The Bell (6 page)

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Authors: Iris Murdoch

BOOK: The Bell
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James was silent. Toby returned and jumped in. Paul swung the car wide into the road and round at right angles into the drive. Dora saw that there was a little stone-built Lodge cottage on the left as they came in. The door stood open and another sheet of newspaper was in process of making its escape. A dog began to bark somewhere inside. A further movement caught her eye and she turned round to see that a thick-set man with long straggling dark hair had emerged from the door and was looking after the car. James was turning round too. Paul, looking into the driving mirror, said ‘Well, well.'
Dora turned back to the front and gave a gasp of surprise. A large house faced them, from a considerable distance away, down an avenue of trees. The avenue was dark, but the house stood beyond it with the declining sun slanting across its front. It was a very pale grey, and with a colourless sky of evening light behind it, it had the washed brilliance of a print. In the centre of the façade a high pediment supported by four pillars rose over the line of the roof. A green copper dome curved above. At the first floor level the pillars ended at a balustrade, and from there a pair of stone staircases swept in two great curves to the ground.
‘That's Imber Court,' said James. ‘It's very fine, isn't it? Can you see, Toby?'
‘Palladian,' said Paul.
‘Yes,' said Dora. It was their first exchange since the railway station.
‘That's where we live,' said James. ‘Us straight ahead, and them away to the left. The drive doesn't go right on to the house, of course. The lake lies in between. You'll see it in a moment. Over there you'll get a glimpse of the Abbey wall. The Abbey itself is quite hidden in trees. The tower can be seen from our side of the lake, but you can't see anything from here, except in winter.'
Dora and Toby looked to the left and saw distantly between tree trunks a high wall, like the one which skirted the road. As they looked the car turned away to the right, following the drive, and a stretch of water came into view.
‘I didn't realize the Abbey would be so close,' said Toby. ‘Oh look, there's the lake! Can one swim in it?'
‘One can if one doesn't mind the mud!' said James. ‘It's not very safe in parts, actually, because of the weeds. Better get Michael to advise you, he's the lake expert.'
The Land-Rover was running along now close to the water, which beyond a marshy area of bulrushes was smooth and glossy, refining the last colours of the day into a pale enamel. Dora saw that it was an immense lake. Looking back along the length of it she dimly saw what must be the Abbey wall at the far end. From here Imber Court was hidden by trees. The lake was narrowing to a point, and the car began to swing back to the left. Paul slowed it down to walking pace and passed gingerly over a wooden bridge which clattered under the wheels.
‘The lake is fed by three little rivers,' said James, ‘which come into it at this end. Then there's one river leading out at the other end. Well, hardly a river, it seeps away through the marsh, actually. '
The Land-Rover clattered very slowly over a second bridge. Dora looked down and saw the stream, glittering green and weedy, through the slats of the bridge.
‘You can't see the far end of the lake from here,' said James, ‘because it turns round to the other side of the house. The lake is shaped like an L, an L upside down from here, of course. The house is in the crook of the L.'
They passed over the third bridge. The Land-Rover was turning to the left again, and Dora began to look for the house. It was immediately visible, presenting its side view to them, a rectangle of grey stone with three rows of windows. Below it, and set back a little from the drive, was a courtyard of stable buildings, surmounted by an elegant clock tower.
‘And there's our market-garden,' said James, pointing away to the right.
Dora saw an expanse of vegetable patches and greenhouses. Far beyond there was park land with great trees scattered upon it. The air was close and dusky. The distant greens were heavy with the final light of day, fading already and hazy.
The Land-Rover ran onto gravel and came to a standstill. They had reached the front of the house. Dora, suffocating with nervousness, felt the blood glowing in her face. Stiffly she began to get out of the car. James vaulted out at the back and came to help her. Her high-heeled shoes crunched onto the gravel. She stepped back and looked up at the house.
