one speaks of anything else here these days.’