From here it looked less huge than it had seemed in the distance. Dora saw that the Corinthian pillars supported a wide portico over a balcony behind which the rooms of the first floor were set back. The twin flights of steps swept outward from the balcony, overlapping the two side wings of the house, and twisted back again to reach the ground not far from each other near the central point of the façade. Stone lions, sitting complacently cat-like, crowned the end of each stone banister, and between them could be seen a line of French windows, put in by some impious late nineteenth-century hand, leading into a large room on ground level. An elaborate stone medallion above these doors contained the message
Amor via mea
. A similar medallion surmounted the tall doorway up above on the balcony, above which a swathe of carved garlands led the eye upward to the stone flowers under the portico roof, dimly alive with the last reflections from the lake. Turning away from the house Dora saw that the gravel drive on which they stood was a terrace which ended at a stone balustrade, surmounted by urns, and a wide shallow flight of steps, cracked and somewhat overgrown by moss and grasses. A gentle grass slope led down to the lake, which lay close in front of the house, and from the steps a roughly mown path, flanked by precariously leaning yew trees, went to the water's edge.
‘It's marvellous,' said Dora.
‘It's not a bad example of its kind,' said Paul.
Dora knew from experience that nothing put Paul in a good humour so quickly as being able to show her something. He was looking up at the house with satisfaction, as if he had made it himself.
‘A pupil of Inigo Jones,' he began.
‘Better bustle up if we're going to make Compline,' said James. ‘So sorry.' He started off up one of the flights of steps. The others began to trail after him.
James stopped, looking down on them from above. ‘I suppose the newcomers would like to join us?' he said.
‘Yes, please,' said Toby. This seemed to be the right answer.
Dora supposed that Compline must be some sort of religious service. At least this would put off the moment when she had to meet all those people, and the worse moment when she would be alone with Paul. She nodded.
Paul said nothing, following her silent and preoccupied.
Dora climbed the steps, trailing her hand upon the wide sloping stone banister. It was warm from the sun. She shivered slightly as she touched the house. In a moment she found herself upon the wide paved balcony under the portico. The tall doorway ahead of her led into a large hall. All was rather dark within, as no lights had been turned on yet. Dora followed James and Toby through the door, and got an impression of a great staircase, and of people hurrying through the hall and out by another door at the far end. There was a stale smell, like the smell of old bread, the smell of an institution.
A woman detached herself from the hurrying figures and came up to them. ‘I'm so glad you've arrived in time,' she said. ‘Welcome to Imber, Toby and Dora. We all use Christian names here, you know. I feel I know you both quite well already, I've heard so much about you!'
The woman, whom Dora could see now in the gloomy light of the interior, was a middle-aged broad-set person with a round freckled girlish face covered with fair fluffy down which gave her the appearance of an amiable lion. She had pleasant blue eyes and very long faded fair hair which she wore in neat plaits round her head.
‘This is Mrs Mark,' said James.
‘Would you like to retire anywhere?' said Mrs Mark to Dora.
‘No, thank you,' said Dora.
At that moment Dora saw, over Mrs Mark's shoulder, what looked like a rather beautiful girl who was hurrying after the other figures in the direction of the door. She was very slim and had a long downcast pale face, long heavy eyelids, and a weight of dark hair which she wore in a drooping bun. Lost tendrils of hair curled in a short straggly fringe upon her high forehead. She turned a little in Dora's direction before she went through the door and smiled.
Dora felt an immediate twinge of displeasure. She realized that she had been assuming that if she had to decorate so uncongenial a scene she would at least be the only beautiful girl upon it. A woman of the appearance of Mrs Mark was quite in place here. But the figure she had just seen was disturbing, like a portent, menacing almost. Dora remembered that she had forgotten to smile back. The smile appeared on her lips a second or two after the girl had gone.
‘Shall we go in?' said Mrs Mark.
She led the way, and Dora followed with Paul. Toby and James came after. James hurried forward to hold the door open and they passed into a wide corridor. Paul took hold of Dora's hand, squeezed it hard, and continued to hold it. Dora was not sure if the pressure was meant as a threat or as a reassurance. She left her hand limp, resenting the hold, overcome with dejection.
A moment later they were stepping quietly into a large long room in which the lights had already been turned on. Three tall uncurtained windows with rounded tops opposite to the door gave a view over the park land, now darkened to a hazy twilight by contrast with the bright naked lights within. Dora blinked. The room was lofty and elaborately panelled. Its pink and white paint had faded to a dusty pallor, blanched now still more by the harsh glare. This, Dora conjectured, must have been the great drawing-room, or banqueting-hall perhaps, of Imber Court, now turned into a chapel. The wall at the end on her right had been completely covered by a curtain of royal blue hessian, fixed to the middle of which was a plain cross of light oak. Below it on a dais stood an altar covered with a white lace cloth and surmounted by a brass crucifix. At the side stood an elaborate metal music stand which served as a lectern. The body of the room was unfurnished except for a few rows of wooden chairs and a scattering of hassocks. A small number of people were already kneeling, and a strong silence, which because of the oddness of the scene seemed to Dora slightly dramatic, made her catch her breath.
James Tayper Pace crossed himself and knelt down at once near the door. Toby knelt beside him.
‘We'll pop you in at the back,' whispered Mrs Mark, and pointed Paul and Dora to the back row. Mrs Mark then slipped away to what was evidently her usual station near the front. They went to their places, setting their feet down carefully on the bare floorboards. The silence was resumed.
After a moment's hesitation Dora knelt beside Paul. In the stillness she found that her heart was beating violently. She had released herself from Paul's grip when passing through the door and now clasped her hands determinedly together in front of her. Resisting the pious atmosphere she threw her head well back and looked about the room. She saw now that the ceiling rose in the centre to a round lantern and what must be the inside of the green dome which she had seen from the drive. From inside it appeared quite small. Dora's gaze wandered for a while among pale egg-and-dart friezes and pink scrolls and stucco garlands until it found its way back to the sober scene below.
Kneeling in the front row she could see a man in a black cassock who must be a priest, and near him she now made out with an unpleasant shock a shapeless pile of squatting black cloth that must be a nun. Behind them, in a group with James and Toby, there were three or four men. Mrs Mark was to be seen, kneeling very upright, her head covered by a crumpled check handkerchief which she must have whipped out as she came through the door. The dark girl whom Dora had glimpsed in the hall was kneeling nearer to the back, her face covered in her hands and bent very low. She had cast a scarf of black lace over her head and beneath it there appeared the black knot of her hair, glistening in the bright light. There were no other women.
Someone began to speak and Dora jumped guiltily. She listened, but could not follow what was being said. The speaker appeared to be the priest at the front. After listening for a little longer Dora realized that it must be
Latin
. She was dismayed and distinctly shocked. She had retained her prejudices when she lost her religion. A murmur of voices suddenly surrounded her, and a dialogue was begun between the priest and the congregation. Dora ventured a quick glance sideways at Paul. He knelt with shoulders squared and hands behind him, looking ahead and slightly upward toward the cross at the far end of the room. He had the solemn somewhat noble look which he often wore when he was thinking about his work, but rarely when he was thinking about his wife. Dora wondered whether, happily, his mind was turned to higher things, or whether the religious scene had wrought some change in his feelings. She must remember to ask him, some time when he was in a good temper, whether he believed in God. It was absurd not to know.
Dora suddenly noticed that the nun in the front row had turned round and was looking at her. The nun was fairly young and had a wide ruddy face and strong intent eyes. With the detachment from her devotional surroundings which can best be shown by those whose profession is devotion she scrutinized Dora with unsmiling objectivity for a moment or two. Then she turned away and whispered something over her shoulder to Mrs Mark who was kneeling just behind her. Mrs Mark also turned round and looked at Dora. Dora felt herself becoming red with alarm. There was a cold familiar inevitability about these looks. With the resignation of one who had never in her life got away with anything Dora watched Mrs Mark get up and tiptoe round the chairs to the back so that she could lean over Dora's shoulder. Dora twisted round, trying to hear what it was that Mrs Mark was now whispering in her ear.

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